Review: Ubiquity is back with another of its two part 7"s, this time from contemporary soul group The Soul Surfers. Experts at covering the greats, they recently turned their hand to a classic from The JB's, while this time out it is Kool & The Gang's classic "Summer Madness" that gets a deep-cut and sexy make over. Part 1 is a sensuous slow burner with downtempo drums and heavenly guitar playing, while part 2 has harder drum grooves and dreamy , psyched-out guitars. It's another ageless rework that you need in your life.
A Strong Move For Truth (feat Nadine Charles) (3:19)
Good Morning (feat Samii) (2:40)
Remini Dream (feat Ivana Santilli) (3:46)
I Don't Wanna Know (feat Obenewa) (3:21)
Unknown Faults (3:59)
Life Can Be Unreal (feat Sarina Leah) (3:26)
Too Much (feat Sharlene Hector) (1:58)
You Are Virgo (5:05)
Come Of Age (3:28)
Just Leave It (feat Lady Alma) (4:52)
Ogawa Okasan Said Just Play (4:45)
A Where Pringle Deh? (2:14)
My Standards Are (Not) Too High (8:40)
Review: In our eyes, 2000 Black lynchpin Dego can do no wrong. You'll therefore be unsurprised to hear that we're huge fans of the 4Hero founder member's latest solo album, a belated follow-up to 2015's "The More Things Stay The Same". It is, of course, superbly soulful, slicky produced and wonderfully paced, moving from the heady soul sweetness of "A Strong Move For Truth", to the deep jazz-funk/broken beat vibes of "My Standards Are (Not) Too High" via 12 other warm and seductive cuts of an equally high standard. Highlights include the summery bruk-soul bliss of "Remini Dream", the toasty boogie revivalism of "Unknown Faults" and the Clavinet-sporting brilliance of Lady Alma hook-up "Just Leave It".
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Review: The Andromeda Orchestra project was last seen on Faze Action last year, when "Get Up & Dance" got the remix treatment by Nick The Record. This time around the project gets a serious disco treatment from Ray Mang, who stretches "Don't Stop" out across the A side for a nine minute pleasure ride that's heavy on the funk. "Kano Line Dance" kicks off the B side in another loose and nasty party jam, before the original Philly string busting brilliance of "Don't Stop" completes the set in fabulous fashion.
Review: After debuting his Pakzad moniker on Infiltrate last year, Justin Pak makes the leap to Burnski's Constant Sound with this assured set of electro workouts built for the modern age. "Timeless" is a snappy, vibrant cut with a serious amount of techno propulsion to match the crooked funk of the beats. "Clutch" has a more trippy, melodic twist, while "Correlation" hunkers down into a more backroom vibe as detailed as it is freaky. This is seriously executed electro from a fast-rising talent - nab a copy, drop it into a set and watch the bodies writhe.
Review: Originally prolific in the late 90s and back with a renewed sense of vigour in the past few years, Dan Piu's classic, widescreen vision of hardware techno captures the verve of the original Detroit blueprint while bringing a fresh, welcome energy to the genre. This drop on Common Dreams brims with the same head-swirling magic, especially on vividly rendered lead track "Halo City". "Falling Framework" has a more mellow veneer, but there's still so much playful detail bringing the track to life. "Akira 2171" has an old-skool sci fi quality balanced out by its linear sense of progression, and "Ilipsyon" takes things deeper into a wistful jack reminiscent of the spookiest Trax output.
Review: Funk Night Records were quick to snap up some newly recorded material from Philly psych band Grimace Federation as soon as they heard it, and for good reason. These tracks were recorded during a weekend in a session with producer John McEntire and manage to sound raw and distorted yet seductive. "Dotsero" echoes the magic of Adrian Younge with its big horns and stirring soul, while "Starspots" is a more expansive track, with nebulous chords, busy drum playing and plenty of jazz elements making it a real cosmic voyage.
Review: The Verdant label continues to plumb depths others fail to reach in the search for the most immersive techno emanating from the underground. On this split disc, the A side is under the control of Sirko Muller, who unfurls a masterful take on dub techno and minimal house as subtle as it is sublime. RV800 then remixes "Affinity" and makes it into a bouncy, acid-flecked groover that remains true to Verdant's deep dynamics. Jonno & Tommo take on the flip with the sultry mood piece "Efficacy," a spooked-out trip of a track that gets flipped into a slippery electro number by Havantepe.
