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What About The Lonely? (heavyweight vinyl LP + insert)
Cat: NUM 2015. Rel: 25 Sep 23
Indie/Alternative
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Review: The world was very different in 1992, but some of the greatest musical moments from that year stand the test of time. Just take Polly Jean Harvey's staggering debut - the making of a musical icon and one of the era's finest examples of songwriting. It still sounds exceptional and its messages still resonate, lifting the woke-washed veil of our age in one fell swoop, laying bare the fact that many toxic attitudes prevail. It's rock music, but that's hardly the point. What matters isn't so much what's being played, but how and what's being said. Delivered with an air of Pixies and nod to Patti Smith, written in the wake of a relationship imploding, our introduction to Harvey remains vital as ever. A refusal to accept simplistic, patriarchal views of womanhood and femininity, or indeed simplistic patriarchal views of anything, the record's razor sharp observations, cunning wit and deft ability to reference but feel original is remarkable.
… Read morePlayed by: Juno Recommends Rock/Indie
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Review: For anyone thinking that title might be a tad self-deprecating, it's worth noting that Noel Gallagher isn't one to rest on his laurels-there may be material here that'll satisfy the old-school Britpop fans in the house, such as the first single 'Lock All The Doors', yet elsewhere 'Chasing Yesterday' is notable not only for Gallagher's midas touch with indelible melodies but for experimentation that takes in such unlikely ingredients as saxophone-abetted jazz and funk even whilst maintaining his love for the classic pop and rock of the '60s and '70s. On this evidence, this tunesmith's well of inspiration isn't running dry any time soon.
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Time For Heroes: The Best Of The Libertines (reissue) (red vinyl LP + insert)
Cat: RTRADLP 421. Rel: 13 Jul 18
Indie/Alternative
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Review: Through her 'U.S. Girls' project, Toronto-based Meg Remy has released a consistently high quality run of albums that explore issues of femininity with a shaded and angular avant-pop sound. New record 'In A Poem Unlimited' sees Remy continue to explore identity politics, but in a comparatively warmer and more free sound as she collaborates with improvisational group The Cosmic Range. Structurally, the album enjoys an unpredictability of form that sprawls across skulking grunge, found sounds, crunching horn-sections and synth-driven industrial disco. Highlight track 'Incidental Boogie' exemplifies this binding of elements; the contrast of stomping, distorted with Remy's breathy and swaggering vocals is an intoxicating one. The breadth of Remy's palette makes this album an exhilarating listen, and - both as a vocalist and writer - Remy shines as an arresting and formidable talent.
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I See You (Deluxe Editon) (heavyweight vinyl LP + 12" + 2xCD + prints box set)
Cat: YTLP 161X. Rel: 13 Jan 17
Indie/Alternative
Brave For You (bonus track - Marfa demo - video)
Review: Arriving five years after the London trio's last album 'Co-Exist', this third effort shows a band ready to make a bold step on from the sound that haunted radio and TV links alike around the start of this decade. And in what could be said to be a move from innocence to experience, they're doing so with hitherto unrevealed confidence and chutzpah..'I See You' expands on their trademark intimate melancholia with considerable finesse, yet longtime fans shouldn't worry too much about them losing their gloomy charm in the process - more so this is a band brandishing an expanded palette where once they were content to paint their room black.
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Review: This might be the eleventh album from Car Seat Headrest, or the third. It all depends on how you judge things. Either way, 'Making A Door Less Open" is a confident return for the outfit, who haven't released any new material since 2016, and something of a bold technological achievement. Without getting too bogged down in details, the record was created in a three stage process; songs laid down with guitars, drums and bass, then re-recorded in a MIDI environment before the two versions were combined to emphasise different elements on different tracks. Hence the beautifully compressed beats, heart-warming and stomach-rumbling low ends, and overall sense of depth and sonic scope. Stylistically, it's a cunning mixture of box-fresh garage pop-rock and lo-fi electronica, packed with funk, fraught emotion and polished details.
