Review: Having previously only appeared on WotNot Music in the past couple of years, K15 now slides over to Wild Oats to deliver a wholly appropriate slab of fluttering house romanticism rich in Detroit dreams and Chicago cheekiness, wherever the music might have been conceived. The cheekiness is no doubt most noticeable on "GWRH" with its homage to "Gypsy Woman", turning it into a fluttering Latino house jam, but before that comes the plush bump n rub of "The Story Of Her Life". "Insecurities" gets into a sexier kind of deep house funk, which "Gratitude" dutifully carries on until "Yellow" can round the record out with some largely beatless piano business.
Review: The most impressive thing about Thatmanmonkz debut album, 2016's "Columbusing" on Delusions Of Grandeur, was the Sheffield-based producer's seemingly innate ability to fuse elements of deep house, jazz, hip-hop, Detroit techno and broken beat. That distinctive grasp of dusty, soul-fired fusion once again comes to the fore on this belated follow-up. There's much to enjoy from start to finish, with highlights including the jazzy, sax and organ-heavy deep house of "Easy Still (with A Brother Is)", the raw and off-kilter acid insanity of "Chai Tea", the samba-house soul of Ms Fae hook-up "Them Thangs", the dancefloor jazz-funk bounce of "WhatUThinkIDo" and the Moodymann style Malik Ameer collaboration, "Thee Others".
Review: Life & Death's next ambitious undertaking is courtesy of label chief DJ Tennis who teams up with Israeli indie-dance duo Red Axes. They were first introduced to each other by Superpitcher & Rebolledo (The Pachanga Boys) at a festival in Corsica - and the rest is history. Recorded on top of a decadent old shopping mall in the middle of Tel Aviv, the trio are said to have combined their "love of psy and Mediterranean influences" over a scheduled week of recording sessions together. The result is Redrago, a collection of tripped-out dancefloor oddities that take in everything from lo-slung punk funk ("Rave 'N' Roll), heady and (acid) bass-driven dancefloor narratives that cross over into vintage pop ("Il Veliero"), deep kosmiche ("Plastelina") and deep and tunnelling techno as heard on the epic "Ventilo".
Praying For You (Louie Vega NYC Fender Rhodes Solo) (4:55)
Praying For You (Louie Vega Vonita dub) (5:43)
Praying For You (KDA remix) (6:10)
Praying For You (album version) (6:11)
Praying For You (Louie Vega Expansions NYC dub) (5:41)
Smile (David Morales remix) (7:01)
Review: Earlier this year, DJ Spen and Teddy Douglas's long-serving gospel-house group Jasper Street Co returned to action with their first album in 16 years. It's from that album that "Praying For You" is taken, though the selling point here is not the LP mix but rather a suite of reworks from Louie Vega. Our picks of the bunch are his jazzy and breezy "Main Mix", the brilliantly bass-heavy "Vonita Dub" (think righteous call-and-response gospel vocals and a killer groove) and the sleazy "KDA Remix". The latter is a basement-bothering stomper rich in fuzzy organ stabs and spacey electronics. The smooth, slick and pleasingly colourful David Morales remix is also rather good (it reminded us a little of vintage Frankie Knuckles rubs, which is no bad thing).
Pieces To Share (Kyle Hall & Steve Lehane mix) (3:14)
Nothing To Fear (4:00)
Review: Some ultra-limited business here from Kyle Hall, which remarkably marks his first release of 2019. The Detroiter is in fine form from the off, first peppering a hip-hop tempo "beatdown" groove with 8-bit sounds, jazz-funk synth doodles and rich Fender Rhodes motifs on "Rising" before breaking up the beats and channeling Kaidi Tatham/Dego on the warm and luscious "Full Play". Turn to the flip for the similarly inclined, loose and languid, analogue-heavy melodiousness of "Pieces To Share" and the delay-laden sunrise shimmer of "Nothing To Fear", a glistening and smile-inducing number that's almost overwhelmingly positive.
