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Review: "NINE INCH NAILS' GROUNDBREAKING DEBUT ALBUM
REMASTERED AND RE-RELEASED

Fans can now revisit the conception of Nine Inch Nails. Trent Reznor's Null Corporation has teamed with UMe/The Bicycle Music Company to release Pretty Hate Machine: 2010 Remaster on November 22, 2010. After completing the score for David Fincher's The Social Network, Reznor oversaw the digital remastering of Pretty Hate Machine from the newly unearthed original tapes with engineer Tom Baker (whose NIN credits include The Downward Spiral, Broken, The Fragile, With Teeth and Ghosts). This remastered version includes an eleventh track, a cover of Queen's ''Get Down Make Love,'' originally the B-side to the ''Sin'' single and produced by Al Jourgensen. Rob Sheridan, NIN's longtime art director, has also re-imagined the packaging of Pretty Hate Machine under Reznor's supervision.

As a young musician in Cleveland, Ohio, Reznor took a job at a local recording studio and employed unused studio time to develop his own material. The nascent album was later recorded with his favorite producers including Flood/Mark Ellis (U2, Depeche Mode, PJ Harvey), John Fryer (Cocteau Twins, This Mortal Coil), Adrian Sherwood (Ministry, Cabaret Voltaire) and Keith LeBlanc (Tackhead). The result was the first Nine Inch Nails album, 1989's Pretty Hate Machine. All songs were written, arranged, programmed and performed by Reznor. The album featured the breakthrough singles ''Sin,'' ''Down In It'' and ''Head Like A Hole,'' and ultimately sold over 3 million copies, reaching Triple Platinum sales status. In the wake of the album's initial underground success, NIN soon developed a reputation as one of the best live acts in rock and joined the inaugural Lollapalooza tour in 1991. NIN have since sold more than 18 million albums, collected Grammy® Awards and headlined arenas, amphitheaters and festivals worldwide.

The Bicycle Music Company acquired the rights to Pretty Hate Machine from a division of Prudential Securities in the spring of 2010. It was Bicycle's intention from the onset to enable Reznor to regain some control of this lost piece of NIN's legacy, resulting in this artist approved 2010 reissue of one of music's most groundbreaking and influential albums.

Reznor is currently working on new music as a member of the group How To Destroy Angels, continuing his Nine Inch Nails efforts and composing for future film score projects.

TRACK LISTING:
1. Head Like A Hole
2. Terrible Lie
3. Down In It
4. Sanctified
5. Something I Can Never Have
6. Kinda I Want To
7. Sin
8. That's What I Get
9. The Only Time
10. Ringfinger
11. Get Down Make Love"

Review: Legend has it that David Bowie was so lost in a vortex of cocaine and ego during the making of this record to such a degree that he now can't remember anything about its creation at all. Typically of the Dame though, in the midst of all this madness he created a masterpiece, and arguably his greatest album of all. With a hint of the funk of influence of 'Young Americans', yet filtered through a glacial European sensibility, it's a genre-transcending tour-de-force of boundless scope and imperious swagger. Forty-one years on, this record still sounds like the future.

Review: While David Bowie's talents were many, it was his skills as a musician, a composer and a performer which were, and indeed remain, the most celebrated of the great man's gifts. But Bowie was a self-taught intellectual too, a thinker of unparalleled originality and, quite probably, the best-read rock star of all time. He was also a talented speaker, an enormously absorbing conversationalist and someone you just know you could have had a damn good chat with, if only the opportunity had arisen. When these faculties are combined, as they are throughout the recordings here, some of the most stimulating archive film available on the boy from Beckenham is revealed. This double DVD set concentrates on David Bowie's spoken word video recordings, collating as it does more than 3 hours of the Thin White Duke in interview, in conversation, in conference and when simply having a bit of a natter! Intriguing and enthralling throughout, this set features both classic and rare footage, which all at once make it a must-have compilation for Bowie fans the world across.

Review: David Bowie's seminal 1972 album, chronicling the rise and fall of his lightning-quiffed alter-ago Ziggy Stardust, celebrates its 50th Anniversary on the day of its release. Not one but two new versions of the album hit the horizon, pitted side by side. One comes in the form of a half-speed remaster, and the other in the form of a picture disc.

Review: Parlophone are embarking on a mammoth Bowie reissue campaign. 'Black Tie White Noise' marked the beginning of his '90s era, and saw him reunite with Let's Dance co-producer and writer Nile Roders (Chic) as well as the guitarist for Ziggy Stardust, Mick Ronson. Dreamy and art-rocky, this album might be described as Bowie's loungiest. It's best suited for steamy cocaine nights in stopover penthousesl croony drawler funk for the Bowie-Boeing business class.