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Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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 More than 10 in stock $268.88
Cat: 648928 Rel: 25 May 17 • View all Synth modules
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: 'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 More than 10 in stock $227.18
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Cat: 681306 Rel: 24 Jul 18 • View all Synth modules
 
Multi-algorithm macro oscillator - 12HP
Notes: Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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 More than 10 in stock $183.41
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Cat: 416484 Rel: 26 Jan 11 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: A High quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180 degree 5 pin DIN plug.
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 7 in stock $1.25
Cat: 592164 Rel: 02 Nov 15 • View all MIDI controllers
 
New version of Ableton's hardware instrument for hands-on playability with Ableton Live 9.5 - play or step sequence beats, notes, chords and automation
Notes: ***Register Live 9 Intro and get a Live 10 Intro license delivered to your user account. This is an automated process; no further action is required.

There will be a grace period of one month starting at release of Live 10 Intro, during which registered versions of Live 9 Intro will still trigger a free upgrade to Live 10 Intro.

A grace period of 4 weeks also applies to customers who registered Live 9 Intro up to 4 weeks before November 2nd 2017.

For further information please contact support@ableton.com***

What is Push?
Push is a hardware instrument designed and engineered entirely by Ableton for a music-making experience that is as hands-on, expressive and closely integrated with Live as possible. Push and Live work together seamlessly to let you make beats, play notes and chords, work with samples and develop song structure - all without needing to look at a computer.

Make beats:
Browse, preview and load your own sounds for making beats, or access Live's vast library of drums. Then play beats live with the 64 velocity-sensitive pads and adjust sounds and kits while you play, using eight touch-sensitive endless encoders. Or switch to a 16-pad mode that allows you to play in real time, step sequence beats, and adjust the length of your loop, all at the same time.

You can also tweak timing, velocity, and parameter values individually for each pad. And the free Live 9.7 update has brought the 16 Velocities drum layout, an alternative way of making dynamic beats, with 16 set velocity levels for playing or programming patterns.

Play notes and chords:
Push's pads correspond to pitches, and offer a condensed layout that encourages a fresh approach to melody and harmony: large intervals can be reached easily, and patterns can be played with the same fingerings in all keys. You can select a key and scale with the touch of a button, and Push's touch slider can be used for pitch bend or modulation.

Push also lets you step sequence notes and chords: use the pads to enter notes, then make precise timing changes, create variations or adjust note length and velocity. You can even step sequence automation: record a parameter's value for each step to create rhythmic, quantized parameter changes that are locked to specific notes in your loop.

Work with samples:
Three separate workflows offer fast and flexible ways to get creative with your samples. Classic mode lets you turn melodic samples into playable pitched instruments. In One Shot mode, samples playback monophonically and all the way through, no matter how long you hold the pad - perfect for playing drums. You can also transpose a playing sample without retriggering it, allowing you to transform musical phrases into whole new melodies.

Slicing mode is designed for chopping up longer samples. With the Live 9.7 update you can now slice by beat division and region, or manually set slices, and instantly play each slice on a different pad. It's perfect for rearranging loops on the fly or for creating drum kits from recorded grooves. Plus you can now select and record audio and MIDI ins and outs directly from Push, so you can sample your external gear and more, without disrupting your flow.

Beautiful and playable:
Everything about Push has been carefully considered to provide a quality playing experience. The multi-colour display adapts to show you exactly what you need to help you stay in the creative flow without adding distraction. Push's pads have been designed to feel soft, smooth and responsive - perfect for creating expressive beats and melodies.

Push is equally at home in the studio or on stage. You can keep your performances in-the-moment by switching between improvising with loops and playing drums, notes, and chords - all from the same playing surface.

