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Review: Orbital's debut and self-titled album (also known as the green album) is a classic example of the UK rave sound in 1991. Featuring the hits 'Belfast' and 'Chime', this important piece of electronic music gets some loving attention in the form of being remastered for the first time since release. But that's not the only thing - this CD edition also comes with a bonus CD featuring rarities and remixes from the time. What better way to celebrate 25 years of this amazing band and its cherished history for their role in helping create the sound of techno.
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Cat: DUSTCD 120. Rel: 05 Apr 24
Experimental/Electronic
Review: Originally released in 2005, Silenced captures the essence of The Black Dog's enigmatic allure, transporting listeners to otherworldly realms with its lush, tuneful compositions and angular genius. Each track on the album is a testament to the group's unparalleled ability to surprise and entrance, evoking a sense of both unease and beauty. For fans of The Black Dog, Silenced serves as a welcome treat, while also serving as an entry point for those new to the group's mesmerising soundscapes. Definitelt one of their best full length albums yet to date.
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Review: Waze & Oddysey's W&O Streetracks imprint pulls together the likes of Eliphino, Ejeca, Citizen and XXXY for its first (unmixed) compilation released this Winter, W&O Streettracks Vol 1. Having clocked up eight releases on Street Tracks, it's the ideal time to throw down a milestone and document the sound of the label in one package and W&O Street Tracks does so with panache. The result of Waze & Oddyssey's plunge into their address book is a 12 track compilation that neatly reflects modern house music. Ejeca, Citizen and W&O themselves sit alongside newcomers like Mediman and Sage Caswell while the emergent talents of New Jack City and Eliphino make for a nicely profiled piece of work
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Review: The creative partnership between Tiga & Hudson Mohawke expresses a mutual love of "hardcore romance," a liminal state where the bounds between euphoria, melancholy and the raw power of friendship disintegrate completely. Recorded in Los Angeles from 2019-2023, these commonalities ebbed and flowed through various recording sessions, culminating in their debut album - L'Ecstacy - the sounds in which "all come from the same place, the same musical universe," in Hudson Mohawke's own words. Referencing the album's locus of bouncy elasticity and cinematic gloss - "we're building a particular kind of zone where it all fits together. A place lost in time." With guest appearances by luminaries like Abra, Channel Tres, and Jesse Boykins III, as well as album artwork by Wolfgang Tillmans, the result is delivered with "no apology, no cynicism, no irony, no winking."
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Cat: EDSL 0165. Rel: 15 Mar 24
Deep House
Review: Electribe 101's 1990 debut album, Electribal Memories, is undoubtedly one of the strongest sets of the loved-up Balearic house era - a long-player firmly rooted in the Ecstasy experience, from the piano-sporting, wide-eyed tactility of house music of the period, to the after-hours, comedown-friendly downtempo soulfulness that the band's creative force and lead singer, Billie Ray Martin, was always so adept at delivering. This 'Deluxe Edition' expands the album across four CDs via a deep archive dive from dance music historian Bill Brewster. The DJ and author offers-up a wealth of released (and unreleased) club mixes, early versions and alternate takes, while the accompanying booklet features reflections from Billie-Ray Martin and an extensive essay from Pete Paphides.
… Read more in stock $35.81
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Review: Having recently released the impressively in-your-face Live at Primary CD, it's something of a surprise to see CV313 dropping another live recording so soon. To be fair, Live Excursions first surfaced digitally last year via their own Bandcamp site, and now makes its way onto CD for the first time. The recordings themselves are vintage too, having been captured at a warehouse party in Detroit back in 2001. According to the Echospace website, the tracks were performed live using only outboard kit and a 16-channel mixer, with no computer trickery. Whatever the method, the resultant tracks are long, trippy, and immersive forays into dub techno and ambient in CV313's trademark style.