Review: Fire in the hole! Quite literally; "Nar" is Arabic for fire and it's been one of the hottest dubs in the Lipsky brothers' Simple Symmetry sets for quite some time. Jaunty, free-footed, laced with an intoxicating eastern riff and a springy 80s bassline, it has hips slinking from 0-60 in less than seconds. So do the remixes: Autarkik gives it an "Age Of Love" style trancey slither while Inigo Vontier reboosts the percussive element for a much heavier hypnotic experience. Feeling fired up yet?
Review: Swiss producer Alci, also known as Shaolin Fantastic, landed with lauded releases on Robsoul before skipping to other labels like Apollonia and Meander. Following last year's excellent "Diversity" double pack, he lands on his own label Seeingsounds with this pitch perfect slice of dreamy minimal house. "Acid Drip" may be a misleading title - it's more of an unending groove draped in gorgeous, shimmering melodic finery. "Hiragana" takes things in a more twitchy direction, while "Apachi" brings another slant on reduced, oddball funk to get the up all night crowd loose and freaky in all the right ways.
Review: Turning your hand to the catalogue of a jazz colossus like Yusef Lateef would be beyond most contemporary jazz musicians, but then Nat Birchall is currently one of the best saxophonists in the business. Alongside his quartet and with the aid of some unusual instruments from around the world - something Lateef was famously fond of doing - Birchall has delivered a set of covers that breathe breezy new life into some of the American multi-instrumentalist's most admired compositions whilst retaining some of the original flavour. Our favourites include the droning North African brilliance of "Mashariki", the sun-baked afternoon breeze of "Ringo Oiwake" and the piano-powered bliss of "Willow's Walk".
Review: Originally pressed (on a limited run) in 2013, LA Latin funk troupe Boogaloo Assassins have reissued these two spellbinding cover versions again due to public demand. Still on a highly limited run, both cuts need to be in your collection: Dawn Penn's "No No No" gets a strict samba switch with lavish percussion and consistent vocal harmonies throughout while Sonny Henry's "Evil Ways" (best known from its Santana cover) gets the dreamy instrumental treatment where the horns and glocks do the narrating over a tight bed of wood blocks, shakers and liquid Rhodes. Killer stuff and Juno is one of the few stores outside of USA which is carrying the 45. Don't Sleep !
Review: The sneaky scalpel fiends behind the Belpaese Edits imprint are back with more inspired reworks of obscure, little known and overlooked European - and mostly Italian - gems from the 1970s and '80s. First up is "Vieni Con Mi", a wonderfully overblown chunk of loose-limbed jazz-rock/disco-soul fusion blessed with breathy female vocals, mazy flutes, wah-wah guitars, heavy bass and drumming so wild it may well be capable of raising cadavers from their graves. Flipside "20 Secoli Di Favole" is similarly minded, if a little closer to Baldelli "cosmic rock" territory - all ragged rock riffs, manic female vocals, groovy bass and intergalactic analogue synthesizer lines.
Review: Swedish house producer HNNY gave up DJing in 2016 but has still been working on music in the background, and we're glad he has, because the two cuts here for new label born out of a Stockholm audiophile bar, Hosoi, are lovely. A side "By" conjures a gorgeous mood with soft snares and what sounds like Spanish guitar strumming away beneath aching vocal coos. Flip over for "Hosoi", a dreamy downtempo groove with live sousing drum work and incidental chords that drift by on a warm breeze. This EP is a perfect tonic for those needing a break from busy modern life.
Review: While he's continued to offer up occasional singles, Bonn-based producer Dominik Eulberg has not released an album for eight years. It's for this reason that "Mannigfaltig", the former Traum Schallplatten regular's new set, is big news. Interestingly, it's nowhere near as club-focused as you'd perhaps expect, with Eulberg combining his usual glitchy, tech-house influenced beats and sounds with a range of intricate electronic motifs, sumptuous melodies and atmospheric aural textures. There are one or two club cuts, of course, but majority of the tracks bob along at a more sedate pace, with Eulberg offering up cuts that draw influence from IDM and hazy electronica. As a result, it may well be his most coherent and "listenable" album to date.
