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Cat: 675765 Rel: 13 Apr 18 • View all Synth module accessories
 
176 HP all-inclusive Eurorack case with 5 HP power module & Arturia Link system
Notes: RackBrute 6U is an all-inclusive Eurorack case ensuring the total security of your modules and maximum practicality in all conditions of use. Its multi-position configuration and included dependable power supply make it the true specialist solution.

RackBrute 6U provides you with 176HP to store and secure your enviable collection of Eurorack modules in an everlasting yet lightweight aluminium chassis flanked by two wood panels. Once you're locked and loaded, your modular setup will look and feel like a monolith, yet more flexible than ever thanks the Link fastening system and the paired handle. When on the move, it will make the transport of your modular equipment a walk in the park. When in position, it will let you organize your command centre the way you want it. Modules don't live on love alone, and RackBrute 6U keeps everything alive with its +12V / -12V / +5V power supply.

When you have to hold your position for hours, it's better to be well set up and to have a clear view of the surroundings. For this reason, Arturia developed the Link system, a convenient and simple-to-use fastening system that allows you to orientate the dedicated handle so that you can give your modular the most tactically advantageous position. Whether prone, crouching, or standing to attention, RackBrute 6U will always be on the lookout, ready for orders.

Troops are nothing if they are not properly fed. No problem, RackBrute 6U is not just a box. It includes a formidable +12V / -12V / +5V power supply ensuring your firepower up to 1600mA. This is coupled with a military-grade power rail with 32 available slots, including advanced noise filtering technology that guarantees optimum conditions.

With RackBrute 6U, even the most headstrong modules fall into line.

The RackBrute 6U fully takes advantage of the Link System, and it's not alone. You'll also find the Arturia Link on the more compact RackBrute 3U, as well as the self-contained MiniBrute 2 and MiniBrute 2S synthesizers. What solution will you go for? Will your field of operations be fully based on Eurorack, or the powerful force of analog monosynth flagship supported by a fleet of complementary modules?
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 2 in stock $300.39
Cat: 581798 Rel: 04 Jan 16 • View all Synth modules
 
Dual envelope generator & low frequency oscillator (LFO) eurorack module - 16HP wide
Notes: Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

The 540 Dual Envelope Generator and LFO (low frequency oscillator) is a multi-purpose modulation source. This unit features two independent ADSR (attack, decay, sustain, release) envelope sections that produce variable voltages for controlling other Eurorack format synthesizer modules such as oscillators, filters, and VCAs. Each section can be triggered externally, internally, or manually with dedicated jacks for each envelope, as well as an inverted output.

Additionally, the 540 includes a voltage controlled LFO with 5 waveform outputs. Front panel controls adjust both frequency and delay time of the LFO start. Delay and reset can be triggered from either envelope 1 or 2.
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 1 in stock $301.04
Cat: 690787 Rel: 31 May 18 • View all Synth modules
 
Powerful, hand-wired tube distortion module featuring American military grade low-noise tubes
Notes: Strakal Orsel is a powerful, hand-wired tube distortion module. As known from other Touell Skouarn circuits, all sockets and control elements have Breton names. (Except for the audio input and output, which are marked with arrows.)

Triodenn (switch) - Here, you can choose between pentode and triode operation for the left tube. Thus, this switch varies the basic sound character.

Boukl Retroaktin (switch/knob) - The switch activates the feedback path. With the potentiometer, you can vary the feedback intensity. High values lead to screaming self-oscillation. At low settings, signals are nicely thickened.

Gounid (knob) - This potentiometer is used for determining the level between the first and the second tube stage.

Ampled (knob) - For setting the degree of distortion. How hardcore would you like your sound to be?

Enklas Modulan (socket) - CV input for influencing the feedback respectively volume. (It works even without the feedback being active.)

Without an input signal, but with wide open feedback, the Strakal Orsel can be used as a beefy effect oscillator. Using its CV input, the pitch can be varied. There is no accurate pitch tracking according to the standard 1 v/octave, though. If you now deactivate the feedback and dial in the right volume and distortion settings, you can enjoy the Orsel's noise floor in its purest form. In other words, the module will emit charming tube noise. Operation as a crude VCA is possible as well.

The following tubes are compatible with the Strakal Orsel:

- 6J1P
- 5654
- 6AK5
- EF95

The Strakal Orsel offered here is equipped with American military grade low-noise tubes, type 5654. This one sounds better than the 6J1P and offer higher gain.

Power consumption: 5 mA at +12 V, 5 mA at -12 V and 350 mA at +5 V

HP: 12
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 1 in stock $302.38
Cat: 596644 Rel: 18 Dec 15 • View all Synth modules
 
Physical modelling synthesis Eurorack synth module - 14HP wide
Notes: Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids' models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.

*For audio demo, please visit - http://mutable-instruments.net/modules/rings
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 3 in stock $302.38
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Cat: 619258 Rel: 05 Jul 16 • View all Synth module accessories
 
84HP Eurorack case with rugged aluminium construction and wooden side panels
Notes: Durable Eurorack case with super-clean, high capacity power supply:
From studio production to live performance, Eurorack-based modular synthesis has exploded in popularity around the world. For portability, protection, and usability, a quality case and power supply is an essential part of every modular synth rig. With the SYR-E84, Roland introduces its first Eurorack case, which integrates a durable, lightweight design and a super-clean power supply with high capacity for today's power-hungry modules. The SYR-E84 fits AIRA modular electronic instruments such as the SYSTEM-1m, BITRAZER, DEMORA, TORCIDO, SCOOPER, and SYSTEM-500, as well as standard Eurorack modules from other manufacturers.

Featuring a rugged black aluminium enclosure and wood side panels, the SYR-E84 offers top-level looks and performance for modular synth starters and seasoned pros alike. Specially designed for modular instruments, the high-capacity DC supply provides stable, low-noise power that meets Roland's discriminating quality standards, delivering clean and reliable operation you can count on. The versatile case can be used in flat, angled, or vertical positions to meet any working situation, and offers easy stacking capabilities for expanding your setup in the future.
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 1 in stock $303.26
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Arturia V Collection 6 Software (boxed) (virtual instrument software)
Cat: 672790 Rel: 21 Dec 17 • View all VST instruments & samplers
 
Ultimate collection of vintage keyboards & synthesisers, comprising of 21 virtual instruments
Notes: The ultimate synth, organ, piano, and performance keyboard anthology. 21 seminal instruments, supercharged, and at your command.

Bringing together over 100 years of landmark keyboard instruments in one software package, the sounds behind every hit, every genre, and every musical movement are now at your fingertips. Painstakingly recreated in beautiful detail, every single instrument in V Collection 6 will blow you away.

Using advanced technologies, easy-to-use graphical interfaces, and a strong focus on presets by working with some of the world's best sound designers, V Collection 6 will give you the inspiration you've always dreamed of.

Whichever instruments you use you can be sure of one thing: Arturia paid tribute to the original machine, built upon this legacy, and added a new generation of features opening new possibilities to the contemporary musician.

Fabulous Four:

Pooling together the combined knowledge, talent, and musical vision of many of the world's finest sound designers, your new instruments will sing straight out of the box.

Buchla Easel V:

Don Buchla's leftfield analog synth from 1973, the Music Easel changed the way people created sounds with performance-focused parameters, putting the focus on the artistry of being a recording artist. Perfect for exploring alternative sound design, creating ambient, widescreen textures, and unfamiliar sequences. Taking Buchla's experimental vision one step further, Arturia have incorporated Gravity, a physics-based synth engine into their software recreation, letting you take music where no one has gone before.

DX7 V:

The Yamaha DX-7 needs no introduction, and its legacy is felt in charts around the world to this day. If you've ever listened to the radio, watched a film, or owned any 80s records, you'll have heard the DX-7. Notoriously tricky to program, Arturia's recreation simplifies the process by vastly improving the interface, and expands its synth capabilities with a mod matrix, customizable envelopes, extra waveforms, a 2nd LFO, effects, sequencer, arpeggiator, and more.

CMI V:

Known as the mother of all samplers, and a groundbreaking additive synth, the Fairlight CMI truly redefined pop music production following its release in 1979. Arturia's recreation builds on the features of the original by providing 10 multitimbral, polyphonic slots to design your sound, real-time waveform shaping, effects, a sequencer, and even a brand new "Spectral" synth that can scan and mix sections of audio, letting you create your own wavetable synth sounds.

Clavinet V:

Arguably the most famous, influential electric keyboard of all time, the legacy of the Clavinet is everywhere. Released by Hohner in the mid-60s, its funky, energetic tone gave life to myriad genres over the decades. From disco to R&B, prog rock to pure, unadulterated pop, the percussive, soulful sound of this legendary performance keyboard is reborn in Clavinet V. Arturia's physically modelled recreation lets you dig deeper into the instrument, changing the physical properties of the instrument, and adding classic amp and effects combos into the mix.