… Read morePlayed by: Jay Simon (Must Have Records), Toki Fuko
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FRANKIE KNUCKLES / ERIC KUPPER / VARIOUS
The Director's Cut Collection (3xCD (CD 1 & CD 2 unmixed, CD 3 mixed))
Cat: SSMDCLP 1C. Rel: 03 Jul 19
Deep House
Frankie Knuckles presents Director's Cut - "Your Love" (feat Jamie Principle - Director's cut Signature mix - album version)
Frankie Knuckles presents Director's Cut - "Baby Wants To Ride" (feat Jamie Principle - Re-directed - album version)
Frankie Knuckles presents Director's Cut - "Let's Stay Home" (Starring Inaya Ray - A Director's cut - Classic club mix)
Frankie Knuckles presents Director's Cut - "I'll Take You There" (feat Jamie Principle - A Director's cut - Classic Signature mix)
Frankie Knuckles presents Director's Cut - "You Make Me Feel" (feat B Slade - DJ Mimi mix Of Epic Proportions - album version)
Frankie Knuckles presents Director's Cut - "Get Over U" (feat B Slade - Director's cut mix - Sami Dee edit)
Frankie Knuckles presents Director's Cut - "Let Yourself Go" (feat Sybil - A Director's cut Master - album version)
Joey Negro & The Sunburst Band - "The Secret Life Of Us" (feat Donna Gardeer & Diane Charlemagne - Director's cut Signature mix)
Lou Rawls - "You'll Never Find Another Love Like Mine" (Kenny Summit, Frankie Knuckles & Eric Kupper unreleased anthem)
Frankie Knuckles Presents Director's Cut - "Get Over U" (feat B Slade - Director's cut mix - Sami Dee edit)
Frankuie Knuckles Presents Director's Cut - "Your Love" (feat Jamie Principle - Director's cut Signature mix)
Marshall Jefferson - "The House Music Anthem (Move Your Body)" (feat Curtis McClain - Director's cut Retro Signature mix)
Review: In 2009, longtime collaborators Frankie Knuckles and Eric Kupper made their production partnership official via the Director's Cut project. This epic retrospective gathers together the best tracks and remixes the duo completed prior to Knuckles' death in 2014. Disc one offers up original productions, including ear-catching re-makes of some of Knuckles' most famous early works (we're particularly fond of the versions of "The Whistle Song", "Your Love" and "I'll Take U There"). On the second disc you'll find the best of their remix work, with standouts including a sublime take on Candi Staton's "Hallelujah Anyway" and a storming, previously unreleased version of Lou Rawls' "You'll Never Find Another Love Like Mine". As a bonus, the third disc mixes the best of the lot together in one suitably gorgeous, non-stop journey.
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Jon Savage's 1983-1985: Welcome To Techno City (unmixed 2xCD)
Cat: CDTOP2 1639. Rel: 24 Jan 24
Indie/Alternative
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Review: San Francisco-based DJ/producer Nick Monaco has long been part of the Soul Clap family, releasing his first 12" on the label back in 2012. Mating Call, a double 12" set running at album length, is easily his most expansive release yet. It's typically eccentric, delivering a range of songs - featuring his own distinctive vocals - that blend numerous styles whilst retaining a loose, funky and altogether rather kaleidoscopic feel. It's rooted in Balearic pop, but also touches on dub, deep house, boogie, dub disco and a strangely deep and contemporary take on the triple-beat rhythms of glam rock. It's hard to accurately describe, but is really rather good; certainly, it's one of Soul Clap's strongest releases of recent times.
… Read morePlayed by: Juno Recommends CD Albums
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Review: Having built their reputation through 12" singles for the likes of Crosstown Rebels and Poker Flat, Dan Berkson and James What deliver their debut album, on their freshly minted imprint Modelmaker. Interestingly, Keep Up Appearances is an altogether warmer, melodious and more evocative set than you'd perhaps expect, with a smattering of rich downtempo cuts joining a solid selection of dancefloor-friendly deep house. You can hear a classic dub techno influence in cuts such as "Keep Up Appearances" and "Shadow Theory", while the acid-flecked, soul-soaked "Make It True" sounds like classic Osunlade. Best of all, though, are the more forthright efforts, with the ragged "Seraphim" standing out.
