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Review: On this latest drop on EPM, the steadfast UK techno label welcomes steadfast UK techno titan Mark Broom for a collaboration with Australian in Berlin Patrik Carrera. The result is four slices of no-nonsense jackhammers from two experts in the field, leading in with the edgy loops and bludgeoning kicks of 'Kos' and neatly stepping over to the shoulder-shaking pressure of 'ZZZZ'. 'Track 4' features one of those deadly chord stabs which just lands squarely between the eyes, while 'F9' rides the cymbals mercilessly and keeps an abundance of funk in the low end - pure dancefloor dynamite in action from two well-versed detonators.
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INSIDER presents SPACE BARONS
Zillion (Soundtrack) (1-sided etched 12")
Cat: TDMV 001. Rel: 26 Oct 22
Techno
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Review: Aussie duo Echo Inspectors join forces with yet two more cretive forces of nature, Subset and Prince Morella, to deliver 'Youthman' - in the artist and label's words - a "slung dubbed out, rootz laiden steppa". The dub influence rings as clear as a translucent glass bell that's just been peeled off the blowpipe; the track's vocalist, Morella, has already worked with Lee Perry, King Tubby and Scientist, so this is certainly a collaboration for those willing to follow the threads of dub as a lineage into dub techno. The original is slow and pacey enough - with Morella singing of broken barriers and Babylons - but it's the organic-atmos remix from Biodub that really takes the cake for us, with its daring additions of swing and future garage influences.
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Cat: DCX 004. Rel: 24 Jan 23
Techno
Review: Here's a big old belter on that biggest of techno fortresses, Drumcode. On this two-track slammer, Adam Beyer and Bart Skils' monster track 'Your Mind' gets revisited by New York up and comer Charles D. After releases on Say What? and Pryda, D is able to show off his skills twice over, on the A-side living up to the billing of the 'Epic mix' of 'Your Mind' by bringing in the big, swelling pads that can fill a stadium and get hands raised aloft. On the flip, the 'Acid Line' version unsurprisingly brings a little 303 action into the mix, and makes sure the undercarriage is a thunderous juggernaut of supersized techno.
… Read morePlayed by: Juno Recommends Techno
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Review: Midland has been smart about his arc as a producer, taking his time rather than churning out releases for the sake of it. As such, when we do get something new from the lad, it always feels like an occasion, and of course the music invariably matches the mood. 'You Never Take Me Dancing' is in fact the B-side opener on this new four-track record, but it plays out like the lead role on an EP bursting with fresh ideas. 'Strangers On The Train' toys with more experimental synthesis and a stripped back mix down that takes its cues from footwork, while 'Drift Into The Algorithm' plays out as the slinkier, shimmering house he's perhaps been better known for of late. The class and consideration just spills out of this record - more than worth waiting for.
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Review: Matt Edwards aka Radio Slave's Rekids label is back with something a bit different here: it is a debut release from Serbian duo XL Traxx who show off their fierce and jacked-up analogue sounds across three bangers. 'M-Bomb' is the early standout with a classic Chicago house vocal over raw, hard-hitting drums surely made with some proper outboard gear. 'E-Dancer' then offers the sort of loopy synth energy you would expect from a tune with such a name and then the bouncy house and catchy finger clicks of 'D-Edge' have slightly deeper vibes.
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Cat: RM 2101. Rel: 28 Sep 21
Techno
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Review: This archival release on Organic Analogue digs back into the prolific '90s period of Swedish techno maverick Jean-Louis Huhta, aka Dungeon Acid. These days he releases on iDEAL, Fit Sound, Borft and Klasse Wrecks, but he cut his techno teeth on labels like Hybrid, Svek and H. Productions. Clad in artwork details by Swedish graffiti legend Nug, Wormhole Of Time comprises unreleased cuts and long out-of-print jams spanning many of Huhta's aliases. The release also comes with a zine featuring photographs and an interview reflecting on Huhta's multifarious life in music.