Developments:

V Collection 6 not only includes new instruments, but features major updates to the other included instruments. That equates to a complete collection of 21 vastly different yet powerful tools to craft your next audible masterpiece.
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 1 in stock $303.45
Cat: 707842 Rel: 22 Oct 18 • View all DJ mixers
 
Professional stereo mixer for clubs & mobile PA applications
Notes: The CM-5300 is a high-grade stereo mixer with an extensive feature set for clubs and numerous mobile PA applications. The 3 microphone channels have a one-knob compressor, adjustable talkover function and a 3-band EQ. the 5 stereo channels come with gain controls, individual VU meters, 3-band kill EQs, 100mm dual-rail faders and assignable crossfader. Channel 1 can be used for FOH signals, channel 6 features a 3.5mm AUX input. The stereo and mono output sections have their own level meters, trimmers for adjusting the maximum output level and electronically balanced XLR connectors. In addition, a subwoofer output with built-in active crossover is provided. The mixer can be used as a table-top unit or installed in a rack.
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 1 in stock $303.45
Cat: 674410 Rel: 28 Jun 18 • View all Vocal microphones
 
Low mass, 2.5-micron aluminium ribbon microphone with bidirectional pickup pattern
Notes: Samson's VR88 Velocity Ribbon Microphone combines traditional ribbon technology with the precision and versatility of advanced active electronics. It's perfect for capturing warm, natural audio in a variety of live and studio applications, such as miking vocals, acoustic instruments, electric guitars and even overhead miking drums.

The VR88 features a low mass, 2.5-micron aluminium ribbon suspended within an intense neodymium field, producing a warm and natural response that is silky smooth from top to bottom. The microphone is equipped with a bidirectional (figure-8) pickup pattern with excellent off-axis rejection. The VR88's FET amplifier and transformer provide the high output and stabilized source impedance necessary for compatibility with any mic preamplifier. In addition, The VR88 produces a smooth, extended frequency response and is capable of handling high SPLs of up to 137dB, making it an excellent choice for miking vocals, acoustic instruments and even electric guitars.

The quality of the VR88 compares to the most highly regarded classic ribbon microphones found in top recording studios. For this reason, its rugged die cast constructed body, as well as a shockmount, comes in a protective carry case.

With a sharp new look and superior sound reproduction, the VR88 Velocity Ribbon Microphone represents Samson's commitment to bringing you the very best microphones.
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 1 in stock $303.45
Cat: 562299 Rel: 06 Feb 15 • View all MIDI controllers
 
USB MIDI controller featuring 9 rotry knobs, 9 buttons and a joystick, perfect for use with Ableton, Traktor etc
Notes: Perfect for use with Ableton Live and Traktor, the Killamix-Mini is a compact USB controller housed in a sturdy brushed aluminium case with solid aluminium knobs. It is the perfect companion to your laptop, whether you are using a sequencer, DJ-ing or VJ-ing, just plug in the USB cable and go. Despite having only 9 knobs, 9 buttons and a joystick, the Killamix-Mini can in effect be 144 knobs,144 buttons and a joystick.

By pressing a single knob you can select any MIDI transmit channel from 1 to 9, or, with a combination of two knobs, select the remaining channels 10 to 16. When you select a new MIDI channel, the current values of the knobs for that channel are stored so that they can be restored when you next select this channel, thus avoiding any parameter jump difficulties typical of units with traditional knobs and faders.

When the values are restored, the LED rings around the knobs indicate their new positions.
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 1 in stock $304.51
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Cat: 694965 Rel: 25 Jul 18 • View all MIDI keyboards
 
61 note 2nd generation synth-action keyboard with performance controls designed to improve your workflow
Notes: Panorama T6 is the first controller to deliver Nektar-level instrument plugin control in any VST/AU compatible DAW. Load patches directly from the keyboard and start controlling parameters immediately, with every change instantly visible on the LED display. Control any instrument plugin with one of the many included maps or customize and create your own. Discover new performance tools like the powerful chord, hold and note repeat functions. Tweak repeat parameters, plugin parameters and record it all in your DAW.

2nd Gen Panorama Keybed:
Panorama T6 features a 2nd generation Panorama synth-action keybed. Dampened and carefully balanced across the keyboard with medium tension, which means the activation force required is in the middle of the range established for professional keyboards. Five velocity curves shift the emphasis from soft to hard, giving enough choice to cater for any playing style. A fixed option enables velocity values to be set by controls, including the wheels.

Beats on tap:
Designed with finger drumming in mind, Panorama T6's 8 large velocity and pressure sensitive pads are the perfect tool for beat creation. Triggering at an extremely low threshold, they will capture ghost notes and flams as easily as you can play them. If the factory settings are not expressive enough for you, it's even possible to calibrate each pad individually for optimum performance.

Each pad can be assigned any MIDI note number or MIDI CC message for use as MIDI trigger or toggle buttons - and assigning sounds couldn't be easier: Activate Pad Learn, select a pad, play the required note or drum sound on the keyboard and assignment is done. A Pad Bank Button left to the pads gives you access to another 8 pads, for a total of 16 pads within a pad map. 8 such pad maps are available for recall at any time.

Key and pad repeat:
Located just above the wheels are the Key Repeat and Pad Repeat buttons. Press to activate the repeat function and notes will be repeated at the set rate. Change the rate in real-time from 1/4 - 1/96 note values, change the tempo, add some swing and set an accent interval.

Repeat settings for pads and keys are independent of each other, so one can be set for the drum beat and the other for an instrumentation part. The Repeat's trigger mode can be set to repeat from the point of playing a note or to sync with the beat. Clock source can either be internal or external MIDI clock.

Access all areas:
Nine 30mm faders, 8 assignable LED buttons and 8 encoders are at the centre of the T-series' control panel. Each control is fully programmable to send any MIDI CC message for use with hardware or software MIDI products.

When used with Nektar DAW integration or Nektarine, the controls provide flexible pre-mapped DAW- or plugin-control, giving you deep tactile control right from the hardware. The DAW integration files also contain automatic catch-up and soft-takeover functions to avoid parameter jumping when you switch between devices.

Instant feedback:
The custom LCD display provides crisp and clear feedback for all your settings: Here is where you select Panorama's different modes, access global parameters and navigate your software. With DAW Integration and Nektarine, you will even see your software's mixer and plugin parameters right there.

The 4 soft buttons below the display will change their function according to the selected menu for fast access. The 4 mode buttons to the right of the display allow you to change from internal mode to DAW or plugin control at the touch of a button. The Multi button is reserved for Nektarine.

Bitwig 8-track included:
Bitwig 8-Track is included with every Panorama T6. So you can start producing, performing, and designing sounds like a pro from day one. Bitwig 8-Track gives you access to over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own, too. The 'Bitwig Essentials Package', a highly versatile handpicked selection of loops, clips and samples, is also included to help you get started. So put all that together and you have a powerful sketchpad for your musical ideas featuring the acclaimed workflow of Bitwig Studio.

***Now includes DAW integration support for PreSonus Studio One***
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 1 in stock $305.58
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Cat: 633417 Rel: 28 Nov 16 • View all Drum machines
 
Analogue drum processor featuring additional sequencer & expanded option set
Notes: Inspired by the Roland TR-606 Drumatix, the Cyclone Analogic TT-606 Drum Drone is an analogue drum processor featuring an additional sequencer and expanded option set. The TT-606 has individual outputs for each instrument, MIDI In/Out & Thru, headphone jack and an amplifier send.

The instruments included are bass drum, snare, low & high toms, cymbal, open & closed hi-hats, rim-shot and clap. A fixed parameter can be adjusted for each sound using the instrument selection switch whilst the sequencer is running. The parameters for each sound are as follows: Bass drum - Pitch, Snare drum - Snappy, Low & High Toms - Pitch, Cymbal - Decay, Open Hi-Hat - Decay, Close Hi-Hat - Pitch, Rim Shot - Decay and Clap - Mix Noise. Furthermore each track has access to an additional ACCENT track, FLAM track and ROLL track.

*Supplied with Euro two pin to UK three pin adapter*
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 1 in stock $306.64
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Cat: 636540 Rel: 10 Jan 17 • View all Drum machines
 
Drum Machine modelled after the classic Roland CR-78 with 21st century transistor technology
Notes: The TT-78, from Cyclone Analogic, is the next step in their collection of classic reproductions of iconic drum machines. The TT-78 is modelled after the classic CR-78 drum machine from Roland, produced in 1978. The TT-78 contains all the modern upgrades one would expect, while also being housed in a sleek shell, similar to the TT-303 and TT-606. It has the same intuitive sequencing functions as the previous Cyclone Analogic unit, but with a completely different sound palette, using sounds like Bongos, Congas, Maracas, and Guiro. There are seven individual outputs, providing independent jacks for most of the sounds. It also comes complete with MIDI In, Out and Thru, for synchronizing the TT-78 with all one's other gear.