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Review: Given their famously militant approach to music formats, it's a surprise to see Paranoid London's previously vinyl-only 2014 debut album finally being issued on CD. For those who missed out first time around, it's well worth checking. As you might expect, it makes great use of both vintage analogue equipment and similarly old skool influences, in turn doffing a cap to Phuture-style Chicago acid, Inner City, hip-house, Green Velvet, Dance Mania style ghetto-house, and stripped-back, dancefloor-friendly machine soul. Despite the ragged nature of some of the material, it's both hugely listenable and hangs together impressively - no mean feat given the DJ-friendly nature of the tracks. It all adds up to a retro-futurist treat.
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Review: You'd be hard-pushed to think of a band as synonymous with the evolution of electronic music over the last 30+ yeas as Orbital. The famous Hartnoll brothers are as iconic for their famous head torches, stage designs and live shows as they are their timeless music. Their new studio album Optical Delusion arrives in early 2023 and of course, comes with an extensive UK tour to back it up. This is the pair's 10th studio album overall and has already been teased by some useful singles. Rave, techno, trance and breaks all colour the grooves of this new long player.
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Review: Specter remains a steadfast pillar among the select artists on Theo Parrish's esteemed Sound Signature label. His latest album, Brutus, reaffirms the trust placed in him, delivering a distinct blend of house sounds. In this CD version, Specter masterfully fuses synthetic and organic elements, echoing the signature style of Parrish. Much like Parrish's own compositions, the house sounds on Brutus exhibit a harmonious blend of weathered, rustic tones and vibrant, futuristic visions. Specter injects profound meaning into his melodies, and the drums, whether subtle and elusive or bold and confrontational, consistently captivate, locking listeners into the rich tapestry of his grooves.
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Review: AC Soul Symphony is one of Dave Lee's lesser-known pseudonyms, so for it to be the vehicle for an album of such extravagance, of such meticulous detail, is a real treat. Featuring live strings recorded with a 20-piece orchestra, all 15 tracks that span the epic two-hour runtime are expansive and feel as if every note was placed by hand; There's this authenticity to tracks like 'Manhattan Skyline', a CD/Digital only track which dates all the way back to 2020 and its swelling horn crescendos that transport you back to a time when disco had the world on its knees. 'Philly Avengers' is a major standout, with its killer bass grooves and dazzling Korg solo. The last of the city-related trio of singles is album opener 'Windy City Theme', a mid-tempo violin-led vocal groove that pays homage to the metropolis in Illinois. This is the CD version, featuring the full two hour tracklist.
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Review: The impeccable Lithuanian label Greyscale is a real leader when it comes to dub techno and already they are racing into 2024 in fine style with a first full-length of the year from label head Grad_U! The sublime and immersive Sustain has eight larges ambient soundscapes that are detailed with field recordings from another planet. Each one is alluringly empty and beautiful, intriguing and unsettling to make for an escapist trip to another dimension. The way the producer manages to conjure up what feel like familiar emotions in such a faraway world is second to none and will leave you wanting to do it all over again the second it ends.
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Review: Theo Parrish's masterful Sound Sculptures Vol 1 on triple LP format gets a timely repressing!! In total here there are 9 of the 27 tracks from the full double CD version but these still run the gamut of Theo's inimitable talents, from rough and tumble disco edits to saccharine soul, raw beatdown and leftfield esoterica. Be sure to check the Omar S- featuring "Synthetic Flemm" and long time Juno favourite "Flotation Device". If ever there was a selection of tracks that fully showcased the incredible breadth of production talent this man has, this is it. Not to be missed!
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Tripartite Pact
Spur
Sworn To Secrecy (part 1)
L'Homme Mort
Funereal Morality
Piece Of Pleasure
Tryst
Sworn To Secrecy (part 2)
Silver Sand & Boxes Of Mould
Dreams In Colour
Review: Golden Pudel's number one DJ-turned-producer, Helena Hauff, returns to Actress's Werkdiscs with her debut LP, marking a fine start to the September release downpour! Compared to her last effort for the label and her banger of an EP on Lux, Discreet Desires spans across much vaster landscapes, and while we knew that she was heavily into Detroit electro, the album is heavily focused on fast, broken beats brimming with synths. "Spur" and "Funereal Morality", for example, are a pair of Drexcyian bombshells, while "Piece Of Pleasure" clearly takes inspiration from Kraftwerk and the resulting synth pop wave. Instead, "Silver Sands & Boxes Of Mould" showcases her more experimental side thanks to its cinematic soundscapes and sparse beats, along with the beatless sway of "Dreams In Color". A fine debut LP that cements Hauff's position at the vanguard of current electronics.