Review: Two years on from their last outing of note - the deliciously melodic and atmospheric "Elephants EP" - PHCK returns to All Day I Dream with a surprise debut album. The German trio is in fine form throughout "More Than A Machine", effortlessly moving between the hazy, slow burn dreaminess of glassy-eyed opener "Heaven's Gate", the deep Afro-house shuffle of "Whiteout", the tech-tinged ambient house hypnotism of "A Flock", the chiming melodies and hushed grooves of "Harps" and the hard-to-pigeonhole flex of "Essential Return", where a metronomic drumbeat is overlaid with metallic Indonesian instrumentation and woozy freestyle vocals.
Review: The new incarnation of the famous fabric mix series serves up a big one here with Ibiza kingpins and US house torchbearers The Martinez Brothers laying down a fulsome 23 track mix. It brims with the sort of energy that they always have themselves in the booth and takes you on a contemporary trip through the bendy minimal of Cabanne, Frak's percussive workout and some tropical curveballs from The Bayara Citizens. The Brothers also impress with two of their own tracks - "Jam Joint" and "Mistakes" - full of wonky synth work and shuffling drums, and it marks another highpoint in their longstanding career.
Review: Axel Boman's 2013 debut album "Family Vacation" was something of a triumph, so it's heartening to report that this belated sequel is every bit as inspired. He begins in fine style by delivering his most loved-up and glassy-eyed track yet - a Sister Sledge sampling chunk of rushing sunrise deep house - before flitting between booming sub-bass and more bliss-inducing musical flourishes on the down-low throb of "Slave To The Vibe". There's an intoxicating and exotic feel to the gently percussive cut that follows, killer ethno-house jam "Paid By The Rhythm", while "Copacabana Dub" is an expertly executed exercise in deep house/Latin percussion fusion. As if that lot wasn't enough to set our pulse racing, trippy slo-mo house chugger "Don't Bug Me" and opaque deep techno shuffler "Konoba Boba" are both suitably sublime.
Sly & Lovechild - "The World According To Sly & Lovechild" (Andrew Weatherall Soul Of Europe mix) (8:25)
Deniro - "Epirus" (6:34)
Psyche - "Crackdown" (5:59)
Hiver - "Paert" (7:04)
Aphex Twin - "Vordhosbn" (4:46)
Review: South Korean star Peggy Gou continues her seemingly unstoppable rise by serving up her first ever DJ mix CD. It's a contribution to one of the longest running series in the business, DJ Kicks, and she's used the opportunity to showcase the depth and variety of the music in her crates. Beginning with the classic early '90s ambient of Spacetime Continuum, Gou flits between humid, mid-tempo Balearic house (her own "Hungboo"), acid-fired downtempo electronica, throbbing 1990 peak-time anthems (Weatherall's ace but largely forgotten remix of Sly & Lovechild), hypnotic techno minimalism, main room throb-jobs (Hiver), pulsating electro, classic breakbeat hardcore, post-dubstep, dark tribal drum jams and sunrise ready Motor City brilliance (Deniro).
Review: As the title suggests, this essential double-pack offers up a quartet of tracks from Glenn Underground's 2009 album "Silent", a set that has never been released on vinyl. Epic opener "CVO's Prelude" is one of the Chicago veteran's most fluid and life-affirming tracks, with extended jazz piano solos and positive chord sequences rising above a sumptuous Latin-house groove. "Negro Muzic" cleverly combines groovy deep house with jazz-funk flourishes and '70s funk style studio party samples, while "7 Minutes Of Funk" is a warmer and more organic sounding dancefloor jazz-funk workout. Those looking for some bumpin' beats should check closing cut "Shake It", where tasty lead vocals sit atop a classic deep house backing track.