*Supplied with Euro two pin to UK three pin adapter*
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 1 in stock $306.64
Cat: 624463 Rel: 16 Sep 16 • View all Synth modules
 
Chord Polyphonic Oscillator Module
 2 in stock $306.65
Cat: 658624 Rel: 18 Aug 17 • View all Synth modules
 
Bass & drum synthesiser voice module - 14HP
Notes: The Entity Bass Drum is a complete and versatile synthesizer voice geared for designing a huge array of bass drum, percussive and synth sounds. Finally, a truly deep tool for creating analog bass drum, bass lines and other percussive effects is here!

The design consists of a high fidelity resonant filter, 2 stage slope generator (rise/fall) with independent slope shaping, a high fidelity VCA and discrete transistor saturation circuitry. Every parameter on the Entity Bass drum is voltage controllable.

By applying a trigger of any length and at least 2V amplitude, we excite the resonant filter to produce a percussive sine wave. The pitch control tunes the output with a range of 8Hz to around 2.2KHz. Both higher and lower levels are achievable using the FM input for modulation etc. The internal filter will track 3-4 octaves reliably and the tracking device is temperature compensated.

The slope generator (ENV) can be switched into the circuit via the 3 way switch below the FM LVL control. This control is a bipolar attenuator which affects the level of the slope generator and/or external modulator that affects the pitch of the output.
The 3 way switch selects FM, FM+ENV or just ENV as a mod source.

The rise/fall envelope is a two stage function generator. The controls provide slope timing from 1ms to about a minute. To the right of these controls is the shaping section where logarithmic, linear and exponential slope shapes are selected independently for the two envelope stages.

The envelope is designed to re-trigger at a set point. This allows for changing dynamics to occur to pitch and amplitude when the slope times are greater than the output transient time. For instance the sound can vary between any number of triggers that fire before the envelope set point is reached. Setting the slope time fast enough (below roughly 1 o'clock) provides for nominal operation. Settings will vary depending on trigger and ring decay timing.

The envelope can also be used exclusively or in a more complex patch via a direct +ENV output. Additionally, a novel DUCK output provides a means to control external VCAs - to work like slow compressors. DUCK is an inverted and positively offset version of the +ENV out. This keeps VCAs open when the envelope is off and effectively 'ducks' the VCA when the envelope fires. Of course, mod sources for these outputs are not limited to VCAs...

BODY is a subtle, yet novel control. This control simulates the tightness of a drum head. All the way tight, we get a softer and somewhat muted sound, to the right we achieve a more flabby sound. The middle region is the sweet spot for a nearly perfect resonant drum. BODY can have a greater effect depending on the other parameters and can be very useful for fine tuning the sound in a mix and designing original drum sounds.

RING controls the resonant decay time. Both short and plucky and an infinite ring are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

Before the output section, we have the discrete transistor saturation. We like this because of the vintage low end distortion from overdriven class-A discrete amplifiers. This one is tuned a bit more aggressively and just a touch is necessary to add some bite. However, you can go over the top and get brutal if you so desire... ;-)
The saturator will overdrive the output stage for more of a hard clipping effect that can be tuned out by adjusting the output level control without sacrificing signal amplitude - its a hot signal by intention.

The OUTPUT section is a parallel signal processor design. The OUTPUT control blends the nominal output with a secondary input (or nothing) depending on the 2 way switch setting below the control and/or whether an external signal is patched into the AMP CV input. In 'AMP' mode, the OUTPUT control works like a volume control. If a signal is active on the AMP CV input, the control will blend between the nominal output and the CV control level. Similarly, in 'ENV' mode we get the same blending action using the internal envelope.

The VCA can also be accessed directly via the A-MIX input. This allows you to use the output section as a standalone VCA (modulated via the envelope or not) or to mix other sounds with the Entity. Feedback patching is a possibility using a stackable or mult to feed the output into the A-MIX input. This produces a juicy distortion effect of a different flavour, you may like it.

The filter can be used independently or in combination with the nominal output via the F-MIX input. This input is used as an aux trigger input that is sensitive to pulse/trigger width. As the effect is less dramatic than the main trigger, dynamic rhythms are achievable using both inputs and creative triggering.
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 2 in stock $307.71
Cat: 745931 Rel: 19 Sep 19 • View all Synth modules
 
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
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 1 in stock $308.77
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Cat: 745924 Rel: 19 Sep 19 • View all Synth modules
 
6 channel mixer based on the mixer of Buchla’s 100 series
Notes: The Model 106 is a 100% discrete transistor based 6 input audio mixer.

Functionally, it allows the user to manually mix 6 signals into 1 output (All), or it may be used as 2 independent 3 into 1 mixers ("1-3" side and "4-6" side).

Aurally, the all transistor signal path adds its own unique sonic signature, imparting a subtle lo-fi warmth and saturation to the sound.

Additionally, the "All" output is inverted with respect to the "1-3" and "4-6" outputs. This feature can be exploited to creative effect.
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Cat: 745929 Rel: 19 Sep 19 • View all Synth modules
 
Control voltage processor - 14HP
Notes: The 156 is an accurate reproduction of the original 156, however it's accuracy also means that it's functionality is based entirely on the needs of a cohesive system designed in the mid 60's. It cannot work with negative voltages, the maximum gain is set at 1:1, and the transistor core makes it inherently nonlinear.

The 156M is a modern update of the original 156 that we feel both works within the paradigm of the original 100 series and helps to interface with modern Eurorack gear. Like the 156, the 156M consists of two independent voltage processors. Each side can mix between 2 independent control voltages. This mix can then be offset by either a positive voltage or (unlike the original) a negative voltage. The mixed and offset control voltages can then be attenuverted - which allows the user to set the gain in either a positive or negative direction and can also boost the gain to approximately 1.5x the original signal. In essence, the combination of these three facilities allow you to mix, offset, compress, expand, invert, amplify, or scale any CV source.
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 1 in stock $308.77
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Cat: 712281 Rel: 02 Jul 14 • View all DJ mixers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format.

This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n' play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer.

Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4.

At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.

Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls.

The main mix output and mic input are on professional standard balanced XLR's, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters.

Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory.

Xone:23C comes with Mixvibes Cross LE Software, providing DVS control (requires reconfiguration of internal jumpers) and plug n'play mapping for Xone:K series controllers.

96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer.

X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control.

At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.

Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching.

Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control.
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 1 in stock $308.78
Cat: 751445 Rel: 17 Jan 19 • View all Audio & MIDI interfaces
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.
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 1 in stock $309.21
FORTHCOMING
Bloodlines
Bloodlines (200 gram vinyl 8xLP box (plays at 45RPM))
Cat: AAPPBST 45.
 
Rock
coming soon $309.83
Cat: 673542 Rel: 23 Feb 18 • View all Synth modules
 
Analogue multi-tap phaser - black faceplate
Notes: Mega-Phase 12 is an analogue stereo phaser with beefy, very vocal sound. The module is based on the effect pedal Small Stone developed by Electro Harmonix. In contrast to the classic, here you don't have four, but up to twelve stages at hand. The resonance can be picked up from different points in the signal path. Thanks to several inputs and outputs, it is possible to patch a second, external feedback loop with additional effects. Without a doubt the most flexible phaser module on the market.
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 2 in stock $309.83
Cat: 677589 Rel: 15 Oct 18 • View all Synth modules
 
Organic wavetable oscillator featuring scanned synthesis - 16HP
Notes: Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.

The wavetables are dynamically generated from a set of "objects" tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modelling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.

To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.
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 1 in stock $310.90
Cat: 714259 Rel: 17 Jan 19 • View all Audio & MIDI interfaces
 
Premium audio interface with advanced guitar tone shaping
Notes: Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.
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 2 in stock $311.24
Cat: 745784 Rel: 09 Sep 19 • View all Synth modules
 
Analogue sequencer for CV's & trigger/gates
Notes: The Doepfer A-155 has two CV rows, each with selectable voltage range, glide and sample & hold options. Three trigger rows and a one gate row. Logic inputs for clock, reset, start and stop. It's even possible to insert external signals per step instead, overriding the CV generated by the 2nd row's potentiometer. The A-155's functions can be expanded by the A-154 Sequencer Controller, as it's an entire control unit with step number limitation, voltage controllable clock generator, variable gate length and a number of playback modes.

