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Review: This is the third installment in the Local Sugar Diggers Series from Scruniversal in which old and rare records from the label head's friend's collections get reworked and edited. This one is a collab between ScruScru and an equally passionate digger from Cyprus known as Dwaal. Both tunes offer quite different looks but with great results. The first is the steamy and loose-limbed 'Destination? Funk!' with its squelchy bass and neat guitar riffs, while the flipside is a super deep and lush downtempo jam, 'Camelot Chill'. This one has romantic sax notes and gentle grooves with jazzy keys finishing it in style.

Review: X-Ray Ted's 'Talkin' EP' finally hits vinyl, a format perfectly suited for its timeless classic vibe. On the A-side, 'Talkin' weaves strings, horns, and guitar riffs over rolling beats and bass, topped with soulful vocals. On the flip, 'So Much' exudes infectious energy, blending vocal refrains, guitars, and horns for a soulful groove. These tracks offer a glimpse into X-Ray Ted's upcoming debut album, showcasing his talent for blending old-school sounds with a modern twist. Limited to a run of 7"s on Bombstrikes, these vinyl grooves exude sunshine vibes and feel-good warmth, destined to fly off shelves.

Review: A year after dropping his acclaimed album 'Billy Valentine And The Universal Truth' with Flying Dutchman and Acid Jazz Records, Billy unveils a fresh take on a soul classic. Recorded at LA's prestigious Henson Recording Studio, alongside producer Bob Thiele Jr. and a stellar band including Larry Goldings, Pino Paladino, Jeff Parker, James Gadson, and John Philip Shenale, he introduces three new tracks. His rendition of Gil Scott-Heron's 'Lady Day & John Coltrane', debuted on Gilles Peterson's BBC6Music, mesmerising live audiences. This special edition 7" includes a unique edit of 'Home Is Where The Hatred Is', not previously available on vinyl.

Review: Alongside the wicked new 7" 'Dues And Don'ts / Fraud Fades', Amsterdam producer Soul Supreme simultaneously drops another 45 - of no less import - this time enlisting the fiduciary flows of American producer and emcee Thes One. 'Taking The Stand' includes both the original vocal number and the instrumental on the flip side, with Thes One musing on life's (in)justices, trials and negotiations as Supreme the wunderkind himself segues through wildcard turntable scratches, knocky drum hits and blue-note piano hits.

Review: The Mountain 45 label has been giving us some unique music that cross genres since its inception just a few years ago. Like previous editions, Double A contributes 'Super Badman Riddim' which is both catchy and clever. Featuring James Brown samples thrown in the mix takes this dub related track to the limit of fun. For the B-side, James Nasty's 'Fan Dem Off' with a peak time party song that should take the dancefloor to another level. These attention getters are ideal for being addictively fun and different. It's hard to categorise music like this, which is a sign of its originality.

Review: Thee Heart Tones, Big Crown Records' newest addition, showcase their youthful exuberance and musical prowess on their debut single. Recorded at Diamond West Studio with producers Leon Michels and Tommy Brenneck, the band delivers a captivating performance on both tracks. 'Forever & Ever' is an infectious, feelgood anthem with lead singer Jazmine Alvarado's captivating vocals soaring over the band's lively groove. The song's catchy chorus is bound to linger in listeners' minds long after the music stops. On the B-side, their rendition of the classic 'Sabor A Mi' demonstrates their versatility and skill, with Jazmine's vocals shining once again. Thee Heart Tones have made a promising entrance into the music scene, leaving audiences eagerly anticipating their forthcoming debut album.

Review: Comb Edits is, at least in our world, officially the best thing to come out of Norwich since Colman's Mustard (or perhaps Justin Fashanu). The hush-hush project has been serving up occasional must-have re-edits for a while, with some of their earliest releases becoming in-demand items on the second-hand market. 'Por Amor', which opened the mystery editor's first EP in 2021, is probably the most sought-after scalpel job of the lot. It's a light-touch rework of a gorgeous slow-motion and sun-splashed Latin cover of a Bobby Caldwell classic - the kind of thing that disco, soul and Balearic heads will love. This reissue presents two new tweaks: a slightly shortened (but no less gorgeous 7"-mix), and a stripped-back, bass-heavy and delay-laden 'dub mix' that's especially essential. Don't sleep!

