Back catalogue: Soundtracks

Review: On this fresh 7" from Columbia Records' Japanese division, we hear pressed to wax two key musical motifs (yes, there are two) from the TV anime Saint Seiya, 'Sentoshi Shinwa Soldier Dream', as well as its counterpart, 'Yume Tabibito'. With the anime concerning the travails and trials of a five-piece justice-league of Athenian intergalactic warriors - who each wear their own "Cloths", i.e. supernatural outfits that grant each protagonist special, demiurgic powers - you can expect each piece to be as rousing and galactic as that description suggests.

Review: 'We Are!' was the very first opening theme for the TV anime version of One Piece, which first aired in 1999. The first analogue version of the 8cm single CD was released in November of that year. Sung by the franchise's in-house singer Hiroshi Kitadani, and bringing along with her a bursting, emphatic, nearing-on-frenzied composition, the theme instantly captures the vibe of One Piece; that of following Monkey D. Luffy and crew on serial whimsical piracies and carefree adventures, set against a more sinister backdrop of tyrannical secret police forces controlled by a World Government, in constant conflict with a Revolutionary Army.

Review: The ominous clangs and thuds grow louder and louder, louder and louder, atmosphere of increasing tension turning into borderline panic as timbre's brooding menace threatens to erupt into snarling aggression. Suffice to say, like a good chunk of Diabel, 'Wedding Dance Macabre' is disinterested in niceties and would likely run anyone through who is looking for background music. The fact this is one of Andrzej Korzy?ski's scores for one of Andrzej ?u?awski's movies only makes that feat more phenomenal, given the role soundtracks often play in cinema.

Of course, it's not all so foreboding and intimidating. Tracks like 'Through the Door - Theodor' are in fact downright playful, tune comprising high pitched 'boing' noises, like springs recoiling in harmony, while 'Your Father Is Dead Young Lord' is a masterclass in emotionally captivating piano. Nevertheless, the point remains - these were never meant to accompany a visual piece, but instead play leading parts in the narrative of Diabel.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


WRWTFWW Records have got the official rights to reissue Daisaku Kume's iconic soundtrack to Violent Cop, a highly acclaimed 1989 Japanese crime and drama movie that is now available outside of Japan for the first time in its history. The movie marked Takeshi Kitano's directorial debut and is a grotty new-noir staring a rogue detective and sadistic crime syndicate. The soundtrack ranges from smooth jazz melancholy to late 70s fusion and is a superb blend of atmospheric and dramatic genres including elements of ambient-classical, and modern Western atmospherics making it the perfect accompaniment to the lead lonesome urban cowboy character.

Review: You might be more familiar with Bobby Krlic's long-established moniker, The Haxan Cloak, with two critically acclaimed studio albums already out under that name. Here, he steps out from behind the veil (ahem) for the latest example of just how far video game soundtracks are going these days. Returnal is a third-person shooter set in space, wherein players land on a distant planet in search of the White Shadow, a mysterious signal that has been emanating from the region.

Sadly, things don't go too well, as we wind up trapped in a time loop, really just wanting to go home and make some sense of what's happening. Krlic's score does that surreal and unnerving plot proud, moving between these huge, epic, Blade Runner-esque moments of stretched synth refrains to collages of eerie chimes and whispered abstract noises.