Seamless with Live:
Using Push, you can launch clips and scenes, tweak device parameters and control mixer levels and sends - Live can capture every movement. When you're ready, switch from Push to your computer to find your music already laid out in Live - the software that was powering your work the whole time.
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 2 in stock $514.92
Cat: 677050 Rel: 06 Feb 18 • View all Samplers
 
Micro sampler with 40 second sample memory & built-in recording microphone
Notes: Micro sampler offering 40 seconds of sample time, and a built-in microphone for sampling foley sounds and your own voice on-the-go. Sample any sound source using line in or the built in microphone. Melodic mode lets you play chromatic melodies and drum mode lets you play drums. Sequence it all and add effects on top.
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 6 in stock $83.36
Cat: 386767 Rel: 14 Jun 12 • View all Studio headphones
 
Closed, diffuse-field studio headphone
Notes: The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.
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 More than 10 in stock $103.17
Cat: 386769 Rel: 16 Jul 14 • View all Studio headphones
 
Professional acoustically open headphones for monitoring and studio applications
Notes: The DT 990 PRO is an open dynamic headphone for studio applications. Due to a weight reduction of the diaphragm an excellent sound reproduction quality is achieved. Its rugged design with a spring steel headband ensures a secure fit and withstands all demands. Soft headband and ear cushioning systems ensure a high comfort over long periods of time.

Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.
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 1 in stock $108.44
FORTHCOMING
WMD Fracture Multi Particle Percussion Synthesiser Module (black faceplate)
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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coming soon $264.70
Cat: 411425 Rel: 25 Nov 10 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: High quality MIDI cables for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180- 5-pin DIN plug.
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 More than 10 in stock $1.03
Cat: 595787 Rel: 19 Jan 16 • View all Audio cables
 
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
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 More than 10 in stock $6.24
Cat: 685134 Rel: 24 Jul 18 • View all Synth modules
 
Random gate/voltage generator - 18HP
Notes: Marbles is a source of random gates and voltages, which offers an extensive amount of (voltage) control on all the different flavours of randomness it produces.

The module gives the musician many different ways of imposing structure on the random events generated by the module: synchronization to external clocks, control of the repetition or novelty of the generated material, quantization of the voltages, or randomization of gates or voltages generated by traditional sequencers.

T: The random gate generator

Marbles either follows its own internal clock, or locks onto an adjustable multiplication/division of an external clock (or regular rhythmic pattern). This regular clock is perturbed by a process simulating an musician playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.

From this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).

X: The random voltage generator

This generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.

Complete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centred or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.

An auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!

A feeling of deja-vu:

Marbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.

You are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!
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 7 in stock $237.61
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Cat: 686269 Rel: 27 Apr 18 • View all Synth modules
 
Universal, patch-programmable modulation source - 14HP
Notes: ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.

Looping:

A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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 More than 10 in stock $239.69
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Cat: 715952 Rel: 21 Mar 19 • View all Synthesisers
 
4-voice analogue synth with deep digital multi-engine
Notes: An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.
In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.
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 1 in stock $588.82
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Cat: 563722 Rel: 09 Mar 15 • View all Audio cables
 
Assorted colour patch cables with length of 12"
Notes: 3.5mm Patch Cables - 5 PAK Assorted Colours 12" (30cm)

Excellent quality patch cables for use with Eurorack modules.

Made by AdInfinitum.

Included colours:
RED
GREEN
YELLOW
GREY
BLUE
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 More than 10 in stock $10.41
Cat: 524237 Rel: 13 Mar 14 • View all MIDI converters & accessories
 
Compact 1 in 4 out MIDI thru box
Notes: The MIDI Solutions Quadra Thru is a 1 in 4 out MIDI Thru Box. All MIDI messages appearing at the input are sent to all four Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.
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 More than 10 in stock $57.31
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Cat: 719655 Rel: 03 Sep 19 • View all Synth modules
 
High quality stereo digital FX for AE modular
Notes: Stereo effects processing for Tangible's affordable AE modular system. Offers a total of 15 digital effect programs with CV control over three parameters each. Can run in Eurorack via an optional adaptor frame.

Supplier notes:
The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.

Each program has 3 parameters that can be adjusted and additionally be CV-controlled.

With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.