Hardsoul - "Back Together" (feat Ron Carroll - Director's cut Classic club mix) (8:33)
Spencer Parker & Dan Beaumont - "The Look" (Director's cut Signature mix) (7:59)
Review: This second round-up of high quality tracks and remixes by Frankie Knuckles and Eric Kupper's Director's Cut project is as loved-up and action-packed as its predecessor. It begins with versions of the pair's re-recording of Knuckles' classics "Baby Wants To Ride" and "Let Yourself Go" (the latter a breezy and summery piano-house treat), before offering up a soulful singalong with Inaya Day and a stomping disco-house cover of Sylvester classic "You Make Me Feel (Mighty Real)". Record two offers up some of their hard-to-find remixes, with the pair's Lou Rawls revision and soaring version of Hardsoul and Ron Carroll's soulful house classic "Back Together" standing out.
Review: Enduring underground stalwart Lee Burridge has carved out a cosy little space for himself with his dreamy, melancholic house label and party All Day I Dream. It is grown up music that deals in slow-release pleasures, and as the late summer sun throws out its final rays, he treats us to a sampler of recent highlights. Our picks: Squire's "Inimagina", which is an archetypal ADID cut with soft melodies and pillowy drums, YokoO & Retza's "Drifting" for those late, romantic nights thanks to the gooey chords, and Kevin Di Serna x Max & Nim's "Presence" which has the sort of yawning pads that have you craning your neck to the heavens. Along with plenty of other escapist grooves, it all adds up to a comprehensive overview of this cultured little crew.
Review: They may not have released many records, but samba/soul/jazz fusionists the Han Litz group have been mainstays of the Dutch scene for a decade. Here they return with a wonderfully breezy, samba-soaked collection of cuts that's remarkably their first ever outing on wax. The A-side begins with two warm, afternoon fresh tracks that sound like authentic Brazilian samba jams from the 1970s, before Litz and company indulge in a little flute-heavy jazz ("Preludia") and Afro-tinged broken beat/jazz fusion ("Yemaya Olodo"). Also impressive is closing cut "Epiphany", which has been transformed by Yoruba Soul man Osunlade into a sumptuous shuffle through deep house/samba fusion complete with Flamenco style Spanish guitar solos.
Magic Mountain High - "Tiny Fluffy Spacepods" (7:17)
Dusted Links (8:47)
One Small Step... (with Reagenz Meets Thomas Fehlmann) (7:00)
Move D - "Building Bridges" (with Fred P - Move D Inside Revolution mix) (10:46)
Perpetual State (feat The Poem Alles Ist Eins by Thorn Hoedh) (4:56)
Review: Given that he's a born collaborator, as his vast discography proves, it's perhaps fitting that David Moufang's latest album as Move D is packed to the rafters with killer collaborations. Check, for example, the ultra-deep, woozy and off-kilter "Innit", a superbly dubby and opaque studio hook-up with German rave pioneer D-Man, and the shuffling, intergalactic deep house warmth of Fred P collaboration "Building Bridges". Fittingly, his renowned collaborative projects also feature. There's a wonderfully elastic and out-there dub techno/minimalist track by Reagenz (Moufang and Jonah Sharp AKA Spacetime Continuum) with German veteran Thomas Fehlmann, and a Magic Mountain High (alongside Juju and Jordash) track that takes slow-burn, softly spoken deep house/dub techno fusion and runs with it. As you'd expect, the solo tracks are impeccable, too.
Review: After a series of well received albums on 100% Silk and HNYTRX, Maya Bouldry-Morrison returns with her first album in two years, and the first on the T4T LUV NRG imprint she set up with life partner Eris Drew. It's a thrill-a-minute affair rooted in her love of turn-of-the-'90s rave culture, with the eight showcased tracks variously mixing elements of breakbeat hardcore, Belgian techno, dreamy deep house, ambient techno, ragging acid and the kind of psychedelic club fare that was once all the rage within California's LSD-fuelled free party scene. In fact, as a soundtrack to a full moon party on a remote "SoCal" beach, "Resonant Body" would sound phenomenal, with the inspired ambient number "My Body Is A Powerful" offering a fine accompaniment to the inevitable morning comedown.