Review: Trinidadian Deep is a master of long, winding, enchanting house grooves that are deep but also spiritual and laced with afro percussion. Shelter acquires his latest two efforts and the glorious "Native Culture" opens things in subtly uplifting fashion. Trilling organ chords rise through the mix to give life to the jumbled drums and sustained pads in the background which keep things deep and ensure maximum hypnosis. "Eggun" has a more bubbling sense of rhythm, with vocal coos and surging chords peppering the track and bringing motion. Powerful stuff.
The Return (feat Thando, Jace XL, Alien, Whosane) (9:16)
Don't Give Up (feat Mandarin Dreams) (4:51)
Made Us Better (feat Blue Lab beats, Boadi, Lori) (8:35)
Review: After Sampa's magic debut album it makes sense she's been signed by Ninja Tune for a follow up. Once again here the Zambian-born Australian singer-songwriter and rapper is in excellent form, delivering slick, complex verses that she says are "the most me to date". Exploring notions of race and relationships, amongst other things, her voice is couched in gorgeous broken beat, hip hop and r&b production. Highlights are plentiful throughout - "OMG" is a funky afro beat, "Any Day" is neo soul in the mould of Erykah Badu and "Final Form" is a trumpet lead, warrior queen anthem to get your chest pumping. Essential.
Review: Spain's Fanzine hits double figures by welcoming Nullptr (the alter ego of British artist Eddie Symons) for some heat that has made him a cult favourite over the last decade. The man behind Cambridge electro night Motherchip Connexion and his own [d]-tached label invites you to strap in and surge through the skies with him on a pulsating journey that finds him tease real funk out of his machines. From sombre and stripped back cuts of lonely electro to masterfully melodic affairs via devastatingly emotional groovers, this EP does it all in fantastic fashion.
Review: Icelandic label Lahar debuts with this highly impressive release from NonniMal, who was previously spotted dropping the classy "Freyja" 12" on AE Recordings back in 2016. Sound design is the order of the day on "Eitt" as a beautifully rendered set of percussive bell notes chime around a minimal rhythm section - a piece pointedly geared towards transcendence. "Tvo" has an intriguing slant to its groove, as the sharply oscillating synth wobble juts out against the grain of the drums. "Thrju" takes things in a bleak but captivating direction, while "Fjogur" cools the record down in a cloud of blissful, frostbitten ambience.
Review: Early 80s new Wave pop outfit Haircut One Hundred are best known for their big single "Love Plus One" but this album proves they were more than one trick ponies. Infusing their pop, rock and synth sound with Conga, woodwind and Brazilian percussion leads to superbly colourful tracks that brim with sunshine. There's an upbeat and youthful innocence to "Favourite Shirts (Boy Meets Girl)" that is utterly infectious, while busier post punk funk like "Love Plus One" will get you on your toes even after all these years, and "Kingsize (You're My Little Steam Whistle)" gets all sexy with its lead sax and clattering steel drum tumbles.
Review: Pure, infectious, filthy, brilliant club energy. Steve Marie takes the a-side by the horns, first with the ravey, jacked up acid cut "JuplVtrax", then the nimble drum work and ducking and diving synths of "Psychedelia", which brings to mind flickering old VHS of illicit field gatherings from the nineties. Astral Body then takes you even deeper down the rabbit hole with the manic 303 and hyperdrive drums of "Galaxy Beat". "Equinox" closes things out with surging solar waves, rippling acid modulations and kaleidoscopic colours that leave you breathless. Reach for the lasers, etc.
Review: This new one on Martyn's 3024 might be a various artists affair but the tracks sit rather well together, which is even more remarkable given the diverse backgrounds of those involved: Noire with his super hard drums, Metalheadz affiliates Gremlinz & Jesta who link here with Sin, and Parris who makes some truly bonkers club music. Martyn's own "Frozen Bread Snaps" is the opener that most impresses with its delicate and skeletal drum programming and heartfelt chords. Elsewhere, "Door Of Guf" is a high octane rough rider while "Ballas" is perfectly off kilter and funky. "Dusty Glass Bubbles" somehow sounds exactly like it should with that title.