It is based on the FV-1 DSP chip that is well-known from other FX-modules in the Eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by Tangible Waves.
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 2 in stock $110.46
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Cat: 719650 Rel: 03 Sep 19 • View all Synth modules
 
Analogue 16-step CV sequencer
Notes: The SEQ16 is a 16-step sequencer for controlling oscillator pitch and triggering envelopes.

Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ16 has 5 knobs for pre-setting different CV's (= notes); each of the 16 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.

An additional feature is "accent"; this can be set for each step by turning the knob fully clockwise. If a step is set to "accent", a separate trigger output is set and also a gate repeat for the regular gate output can be selected (from one to eight repeats).
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 1 in stock $86.49
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Cat: 742228 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $272.00
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Cat: 446809 Rel: 15 Feb 12 • View all Audio cables
 
Female to male XLR lead
Notes: Balanced microphone/audio lead terminated at one end with an XLR socket and at the other end with an XLR plug.

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 More than 10 in stock $2.61
Cat: 629378 Rel: 14 Nov 16 • View all Studio headphones
 
Closed back, circumaural headphones with powerful sound reproduction - ideal for both studio & home monitoring applications
Notes: As a creator, a musician or the one who is responsible for proper live sound, you need to focus on your job. The HD 200 PRO is much more than a headphone. It's designed as an in depth monitoring tool for your music. It offers a detailed, powerful sound whilst stopping any ambient noise from distracting you - be it at home, in the studio or on stage.

Outstanding, powerful sound reproduction:
You won't forget the very first time you tried the HD 200 PRO. It recreates sound in an extremely high resolution, offers every detail and every weighting you changed. If you need to validate your work, your mix, your chords - this is your tool. You're getting professional level, above-budget monitoring power with exceptional dynamics. It works with your laptop, your mixing console or electric piano and enhances your acoustic working space. And of course the HD 200 PRO are great to get some inspiration from your favorite music.

Superior fit and comfort for long sessions:
You might wear them for a long, long time, for hours and nights. The HD 200 PRO won't become a burden, because we designed it with more than 70 years of experience. So we lowered the tension of the headband and chose materials with direct contact carefully. The result: The earpads feel feather-light and perfectly enclose every ear. You might even forget you're wearing them.

Ambient noise reduction for all monitoring tasks in the studio, live and at home:
Speaking of the comfort and earpads: As a monitoring tool, the HD 200 PRO will protect you from any noise that might distract you. The ambient noise reduction helps to create a clean space for your music.

In the box:
- HD 200 PRO Headphones
- 6.3mm (1/4") stereo jack adaptor
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 6 in stock $42.73
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Cat: 687873 Rel: 01 May 18 • View all Synth modules
 
Unique contact microphone & amplifier, based on Tom Whitwell's open-source module - 4HP
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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 More than 10 in stock $87.53
Cat: 598836 Rel: 26 Jul 16 • View all MIDI keyboards
 
Slimkey controller keyboard & sequencer with velocity and aftertouch
Notes: KeyStep is a new breed of portable musical tool combining the functionalities of a keyboard controller with a polyphonic step sequencer to control both analog and digital devices.

You need a portable USB MIDI controller but also want a keyboard that provides a musical playing experience? You have some MIDI modules you want to connect as well but don't want the footprint of a large keyboard? You have modular and analog gear you want to control via CV/GATEs? You want a step sequencer with polyphonic capability that can sync to your favourite modern and vintage gear? If only a single piece of gear could do all of this...

It's the touch...
The KeyStep controller does all this and more.
We started by designing our own "slim key" keyboard action, balancing the best features of compact mini-keys with the musicality of full-sized keys into this new keybed. The size, velocity and aftertouch of this new design provide the freedom of portability without sacrificing playability.

We also designed a new polyphonic step-sequencer with 8 programmable memories that you can recall at the turn of knob. You can choose gate times and swing settings instantly to change the feel of your sequenced performance on the fly. We also included the ability to record, overdub, and transpose your sequences in real time and still play the keyboard live.