Review: Church founder Seb Wildblood may only be six years into his production career, but he already has an impressive slew of EPs and singles under his belt. "Sketches Of Transition", is the South London producer, DJ and label boss' long-awaited debut album and arguably his most musically expansive and on-point set to date. Largely warm, gentle, summery and sunrise-ready, it sees Wildblood drift between sumptuous Balearic grooves ("Twenty Eight"), sumptuous neo-soul ("Thought For Food"), liquid deep house ("Small Talk"), dusty-but-toasty workouts ("Bahn"), ultra-deep synth-pop (the Andras & Oscar style goodness of "Amelia") and impeccable ambient tracks capable of making the hairs on the back of your neck stand on end ("One For Malcolm").
Review: Of all DJ duos currently operating in British dance music, Belfast boys Bicep might be the hardest to pin down (Optimo aside, of course). Certainly, this debut album is not easy to pigeonhole, though it is an enjoyably cohesive listen. This is largely down to two factors; the frequent use of deliciously colorful and loved-up synthesizer parts, and the duo's innate ability to utilize beats tailor-made for dancefloor devastation. So while keen dancefloor historians may notice sly (and not so subtle) nods to '89 rave, U.S house and garage, Italo-disco, late '90s progressive house, jungle and early British hardcore, the album never sounds anything less than a fine set of Bicep tracks. Expect it to be one of the biggest albums of the year.
Review: Whereas the first volume in Joaquin "Joe" Claussell's "Cosmicdelic Africa" series focused on sneaky re-edits by the Sacred Rhythm founder, this second instalment focuses on original productions "for the dancefloor and the head". In other words, Clausell has offered up DJ-friendly extended versions of some of his most cosmic, Afro-centric creations. There's much to enjoy throughout, from the psychedelic rock guitar solos, restless bass, layered Latin house rhythms and rainforest sounds of Cosmic Ritual's "Abraxas (Demo Sketch Mix)", to the piano sporting cosmic house positivity of Mampo's "Emarofo Tech (Extended Sketch Mix)", via the spaced-out electronics, hallucinatory synth lines and sparse drums of intoxicating downtempo workout "Mundo De Agua (Psyxchdelic Transfusion Mix)".
Ahead Of Time (with Park Hye Jin - album mix) (6:59)
Study Of You (6:26)
Forever Alone (4:23)
Review: New York's Baltra follows up his well received debut album from 2016 with a new one named "Ted" in honour of his father who passed away unexpectedly during the writing process. Inevitably that lends the record an extra air of melancholy, even when the grooves are surging. Making a surprise appearance is South Korean artist Park Hye Jin on the busy melodic track "Ahead Of Time" with an intoxicating dreamy verse of her own. As is this artist's style, his crisp drum work is complemented with fizzing electronics and glowing harmonies that are almost impossibly bright and vivid. It makes for an album that really grabs your attention.
Review: Parallel Dimensions was first released in 2000. Since then, this seminal LP has been reissued on numerous occasions, and it's easy to understand why. Much like the work of his Detroit compatriot, Moodymann, Parrish's early work helped to define the sound that we now refer to as 'Detroit house'. Through an intricate, soulful blend of the Motor City's infamous Motown funk sounds, Parallel Dimensions has been one of the albums to showcase a particular style of sampling, one which focusses on rhythmic concoctions and a palpable sense of the city's struggles. Don't get us wrong, this LP is very much playable on the dancefloor, but it can't possibly be reduced to being categorised as a 'dance' piece. Hip-hop, soul, funk and disco are important parts of the formula, and the house and techno nuances that do emanate from the tunes are strictly a filter for Parrish's more jazzy, musical tendencies. It's an album to get lost in, to enjoy in different scenarios, and one in which you'll find something new every time you approach it. Unmissable.