Features of the analogue rows (knobs):

- 8 potentiometers (knobs)
- Lower row: Scale (knob), voltage output range 0 ... ~ +6,5V
- Upper row: 1V/2V/4V (octave range switch for exact VCO control), voltage output ranges 0 ...1.0V / 0 ...2.0V / 0 ...4.0V
- Glide time (knob), same as portamento or slew limiter
- Glide Control (control input for switching glide on/off)
- S&H Control (control input for internal S&H, works like A-148)
- Pre Glide/S&H-Out (analogue output before S&H and glide unit, especially required when external audio signals are used as inputs of the lower row)
- Post Glide/S&H-Out (analogue output after S&H and glide unit)
- Lower row: external inputs for the 8 steps (switched jack sockets), control signals or audio signals may be used as inputs (allowed voltage range -5V...+12V), the knobs of the lower row are working in this case as attenuators

Features of the trigger rows (switches):

- 4 Trigger/Gate tracks with 2 rows of switches
- Toggle switches of 1-0-1 type (with middle position), which can be used to send a trigger/gate to the track above or below or to send no trigger/gate (middle position)
- 3 trigger rows (i.e. short pulse for each step set, pulse width corresponds to the pulse width of the clock/step input signal)
- 1 gate row (i.e. a high signal is applied during the length of the step set)

Control inputs and buttons:

- Step (defines the tempo of the sequence, same as clock or trigger input)
- Reset (resets all rows to step 1)
- Start (starts the sequence at the momentary position)
- Stop (stops the sequence at the momentary position)

Step and Reset are compatible to the MIDI interface A-190, i.e. in combination with the A-190 the A-155 may be synchronized via MIDI. The quantizing module A-156 can be used to quantize the infinite analogue voltages coming from A-155 into discrete semitone steps (multiples of 1/12V). Without MIDI interface e.g. a LFO rectangle output can be used to define the tempo of the sequence.

The sequencer controller A-154 adds a lot of new functions to the A-155 (e.g. voltage controlled addressing, forward/backward/pendulum/random mode, voltage control of first and last step, voltage controlled clock and gate length, step skipping, combination of several A-155 in parallel/serial mode and many more).
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 1 in stock $314.09
Cat: 601493 Rel: 22 Apr 16 • View all Synth modules
 
Eight output, modular control panel - 14HP wide
Notes: Highly configurable Control, Modulation, Triggering and Pattern module. 8 simultaneous Outputs and 12, individually assignable, Output types.

Output and Modulation types include Pulses, Gates, LFOs, Digital Noise, Loopable S&H modes and a collection of Arpeggios and Rhythmic Loops.

Tempo-sync for all Outputs is provided by the on-board Clock or
an External Clock Input with Tempo ranges from 20 to 270 BPM.

Outputs can be set to any Clock Division or Multiple from 1/16th
of a Beat to 16 Bars and can be Offset up to 360 Degrees.

Intuitive interface allows user-definable control over knob and parameter behavior to match the preferences of individual users.

For audio, please visit: http://www.abstractdata.biz/products/eurorack/3x/ade32/?tab=audio
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 4 in stock $315.17
Cat: 749415 Rel: 22 Oct 18 • View all DJ mixers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


- Classic rotary mixer with 5 input channels for DJs
- Vintage ALPS potentiometers (Blue Velvet RK27)
- High-grade components ensure long life and excellent sound quality
- Gain control, cue button and source selector per channel
- 10 line inputs, 3 of which switchable phono/line
- DJ microphone channel with separate level control and 2-band EQ
- Prefader listening to input channels and the master output via adjustable headphones output, with cue mix/split function
- Master, booth and balance control
- Record output, switchable pre/post
- FX send/return for external FX unit
- Rack installation: 2 U
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 1 in stock $315.45
Cat: 395777 Rel: 16 Jun 10 • View all Synthesisers
 
True synthesiser with analog modelling tone generator & 128 programs for immediate use - includes a full range of effects
Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.
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MRP:$449.75 SAVE 30%
 1 in stock $316.89
Cat: 624114 Rel: 11 Oct 16 • View all Handheld recorders
 
Road-ready, studio-quality 192Khz/24bit compatible linear PCM recorder
Notes: TASCAM's top-of-the-line Handheld Digital Recorder, the DR-100mkIII boasts a signal-to-noise ratio exceeding 100dB, delivering the best audio performance in the history of TASCAM portable stereo recorders. Designed to meet the needs of the most demanding audio designers and engineers, this new model combines robust reliability, an updated user interface and studio quality sonic performance to deliver a truly breath-taking audio experience.

The DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption, achieving a signal-to-noise ratio of 102dB. The DR-100mkIII uses two independent AK4558 ADC converters. By eliminating interference between left and right channels, signal-to-noise ratio is maximized and audio fidelity is improved. In addition, each of those AD converters can work in a Dual ADC mode. The two AD converters work in tandem then combine their results for a 109dB S/N ratio, beating the (already excellent) 102dB S/N ratio achieved when recording in standard mode. Note: As the S/N ratio when recording exceeds the S/N ratio of the entire circuit, data recorded in dual mono ADC mode will be limited to a 102dB S/N ratio when played back on the DR-100mkIII. This does not affect the S/N ratio of the actual file, which is maintained at 109dB S/N.

The XLR/TRS inputs, used to connect external mics, deliver the highest sound quality and lowest noise of any TASCAM Handheld Digital Recorder. HDDA (High Definition Discrete Architecture) mic preamps are also included to maintain a pristine audio signal path throughout. The TASCAM DR-100mkIII is a newly designed microphone housing for the directional mics is based on exhaustive research of previous TASCAM handheld recorders and achieves the perfect marriage of protection and performance. Similarly, the omnidirectional stereo microphone setup features a sound pressure level tolerance of 125dB SPL - able to withstand virtually any audio environment.

The TASCAM DR-100mkIII supports high definition recording at both 96kHz/24bit and 192kHz/24, ensuring that remote recordings achieve the same sonic fidelity as their studio-born counterparts. With a dual battery structure that features a built-in high-capacity lithium-ion battery as well as with hot-swappable AA batteries, operation is possible for extended periods of time and is ready to go when you are. Additionally, the DR-100mkIII can be rapidly charged by connecting an AC adapter and even support USB Bus power from an external battery pack commonly used to charge mobile phones and tablets.

TASCAM's exclusive Dual Level Recording function simultaneously records a secondary backup file at a lower gain level than the primary recording. This safety file, recorded at a 12db lower level protects your recording session from unexpected volume spikes and accidental overload. Marrying light weight with long-term reliability, the TASCAM DR-100mkIII's tough aluminium body ensures many years of trouble-free use. The precision of the built-in clock is crucial when digital recordings made on what device are to be used in conjunction with materials recorded on other devices, such as when combining digital audio and video assets. To ensure stability, the DR-100mkIII utilizes the same Temperature-Compensated Crystal Oscillator (TCXO) used in professional studio master recorders. Moreover, the TCXO is not affected by the temperature of the environment, critical for a portable device which must maintain its precision in support of high-quality recording.

Used in a variety of combinations, depending upon the selected function, the DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption, achieving a signal-to-noise ratio of 102dB. When working on location, decisions must be made quickly and efficiently, and an intuitive and consistent User Interface is critical. By gathering feedback from users of the original DR-100 and the mkII, we have been able to add a variety of usability enhancements designed to streamline workflow and help audio professionals achieve success quickly and efficiently.

The user interface has been designed to maximize visual confirmation, and includes a large LCD screen (double the size of the screen on the DR-100mkII), dedicated status LEDs for features such as record levels and status and easy-to-read legends on the casework. Dedicated hardware controls have been implemented for the most commonly accessed features to enable quick, positive operation in the field. Dual format recording function allows simultaneous recording of both uncompressed WAV(BWF) and MP3 files. This provides the user with instant access to both the original, full resolution master file and a compressed MP3 file (with a much smaller file size) for easy emailing or posting to social media sites.
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 1 in stock $316.99
Cat: 747637 Rel: 25 Sep 19 • View all Music production software
 
Full boxed version of Reason 11 music production software from Propellerhead
Notes: Now a plugin as well as a DAW. Updated version of the much-loved production suite includes five new devices to expand your sonic options even further.

Supplier notes:
Just starting out on your musical journey or well on your way to your next album? Wherever you are, Reason's legendary rack of synths, instruments and effects is ready to turn good ideas into great music. On its own or in your favourite DAW as a VST plugin.

Reason is easy to get into but as deep as you want it to be. Reason's inviting rack of instruments and effects is a sonic playground where inspiration comes to life. Create, compose, mix and finish your music - Reason will help you along the journey, from inspiration to mixdown.