Review: Let's get one thing straight: Ravanelli Disco Club is exquisitely named. The output has proven just as tasty, too, and with Eben Rees at the buttons of this latest EP, you'll want to tuck in once more. He serves up a brace of breezy disco house tunes: opener "Bongo Boulevard" is a funk licked and perfectly carefree sort of tune you'd drop at sundown to hint at the fun to come, while "Dyfal Donc" gets more upbeat with an eco system of cosmic leads and pads dancing above well swung drums. Freerange man Jimpster provides a remix laden with wet claps and funk riffs, and Tech Support's rugged disco arps will make any floor take flight.
Review: Anyone who takes their electronic music history seriously should already be hip to this one, but a brief rundown for those new to the roots of electro and techno. Cybotron were the project from Richard Davis and Juan Atkins, who went on to help forge the sound of Detroit techno as Model 500. Released in 1983, their debut album "Enter" was a blueprint for so much music that came after, with "Clear" being the standout track that send 80s heads spinning into a state of funky future shock. This tasty little 7" reissue puts "Clear" on the A side, and 1981 sci-fi boogie belter "Alleys Of Your Mind" on the flip. Two evergreen gems no machine music aficionado should be without.
Cult Hero (Do You Wanna Touch Me) (with Simon Topping
Sly Is Watching
(Vi-Vi) Vicious Games (with Josh Caffe
Review: When it comes to jackin' Chicago style acid house revivalism, few can hold a candle to Paranoid London. As this long-awaited second album proves, the duo is the undisputed masters of sweaty, TB-303 driven jack-tracks and - as recent single "(Vi-Vi) Vicious Games" and LP opener "Starting Fights" prove - classic-sounding vocal cuts that recall the glory years of Fingers, Inc in the mid-to-late 1980s. Interestingly, "PL" boasts far more collaborations than we've seen from Paranoid London before, including a string of ragged club cuts blessed with evocative spoken word vocals, a thrusting acid throb-job with lead vocals by Simon Topping and a suitably twisted, machine-driven hook up with Arthur Baker and Alan Vega (the raw and weighty "Angel Of Hell").
Review: Founded in 1967 by singer/producer Carlos Oliva and other Cuban immigrants to the United States, Los Sobrinos del Juez were briefly one of the leading protagonists of the turn-of-the-'70s "Miami Sound" - a humid and intoxicating fusion of blues, rock, funk and dancefloor-focused Latin sounds. Their 1974 debut single "Harina De Maiz" - here reissued for the first time since - is a perfect example of that short lived style, offering up a mixture of wah-wah-guitar and psychedelic organ-powered Latin funk grooves and righteous Cuban vocals. On this edition it comes backed by the previously unheard "Corned Beef Hash", a swinging Latin-jazz number rich in vibraphone solos, jaunty piano riffs and plenty of hip-wiggling percussion.
Review: Music For Dreams' latest must-have compilation of obscure Balearic treats comes courtesy of noted digger Basso, a DJ, producer and re-editor who has previously released some killer scalpel jobs on Joe's Bakery and People Must Jam. You'll find one of his edits tucked away towards the end of the EP - a tidy extension of Wolfsmond's sun-kissed, Chris Rea-esque German language number "Fuhl Dich Frei" - alongside stunning selections that variously touch on stoned West Coast jazz-rock, new age, ambient, drowsy 80s pop, kosmiche and loved-up late night AOR shufflers. An inspired collection of pretty much unknown gems; what's not to like?
Review: Clear the way when you see them coming through! Three albums deep since 2016, Jalapeno's in-house funk machine The Allergies wheel up with more brand new material. "Every Trick In The Book" shakes and slides with a wry psychedelic groove, a familiar vocal, big horns and lavish dollops of the feel-good flare the Bristol duo have made their signature. Need something spicier? Flip over for "Nuff Respect" where long-standing MC partner in vibes Andy Cooper steps up to cover one of the all time OGs: Big Daddy Kane. Back up and bow.
Review: It's been four years since A&R Edits ceased releasing music after serving up nine essential EPs between 2013 and 2015. This return to action has been masterminded by Merseyside scalpel fiends Greg Wilson ("GW") and Henry Greenwood, whose fine revision of Neneh Cherry's "Buffalo Stance" kick-started the imprint six years ago. A-side "Disco Mondo" is a rolling revision of a lesser-known breathy disco jam of (we think) Italian origin. It boasts a metronomic groove, wah-wah guitars, elongated organ chords, congas for days and a few well-placed swirling electronic effects. Over on side B, "In The City" is a dreamy chunk of mid-tempo, Italo-disco influenced synth-pop.