Add a flexible and fun arpeggiator mode and chord play mode and you are set for hours of musical adventures.

...and the possibilities
These features alone would make KeyStep the best portable keyboard controller on the market. But we take it further by giving you a wealth of connectivity options: USB MIDI (of course), standard MIDI in and out (check), clock sync and DIN sync jacks (yes!), and CV/GATE outputs, plus a separate, assignable modulation CV output that can be used with the mod wheel, velocity or aftertouch. To say KeyStep is an amazing little controller does not say enough.

Keystep is the perfect performance controller in a compact package.

Adapts to your setup!
KeyStep was imagined and designed to become the modern musician's trump-card.
Whatever your setup, KeyStep will merge into it to overdrive your workflow and effectiveness. With KeyStep and its range of connections you can control any digital or analog synthesizer from the past, today and even tomorrow. Sequence them all!
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 5 in stock $101.09
Cat: 648930 Rel: 25 May 17 • View all Synth modules
 
Expander module for Pamela's New Workout - 4HP
Notes: Pexp-1 is an expander module for Pamela's NEW Workout offering additional dedicated fixed clocked outputs.

Extend Pam as a master to clock external gear with a super solid MIDI & Din Sync dedicated clock outputs.

Use extra fixed jack clocked gate outputs to free up Pamela outputs for more exotic modulation duties.

Connects to, and powered by, expander header on rear of Pamela's NEW Workout. Only a single expander is supported at any time.
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 3 in stock $97.95
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Cat: 719704 Rel: 02 Sep 19 • View all Synth module accessories
 
Pack of 6 patch wires
Notes: A set of 6 yellow patchwires for AE modular; with a length of 10cm. The cable has a soft, flexible silicone insulation, with a gold plated pin.
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 2 in stock $4.43
Cat: 719707 Rel: 02 Sep 19 • View all Synth module accessories
 
Pack of 6 patch wires
Notes: A set of 6 green patchwires for AE modular; with a length of 55cm. The cable has a soft, flexible silicone insulation, with a gold plated pin.
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 1 in stock $7.28
Cat: 719686 Rel: 02 Sep 19 • View all Synth modules
 
Classic wavefolder for the AE system
Notes: This module is based on a design used also by Ken Stone for his CGS system; the original circuit dates back to a publication from 1973.

Basically, the WAVEFOLDER clips and folds the incoming waveform; usually, waveforms with little overtones (like triangle or sinewaves) are used as input. In general, by the clipping and folding, the signal enriches the input signal with more overtones.
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 1 in stock $33.87
Cat: 742229 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $272.00
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Cat: 416486 Rel: 26 Jan 11 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: A high quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable comes with low loss conductors and global shielding ensure a clean data stream. It is terminated at each end with a 180- 5-pin DIN plug.

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 More than 10 in stock $2.07
Cat: 630533 Rel: 25 Oct 16 • View all Audio cables
 
Professional low-noise audio cable - 2x 6.3mm TS Jack to 2x RCA - 3m length
Notes: High quality audio leads for exceptional sound quality and reliability. High grade twin cable comprises an insulated pure copper core and global shielding. The durable PVC sheath has a soft texture to avoid knotting. Terminated at one end with a pair of RCA phono plugs and at the other end with 2 x 6.3mm mono jack plugs.
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 More than 10 in stock $3.91
Cat: 715950 Rel: 18 Feb 19 • View all Synthesisers
 
Compact patch-based synth, ideal for beginners
Notes: A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.

Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.

The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:

The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:

Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:

volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:

While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:

The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:

Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:

Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

There's also a micro tuning function that lets you individually specify the pitch of each note. You can pursue your own unique music by performing in an original tuning with the pitch of individual notes raised or lowered.