All music, no distractions:

Reason is designed to act and feel like a musical instrument. What you see is really what you get. No hidden screens, sub-menus or dialogs to flip through. Drag and drop instruments and sounds, tweak anything you see on screen and save it all in a single document.

All the control at your fingertips:

Twist knobs, push buttons, move faders - Reason's interface looks and feels like an instrument and seamlessly integrates with your favourite hardware controller. Record your knob and fader movements to create rich, automated mixes. As easy as that.

Endless experimentation:

Flip the rack over to access the backside with all the audio and CV cables and connectors. Here you can manually route anything to anything, just like in a real studio. Or simply leave it to Reason to automatically hook it all together, unlike a real studio.

What's new with Reason 11?

In Reason 11, Reason's Rack can now be used as a plug-in:

- Full Rack Extension and ReFill support
- Patches fully compatible between plug-in and DAW
- Incredible value - Includes 55 devices: 15 Instruments / 29 Effects / 8 Utilities / 3 Players

5 new devices:

- New Chorus / Ensemble with four unique algorithms
- New Phaser / Flanger / Filter with extensive modulation
- Bus Compressor, Channel Dynamics, Channel EQ

Improved workflow featuring highly requested features:

- Curved automation
- Improved vertical zoom
- Audio clip crossfade
- Mute MIDI notes, paintbrush tool, snap to grid, visual feedback in key edit and more

System Requirements:

MacOS: Fast, stable internet connection for installation and registration, Intel Mac with multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Mac OS X 10.11 or later (64-bit), Monitor with at least 1280x768 resolution, CoreAudio compliant audio interface or built-in audio hardware, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required

Windows: Fast, stable internet connection for installation and registration, Intel or AMD multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Windows 7 or later (64-bit), Monitor with at least 1280x768 resolution, Audio Interface with ASIO driver, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required
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 2 in stock $317.28
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Cat: 677052 Rel: 15 Feb 18 • View all Synthesisers
 
Pocket Operator synthesiser set, including PO-32 Tonic, PO-33 K.O, PO-35 Speak, 3 cases & 3 sync cables
Notes: Complete set with all three micro synthesizers from the Pocket Operator Metal Series. PO-32 Tonic drum machine, PO-33 K.O micro sampler and PO-35 vocal synthesizer, including pro cases and mini cables for a complete jam set-up in perfect sync.

The third-generation pocket operator family is now complete. Introducing new silver and copper members, both with golden features. Sample anything, anywhere, with the new pocket operator PO-33 K.O! Record and synthesize voices using eight different engines with PO-35 Speak. Add the unique character of the PO-32 Tonic drum machine to complete your solid metal set-up.

Making electronic music has never been this much fun.

PO-35 Speak:

Vocal synthesizer and sequencer with built-in microphone for 8 different voice character sampling.

PO-33 K.O:

Micro sampler with 40 second sample memory and built-in recording microphone.

PO-32 Tonic:

Drum synthesizer and sequencer with unlimited sounds from micro-tonic VST (sold separately) through data transfer.
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 1 in stock $317.28
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FORTHCOMING
Mackie Pro FX12 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX12 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX12 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX12 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX12 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX12 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle
Notes: The Mackie ProFX12 v3 12-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.
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coming soon $317.30
Zoom H6 Handy Recorder With Cubase LE 6 Audio Production Software & 2GB SD Card (portable digital recorder + audio production software)
Cat: 495822 Rel: 05 Aug 13 • View all Handheld recorders
 
Portable digital recorder with world's first interchangeable mic system
Notes: The new Zoom H6 is a 6 input, 2 output handheld recorder, which can record up to 24bit, 96KHz audio. Zoom already has a good track record of producing high quality handheld audio recorders with their previous H4n and H2n devices.

The H6's real stand out feature is its all new interchangeable capsule system. The H6 ships with two different capsules - an XY coincident pair and a mid side mic, for continuously variable stereo width. There are also two extra attachments that can be purchased separately: an XLR/TRS Input, which offers two more inputs for external mics, and a shotgun mic.

There are four XLR / TRS combi inputs on the body of the H6, so adding the XLR/TRS Input option would allow six external microphone to be used, which could be very useful in location recording situations.

The H6 is battery powered and Zoom claim over 20 hours of operation is possible on a single set of four AA batteries.
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 1 in stock $317.78
Cat: 705246 Rel: 08 Nov 18 • View all Synth modules
 
Lo-fi oscillator featuring low-frequency basses, metallic drones & scratchy digital timbres
Notes: Ataraxic Iteritas is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI.
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 1 in stock $318.35
Cat: 633762 Rel: 05 Jan 17 • View all Synth modules
 
CV sequencer with eight channels, each containing up to 16 steps
Notes: 8 independent 16-stage CV sequencers packed with performance features and presets makes the Voltage Block the ultimate CV tool. Create quantized or unquantized sequences for each output, record your modulation changes, tie sequences together, mute on the fly, randomize your outputs and so much more. The Voltage Block can be used stand-alone or pairs well with Varigate 4 and especially Varigate 8+ to share clocking and preset save/recall. All in 20hp.
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 4 in stock $318.35
Cat: 687377 Rel: 19 Jun 18 • View all Synth modules
 
Compact Eurorack module based on the SH-5 monophonic synth filter section
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 505 VCF:

Inject the sound of the Roland SH-5's revered filter section into your modular rig. The Roland SH-5 is one of the most sought after monosynths in history. Its dual architecture was deep and sounded massive. It also happened to have one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to "favourite filter ever" territory for many. In stark contrast to the traditional Ladder filter design, the SH-5's filter maintained its bass response with a meaty resonance growl. With the SYS-505, Roland and Malekko have brought this highly-coveted filter, in all its sonic glory, to the Eurorack format. With switchable outputs, built-in VCAs, and CV control of cut-off, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.
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 2 in stock $318.36
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Cat: 659963 Rel: 21 Sep 17 • View all Synthesisers
 
Synthesiser based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - grey edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
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quote 659963
Cat: 632730 Rel: 14 Nov 16 • View all Audio & MIDI interfaces
 
10-in/14-out desktop USB audio interface with high performance Burr Brown converters
Notes: INCLUDES 500 POUNDS WORTH OF PLUG-INS AND CREATIVE SOFTWARE:

When you buy any Audient product you will also receive over 500 pounds worth of plug-ins and creative software with ARC - Audient's creative hub. Included in this offer is Eventide's Ultrachannel and Ultrareverb plugins (350 pounds), Steinberg's Cubase LE and Cubasis LE2 (for iOS), 10 free masters for automated mastering service LANDR (120 pounds) and 2 free courses and a 20 pounds voucher for online audio educators Producertech.

***OPEN TO NEW AND EXISTING CUSTOMERS***

***ALL YOU HAVE TO DO IS REGISTER YOUR PRODUCT AND TAKE ADVANTAGE OF THESE GREAT OFFERS FOR FREE!***

iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more, iD22 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD22, you're always guaranteed the same world class Audient sound.

Brilliance on the inside enables brilliance on the outside:
iD22 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Grows with your needs:
iD22 is more than just a two in, six out interface. As your system grows iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via an eight-channel mic pre such as our ASP880.

You can't unhear quality:
During iD22's development we discussed ways in which we could showcase iD22's versatility in a variety of genres. We were so confident you could make a release quality recording with iD22 we decided to get out in the field and record three different artists varying in style. Listen to the result for yourself...

Integrate your outboard:
Two fully balanced insert points enable you to bring your outboard gear in from the cold and prior to conversion. Insert your favourite compressors or EQs and start creating vocal chains that rival the very best. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.

Customise your control surface:
iD22 has a range of incredibly flexible console style monitor control functions such as mono, polarity, dim, cut, speaker select, talkback & cue mix monitoring. We know how important it is to focus on the music and to make tracking as simple as possible we added three programmable function keys. No more time spent searching for software controlled features, just assign the monitoring functions you need to the three hardware function keys and allow the creativity to flow. Real hardware control at your fingertips!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD22 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Discover just how simple it can be:
We understand the need to keep things simple and iD22's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD22 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD22 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD22 will stand up to countless late nights in the studio and days on the road.
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quote 632730
Cat: 622118 Rel: 20 Oct 16 • View all DJ turntables
 
High quality direct drive turntable with USB interface
Notes: Drawing on our heritage in making high-quality decks, the PLX-500 inherits the layout of the PLX-1000 professional turntable and produces warm, clear analogue sound. The high-torque deck is ideal for scratching and comes with everything you need including a cartridge, stylus and slipmat, and its USB out means you can easily make high-quality digital recordings of your vinyl collection in our free rekordbox software. You can use the PLX-500 and the rekordbox dvs Plus Pack to play and scratch digital files when you combine them with a compatible DJM mixer and the RB-VS1-K Control Vinyl. And you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match your set-up or the design of your home.