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Tip Of The Sphere (gatefold 180 gram vinyl 2xLP + insert)
Cat: 871409 2758412. Rel: 08 Feb 19
Indie/Alternative
Review: A long-loved love child of the 4AD-Domino constellation, heart throbbing Californian songwriter Cass McCombs rocks up to Anti- (sister label to Epitaph), continuing his streaking succession of albums with Tip Of The Sphere. Providing a ninth solo LP in total, this latest record keeps up with guitarry-and-garrish themes of Mangy Love (2016), however richly purporting melodic songs that paint wheatgrass imagery of stretching plains, distant cross roads, and beachside trails to the rivermouth. With fingerpicking expertise to reflect both John Fahey (and Chris Isaak in parts) jangly pianos from a far western saloon making their way into "Absentee", alongside a pinch of Neil Young's soul ("Prayer For Another Day') . With flashes of Alan Vega and Martin Rev to be heard in "American Canyon Sutra" too, to more hippy Buddha Bar vibes in "Real Life" thanks to them tablas, there's always a safe place with Cass.
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Why Hasn't Everything Already Disappeared? (grey vinyl LP in embossed sleeve)
Cat: 4AD 0089LP. Rel: 18 Jan 19
Indie/Alternative
Review: The preaching sirens of Deerhunter return, long has everyone been waiting, since the band's Fading Frontier LP of 2015. The group have moved on from the pinky-pop nostalgia they've described as their last album, and moved into and towards a darker and more intensifying feel. The Atlanta group's eighth full-length in total finds itself tripping out on klaviers and chant-like numbers as heard in "Element" and the rickety jingle of album opener "Death In Midsummer". While there's some crooked-eye positivity to be found in the James Dean referencing "Plains", the masterwork of the band's ambient and cinematic scope remains as strong as ever, and alongside Bradford Cox's undeniable haunt, vocal contributions and extra (subtle) hints of subversive nihilism come from Cate Le Bon and White Fence's Tim Presley.
… Read morePlayed by: Juno Recommends Rock/Indie
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Review: The best thing since the Klaxons or Bloc Party have arrived. black midi! The student art rock band are bringing a new youthful energy and slight of malice back to the arena of post-indie inspired alternative guitar and synth music. They make this overtly known from the start with the supercharged opener that is "953", introducing an album that is said to have laid down eight of the record's nine tracks in just five days. Drums are fast and skittering, rhythms are dancey and guitars keep it Madchester jangley. "Speedway" (is that a wry Prodigy reference?) is among the album's highlights alongside the punk-funky "bmbmbm" and the short but trippy "Years Ago". With a 100 per cent backing by UK music institution Rough Trade: meet this generation's newest sensation.
… Read morePlayed by: Juno Recommends Rock/Indie
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Cat: CAD 3629. Rel: 11 Nov 16
Indie/Alternative
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Review: Johnny Marr's solo debut of 2013, The Messenger showed him channelling his love for classic guitar rock through post-punk dynamics and a sense of urgency apparently abetted by his time spent in Modest Mouse and The Cribs. Keen to establish himself as an artist in his own right rather than a sideman, Payland builds on that album's impact, delivering an impressive salvo of sparky intensity; 'Easy Money' may well be the catchiest and most immediate thing he's committed to wax for decades, whilst elsewhere he brings a chilly frissante to proceedings, seemingly inherited from the like of Wire and Gary Numan. After thirty years of wrenching new inspiration from six strings, it can be a powerful tonic to know that this curiously youthful figurehead is still as restless and driven as ever.
… Read morePlayed by: Juno Recommends Rock/Indie
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Vertigo
Death On The Stairs
Horroshow
Time For Heroes
Boys In The Band
Radio America
Up The Bracket
Tell The King
The Boy Looked At Johnny
Begging
The Good Old Days
I Get Along
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Kinski Assassin
Is This The Best Spot?
Mature Themes
Only In My Dreams
Driftwood
Early Birds Of Babylon
Schnitzel Boogie
Symphony Of The Nymph
Pink Slime
Farewell American Primitive
Live It Up
Nostradamus & Me
Baby
Kinski Assassin
Is This The Best Spot?