Cult Hero (Do You Wanna Touch Me) (album edit) (6:45)
Cult Hero (Do You Wanna Touch Me) (club mix) (5:47)
Cult Hero (Do You Wanna Touch Me) (Slow) (7:29)
Review: House and techno badboys Paranoid London are proceeding the release of their second album with a bunch of singles from it. First up is "Cult Hero" featuring Simon Topping - one of many guest vocalists on the full length. It's a bristling acid house cut with tight, corrugated drums and relentless 303 mania ripping up the groove. Topping's deadpan vocals are layered over the top and bring to mind the more anthemic work of Depeche Mode. "Club Mix" is even more caustic and kinetic, while closer "Slow Mix" strips back everything but for the lunching drums and demonic vocals of Topping.
Review: Since 2012, Munich duo COEO has served up a swathe of sample heavy, disco influenced house EPs for such labels as Let's Play House, Toy Tonics, Lagaffe Tales and Razor-N-Tape Reserve. Here they pop up on Razor-N-Tape's main edit label with something different: a quartet of traditional scalpel works from their personal stash. First up is the elastic, horn heavy disco-funk of "Express Lane", which is quickly followed by the skewed Arabic boogie-funk brilliance of "Libyan Sun". Over on side B, "Don't Oho" is a breezy revision of a sun-kissed Afro-disco workout that sounds like it would be capable of causing a commotion in the club, while "Move Your Body" makes merry with a warm, rich and intoxicating early '80s boogie-soul jam of unknown origin.
Review: Dark Entries has been at the forefront of the coldwave and synth revival that has slowly taken hold over the last decade. Next up they turn their attention to a reissue of an out of print EP from 1988 by Jordi Guber and Krishna Goineau as Velodrome. Villalobos has been known to drop cuts from it, which should give you a good idea of its musical style: freaky 80s electro built on steppy drums, with taut and twanging synths reverberating around the mix, as exemplified by the opener. "Glasfabrik" is a hyper-speed cut with a tongue in cheek vocal, while "Capataz" is the most well-known joint with its acid bass and crashing hits.
Review: Francois J Bonnet (a composer and electroacoustic musician) and Stephen O'Malley (the main man of metal band Sunn O)))) come together here for their first collaborative album. It combines O'Malley's doom laden guitar work with Bonnet's compositional skills to make for a dynamic soundscape that has the sort of grand ambient architecture that places you right at the heart of it all. Dark yet inviting, it is noise that nurtures and comforts you despite its rather foreboding overtones. Orderly yet alien, desolate yet filled with human emotions, "Cylene" makes for a compelling listen.
Review: Prolific but underrated Motor City producer Detroit's Filthiest makes a comment on the falsehoods of society with his latest EP. But there is nothing fake about his talent: he manipulates his machines in compelling fashion here, pairing perfectly squelchy bass and synthetic synth textures with the most gorgeous and organic piano keys imaginable. "Baby Makin Music" is laden with romantic chords, while "Mothership Has Landed" is more edgy and unsettled. On the flip, "No Strings Attached" is a playful and jazzy electro cut that makes way for the equally excellent "Social Engineering". In these times of electro trendiness, this EP still manages to stand out.
Review: Blue Feather were a truly blue-eyed funk outfit from the Netherlands who had a prolific run in the 80s with two albums and a string of club singles to their name. "Let's Funk Tonight" was surely one of their bigger hits, and it sounds resplendent with a fresh master and the full extended version spread out across the A side here. Offering something new for the modern market, Best call upon Faze Action to flesh out this reissue with a killer dub of the track that treads softly but funks deep, just like a good dub should.
Review: Joe has been behind some of the most inventive rhythms and hard hitting club tunes of the past decade. Always happy to veer off-piste while drawing on bass, dubstep, techno, 140bpm workouts and everything in between. Here the Londoner makes a break from home label Hessle Audio to land on the equally cutting edge Comeme. "Rio Lea" is the pick: it's a loose rhythm coloured with samba skip, soul drenched strings and Latin flair that transports you directly to South America. The others aren't bad either to be fair, with "Line To Earth" exploring a slower, dubbed out groove, and "Get Centred" working the dance floor into a frenzy with its mad xylophone melodies, tight, percolating drums and tense chord stabs.
