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Review: The always innovative Tommy Jar Vicari brings more of his well-crafted house sounds to the French label PortaL Recs here. His Germination EP kick off with the title track which is a driving sound with low swinging drums and plenty of watery pads up top. 'Bless You' has more snappy drum work that straightens the back and makes you march. Flip it over and things get more heady and journey into soulful Detroit house territory on 'Deap of Faith' while 'Nano Kitaro Expo' shuts down with some dubby and blissed out depths detailed with rich synth work.

Review: Ellen Allien's label BPitch is one of Europe's finest and surely one of the most prominent labels to be headed up by any of the women in the scene. It is Gotshell behind this last 12" on the Berlin mainstay with four cuts of dark, artful techno from the Columbian that mark a welcome return to the label. He navigates between chaos and tranquility, blending disparate sonic elements seamlessly across the tracks starting with 'Forest,' which kicks off with misty dissonances and psychedelic pads over a driving kick drum. 'Who I Am' ventures into dubstep territory with echoey vocals and airy synths. 'Fluctuacion Paralela' delves into ambient realms, while 'Acid and Die' explores harsh acid coils. Sintaxis showcases Gotshell's unique aesthetic expertly.

Review: Guitarist extraordinaire and former Kiss vociferator Ace Frehley's tenth solo album 10,000 Volts is the sonic equivalent of Gakuryu Ishii's bolshy film 'Electric Dragon 80,000 Volts' - a massive, electrifying, out-of-this-world experience that embraces the pure shreddage of the electric guitar, in an ultimate face-off between human and machine. The analogy of overridden circuitry is unsurprisingly useful for evoking related emotions in Frehley's case, as on the title track, on which a perfectly phased-out riff accompanies the lyric, "She hit me like 10,000 volts, when I saw her face". Then come the covers, such as 'Walkin' On The Moon' and the equally raw in-your-facers such as 'Cosmic Heart' and 'Life Of A Stranger'. No fillers here.

Review: Some 30 years later, Flashback, the legendary game by Paul Cuisset, is back with a new addition to the franchise. A classic game for the players, the newly reissued version of Flaschback 2 gets a facelift on its 30th Anniversary, in "2.5D" - following his victory over the Master Brain in the first episode, Conrad and his allies are once again confronted with Morphs, whose modus operandi is to crush all civilization. The new OST was produced by Raphael Gesqua; with about one hundred original soundtracks created for video games or cinema since the beginning of the 90s, Gesqua reunites here with the one who got him started in the world of video games: Paul Cuisset, on Flashback: The Quest For Identity. Cuts from both versions of the game (Commodore and Amiga) appear as part of a rich soundtrack, swerving between cinematic music, electronics and synthwave ambiances. A must have for all science fiction fans.

Review: Originally released in 2013 and celebrating its ten-year anniversary just a little late, Bloodsports was the sixth full-length and much needed return to form from London's glam-centric alt-rock staple Suede. Arriving more than a full decade after 2002's A New Morning, the LP marked the longest gap between projects from the group as issues stemming from addiction as well as the commercial underperformance of the aforementioned album led to a seven-year hiatus. Reuniting with longtime producer Ed Buller, for the first time since 1996's Coming Up, while re-enlisting former keyboardist Neil Codling who originally departed in 2001, the end result would be not only their most acclaimed work since their last outing with Buller but rejuvenate the Suede camp entirely, as we've since been treated to three more subsequent LPs, with the most recent, criminally underrated Autofiction lading in 2022.

Notes: The latest update of Arturia's legendary plugin collection, featuring 39 instruments, three expansion packs and over 9,000 presets. New instruments include CP-70 V, MiniFreak V, Acid V and three Augmented collections.

Supplier's Notes:
V Collection X

Reference instruments for music makers
A premium suite of software instruments for unparalleled sonic exploration; from evocative emulations and hybrid synth engines, to authentically modelled keyboards and beautifully captured acoustic sounds - enhanced for today's production workflow.