Review: 'Practice What You Preach' is a standout track from the German funk band Poets Of Rhythm's debut record of the same name, first released on Soulciety in 1993. After a long hiatus on the albums front before a return to the limelight with a follow-up Ninja Tune LP in 2001, these guys nonetheless remained surely active on the 7"s circuit, which has sustained them since then. Little did we know or predict, however, that there existed a part two to the same track, which is essentially an instrumental version of the original 1993 track. On the B comes a fresh funker formerly released under the alias Mighty Continentals, with the band's Bo Baral laying down a rare solo guitar situation and singing about, well, god knows what.

Review: Pratt & Moody's latest single, 'Creeping Around,' delves into the depths of dark soul with haunting melodies. The duo, comprising Pratt and Moody, showcases their collective prowess in crafting a narrative of infidelity that transcends boundaries. Pratt's velvety vocals intertwine seamlessly with Moody's evocative guitar, creating a timeless soundscape dripping with raw emotion. Supported by the masterful artistry of Cold Diamond & Mink, 'Creeping Around' transports listeners to a realm of late-night introspection, evoking the atmospheric ambiance of a David Lynch film. With its haunting melodies and immersive instrumentation, this track captivates with its exploration of longing, desire, and the complexities of human emotion.

Review: Maya Blandy's latest single, Lemons, is a vibrant and infectious track that seamlessly blends upbeat urban funk with an acid jazz sound, resulting in a potential pop hit. The song takes a spin on the classic adage about making the best out of life's challenges, presenting it with a fresh and edgy perspective. With its catchy hooks, groovy rhythm, and Maya Blandy's convincing vocals, Lemons is destined to be an instant hit once heard.
The Side-2 is equally as good with 'BIB (Bitch In Black).' This song oozes with soulful vibes, showcasing Maya's mesmerizing vocals against an urban beat backdrop. The addition of a horn section adds depth and richness to the track, elevating its sonic experience.

Review: Cheeba's Prestige All Stars carries on strong with its cut-and-paste beats/soul edits series. 'I Got You' tops up the trailblazing, quickfire repertoire with a dust-caked window into the past, by way of well-crafted, surround-mixed breakbeats and a gritty gospel sample on the A. Complementary to this comes the instrumental, highlighting the fact that the fact that the vocal sample is indeed the cherry on top; it hardly 'needs' said vocal to convince the listener to dance, though it does round things out with utter finesse.

Review: Twilight is the latest piece by long time DJ, producer and remixer, Dominic Dawson. The Japanese label Flower, has released this single to 7" complete with a remix for the second side. The title track is a catchy and funky house track that while the remix is a bit more Balearic and beachy. Both versions have their place in any house setlist and will set the tone for any eclectic DJ set. With the DJing background Dominic has, he is a great guide to setting the mood with music. Like the title artwork suggests, this is perfect music to watch the sun go down to.

Review: Sexxy Dexx's 'Revelry' transports listeners back to the heyday of 80s funk and soul with its infectious energy and undeniable groove. Drawing inspiration from the likes of Prince, the track exudes a playful sensuality that is perfect for the dance floor. With its catchy hooks and pulsating rhythms, 'Revelry' captivates from the first note to the last, ensuring that feet will be tapping and hips will be swaying all night long. On the flip side, Delores Galore's 'What's It Bout To Be' brings a modern twist to the electro-funk genre, blending infectious beats with soulful melodies and seductive vocals. The result is a dance track that is as irresistible as it is memorable. Together, these two singles offer a tantalizing glimpse into the vibrant world of funk-infused pop, proving that the spirit of the 80s is alive and thriving in today's music scene.

Review: Original Gravity serve up yet two more contemporary soul tracks; sides A and B on this latest 7" are shared by Curtis Baker & The Bravehearts and Floyd James & The GTs respectively. The A's 'By Hook Or By Crook' recounts the all-to-relatable feeling of stopping at nothing to get what one wants, while 'The Switchback' ups the big beats and big halls for a roomy guit-funk come mod romp. Yet another delight to add to the OG Newtonians' pile.