Review: Having previously collaborated on tasty 2013 single "Speckbass", partners in audio insanity DJ Fett Burger and DJ Speckgurtel have united for a full-length excursion full of "dance music for clubs and pubs and some easy-going jams to jazz the sheets". In practice, that means a saucer-eyed mixture of retro-futurist house treats (see jaunty opener "Harpo" and the Italo-house giddiness of "6Drops (Piano Mix)", loved-up deep electro (the spacey warmth of "Red Scorpions"), unashamed Larry Heard tributes ("Sunshine In The Limousine"), densely percussive peak-time workouts ("Enjoy This Limousine"), ragged acid ("6Drops (Technocid Mix)"), rushing Balearic synth-pop ("Sting Collins") and chiming, early '90s style ambient house (the beat free lusciousness of "Sonnen Ambiente").
Review: It would be fair to say that Studio K7 has pulled off something of a coup in getting Kenny Dixon Jr. to agree to compile and mix the latest installment in the long-running DJ Kicks series. It is, somewhat remarkably, the legendary Detroiter's first commercially available mix set. This triple-vinyl edition features a whopping 19 cuts - all in unmixed form - from the 30 track mix. Musically, it's a blazed, jazzy, soulful and groovy as you'd expect, and contains a mixture of downtempo beats, nu-jazz and hazy house cuts from the likes of Flying Lotus, Dopehead, Peter Digital Orchestra, Nightmares On Wax, Soulful Session and Lady Alma.
Colors Of Autumn (feat Speech Of The Group Arrested Development) (4:10)
This Is My Rock (feat Sophia Kennedy) (5:19)
Illumination (feat Roisin Murphy) (4:40)
Planet Hase (feat Mano Le Tough) (4:18)
Pick Up (6:37)
Scratch That (feat Roisin Murphy) (5:02)
Muddy Funster (feat Kurt Wagner) (5:23)
Baby (How Much I LFO You) (4:31)
Lord Knows (4:04)
Seeing Aliens (4:53)
Drone Me Up, Flashy (feat Sophia Kennedy) (6:26)
Take A Run (feat Ada) (4:51)
Review: DJ Koze's music is very much suited to the album format. Although his last effort through this medium was back in 2013, his explorative nature and wide-eyed, improvisational style are simply made to branch out into areas outside of the more predictable house and techno formats. Knock Knock comes through on his own Pampa label, with its seventeen tracks all providing us with something different and wonderful, from slo-mo r&b sounds to funky, wayward house music that is most certainly at the 'outside' of the house spectrum. There are plenty of special guests, too, including Mano Le Tough, Sophia Kennedy, and many other relevant talents. A Koze speciality.
Review: Ludovic Navarre aka St Germain requires no introduction, and the French house legend has literally seen and done it all ever since his first productions began to surface and influence other house artists back in the early 1990's golden era. The majority of his music has been released on F Communications, but his latest studio album drops on EMI's Parlophone sublabel. The self-titled St Germain is a proper LP, not a mere collection of house tracks put together helter-skelter. Inside, you'll hear many of Navarre's influences and inspirations, from Afro tribal melodies, to jazzy influences and even Middle-Eastern chimes. It's a house album in structure, but much more than that beneath the surface...as it always was from the legend of French dance music.
Review: The word 'legend' gets banded about rather a lot, but it is certainly applicable to West London scene stalwart Kaidi Tatham. Further confirmation of this elevated status can be found throughout "It's A World Before You", a staggeringly good album that marks the musician-producer's first solo set for some seven years. While rooted in the kind of warm, rich and life-affirming jazz-funk-fuelled broken beat workouts with which Tatham is most readily associated (and they're naturally superb), there's plenty of killer diversions dotted throughout. These include a couple of spacey, soul-flecked ambient rubs, a sublime collaboration with hip-hop/modern soul fusionists Children of Zeus, and a fine head-nodding hip-hop jam featuring rapper Uhmeer. In a word: essential.