This Love Is Magic (feat Chanel - Soul Rockers mix) (3:48)
When It Rains (feat Cleveland Jones) (4:39)
Review: It would be fair to say that Dee "Kejam" Majek (real name Oladisun Majekodunmi) is something of a veteran, with the Nigeria-born writer, musician and label owner producing his first released music way back in the early 1980s. This double seven-inch single marks his debut for Izipho Soul, and his first release of any sort since 2016 debut album "Majek". There's much to admire throughout, from the slick '80s soul warmth of Lisa Taylor collaborations "Can You Feel The Love" and "My Only Love" - the latter featuring a slight two-step soul feel - to the electrofunk-influenced R&B shuffle of Chanel hook-up "This Love Is Magic (Soul Rockers Mix)" and the toasty, dewy-eyed goodness of "When It Rains", which features lovely lead vocals from Cleveland Jones.
Review: With the state of world politics at the moment, we could all do with the occasional pick me up. Enter The Pharaohs who link with Chicago natives Spencer Jackson Family for "Bring Back Peace To The World", which gets a timely reissue on Ubiquity. It's a spiritual bit of jazz funk with sax lines to get you grooving, deep soul vocals that stir you from the inside out and gospel overtones that get anyone ready to rejoice. Each part is as essential as the other and despite adding up to just over five minutes in total, both cuts will no doubt enhance your mood.
Review: Curiosities is the second album in the trilogy from in-demand New Zealand multi-instrumentalist and producer Lord Echo. Six years after initial release, this reissue sounds as vital as ever and is extra DJ-friendly given that it is spread across two slabs of wax. It covers plenty of ground from escapist tropical ambient to lovably lazy dubs via vivid disco-funk. Highlights come in the form of "Molten Lava" and its heart wrenching vocals and the gospel grooves of "The Creator Has A Master Plan". Winter might be fast approaching, but so long as you have sounds as warm and sunny as these around, summer will never feel too far away.
Review: This cryptic debut from Belgian AIR LQD mixes up science fiction, social criticism and punk ethics into a futuristic sound world where urban decay and artificial intelligence have really taken hold. The brittle, icy electronics of these tracks reminds of Kassem Mosse's experimental lo-fi house work on Workshop. "Repeat Itself" is interspersed with dehumanised voices from a darkened dungeon and leads to some brilliantly unsettling sounds. Abrasive textures rub up next to looping echoes, crashing metal hits and rubbery bass. Though wholly unnatural, paranoid and occult, it all feels so damn right.
Review: Newworldaquarium has long been a real darling of the techno world with an impeccable back catalogue filled with treasures, and now the Dutchman is treating us to two new tracks that were recorded during the same sessions as his seminal "The Dead Bears" in the early 00s. The 10-minute epic "Mercury" has a majestic synth phrase looped over rubbery kicks that will lead to real transcendental moments, while "Levels Halo" is a zoned out ambient piece with kick drums buried miles below, gently moving you along.
Review: New York hip hop outfit Missin' Linx's debut release is notable for two reasons: firstly, it features two stone cold jams in the deep cut of "MIA" and the woody boom-bap and smooth flow of "Lock'd". But secondly, and more importantly, "MIA" made use of David McCallum's "The Edge" break before Dr Dre did. Dre's use of it on "The Next Episode" might be more famous, but now you know who did it first.
Review: Hyperdub and Tectonic regular Walton finds himself on vital Munich label Ilian Tape for his next EP. The rhythmic innovator takes cues from the label's love of breakbeats in one track here. Opener "Before The Storm" is a suspensory bit of ambient with sustained pads and distant hits, crashes and pops speaking of alien life forms. "Rolla", a dusty and shadowy cut that skates along with a sense of uneasy menace. Last of all, "Depth Charge" is as it sounds: fathom deep bass lurches to and fro with machine gun like snares firing across the face of the track. It's boombing body music to make you move.