High-quality analogue vinyl sound:
The PLX-500 series inherits design features from the PLX-1000 professional turntable to produce the high-quality sound you expect from vinyl. The shortest possible audio routing from the stylus to the outputs reduces distortion, and the phono and line outputs mean you can connect directly to your sound system or powered speakers to enjoy warm sound.

Easy digital recording:
An in-built USB output means you can record your vinyl collection to high-quality digital WAV files by simply connecting the PLX-500 to your PC or Mac. Digitising your tracks is easy using our free rekordbox application and, once they're in your rekordbox collection, you can play them using the PLX-500 and a rekordbox dvs set-up, or on a DDJ controller, or on CDJs via USB. You can also enjoy them on your mobile devices whenever you want.

Using its audio analysis technology, rekordbox detects the silence between tracks and creates a separate file in your collection for each one, so you can just press play and record a whole album from an analogue source to individual tracks without resetting the recording in between songs. After you've finished recording you can name and tag all your new tracks.

How to record your vinyl to high-quality digital files:
- Connect the PLX-500 to your computer with a USB cable.
- Open our free rekordbox application (version 4.2.1).
- Click the record button in the software and it enters Record Standby mode.
- Press play on the PLX-500. rekordbox begins recording when the music starts and ends when the track finishes. If you're recording several tracks, they will be automatically recorded separately.
- When you've finished your recording session, press stop. A window opens in rekordbox where you can enter information for each track including name and artist. The tracks then appear in your rekordbox collection and you can search for them by name, artist etc.

High-torque direct drive turntable for DJ performances and rekordbox dvs:
The high-torque, direct drive PLX-500 is ideal for mixing and scratching on. You can also combine it with the rekordbox dvs Plus Pack to play and perform with your digital files when using a compatible DJM mixer and the RB-VS1-K Control Vinyl (available separately).

Dust cover with record sleeve stand:
You can enjoy the vinyl sound of your records and their artwork at the same time thanks to the dust cover that incorporates a stand for displaying record sleeves when open.

Layout inherited from the PLX-1000 professional turntable:
The PLX-500 inherits its slick design from the professional PLX-1000 turntable and you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match the colour of your gear or the interior of your home.

How to use rekordbox dvs:
Buy the RB-VS1-K Control Vinyl from a Pioneer DJ authorised dealer .Visit rekordbox.com to download the latest version of rekordbox for free, then buy rekordbox dj (€139) and rekordbox dvs (€129) licence keys. Alternatively you can subscribe to rekordbox dj for €9.90 per month and get rekordbox dvs as part of your subscription plan. Find out more about rekordbox dvs.
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quote 622118
Cat: 622119 Rel: 16 Sep 16 • View all DJ turntables
 
High quality direct drive turntable with USB interface
Notes: Pioneer's budget deck offers a more affordable take on the flagship PLX1000's key features. Classic Technics-style layout and design. Really good value at this price point. Also available in black.

Supplier notes:
Drawing on our heritage in making high-quality decks, the PLX-500 inherits the layout of the PLX-1000 professional turntable and produces warm, clear analogue sound. The high-torque deck is ideal for scratching and comes with everything you need including a cartridge, stylus and slipmat, and its USB out means you can easily make high-quality digital recordings of your vinyl collection in our free rekordbox software. You can use the PLX-500 and the rekordbox dvs Plus Pack to play and scratch digital files when you combine them with a compatible DJM mixer and the RB-VS1-K Control Vinyl. And you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match your set-up or the design of your home.

High-quality analogue vinyl sound
The PLX-500 series inherits design features from the PLX-1000 professional turntable to produce the high-quality sound you expect from vinyl. The shortest possible audio routing from the stylus to the outputs reduces distortion, and the phono and line outputs mean you can connect directly to your sound system or powered speakers to enjoy warm sound.

Easy digital recording
An in-built USB output means you can record your vinyl collection to high-quality digital WAV files by simply connecting the PLX-500 to your PC or Mac. Digitising your tracks is easy using our free rekordbox application and, once they're in your rekordbox collection, you can play them using the PLX-500 and a rekordbox dvs set-up, or on a DDJ controller, or on CDJs via USB. You can also enjoy them on your mobile devices whenever you want.

Using its audio analysis technology, rekordbox detects the silence between tracks and creates a separate file in your collection for each one, so you can just press play and record a whole album from an analogue source to individual tracks without resetting the recording in between songs. After you've finished recording you can name and tag all your new tracks.

How to record your vinyl to high-quality digital files:
- Connect the PLX-500 to your computer with a USB cable.
- Open our free rekordbox application (version 4.2.1).
- Click the record button in the software and it enters Record Standby mode.
- Press play on the PLX-500. rekordbox begins recording when the music starts and ends when the track finishes. If you're recording several tracks, they will be automatically recorded separately.
- When you've finished your recording session, press stop. A window opens in rekordbox where you can enter information for each track including name and artist. The tracks then appear in your rekordbox collection and you can search for them by name, artist etc.

High-torque direct drive turntable for DJ performances and rekordbox dvs
The high-torque, direct drive PLX-500 is ideal for mixing and scratching on. You can also combine it with the rekordbox dvs Plus Pack to play and perform with your digital files when using a compatible DJM mixer and the RB-VS1-K Control Vinyl (available separately).

Dust cover with record sleeve stand
You can enjoy the vinyl sound of your records and their artwork at the same time thanks to the dust cover that incorporates a stand for displaying record sleeves when open.

Layout inherited from the PLX-1000 professional turntable
The PLX-500 inherits its slick design from the professional PLX-1000 turntable and you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match the colour of your gear or the interior of your home.

How to use rekordbox dvs:
Buy the RB-VS1-K Control Vinyl from a Pioneer DJ authorised dealer .Visit rekordbox.com to download the latest version of rekordbox for free, then buy rekordbox dj (€139) and rekordbox dvs (€129) licence keys. Alternatively you can subscribe to rekordbox dj for €9.90 per month and get rekordbox dvs as part of your subscription plan. Find out more about rekordbox dvs.
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quote 622119
Cat: 642661 Rel: 03 May 17 • View all DJ mixers
 
2-channel mixer with built-in USB soundcard, Magvel crossfader & sound colour FX filter
Notes: The DJM-250MK2 has inherited some of the professional features of the popular DJM-900NXS2, such as the Magvel crossfader and Sound Colour FX filter. Straightforward controls, a clear layout, and dedicated 3-band isolators let you scratch and mix instinctively.

The dithering technology on this mixer results in warm, high-quality audio from both analogue and digital sources. Plus, its built-in sound card lets you connect the mixer to your PC/Mac and use Rekordbox DJ to perform with CDJs. Or hook up the DJM-250MK2 to turntables and use Rekordbox DVS in combination with our control vinyl to scratch and mix with digital files stored on your computer.

Clear Layout & Magvel faders:
The clear layout of the DJM-250MK2's lower half gives you freedom to perform complicated scratch techniques. Our robust Magvel Faders ensure smooth control over long-term use. 2 metal shafts support the fader knobs, while the contact-free magnetic system is designed to endure millions of movements.

Smooth Mixing:
Precise, fluid mixes are a breeze using the mixer's channel faders, and the 3-band isolators give precision across the highs, mids and lows. You can use them to totally eliminate each frequency range when you turn the knob all the way to the left.

Flagship Filter FX:
Each channel comes with its own dedicated Sound Colour FX filter, a feature inherited from the DJM-900NXS2 mixer. Simply turn the knob on each channel to apply the filter, Twist the parameter knob for texture, playing with resonance and tension.

Built in USB Sound Card:
Connect the DJM-250MK2 to your PC/Mac using a single USB cable. The USB connection supports sound input and output, so you can record your mixes to your computer's hard drive.

Rekordbox DJ bundled:
You get a free Rekordbox DJ licence key bundled with this mixer. Simply activate your licence key for our DJ software, connect to your computer via USB, and start DJing.

Rekordbox DVS bundled:
You also get a free licence key for Rekordbox DVS included in the box for low-latency scratching with CDJs and XDJs. Or play and scratch with tracks from your Rekordbox library using analogue turntables and the Control Vinyl (sold separately).


High Quality sound:
Hear the true, high-quality sound of your tracks whether you're playing from digital or analogue sound sources thanks to the mixer's dithering technology.

Two headphone outputs:
The DJM-250MK2 lets you plug both an 14-inch stereo jack and 3.5-mm mini jack. Pick your size or attach 2 headphones when playing back-to-back.