Review: Fizzing all over the shop like an F1 winner's magnum, Frank Timm celebrates 20 years of Sound Stream with this outstanding slab of uncut floor jams. No messing around, just straight up disco house music. At points plain trippy ("Flash Back"), at others straight up sexy ("Love Remedy", "Get Down") but always unifying and obese in width and weight ("Disco Advisor" especially) Timm has cleared the board right here with the full range. Essential.
Review: Since the release of debut album Charmer three years ago, Claptone's profile has rocketed, despite his continued insistence of disguising his identity using a "golden-beaked mask". Fantast, the Berlin-based producer's second album, feels like a major release: a set of woozy and attractive pop-house songs with serious crossover potential. As with its predecessor, Fantast boasts a dizzying range of guest vocalists - Kele Okereke, Zola Blood, Ben Nicholson, Tender and Ben Duffy included - as well as sparkling, radio-friendly cuts that variously doff a cap to Daft Punk style disco-pop, Balearic piano house, '80s boogie, rock-tinged synth-pop and, of course, Claptone's deep house roots. Impeccably produced and full of attractive, hooky songs, this should cement Claptone's reputation as a producer on the rise.
Review: Christopher Rau is a true stalwart of the German deep house scene, with releases on a who's who such as Smallville, Office, Mule Musiq and Die Orakel over the years. FME Hustle is the Hamburg native's new one, where he can count Berlin urban house heroes Money $ex to his list of credentials. Expect the same soulful and dusty deepness from the man, as he's been consistently pumping out for close to a decade from his new home in the capital. From the broken emotive groove of "Jetlag Alter", the neon-lit lo-fi hiss of "Uebelst Bekorbt House Mix" or the textured/dub-laden tech house of "Drama - Chamber" Rau further demonstrates exactly why he's still one of the most highly respected producers within the genre.
Review: Somewhat poetically, Anthony Naples describes his third album, "Fog FM", as a "house music transmission filtered through fluorescent static, from a station out of place and time". You'll certainly find some blasts of evocative radio static dotted around the album - see the drowsy wooziness of ambient numbers "Channel 2" and "Channel 3", not to mention the pops and crackles wrapped around sub-heavy, stripped back peak-time workout "Unhygenix" - but the lasting impression is of a smartly-produced set of mostly club-ready cuts that subtly doff a cap to many sub-genres of house and techno. It's a superb set, too, with highlights including the wayward techno intensity of "Benefit", the "Brown Album"-era Orbital heaviness of "Purple Iris" and the tough, dubbed-out deep house headiness of "Lucys".
Review: After a four-year break from recording, acclaimed live outfit Crazy P returns with their ninth studio album. It may be 22 years since Jim Baron and Chris Todd founded the band as a jazz-funk, disco and deep house loving studio project, but "Age Of The Ego" is every bit as vibrant and relevant as any of their previous albums. In general it's a little more electronic and synthesizer-driven than some of their previous sets, with notable nods towards Italo-disco, synth-pop, electro and P-funk, but the constant presence of longtime lead vocalist Danielle Moore and their trademark attention to musical details means that the album never feels like a giant stylistic leap. In simple terms, the songs are as colourful, vibrant and entertaining as you'd expect.
Review: Astonishingly, 23 years have passed since Glenn Underground and Boo Williams established the Strictly Jaz Unit project, a fluid collective of underground Chicago deep house producers. These days, SJU mainly operates as a duo, and it was this stripped-back line-up that produced "The Tempest", a rare album-length outing bristling with quality cuts. As a whole, the album is far more intergalactic, electronic and sci-fi sounding than either man's solo productions, with just a few hints of the luscious instrumentation and swinging grooves associated with their previous work. There's no dip in quality, though, with the dubbed-out deep house hypnotism of "Heard Syndrome", the Patrick Cowley/Giorgio Moroder influenced "The Struggle", the Chicago-goes-Yorkshire bleep flex of "Time of Speed, Not Day" and acid-fired gorgeousness of "The Flat (London Projects)" standing out.