Connectors that allow synchronized performance and external control:

With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.
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 3 in stock $149.24
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Cat: 598443 Rel: 29 Jan 16 • View all Synthesisers
 
Polyphonic analog synthesiser
Notes: Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.
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 2 in stock $399.81
Cat: 697102 Rel: 06 Aug 18 • View all Drum machines
 
Drum machine featuring bold, hard-hitting pure analogue sounds
Notes: The little brother to the original DrumBrute arguably packs a bigger punch. Gritty analogue sounds are on offer, but the sequencer is just as inspiring. A great alternative to the usual Roland suspects.

Supplier notes:
This is the drum machine you've been waiting for.

Combining bold, hard-hitting analogue sounds, a monstrous output distortion, performable controls, superb connectivity, and a powerful sequencer, DrumBrute Impact will fill your music with energy and muscle.

Putting the focus on "Brute", DrumBrute Impact features 10 high-energy, refined, punchy analogue sounds.

You can also use the exclusive "Colour" sound-shapers to introduce unique, per instrument effect for some variation. Boost the harmonic content, add some drive, snap, or crack at the touch of a button, you can even automate tonal changes by creating a "Colour" sequence. If you want your drums to push even harder, use the built-in distortion on the output for some drum-optimized crunch.

DrumBrute Impact is a drum machine for musicians and producers who crave raw power and monstrous tone.

Awesome drums made easy:

Sharing the same prize-fighting sequencing architecture found in the original DrumBrute, you'll love the simple, fun, and intuitive sequencer in DrumBrute Impact.

Whether you want to create complex, phasing polyrhythms or straight, pounding rhythms; record a finger-drumming performance; punch in a step-sequenced masterpiece; DrumBrute Impact beats to your rhythm. Use the touch strip to create some real-time glitchy, beat-repeat breakdowns, spice up a single instrument or your whole pattern with a dedicated 'Random' knob, and add some syncopation and groove with the 'Swing' feature.

A true analogue experience:

Connect to your other gear, sync up, and make some music the old-school way.

Get away from computer screens, say goodbye to sub-menus, and jump into the world of tactile, instant, analogue satisfaction. Featuring a huge array of sync and connectivity options, you'll be able to hook up and jam with practically any other synth, sequencer, or MIDI-enabled instrument. Mix on the fly with dedicated controls for every function, multitrack, record, effect, and mix the sound your way with multiple bus outputs. Save patterns that you love, chain them together, and create full songs and live sets, all without looking at a single screen.

DrumBrute Impact is a massive sounding, creativity fuelling beast, with effortless workflow and amazing performance controls.
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 5 in stock $249.08
Cat: 386768 Rel: 14 Jun 12 • View all Studio headphones
 
Closed dynamic headphones
Notes: The DT 770 Pro is a closed dynamic headphone and has been designed for critical music and sound monitoring. The single sided cable makes the handling of the headphone easy. The cushion system allows the DT 770 Pro to be used comfortably for long periods of time.

The circumaural design with velour cushions and adjustable headband makes the DT 770 headphones really comfortable, even over prolonged periods. The DT 770 250Ohm version is designed for the studio, delivering a higher impedance and a slightly more accurate response than the 80Ohm versions. The higher impedance also means you can safely use multiple headsets from the same source.

The 2 most common complaints when mixing using closed back headphones are that they are uncomfortable and don't produce enough bass, leaving mixes overly compensated (see the FAQ further down for the reasons why). The answer to first problem is to buy open back headphones, but they are no good for recording purposes and may not solve the second issue of bass response. Fortunately, the DT 770 Pro tackle both these problems, delivering an impressive nominal frequency response of 5Hz-35kHz using their innovative bass reflex system with a very large cup and velour cushions that let air through but not sound, thus reducing pressure.
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 More than 10 in stock $102.65
Cat: 725489 Rel: 15 Apr 19 • View all Synth module accessories
 
Right angle 2.1mm barrel plug
Notes: Right angle 2.1mm barrel plug (5.5mm outer diameter, positive tip). Short barrel to barrel cable for daisy-chaining Row Powers and/or Pods. Cable is 11" long (centre of tip to centre of tip), suitable for two Pods next to each other or in front/behind each other. Also compatible with Row Power modules.