Flexible connectivity:
The XLR terminal and RCAs deliver premium sound quality on all connections. And the signal GND terminal easily attaches ground wires from analogue turntables.
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quote 642661
Cat: 644208 Rel: 06 Apr 17 • View all Synth modules
 
High density octal linear VCA module - 18HP
Notes: VC8 is a high density VCA module designed to give you a large number of VCAs with CV level and OFFSET control, along with optional VCA controlled dual sub-mix capability.

The VC8 combines eight high-class VCAs with linear characteristics in one module. Each channel offers a modulation input plus attenuator, a bipolar offset potentiometer and a level LED. Routing options enable the user to create sub-mixes of four channels.
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 1 in stock $318.36
Cat: 743521 Rel: 01 Jan 90 • View all Synth modules
 
***B-STOCK: Box opened, product unused***
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $318.36
Cat: 675876 Rel: 24 Jan 18 • View all PA speakers
 
Compact, portable & powerful PA system with wireless Bluetooth connectivity
Notes: KONNECT is a portable all-in-one stereo PA system that provides a complete solution for both sound and convenience. It's a single unit that has everything you need for performances, DJ, background music, or MC work in any situation: live shows, parties, dance studios, exhibitions, seminars, or presentations. Featuring clarity that's unparalleled in any compact speaker, KONNECT delivers both powerful low-end and loudness. At the same time, KONNECT includes conveniences such as an interface that's easy to understand and operate, a rich variety of EQ presets suitable for any source (the VOICING function), and support for wireless control from your smartphone or tablet.

The KONNECT features stunningly powerful sound that exceeds its class. While remaining lightweight and compact, it reaches high volumes suitable for the stage. Equipped with a 6.5-inch woofer and two tweeters, it delivers a total of up to 180W of power. A bass reflex structure provides a rich low-range, giving you powerful sound that packs a punch.

In addition, the KONNECT achieves a clear sound image with an excellent sense of separation. The secret to this capability lies in a cutting-edge SHARC DSP and 32-bit digital processing. Experience accurate phase control with an all-in-one stereo speaker, a carefully designed crossover that connects the high and low frequency ranges, a low-noise design that decreases the noise floor, and superb resolution that delivers smooth attacks and crisp clarity. The latest technology and Korg's know-how ensure that the full range will be reproduced with high-quality sound that rivals studio monitors.

In addition to a panel layout that is clear and concise, every function corresponds to a knob or switch. The KONNECT is designed with an interface that will be intuitive even to non-musicians. There are four input channels, which can be used for both microphones/audio sources and instruments. Each channel is equipped with an independent volume control.

The all-in-one design combines a mixer, power amp, speakers, multi-effect unit, and feedback canceller into a single unit. This eliminates many of the inconveniences of using a conventional PA system, such as the difficulty of transportation, the need to provide speaker cables, the difficulty of finding the best location for the speakers, or the need to find a partner to help you set up. The sturdy front grill also protects the speakers from impacts during transportation. There's a hand-grip that lets you easily carry the unit with a single hand, plus a stylish, high tech design.

Getting the optimal sound for a given location usually requires the technical skills of a mixing engineer. However, the KONNECT is equipped with a VOICING function that lets you choose complex equalizing preset settings that optimize the sound for the instruments or the background music that's being played - simply by turning a single knob. Now it's easy for anyone to get the perfect sound.

The KONNECT provides five preset types: MUSIC is for enjoying music with powerful sound, MALE VOCAL and FEMALE VOCAL are optimized for male/female vocals or speech, and ELECTRIC GUITAR and ACOUSTIC GUITAR are for guitar performance. By using the dedicated KONNECT App, you can choose from an even wider range of 17 types including BASS GUITAR and KEYBOARD.

These VOICING presets are meticulously set using an EQ with five bands: Lo, Lo Mid, Mid, Hi Mid, and Hi. For every preset, the gain, Q value, frequency, and curve of each individual band are carefully voiced to obtain the ideal equalizing result for that specific situation. Simply by turning a single knob, any user can easily achieve the optimal sound for a variety of situations including a singer-performer, small band, dance music, or various other events.

Remote control from a smartphone:

With the spread of digital mixers in recent years, wireless control using a tablet is a must-have in the professional workplace as well. The KONNECT also lets you use the dedicated KONNECT App (supports iOS 8.1 and Android 5.0 or later) to connect via Bluetooth, allowing users to use their smartphone or tablet to wirelessly control the unit. KONNECT can be operated from a listening position without having to walk over to the unit's rear panel.

In addition, KONNECT App satisfies both people who are unfamiliar with mixing as well as people who like to make detailed settings to their own taste. You can switch between STANDARD mode with its simple parameter structure, and ADVANCED mode which lets you edit more detailed parameter settings.

Equipped with a generous selection of inputs, the KONNECT also supports Bluetooth audio (using channels 3/4). Use it to provide backing tracks for a live performance, for DJ work at a party, for background music during a speaking event, or for choreographed music in a dance environment. Without any complicated connections, you can easily play back music wirelessly from your smartphone or tablet.
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 1 in stock $318.36
Cat: 750749 Rel: 09 Oct 19 • View all DJ controllers
 
Add-on controller for rekordbox dj and Serato DJ Pro
Notes: Designed for Rekordbox and/or Serato, replacing the more common jog wheels with an array of pads to control transport, hot cues and just about everything else. Versatile.

Supplier notes:
Level up with the DDJ-XP2 add-on DJ controller for rekordbox dj and Serato DJ Pro. No matter which DJ application you're used to, this DJ hardware will enable you to get more out of it than ever before. This DDJ-XP1 evolution adds to the functionality of the original, without sacrificing the intuitive layout and solid build quality. Its sturdy construction and non-slip rubber surround mean you can hit it as hard as you want during performances.

The DDJ-XP2 enhances your setup with 32 robust, multicoloured Performance Pads, and puts powerful pad modes at your fingertips. Assign transport controls like play, pause, cue, and pitch up/down to the pads with Transport mode. Use 16 pads to control a single mode (a first for Serato DJ Pro). Trigger Silent Cue to soundlessly cue up tracks with the faders open on the mixer. Then instantly trigger them from Hot Cue points. And feel confident and in control during DJ performances thanks to the looping controls of our DJM-S9 flagship scratch mixer.

Compatibility with rekordbox dj and Serato DJ Pro:

The DDJ-XP2 feels natural with rekordbox dj or Serato DJ Pro. You can easily trigger the popular features of either application such as Hot Cues, Beat Jump, and Slicer. No matter which DJ performance application you choose, you'll craft creative, unique performances.

Performance pads:

Unlock the potential of your application's performance features with this low-latency DJ controller's 32 multicoloured pads. They're tactile and built to remain touch-sensitive even if your DJ battles see you hit them hard, night after night.

Slide FX:

Dynamically control your chosen combination of FX by touching the Slide FX strips and moving your finger up and down, without needing to switch the selected FX on or off.

16-pad modes:

Serato DJ Pro's 16-pad modes enable you to assign 8 pads each to two different features per deck, such as Hot Cues and Sampler mode. This means you can trigger Hot Cues and samples at the same time, without needing to switch.

Transport mode:

With Transport mode in both rekordbox dj and Serato DJ Pro, you can use the pads as transport controls for your music to play, pause, cue, pitch up/down tracks, and more. With rekordbox dj, all you need is your laptop.

Silent cue:

Avoid the music speeding up as your turntable starts to revolve by switching on Silent Cue. The music will restart instantly at the correct BPM when you trigger Hot Cues on a muted deck.
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 1 in stock $318.36
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quote 750749
Cat: 658749 Rel: 11 Sep 17 • View all Synth modules
 
Modulated ladder filter Eurorack module with Variable Slope, Q Intensity Control & Q Level Compensation
Notes: At the core of the EVOLUTION Variable Character Ladder Filter is Dave Rossum's enhancement of the iconic Moog ladder filter from the original E-mu Systems 2100 LPF module (which, incidentally, Dave counts as his favourite sounding of all of the analog filters he designed).

For EVOLUTION, Dave has designed new capabilities that not only allow you to dial in all of the outstanding qualities of the original 2100, but combine to let you create the sonic characteristics of a wide variety of other filter types.

They include:

- A Genus control that allows continuous voltage control of the number of filter poles (from 3 to 6 poles), essentially allowing real-time variation of Evolution's effective cutoff slope from 18dB/oct to 36dB/oct. LEDs give continuous indication of the current slope.
- A Species control that lets you vary the signal level into the ladder, letting you control the intensity of the filter's characteristic distortion. When in self-oscillation mode, this control modulates the amplitude of Evolution's output.
- Voltage controlled resonance with a variable Q Level Compensation control that controls the balance of the resonant peak and the frequencies below the cutoff frequency (which would otherwise be attenuated as the resonance is increased).
- An extremely accurate and temperature-stable frequency control exponential generator (accurate over 10 octaves), rivalling the specifications of the best analog VCOs.