… Read morePlayed by: Juno Recommends Techno, Moxie
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Review: It's been a long time coming, but finally Beatrice Dillon has delivered her debut album - and it's a peach. It sees her "Workaround" a set rhythmic idea - 150 BPM percussive polyrhythms influenced by various global drumming styles - to create a suite of tracks rooted in bass-heavy UK style "broken techno" but vastly different in tone and style. Thanks to a range of impressive guest musicians (techno experimentalists Batu and Laurel Halo both contributed alongside veteran jazz players, one of Britain's best bhangra drummers and a cellist), there's a fantastic hybrid electronic/acoustic vibe throughout, with Dillon's experimental instincts combining with her grasp of mood and melody to create a suite of impossible-to-pigeonhole tracks that genuinely sound like nothing else around. In a word: superb
… Read morePlayed by: Cedric Woo, Pure Space
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Review: After first surfacing digitally late last year, Matisa's Steel City Dance Discs label debut finally makes it onto vinyl - and not a moment too soon. Hard to pigeonhole but fiendishly heavy and floor-friendly, the four cuts on offer are rave-igniting workouts that somehow manage to sound both nostalgic and genuinely fresh. For proof, check opener 'Brillatine', where a warped, all-action bassline, fizzing electronics, Orbital-style female vocal snippets, jumpy stabs and pots-and-pans percussion hits cluster around a skittish, warehouse-ready breakbeat. 'Eyeliner' is a slightly more rave-centric chunk of heady breakbeat hardcore revivalism with added M1 organ motifs (and a rap-less accompanying hip-house style tweak from label boss Mall Grab), while 'Lip Plumper' is a muscular, hands-aloft house workout with layered percussion aplenty.
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Review: Some of Europe's finest purveyors of underground sounds come together on this fourth rase from the One Eye Witness label out of the Netherlands. Asphalt DJ kicks off and lays out a steamroller of a techno banger in 'Blades' which is pulsing, hard hitting but supple. RDS gets for a much more minimal and cosmic vibe on the tight and bouncy 'TH Only' then Ste Roberts brings some machismo and texture to 'Tune Pitch Decay' with its industrial tech aesthetic. Tammo Hesselink closes down the EP with the loose and bendy tones, scattered hits and late night minimal eeriness of 'Untitled 42.'
… Read morePlayed by: Kid Who
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Review: Torsten Profrock’s T++ project has continually spread its wings since conception in 2005. Championed by fans of techno, dubstep, experimental and drum & bass alike, his latest EP for Honest Jons (and rumoured to be his last under this monkier) showcases the amalgamation of styles and sounds that has earnt the German such a far reaching fanbase.
If it does prove to be the final T++ release ever, then the alias will have left us with the most expressive and energetic of his works. Adding a real sense of personality, Profrock unearthed a handful of samples of the singer and ndingidi player Ssekinomu, recorded in East Africa in the 1930s and 40s in the label’s vaults for this release. Skilfully, the producer works these snippets into the complex rhythm structures, giving his music a human touch that has never been seen before. Profrock looks to the radical fringe of UK garage for the snapping 2 step vibe in these rhythms that remain central to all four tracks on the EP. This results in a clutch of tracks that take on an immensely tribal and subconsciously innate feel. They morph new structures from the forms of 2 step, techno and drum & bass around which Profrock wraps twisted FX and weighty sub bass to create one whole, throbbing organism.
So with quite possibly his final release, T++ leaves us, rather fittingly, with a record that sounds at once both ancient and modern. It has a totally unique tone, like a form of tribal language that can only speak to and be understood by today’s culture through these sub-heavy, atmospheric sounds.
… Read moreIf it does prove to be the final T++ release ever, then the alias will have left us with the most expressive and energetic of his works. Adding a real sense of personality, Profrock unearthed a handful of samples of the singer and ndingidi player Ssekinomu, recorded in East Africa in the 1930s and 40s in the label’s vaults for this release. Skilfully, the producer works these snippets into the complex rhythm structures, giving his music a human touch that has never been seen before. Profrock looks to the radical fringe of UK garage for the snapping 2 step vibe in these rhythms that remain central to all four tracks on the EP. This results in a clutch of tracks that take on an immensely tribal and subconsciously innate feel. They morph new structures from the forms of 2 step, techno and drum & bass around which Profrock wraps twisted FX and weighty sub bass to create one whole, throbbing organism.