Both ends of the cable have a right-angle plug.
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 2 in stock $5.73
Cat: 718224 Rel: 04 Mar 19 • View all Drum machines
 
Unique 6-track sampler/sequencer with 1GB of sample storage
Notes: Meet the six track groovebox that offers massive sound in a compact size. You get pretty much all of the Elektron superpowers in a sleek, lightweight, and accessible package. Loads of useful presets and loads of space for your own sounds. The controls are right there at your fingertips. A truly plug-and-play bundle of joy!

Packed with great sounds:

The sound engine uses high-quality digital samples. There are 300 preset sounds supplied by Splice, ranging from the familiar kicks, snares, and hi-hats to exotic, never-before-heard ones. With a few tweaks, you can easily personalize any sample until it sounds just the way you want it. Transfer your own samples into it, or use any of the expertly crafted custom sound packs.

Dedicated knobs:

As an Elektron first, this machine offers a complete set of tactile controls, with one function per knob. They're all right there on the front panel; just grab a knob and twist it. Unleash your music spontaneously using the six tough, velocity-sensitive pads. Record your every move live, or punch in your creation one step at a time using the superb Elektron sequencer.

Ready to go:

At under one kilogram, you're getting the benefits of a light and convenient machine that will surprise you with its snarling sonic power.

- Control All lets you twist your sounds to oblivion. Then use Reload to take you back to where you started
- Use Parameter Locks to automate parameters. Each step can have a totally different sound
- Load six samples at once - just like a kit. Great when you have made a Pattern with Parameter Locks, LFOs etc... Load six new samples to instantly experiment and come up with unique and unexpected results
- Write basslines and melodies using Chromatic Mode
- New Chance parameter. Chance determines the possibility whether the sequencer steps on a track are triggered or not. Combining Chance with the Control All functionality can lead to many interesting results and happy accidents
- Record sequences with or without quantization. Steps can be micro-timed with individual Swing control per track
- Individual Step Length per track
- Individual Tempo Multiplier per track
- Class compliant USB audio 2.0

Included in the box:

- Power Supply PSU-4
- Micro USB Cable USB-2
- MIDI adapter (5-pin DIN to 3.5mm TRS minijack)
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 More than 10 in stock $350.17
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Cat: 718641 Rel: 02 Sep 19 • View all Audio & MIDI interfaces
 
High-spec 8 channel dual mode interface/ADAT expander in studio-friendly rack format
Notes: The rackmount incarnation of Arturia's audio interface range is a monster, with a total of 8 pre-amps, 16 inputs and 20 outs. A lot of recording power in a small package. Ideal for hardware setups.

Supplier notes:
The Arturia AudioFuse 8Pre is a dual-mode interface and ADAT expander which boasts 8 channels of premium analogue audio, rock-solid sync, USB-C, and optical connectivity. With our award-winning lineage of pristine analogue quality, AudioFuse 8Pre is destined to become the expander of choice in studios and creative spaces around the world.

When you're putting your heart and soul into your music and productions, you need to know your audio is in safe hands.

AudioFuse 8Pre offers unrivalled quality at its price point. The 8 Discrete Pro- preamps and analogue signal path will let you truly "hear" your audio for the first time. The super-low Equivalent Input Noise (EIN) lets you capture every subtle detail, while the huge input gain will drive even the most demanding low-output mics. All this with a totally flat frequency response for total transparency. The superb quality doesn't stop there, AudioFuse 8Pre also features the best A/D converters available.

If you're a recording professional you know that no two days are the same. You need gear that gives you the versatility you need to be prepared for the unexpected.

AudioFuse 8Pre can fulfil any studio role. You already have a powerful interface, but need more inputs? AudioFuse 8Pre is the perfect ADAT preamp expander. Want to record multiple channels, but don't own an ADAT-expandable interface? AudioFuse 8Pre can connect directly with your computer so you can record multi-tracked instruments all at once. It's a high-performance audio interface with USB connectivity, speaker outputs and independent headphone output.

