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Review: Norwegian disco titan Prins Thomas returns to his regular stomping ground of Smalltown Supersound with this, his sixth solo studio album. Thomas is sounding as vibrant as ever, his musical ideas spilling forth in glorious arrangements of organic instrumentation and gentling bubbling electronics that melt into a mellow, groovy sonic realm. There are hazy, cosmic moments to be savoured on the likes of "Feel The Love", and more adventurous rhythmic trysts like the nagging, snaking percussive melee of "Ambitions". Thomas' studio proficiency is more than matched by his imagination and creative ambition - would you expect any less from such a titan of Scandinavian electronic music?

Review: [Emotional] Especial looks back at the first 9 releases since its inception to provide a
selection or "Eleccio" via a special dubbed out DJ meets studio mix from label stalwart
Jamie Paton. Ever since the first white labels appeared at the end of Summer 2013, [Emotional] Especial
has been busy putting out music that are their own warped take on club music. Mixing the
influences of dub, electro, disco, proto-house, house and techno, a sound appeared without any preordained plan. To celebrate the end of the first series of releases come EES10CD - a DJ meets studio
compilation mix created by label artist, remixer and even in-house designer, Jamie Paton. Freaturing tracks from every EP, including two unreleased remixes are the tight productions
of Richard Sen; the wiggle of Scott Fraser; deep, chugging Cage & Aviary dubs; the Eastern
influences of Baris K and newcomers Khidja; the quirky discoid wonk of Maurice & Charles and finally not forgetting of course, the stand out Timothy J Fairplay touches. Whether
alongside Mr Weatherall, Andy Blake or in solo remix mode, young "Junior"s skills (and name)
grows and grows.
All this is perfectly put together by Jamie Paton, the man who launched the label with his
Bizarre Feeling EP. As well as the inclusion of several unreleased cuts, Jamie has edited the
"selection", adding live studio dubbing, FX and the odd mega-mix to make it truly (E)special.

Review: Gilles Peterson and Bluey's Str4ta project has always been something of a nostalgic offering, with the pair exploring their mutual love of Brit-funk, jazz-funk and dancefloor grooves of the early 1980s. Naturally, they've loosely stuck to the same winning blueprint on sophomore set 'Str4tasfear', with the addition of an impressive cast-list of collaborators, a touch more production polish and a subtly wider set of inspirations only enhancing the listening experience. The results are uniformly impressive, with our picks of a very strong bunch including the slap-bass sporting, floor-friendly brilliance of 'Turn Me Around', the Maze-esque 'Night Flight' (all squelchy electronic bass, glistening jazz guitars and colourful synthesizer solos), the sweat-soaked jazz-funk disco heaviness of 'Lazy Days' (featuring Emma-Jean Thackray) and the super-sweet 'When You Call Me'.

Review: As the title makes clear, this three-disc, unmixed collection has one simple aim: to soundtrack kitchen discos, living room dances and long car journeys with a jam-packed selection of disco hits and disco-tinged pop favourites. It does a good job at that, even if some of the selections tend towards the lesser-known end of the commercial disco spectrum, with all three discs showcasing such disco must-haves and part-starting sing-alongs as Dan Hartman's soaring 'Relight My Fire' (famously covered by Take That in the 90s), Diana Ross's 'I'm Coming Out', Chaka Khan's inspired 'Young Hearts Run Free', Grace Jones' punk-funk Roxy Music cover 'Love Is The Drug', McFadden & Whitehead's epic 'Ain't No Stopping Us Now' and Cheryl Lynn's peerless 'Got To Be Real'.