This is V Collection X

Immerse yourself in an unparalleled music-making experience with iconic sounds and essential tools to suit your style, performance needs and production workflow. 39 instruments, 3 exclusive expansion packs, thousands of world-class presets - 1 canvas for infinite sonic exploration.

The ultimate selection

A hand-picked, expertly-engineered suite of instruments combining timeless sonic craft with cutting-edge enhancements that seamlessly integrate with demanding production workflows. The most iconic synths, blissful keyboards, evocative hybrids and faithfully captured acoustic instruments for endless inspiration, vivid composition and boundless play.

10,000+ presets

Find the crucial mix-finishing sounds you need in a few clicks with V Collection X's expansive library of expertly-designed sounds, complete with easy browsing. Tap right into any style, any instrument, any time.

Easy to use

You don't need to be an expert to enjoy professional sound. The instruments in V Collection X are designed with accessibility in mind, equipped with intuitive interfaces, interactive in-app tutorials, and intelligent features that deliver electrifying results without hassle.

Perfected for you

High-performance features that you can count on, premium sound quality you deserve; V Collection X is the result of over 20 years of engineering innovation, musical exploration, and a passion for audio excellence and expressivity.

39 Software titles

Augmented WOODWINDS
Augmented GRAND PIANO
Augmented BRASS
Augmented STRINGS
Augmented VOICES
Korg MS-20 V
SQ80 V
CS-80 V
Prophet-5 V
Prophet-VS V
Piano V
Analog Lab V
Vocoder V
Jun-6 V
OP-Xa V
Mellotron V
Synthi V
CZ V
CMI V
Clavinet V
Acid V
MiniFreak V
CP-70 V
DX7 V
Buchla Easel V
Synclavier V
Emulator II V
B-3 V
Mini V
Stage-73 V
Matrix-12 V
Farfisa V
Solina V
SEM V
Jup-8 V
ARP 2600 V
VOX Continental V
Wurli V
Modular V

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
32GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS* (64-bit DAWs only).

Apple

Mac OS 11.0+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
32GB free hard disk space
OpenGL 2.0 compatible GPU

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

Review: By 1965 Little Richard was already 15 years deep into his career blazing a trail through youth culture with his infectious rock n' roll revolution, but he still had the chops to pen a monster hit. 'Dance A Go Go' is a swinging party starter that can never get too much air time, and it's well received on the A side of this drop from Swinging' Sides. Flip the record over and you're treated to Spyder Turner with his debut single from 1964 - a stomping masterclass of Motor City soul all about his beloved mode of transport. It doesn't get more Detroit than that.

Review: Re-pressed on vinyl for the first time in 15 years, La Foret hears a full reissue via 5 Rue Christine. As conceptual as Xiu Xiu's fusion of post-punk, gamelan, synth pop, folk, and noise might seem, the group's music never feels overly cerebral or detached. On the contrary, it's usually brimming over with often contradictory emotions: love, hate, sex, violence, fear, and humor cling together so tightly in Jamie Stewart's songs that they can't be separated. Harsh and beautiful words and sounds remain intertwined on La Foret, which ranks among Xiu Xiu's subtlest - and scariest - albums.

Review: The Colour Purple is one of those films that went against the odds in the wrong way - the second adaptation of Alice Walker's novel about a Black couple living in the Deep South around the turn of the 20th Century, it built on a legacy of acclaimed literature and cinema (Steven Spielberg's 1985 film), came with a strong cast and had $100million spent on it. Yet, after its release in 2023, despite great reviews and multiple award nominations, it grossed just $67million at the global box office. Musicals aren't for everyone, of course, although it's hard to find fault here. Songs range from super dramatic, almost tribal and certainly stage-filling epics, through to kitchen sink soul, roots, blues, R&B, hip hop, and power pop, and listening through even without the visual focus, leaves a big, long-lasting impression.