Mature Themes
Only In My Dreams
Driftwood
Early Birds Of Babylon
Schnitzel Boogie
Symphony Of The Nymph
Pink Slime
Farewell American Primitive
Live It Up
Nostradamus & Me
Baby
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Ohm
Is That Enough
Well You Better
Paddle Forward
Stupid Things
I'll Be Around
Cornelia & Jane
Two Trains
The Point Of It
Before We Run
Ohm
Is That Enough
Well You Better
Paddle Forward
Stupid Things
I'll Be Around
Cornelia & Jane
Two Trains
The Point Of It
Before We Run
in stock $20.08
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Hair Of The Dog
The Passion Of Lovers
Of Lilies & Remains
Dancing
Hollow Hills
Kick In The Eye 2
In Fear Of Fear
Muscle In Plastic
The Man With
X-Ray Eyes
Hair Of The Dog (CD)
The Passion Of Lovers
Of Lilies & Remains
Dancing
Hollow Hills
Kick In The Eye 2
In Fear Of Fear
Muscle In Plastic
The Man With
X-Ray Eyes
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Winter
Smother
Youth
Still
Lifeforms
Tomorrow
Human
Touch
Amsterdam
Shallows
Played by: Sacha Mambo (Macadam Mambo)
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Review: Savages set a formidable precedent for themselves with their 2013 debut, yet 'Adore Life' wastes very little time in upping the ante with style and passion to spare. Where 'Silence Yourself' was an icy blast of angst and invective, this new opus attacks on all quarters - as raw and righteous as ever yet with a newfound widescreen sweep and beatific power that's intimidating to behold. These luminous and charismatic ditties are confident yet intimate, stark yet seductive, and can make the listener feel ten foot tall even whilst whispering intimately in their ear.
… Read morePlayed by: Juno Recommends Rock/Indie
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Cat: BBQLP 2132. Rel: 11 Jun 15
Indie/Alternative
Lay Of The Land
2 By 4
Copped It
Elves
Slang King
Bug Day
Stephen Song
Craigness
Disney's Dream Debased
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Gibraltar
No No No
At Once
August Holland
As Needed
Perth
Pacheco
Fener
So Allowed
Review: It's been a turbulent four-year period leading up to the release of 'No No No' for Zach Condon, including a divorce, a breakdown and a period in hospital in Australia for exhaustion. Yet surprisingly, he appears to have arrived at the other side with what may be his most uplifting and direct record to date. Far from the orchestrated, nostalgic laments of his earlier work, 'No No No' evolved from songs written as a piano-led trio, and is a short and sweet work dominated by understated '70s pop style arrangements, representing a reinvention that strips back to the radiant melody that was always at the heart of his music.
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Review: It may be open to debate how ironic that title is - the New Zealand-born singer-songwriter Harding insists that it's not. But the fact that this record isn't overburdened by elated atmospherics takes nothing away from a quietly powerful, reflective and charismatic piece of work. PJ Harvey comparisons (particularly in relation to 'White Chalk') are bound to present themselves, especially with longtime Peej collaborator John Parish on board, but 'Party' is a dark gem with a lustre all its own. not to mention brio, humour and subtlety to spare.
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Cat: DEMREC 864. Rel: 18 Feb 21
Folk/Americana
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Stories From The City Stories From The Sea: Demos (180 gram vinyl LP + MP3 download code)
Cat: 898543. Rel: 26 Feb 21
Indie/Alternative
Review: Over the last 12 months, Polly Jean Harvey has delivered remastered versions of many of her most acclaimed albums, while also releasing collections of demo recordings for each set. The latest to get this treatment is her critically acclaimed set Stories From The City, Stories From The Sea. Famously, most of the songs focus on love and relationships and were written while Harvey was living in New York City at the tail end of the '90s. As with her other collections of demos, most of the early versions showcased here feature little more than Harvey on guitar and lone or multi-tracked vocals. This raw and stripped-back approach gives new life to some songs, with highlights including the heart-aching 'The Mess We're In' and fuzz-soaked 'This Is Love'.
… Read morePlayed by: Juno Recommends Rock/Indie
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