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Review: Given that Four Tet's recent 0181 LP was comprised of material from Kieran Hebden's archives, and last year's Pink was largely compiled of tracks from the previous 18 months of 12" releases, it seems fair to say that Beautiful Rewind is his first proper album since 2010's There Is Love In You, and as such, it arrives with some degree of expectation. The past few years have seen the producer engage increasingly with the dancefloor, and these rhythms are most definitely present across the LP, particularly in the jungle breaks of "Kool FM", pirate radio-influenced techno of "Buchla" and hesitant dubstep style rhythms of "Parallel Jalebi". For the most part however Beautiful Rewind is as varied as the likes of Rounds and There Is Love In You, with the minimalist kosmische of "Ba Teaches Yoga", analogue gurgles of "Crush" and dawn chorus sounds of closer "Your Body Feels" all as beautiful as his most enduring tracks.
… Read morePlayed by: Juno Recommends CD Albums, Pete On the Corner
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Review: Given the brilliantly simple concept behind this fine compilation - contemporary Detroit producers remix Funkadelic - we're rather surprised nobody's done it before. With 17 varied re-rubs stretched across two hugely entertaining CDs, there's plenty to enjoy. Highlights come thick and fast, from the deep house/P-funk fusion of Alton Miller's take on "Get Your Ass Off and Jam" and Andres' loose, hip-hop influenced revision of "Music For My Mother", to the thrusting loops and heady late night hypnotism of Anthony Shake Shakir and T-Dancer's version of "Standing on the Verge". While many of the versions stay relatively faithful to the original, the more "out-there" interpretations - see BMG's outer-space ambient dub of "Maggot Brain" and Moodymann's epic revision of "Cosmic Slop" - are also consistently impressive.
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Review: Stroboscopic Artefacts chief Lucy teams up with Rrose (Eaux) as The Lotus Eaters, which sees the two visionary techno artists collaborate for the first time. Although they had previously remixed each other's work, the idea of working together became inevitable. Several intense sessions in Lucy's Berlin studio, using mainly analogue hardware, resulted in a new project starting with two EPs released on their respective imprints. Desatura features a diverse array of powerful and innovative sonic perspectives: the highly engineered tunnelling techno that you've come to expect from either artist is finely displayed on tracks like "Decanter" or "A Third Man", between moments of slow motion hypnotism ("Eat Eat Eat") and droning/textural soundscapes like "The Idea Of North" and "Under The Benches".
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Cat: ALNCD 68. Rel: 22 Jul 22
Deep House
Review: We all know and love Ron Trent as a house music maestro, but as his elevated productions have betrayed over the years, his chops reach well beyond the simple demands of functional club stuff. In line with his more eclectic output, What Do The Stars Say To You heralds his WARM project in a frankly stunning burst of musicality that harks back to the glory days of 70s and 80s studio prowess. This is still music driven by a groove, but it's certainly not a house by numbers affair. Instead you get soaring violin solos (from Jean Luc Ponty no less), infinte threads of nimble keys work and enough downtempo, slinky grooves to buffet a yacht from the Balearics to the Florida Keys and back again. Featuring members of Azymuth, Gigi Masin and Khruangbin amongst others, this is a return to the craft of exquisite album making, as handled by a true master in his field.
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Standers (Deluxe Edition) (3xCD (indie exclusive))
Cat: BAY 131CDX. Rel: 11 May 23
Experimental/Electronic
Review: Music has the power to fan the folk-mystical and spiritual flames inside even the most ardent of rationalists. Anonymous artist Craven Faults knows as much, which is mostly the reason why he's released his latest album Standers. Named after the colloquial term for the standing stones that pepper much of the north of England, the analog electronic music that makes up this album evokes the mood of trekking across wild country in search of these ancient monuments - occasionally stranded, always awed - sonically reviving and clarifying the oft-murky past of the English north.
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