Medley: Rej/The Man With The Red Face/Yeke Yeke (11:02)
La Ritournelle (feat Will Heard) (3:20)
Promised Land (feat Disciples) (4:29)
Out Of Space (feat Assassin) (5:03)
You Got The Love (feat Candi Staton) (3:27)
Review: There's something of an "all-star" feel to this latest collaboration between Pete Tong and the Heritage Orchestra. It boasts a stellar line-up of guest vocalists, whose presence compliments the superb orchestral arrangements by conductor Jules Buckley and the thumping beats and samples provided by the veteran Radio 1 DJ. For those of a certain vintage, there's something wonderful about hearing soaring, orchestrated versions of such White Isle anthems as "Body Language", "Rej" (presented in a brilliant medley alongside killer renditions of "The Man With The Red Face" and "Yeke Yeke") and "You Got The Love" (the latter featuring a guest spot from original vocalist Candi Staton).
Massimiliano Pagliara - "I Am Running All My Drum Machines At Once & Dancing"
Mike Dunn - "A Groove"
Playground Productionz - "Orgy"
Eli Escobar - "Tension" (vinyl mix)
Alcatraz Harry - "Ode To Frankfurt"
Lory D - "Deep Acoustic"
Tomahawk - "Forever Free"
Anno Stamm - "A Night Out With Therese"
Denis Sulta - "Dubelle Oh XX"
Konakov - "Clonki" (part II)
Mr G - "Transient"
Basic Channel - "Q11" (part I)
Fango - "Vena Cava"
Tessela - "Up"
Ricardo Villalobos - "Logohitz"
Dean & Deluca - "A2"
Robert Hood - "The Pace"
Overmow - "Convulsions"
POM POM - "POM POM 18 B2"
Review: Up next on DJ Kicks' acclaimed mix series is Numbers doyen and Glaswegian iconJackmaster. In his own words, the 24-track mix sees the charismatic Scot 'delivering an honest journey, unearthing a serious passion for the obscure boundaries of house and techno.' This double LP lifts out eight of the tracks most other DJs will want to get their mitts on, and joins the dots between his hometown of Glasgow with Denis Sulta's festival destroying bass driven epic "MSNJ", then NYC; with Eli Escobar's gutsy EBM-flavoured 'Tension (vinyl mix)". Berlin's status as a dance music mecca is referenced with Dutch transplant Anno Stamm's dark house stomper "A Night Out With Therese" and the legend himself Ricardo Villalobos, with his minimal techno classic from 1996 "Logohitz". DJ Kicks throw in a CD of the mix too!
Nata Alma (feat Sidsel Endresen & Bugge Wesseltoft (You Might Say)) (4:22)
Bezique Atout (feat Oxia) (4:08)
Ende #2 (4:29)
Anton III (2:31)
Ila I (3:05)
Review: While he's tended to maintain a fairly steady stream of singles, Robag Wruhme has never been a prolific producer of albums. It took him seven years to deliver a full-length follow-up to debut EP 'Wuzzelbud "KK"' and another eight to get round to creating "Venq Tolep", his latest album length exploration. So was it worth the wait? Undoubtedly! Beginning with the hazy grooves, gentle melodies and simmering strings of "Advent", the veteran German drifts between slow-motion ambient pop ("Westfal"), ethereal soft-focus deep house ("AK-Do 5"), intoxicating beat-free soundscapes ("Volta Copy (Ambient Version)") and undulating, glitch-heavy workouts that doff a cap to both pastoral techno and the glistening IDM of British greats such as Plaid and Boards of Canada.