Review: It would be fair to say that the Egyptians are not one of the more celebrated soul acts from Cincinatti, Ohio. They released a smattering of seven-inch singles on tiny labels during the early-to-mid 1970s, none of which made much of an impact outside of their local scene. In recent years these 45s have become collector's items, with "Thanks To You" - a super-sweet soul slow-jam rich in harmonic group vocals and effortlessly fluid and jazzy guitar parts - being the most in demand of all. Here the record is finally reissued, with facsimile labels and the same track listing (vocal version on the A-side, instrumental take on the flip). If rare, life-affirming 1970s soul loveliness is your thing, it's well worth a listen.
Review: Originally pressed (on a limited run) in 2013, LA Latin funk troupe Boogaloo Assassins have reissued these two spellbinding cover versions again due to public demand. Still on a highly limited run, both cuts need to be in your collection: Dawn Penn's "No No No" gets a strict samba switch with lavish percussion and consistent vocal harmonies throughout while Sonny Henry's "Evil Ways" (best known from its Santana cover) gets the dreamy instrumental treatment where the horns and glocks do the narrating over a tight bed of wood blocks, shakers and liquid Rhodes. Killer stuff and Juno is one of the few stores outside of USA which is carrying the 45. Don't Sleep !
Review: The third missive from crate-digging reissue specialists Discs of Fun & Love offers up a new pressing of a suitably obscure and hard-to-find private-press gem, Maggie Epting's sole single as Mandisa, 1981's "Summer Love". The song itself is superb: a wonderfully breezy and sun-kissed slab of dewy-eyed soul that sees Epting deliver an emotive lead vocal over a jazz-funk influenced smooth soul groove and plenty of spacey, intergalactic synthesizer sounds. Over on the flip you'll find original B-side "Love's Dream", a quirky, sax-laden slab of electric jazz that features an even bolder and more ear-catching Epting vocal. It's very good, though the real killer resides on the A-side.
Review: The Allergies' debut album introduced the world to the way they effortlessly fuse funk, soul, disco, hip-hop and breaks into dancefloor-ready nuggets of ear candy. Taking classic sounds and reshaping them for the modern age is the signature that won them plaudits across the globe. Not ones to rest on their laurels, it hasn't taken long for them to deliver more of the goods on their second full-length album. As well as taking the successful formula of the first record and expanding on their sound, the band enlisted two giants of underground hip-hop to bless mics on the album as well. After a hugely successful collaboration on their debut LP, once again the dynamic lyricism and production skills of the inimitable Andy Cooper (Ugly Duckling) are present and correct in this new collection.