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Review: Carl Finlow has produced an astonishing catalogue of music over a career spanning three decades, with his discography including hundreds of releases and remixes under a variety of monikers. 'Desequence' is the latest edition to Finlow's expansive productions and a masterclass in electronic music.

'Desequence' kicks off the record with a heavy dose of integalactic funk with interstellar beats rockin' over squelchy bass lines and razor sharp glitches. While 'Downstream' delivers a warped groove wrapped up in Finlow's intricate programming.

'Guttural' is an overwhelming assault of rapid fire elements, forming complex off kilter breaks littered with robotic licks and served over deep, low end bass. 'Wavefront' closes yet another impeccable addition to Finlow's highly accomplished works, with an off planet adventure through extraterrestrial soundscapes.

Review: Acid Waxa take a break from carrying Roy's mind-warping rave gear to bring you the deep donking, hardstyle hype-up of 'The Kingdom Of Scotland' by Romeo Taylor. You may have already heard the track bouncing around the odd mix or two for those with a penchant for full-fat hard dance with a wry comedic edge. On one hand it's a patriotic pelter, on the other it's a neo-rave laff which will comfortably lodge itself in your brain, more than ably backed up by some more wayward ravey gags and headsy gear (watch out for the simmering, heads-down wave-splashed techno of 'Keep Him On The Line'. Roy Of The Ravers is on hand to deliver a more direct remix of 'The Kingdom Of Scotland' on the B side which blows the original out into a wigged out, spooked up acid gurgler. oot!

Review: Cedric Dewkowski and Felix Reifenberg have long been associated with Frankfurt collective Hardworksoftdrink, with the pair's 2017 collaborative full-length L'Album still the only LP that the label has released to date. Typically, the artistic imprint has not offered up much information about Dedicated to Uwe, their latest joint 12". Regardless, it's well worth a listen thanks to the pair's love of far-sighted synth sounds and firm grasp of mood and melody. A-side 'Herzogen' is particularly enjoyable, with the duo peppering a gentle electro rhythm with sun-bright keyboard stabs, squelchy acid bass, starry chords and cheerful melodies. There's a similar blend of sounds at play on flipside 'Vondekloties', which reminded us a little of the colourful, retro-futurist IDM of Birmingham-based synthesizer fetishists Plone.

Review: Following on from last year's impressive Redlight debut, Scott Hess is back on his Adeen label with another selection of warm and inventive house cuts splashed with colour and analogue wobbles precision-engineered to catch your ear. Lead track 'Sirius City' leans on a harmonically rich lead line and plenty of off-kilter wriggles to appeal to those who want some cheekiness in their tunes. 'UFO' sports a tasteful acid tweak running in between plush pads and snappy drums, while 'Call Me, Acid' plays around with telephone tropes to make a bleepy jam that will have the ID requests flying in. 'Stars' offers something sweeter to complete the set, spacing out the beats to leave the synths plenty of room to cavort around a celestial name-checking session for deep house dreamers.

Review: Glasgow's Full Dose delivers its first injection of the year with Lvcchesi offering up a fascinating EP. Opener 'Vsna' is all about scratchy ambient textures, implied rhythms and bleak atmospheres, much like the work of early Actress. 'Vespucci' then lays down more of a club groove, with hissing and spitting electro beats and more great synth craft before 'Ominino' is a mix of caustic textures, frosted synths and explosive loops that is as eerie as they come. Last of all is an S&H Late Nite Hot mix that is just as unsettling, with whirring machine sound and a soulful feminine voice lost amongst the busted sounds.

Review: 20/20 Vision are exiting planet Earth once again with the latest in their perfectly formed series of electro explorations, as Extrawelt leads the charge with an illustrious slice of braindance-tinted funk titled 'Hail The Whale (Coexisting Mix)'. Djedjotronic follows that up with a bold blast of mammoth synth work which hits pretty damn hard without being pointlessly brutal. Ste Roberts takes a break from his self-titled label run to offer up a freaky foray into acid-speckled territory, and Ivna Ji gets expressive with a rich palette of synths moving in harmony around a sharp and snappy beat.

Review: With an extensive legacy and a list of alter egos longer than your arm, Martin Damm aka Biochip C achieves a delicate balancing act on this 11 year old record, a handful of extras copies of which were recently unearthed in what can only be described as a highly fortunate 'warehouse find'. He pulls off a delicate balancing act here, letting the abrasive, industrial punk rock side of his music off the leash to frolic unhindered, while never losing sight of the needs of dancefloor and its needs across the six tracks. Highlights? Well, the title track's speedy electrofunk is highly addictive, 'Eraser' has a driving, chunky techno edge that fans of Force Inc will love, while the double dub speed grooves of 'Knobgine' and 'Liquid Silence' are forces of nature in themselves.