Use on its own; expand your existing interface; cascade 2 AudioFuse 8Pre together via ADAT for 16 superb preamps. AudioFuse 8Pre does it all.

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 8Pre.

AudioFuse 8Pre is easy to use, with one-button, one-function design, and features backward-compatible USB-C connectivity for super compatibility. It's housed in a robust metal chassis, and the included rack ears can be mounted to either face forward or down, letting it stand freely or be integrated into your 19" racks depending on your setup. It also features ADAT in, so you could send your musicians cue mixes using its headphone output.

We've spent years working together with studios, producers, and musicians at all levels to minimize the "pain points" other interfaces give you on a daily basis. AudioFuse 8Pre is the result.

AudioFuse Creative Suite:

AudioFuse 8Pre comes complete with the AudioFuse Creative Suite, an ever-evolving collection of software effects and instruments that will let you add your own unique signature to your music. Combining favourites from our award-winning "You'll Actually Use" series with Analog Lab Lite, AudioFuse 8Pre lets you also enjoy legendary signal processing effects and iconic synth sounds. Colour the pristine inputs of AudioFuse 8Pre with stunning vintage effects!

Box contents:

- AudioFuse 8Pre unit
- Power supply
- USB cable
- DiscretePro Certificate
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 2 in stock $655.52
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Rode RODELink Lavalier Microphone (lavalier microphone)
Cat: 742237 Rel: 06 Sep 19 • View all Lavalier microphones
 
Professional-grade lavalier mic with 3.5mm TRS locking connector
Notes: RODELink LAV is a professional-grade wearable microphone designed for use in a wide range of applications. The locking TRS connector is designed to pair perfectly with the RODELink range of wireless microphones and most recorders with a 3.5mm locking microphone input.

The RODELink LAV is perfect for anyone in need of a high-quality lavalier microphone with a rock-solid locking connector. It features a discreet 4.5mm omnidirectional microphone, which picks up sound from all directions, making it very forgiving when it comes to placement on talent.

A foam pop shield is supplied to minimise wind noise and vocal plosives (hard 'b', 't' and 'p' sounds), as well as a durable mounting clip with in-built cable management for quick and easy rigging. It also features a hard-wearing Kevlarr reinforced cable, designed to withstand the rigours of any...
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 1 in stock $71.88
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Cat: 745109 Rel: 06 Sep 19 • View all Synth modules
 
Compact yet flexible mix module - 6HP
Notes: Even with small patches with only a few modules, you usually have to combine individual signals into a single sum: You need one mixer, maybe two, and preferably as small as possible.

With Sum 42, Vermona present a compact yet versatile Eurorack mixer. You can use it as two 4-in-1 or one 8-in-1 mixers. It can process both audio signals and control voltages.

Sum 42 is an indispensable tool with a perfect size/benefit ratio.
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 1 in stock $127.13
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Cat: 719678 Rel: 02 Sep 19 • View all Synth modules
 
Audio mixer with 4 inputs
Notes: This module consists of an audio mixer with 4 inputs and their level knobs, plus an additional 4 separate inputs that are mixed at full level (especially for mixing CV signals), and a separate output.
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 1 in stock $27.36
Cat: 719726 Rel: 02 Sep 19 • View all Synth module accessories
 
Blank module for AE modular - 4U
Notes: If your rack isn't filled completely with modules, use this blank module to fill the spaces.
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 1 in stock $4.95
Cat: 719727 Rel: 03 Sep 19 • View all Synth module accessories
 
AE modular Eurorack adapter frame
Notes: The AE modular Eurorack adapter frame allows to integrate AE modular modules into Eurorack systems. It is basically an empty Eurorack-sized frame that can take up to 8 units of AE modules where two units are occupied by the mandatory MASTER module. Via the MASTER module the frame is powered from the Eurorack bus.

The product includes:

- The mounting frame with screws for mounting the AE modules
- The ribbon cable for Eurorack bus connection
- The bus cable
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 2 in stock $26.04
Cat: 719652 Rel: 02 Sep 19 • View all Synth modules
 
4-track, 16-step trigger sequencer
Notes: TRIQ164 is a 4-track, 16-step trigger sequencer.

Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.

For each step in each track a "repeat" can be activated, resulting in repeated triggers within one step. The number of repeats can be selected from one to eight by the REPEAT knob. Additionally, the repeat count can be CV controlled by the REPEAT CV input.

The inputs MUTE 1/2 allow to mute the outputs 1 and 2 by an external signal (e.g. for muting a kick drum)

Each of the 16 steps has a separate trigger output for additional control for certain steps or limiting the sequence length by connecting one of the outputs to the RESET input.

Use it for any kind of rhythmical patterns, typically for triggering drum sounds or envelope generator!

No, it has no pattern load/save features; this will be part of a future, much more complex sequencer. TRIQ164 is designed as improved replacement for the STEP10.

Width: 2U
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 3 in stock $52.10
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Cat: 719659 Rel: 02 Sep 19 • View all Synth modules
 
Mono delay module
Notes: This module is a standard mono delay with the usual parameters:

- Delay time
- Feedback
- Dry/wet mix

It sounds not as clean and polished as a usual digital delay but has quite a character on its own. High feedback settings allow endless and distorting loops.

(For the techies: It is based on the well-known PT2399 chip.)
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 1 in stock $38.04
Cat: 719699 Rel: 03 Sep 19 • View all Synth modules
 
Amplifier for audio signals
Notes: 2SIGNALAMP contains two amplifier stages for audio signals; the amplification can be adjusted up to 15:1.

A clip LED indicates that the amplified level exceeds the usual range of AE modular and is short before clipping.

Main purpose of this module is to boost external audio signals for further processing within AE modular, or also the triangle output of the VCO which has by design a lower signal amplitude.
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 1 in stock $28.92
Cat: 719722 Rel: 02 Sep 19 • View all Synth module accessories
 
Blank module for AE modular - 1U
Notes: If your rack isn't filled completely with modules, use this blank module to fill the spaces.
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 1 in stock $3.12
Cat: 719730 Rel: 03 Sep 19 • View all Synth module accessories
 
AE modular Eurorack adapter frame
Notes: The AE modular Eurorack adapter frame allows to integrate AE modular modules into Eurorack systems. It is basically an empty Eurorack-sized frame that can take up to 12 units of AE modules where two units are occupied by the mandatory MASTER module. Via the MASTER module the frame is powered from the Eurorack bus.

The product includes:

- The mounting frame with screws for mounting the AE modules
- The ribbon cable for Eurorack bus connection
- The bus cable
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 1 in stock $31.53
Cat: 719673 Rel: 02 Sep 19 • View all Synth modules
 
Clock divider module
Notes: The BEAT DIVIDER takes a clock signal (the BUS CLK which presents the MIDI clock from the MASTER module) and divides it to musical clock dividers, selectable from 1/2... 1/32.

Additionally, a second output provides the dotted or triplet clock of the selected divider value.
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 1 in stock $27.36
Cat: 719676 Rel: 02 Sep 19 • View all Synth modules
 
Noise generator
Notes: Analogue & Digital Noise Module.

- The A output generates analogue noise (technically, a fluctuating voltage between about 1...4V)
- The D output generates digital noise, which is a random changing 0V / 5V

The RATE knob controls the colour of the noise, which goes from almost white noise on A output and knob fully clockwise to a rather harsh and digital sound on D output and RATE counter-clockwise.
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 1 in stock $26.04
Cat: 719682 Rel: 02 Sep 19 • View all Synth modules
 
Dual NAND, AND, XOR inverter
Notes: The LOGIC module combines two inputs by different logical rules (AND, NAND, XOR). This can be used either for operations on trigger/gate signals (let gate signals pass depending on other signals, invert them depending on the other input etc), or for audio signals, where you get ringmodulator-like sounds when feeding two different oscillator frequencies.
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 1 in stock $24.75
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