So with quite possibly his final release, T++ leaves us, rather fittingly, with a record that sounds at once both ancient and modern. It has a totally unique tone, like a form of tribal language that can only speak to and be understood by today’s culture through these sub-heavy, atmospheric sounds.
Played by: Girls Of The Internet, Svreca, Marcel Heese, Zenner, A Made Up Sound (Clone, TTT), TENDENCY
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Whirlpool Gedanken (yellow marbled vinyl 12" + MP3 download code)
Cat: NPLX 004. Rel: 09 Dec 22
Techno
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Review: Drumcode don't just do huge-room heaters, you know. 'When The Lights Go Down' is a strong case for the label's darker side, seeing to a generous three-track contribution from Neapolitan producer and DJ Roberto Capuano. The artist eschews an overindulgence in detuned trance saws for reese basses here, preferring to revel in the wealths of space offered by repeated kick drums and large reverberative spaces - as opposed to high-endy, sizzly sounds. The title track is the star, thanks to its riveting vocal line and guard-throwing rhythmic messups, which occur at the same time.
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Review: This superb new record from AnD embarks on a conceptual journey inspired by the fusion of granular synthesis, innovative sound design, and rhythmic explorationd within polyphony. It delves into the cosmic phenomenon of star collisions as the artists leverage their background in engineering and explore mathematical intricacies surrounding the timing and impact of stellar collisions. Through a sonic landscape echoing the vastness of space, this record incorporates elements of white noise, fragmented breaks and minimalist synth arrangements that are said to mirror the mental experiences of the listener.
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Review: TV Hill Records starts things off rough and curiosity-rousing, with a technical itch from OG AG (Andrew Grant) in collaboration with fellow producer Dimneonsum. A mid-paced deep techno calculator, 'What's Up Everybody' pares back any semblance of emotion for pure robotic urgency, with every sound moving in juddering clockwork lockstep in an abstracted world of pure, preservative mathematic topology. Opener 'San Fran' pits nervous FM loops against an equally anxious Shepard-tonal riser, while calmer moments such as the beatless 'Drakey' still disquiet with their eerie glassiness. One for the bleepy heads, the only humanistic element is the revelatory vocal sample on 'Found Out'.
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Welcome To The Future (limited turquoise & black splattered vinyl 12")
Cat: MAXITTR 004. Rel: 01 Dec 23
Uplifting Trance
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Waveform Transmission Vol 2 (reissue) (2xLP + MP3 download code)
Cat: TRESOR 017. Rel: 24 May 23
Techno
Review: Tresor dig deep into the vaults for a reissue of one of Robert Hood's many seminal releases. This one comes under his The Vision alias and is an impressive 30 years old in 2023. It came originally in the year he left his Detroit hometown and the safety of the Underground Resistance label and head to New York with Jeff Mills. The music is fast and furious and funky as you would expect, with funky techno drum foundations and mind melting details up top. It set a ridiculously high standard and hasn't aged one single bit. All hail Hood.
… Read morePlayed by: Juno Recommends Techno
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Review: There's plenty to get sucked into on this latest 12" transmission from Germany's Movida. It is Part 1 of a new Waterdrop EP from a quartet of artists. Somfay goes it alone to start with on the far-sighted and zoned-out house of 'Arborvitae (A Voice Like Water). Luc Ringeisen & Funk E then link up for 'Treinta Y Siempre' which is a lithe and sleek electro-tinged rhythm with lovely downbeat bass notes and more uplifting melodic patterns. Last of all is Polyfan Polyphenix, a jittery and rugged rhythm with razor sharp hi-hats and twisted vocals that bring a leftfield sound to 'Polymorph 2.'
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