Review: Discerning diggers will know that an original copy of this funk soul gem from 1978 often fetch close to four figures. Initially released on a little known label in Mississippi, Acid Jazz now give it the proper reissue treatment. It is filled with passionate soul songs that stride forward with purpose and pride. "Let Me Be Your Lover" is the breakout single that will get most club plays, but the sliding hi hats and twangy bass of "Gonna Find A True Love" will also do plenty of damage. The version included here is slightly different to the single that was reissued earlier this year, but is well worthy of its inclusion.
Review: The mysterious NY Underground label and production team are keeping tight-lipped on their identity. What we do know is they love editing, dubbing and reworking Big Apple house and disco tunes and are good at it, too. Following a number of sold out EPs they come correct again with number 9. "New York Underground IX (part 1)" is a tense dance floor workout with acid prickles and flashes of synth that are perfect for strobe lit spaces. Part 2 then goes disco, with stomping drums you will likely recognise driving along some exotic synth lines and steamy vocal work. Top tools.
Review: Transhumanism is a collective of Dutch producers who first met on the dance-floor at Dave Clarke's Whip It party at Melkweg in Amsterdam, so that will give you a reliable indicator of their sound: it's brash, serrated electro that fires your synapses and awakens your every sense. Juan Atkins and Helena Hauff have been dropping it all summer and it's easy to see why. There is strobe lit action from Slaves Of Sinus, walls of high intensity sound from RXmode, rave tinged stuff from W1b0 and a more throwback jam from TFHats to round out a high impact EP.
Review: Kalita Records has thus far proved adept at sniffing out obscure, overlooked classics and reissuing them. Their latest "flip" is as rare, little known and hard-to-find as they come: a one-shot 1985 Caribbean boogie cut from Bahamian musicians Stirling March (now a minister and gospel singer) and bassist Rocky Rolle. "Under Cover Lover" is bright, breezy and sun-kissed, with jaunty synthesizer lead lines and hammered-out piano parts dancing above a tasty groove that fully showcases Rolle's boogie bass skills. Stirling March's lead vocal is superb too, with the Bahamian slickly delivering the loved-up lyrics with aplomb. The flipside "Instrumental" version is typical of New York style boogie dubs of the period, with more attention on the drums, bassline and ricocheting vocal snippets.
Review: Butter Sessions latest must-check release comes courtesy of Melbourne-based rising star Furious Frank, whose recent EP on Paper-Cuts was particularly impressive. "Ahora Si" is similarly inspired, with the young Australian producer placing Ivy Barkakati's "Sueno Latino" style whispered vocal over a bold, alluring blend of jangling dream house pianos, rugged acid lines, sunrise-ready chords and loose-limbed analogue beats. He provides his own dream house style interpretation (the brilliant "Frank's Sunrise Mix") before inviting Ivan to give his take on the track. He adds some tribal percussion whilst retaining the cut's inherent dreaminess before Canadian producer D. Tiffany re-imagines "Ahora Si" as a bass-heavy chunk of UKG/breakbeat house fusion.
Superdiscount Presents Air - "Soldissimo" (Etienne De Crecy remix) (5:26)
Guts - "What Is Love" (3:47)
Alex Gopher - "The Child" (radio edit) (3:39)
Kazam - "Swag On" (2:13)
Flume - "Holdin On" (2:32)
Chinese Man - "I've Got That Tune" (4:08)
Deluxe - "Pony" (3:27)
Fakear - "Morning In Japan" (3:06)
Bonobo - "Terrapin" (4:40)
Nightmares On Wax - "Les Nuits" (radio edit) (3:31)
Review: Thanks to Massive Attack's recent anniversary reissue of their touchstone "Mezzanine" album, trip-hop is back in the headlines. While we don't expect a full-blown revival just yet, it's always worth dipping into the style and its hazy, dub-flecked and sample-heavy sound. This triple-disc genre retrospective from Wagram should be an essential listen for both confirmed trip-hop heads and newcomers alike. It contains plenty of well-known classics - see the contributions from I Monster, Tricky, Smith & Mighty, Kid Loco, Moby, Boards of Canada, Kruder and Doefmeister, Tosca and Nightmares on Wax, for starters - as well as under-appreciated underground hits and lesser-celebrated selections (Sabres of Paradise's remix of Red Snapper's "Hotflush" being the undoubted highlight).