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Review: Theo Parrish's masterful Sound Sculptures Vol 1 on triple LP format gets a timely repressing!! In total here there are 9 of the 27 tracks from the full double CD version but these still run the gamut of Theo's inimitable talents, from rough and tumble disco edits to saccharine soul, raw beatdown and leftfield esoterica. Be sure to check the Omar S- featuring "Synthetic Flemm" and long time Juno favourite "Flotation Device". If ever there was a selection of tracks that fully showcased the incredible breadth of production talent this man has, this is it. Not to be missed!

Review: Hard to define, rule breaking and game-changing producer Theo Parrish is back with another of his challenging and superlative albums. This one - which naturally arrives on his own Sound Signature label - is a collaboration with Maurissa Rose that true sooth the soul. It s full of his usual deadly grooves, shamanistic percussive layers and jazz energies with plenty of his famous luscious, meditative loops. Add in the smooth vocals of Rose - which come in the form of a soulful stream of consciousness - and you have yet another unique album from this true maverick of the form.

Review: classic 2010 Theo Parrish album Sketches back in stock on CD.

Review: Seminal 2002 mix CD from Theo Parrish featuring tracks from Frankie Valentine, Amp Fiddler, Peven Everett, The Gap Band and more.

Review: Seminal 2002 mix CD from Theo Parrish featuring tracks from DJ Spinna, Tony Allen & Afrobeat 2000, Larry Heard, Patrice Rushen, Oscar Sulley and more.

Review: Since its' initial release back in 2000, Theo Parrish's Methods Of Movement mix has attained cult status. 16 years on, the set has lost none of its' potency, or for that matter its' ability to entertain. An exercise in classic dancefloor eclecticism, it offers a sprint through dusty disco, soul, funk, Afrobeat, boogie, Detroit techno and deep house. It's effectively the kind of set you'd expect Parrish to play at a house party, laying down favourites from Tullio De Piscopo (the Balearic classic "Stop Bajon (Primavera)", Luther Vandross, Tony Allen, Incognito, First Choice and pal Kenny Dixon Jr. Packed full of energy, and shot through with soul, Methods Of Movement is Theo Parrish at his mercurial best.

Review: Theo Parrish is a world-renowned name in the global Detroit house and techno game, and he's thrown a fascinating curveball as the latest entrant for the acclaimed DJ-Kicks series. Mr. Parrish has gone above and beyond the duties of most invitees - rather than just licensing tracks from his favourite artists and big-name-friends, he's asked his own community from Detroit to each produce their own mixable tracks, exclusively for the comp. What's more, these are hardly established names - they're organic connections to Parrish, not occupying the top layer of attention and recognition. Bits from H-Fusion, Jon Dixon, Donald Lee Roland II, Ian Fink and Raybone Jones all dominate this anarchic new deconstruction of the otherwise exclusivist mix series.

Review: Theo Parrish is a world-renowned name in the global Detroit house and techno game, and he's thrown a fascinating curveball as the latest entrant for the acclaimed DJ-Kicks series. Mr. Parrish has gone above and beyond the duties of most invitees - rather than just licensing tracks from his favourite artists and big-name-friends, he's asked his own community from Detroit to each produce their own mixable tracks, exclusively for the comp. What's more, these are hardly established names - they're organic connections to Parrish, not occupying the top layer of attention and recognition. Bits from H-Fusion, Jon Dixon, Donald Lee Roland II, Ian Fink and Raybone Jones all dominate this anarchic new deconstruction of the otherwise exclusivist mix series.

Review: Six new tracks from Detroit's deep house hero Theo Parrish mark his most significant release since the Wuddadji album three years ago, based around the 18 minute dancefloor epic 'Dance Alone' and the Afro-slanted 'Cleo's Theme', closing in on 11 minutes, alongside a host of other cuts of varying sizes and types. 'Real Deal', for instance, is a beatless instrumental interlude consisting of organ and Spanish guitar, while the title track is nearly all off-kilter beats. Parrish's approach, as ever, is soulful and funky enough to keep house fans on side, while also being so raw and stripped down that techno fans love it too and this has plenty of both.

Review: Theo Parrish and Maurissa Rose are Detroit musical veterans (even though Parrish was actually born in Chicago) and they have worked together on a number of superb singles in the last few years. After that fruitful start to their working relationship they finally flourish into a new full length that arrives soon in the form of Free Myself, It arrives, as you would expect, on triple vinyl on Parrish's own Sound Signature label, but also here as a CD. It is a lovely deep house exploration with smooth vocals of Rose - which come in the form of a soulful stream of consciousness - over Parrish's dusty, hypotonic beats.

Review: Theo Parrish is giving his new album with Maurissa Rose the full treatment - serving it up on his preferred vinyl, but also as a CD and here a cassette on his own label Sound Signature. It is a complete coming together of these two revered Detroit musical talents following a string of great singles with one another since 2019. As you can expect, the grooves are dusty, complex and rooted in house but with plenty of influences from soul, funk and jazz. The vocals from Rose are as smooth as you like and take the form of soulful streams of consciousness. Utterly vital.