Taken together, EVOLUTION gives you everything from the platonic ideal of the classic ladder filter to a vast selection of alternative filter characteristics.

And like all Rossum Electro-Music modules, it's solidly built, with machined aluminium knobs and high quality components throughout.
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quote 658749
Cat: 684859 Rel: 13 Apr 18 • View all Synthesisers
 
Compact & flexible MIDI bass analogue synth
Notes: MBS-100 is a monophonic bass synthesizer inspired by synthesizers produced in the soviet era times while having the flexibility, MIDI control and compact package of the 21st century. It has 19 knobs, 3 switches and 4 buttons with which you can control the parameters of the sound and MIDI.

- Method of synthesis: Hybrid analog-digital synthesis
- Voltage-controlled digital oscillators (VCDO): Two, each with four waveforms: saw, square, pulse 1 (25% rate), pulse 2 (10% rate). Note: Pulse 1 and 2 are similar to PMW but are fixed similar to Aelita, Polivoks synthesizers for example
- Octave ranges: 3 octaves for OSC1 and 5 octaves for OSC2
- Voltage Controlled Filter (VCF): One fully analog 12 db/oct low pass filter with cutoff and resonance parameters
- Envelope Generators (ADSR): Two
- Voltage Controlled Amplifier (VCA): One, fully analog distortion effect selection switch
- Low frequency oscillator (LFO): One with two waveform options (square and triangle) to control the VCF
- MIDI interface: MIDI In, MIDI Thru (16 channels + Omni)
- Audio output: One mix output (mono 6.3 mm jack)
- Controls: 19 knobs, 3 switches, 4 buttons and 11 LED indicators
- Case: Durable steel case with wooden cheeks
- 2 pin euro power supply included

*** No printed manual included - A PDF is available to download on the AVP Synth website ***
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 2 in stock $318.36
Cat: 752199 Rel: 01 Jan 90 • View all DJ controller cases
 
***B-STOCK: Box opened, product unused***
Notes: When you hit the road, you want the best protection for your gear. The lightweight, durable DJC-FLTRZX is the safest way to get your DDJ-RZX from A to B. Plus it leaves enough room for your cables and extras.

You can even perform straight out of the flight case thanks to the handy cable access and its 4 rubber feet that provide extra grip in the booth. The black exterior aluminium frame and interior lining match your controller for a smart and stylish look.
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 1 in stock $318.36
Cat: 662213 Rel: 04 Oct 17 • View all DJ headphones
 
Flagship professional over-ear DJ headphones - black
Notes: Stay on top of your game with the HDJ-X10, designed with input from professional DJs to serve you in every circumstance, from festivals to clubs. The HDJ-X10s are the world's first DJ headphones1 to produce high-resolution sound ranging from 5 Hz to 40 kHz, allowing you to hear frequencies other DJ headphones can't reproduce. Make an even deeper connection to the music.

The polyurethane leather ear pads and headband cushion are resistant to deterioration thanks to the use of nano coating2, so you can easily wipe off sweat and dirt.

The HDJ-X headphones are designed to be flexible. Their swivel mechanism allows you to wear them comfortably, whichever way you prefer, for long periods of time. Don't worry about bumps and knocks during transport as these DJ headphones can handle severe conditions and heavy use. They even cleared the US Military Standard Shock test.

High-quality audio design:
The HDJ-X10s are the world's first DJ headphones to produce high-resolution sound ranging from 5 Hz to 40 kHz, allowing you to hear frequencies other DJ headphones can't reproduce.

Rigorously tested:
Even on the road, your headphones will handle severe conditions and heavy use. Durable metal is used in the moving parts, enabling a strong construction that cleared even the US Military Standard Shock test.

Nano coating:
The polyurethane leather ear pads and headband cushion on the HDJ-X10 headphones are resistant to deterioration thanks to the use of nano coating, a world first for DJ headphones, so you can easily wipe off sweat and dirt.

Comfortable fit:
These headphones are comfortable to use no matter how you wear them. The housing design reduces pressure on your head, while its outside texture enhances grip. To help you find the perfect fit, they also feature a flexible, durable headband and a flexible swivel.

Solid, refined design:
All the HDJ-X headphones feature a refined look and durable construction. Choose from black or silver versions to complete your desired look.
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 1 in stock $318.36
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quote 662213
Cat: 662216 Rel: 04 Oct 17 • View all DJ headphones
 
Flagship professional over-ear DJ headphones - silver
Notes: Stay on top of your game with the HDJ-X10, designed with input from professional DJs to serve you in every circumstance, from festivals to clubs. The HDJ-X10s are the world's first DJ headphones1 to produce high-resolution sound ranging from 5 Hz to 40 kHz, allowing you to hear frequencies other DJ headphones can't reproduce. Make an even deeper connection to the music.

The polyurethane leather ear pads and headband cushion are resistant to deterioration thanks to the use of nano coating2, so you can easily wipe off sweat and dirt.

The HDJ-X headphones are designed to be flexible. Their swivel mechanism allows you to wear them comfortably, whichever way you prefer, for long periods of time. Don't worry about bumps and knocks during transport as these DJ headphones can handle severe conditions and heavy use. They even cleared the US Military Standard Shock test.

High-quality audio design:
The HDJ-X10s are the world's first DJ headphones to produce high-resolution sound ranging from 5 Hz to 40 kHz, allowing you to hear frequencies other DJ headphones can't reproduce.

Rigorously tested:
Even on the road, your headphones will handle severe conditions and heavy use. Durable metal is used in the moving parts, enabling a strong construction that cleared even the US Military Standard Shock test.

Nano coating:
The polyurethane leather ear pads and headband cushion on the HDJ-X10 headphones are resistant to deterioration thanks to the use of nano coating, a world first for DJ headphones, so you can easily wipe off sweat and dirt.

Comfortable fit:
These headphones are comfortable to use no matter how you wear them. The housing design reduces pressure on your head, while its outside texture enhances grip. To help you find the perfect fit, they also feature a flexible, durable headband and a flexible swivel.

Solid, refined design:
All the HDJ-X headphones feature a refined look and durable construction. Choose from black or silver versions to complete your desired look.
Read more
 1 in stock $318.36
Click for better price!
quote 662216
Cat: 659961 Rel: 17 Oct 17 • View all Drum machines
 
Authentic recreation of the Roland TR-808 drum machine with added modern features
Notes: The Legendary Boom and Sizzle of the Most Famous Drum Machine Ever Made-Now in an Affordable and Modern Format.

The TR-08 is an obsessively detailed and faithful replica of the legendary TR-808-easily the most famous and influential drum machine ever made. After creating a monumental shift in the sound of music, the "808" has continued to shape and define entire genres. Beloved by musicians and producers the world over, it's one of the most revered and sought-after electronic musical instruments of all time. The TR-08 brings the look, sound, and feel of the original 808-with stunning accuracy-to the Roland Boutique format. It blends attention to detail and respect for legacy with modern convenience and reliability.

The Boom in the Room:

The TR-808 arrived in 1980 to an unsuspecting and somewhat bewildered public. To many at the time, its purely analog sound and range of tweakable parameters didn't exactly deliver "traditional" drum sounds. It wasn't until adventurous musicians and producers got their hands on the TR-808 and started tweaking those knobs that the world would fully realize the sonic impact it would leave on music forever. For the next three decades, the sizzling hi-hats and snappy snare, the robotic, clicky rim shot, the unmistakable cowbell, and yes, that booming bass drum, would be heard on many thousands of tracks. Worldwide hits, underground classic, and entire genres were spawned. Its influence is so deep that it's been name-dropped in famous tracks, had albums dedicated to it and bands named after it, and even been the subject of a feature-length documentary film.

A New Generation of 808:

Time has not diminished the TR-808's influence. New genres continue to make use of the 808, with some utilizing it as the main instrument and defining sound of the style. Sure, you can use samples of a TR-808, but there's nothing quite like the real thing. The 808's user interface with its buttons, knobs, and switches, and the odd quirks of how the sounds interact with each other-they're all vitally important to conjuring up that real 808 mojo. And you know it when you hear it.

The new TR-08 adds some thoughtful and modern touches to the classic formula. The sequencer has 16 sub-steps per step, so you can create detailed snare fills and intricate, rolling hi-hats. It also has a track-selectable trigger out for working with other instruments like the TB-03, SH-01A, or modular gear. An unobtrusive LED display provides finer control of tempo and shuffle. You can step-program or tap in your parts in real-time without stopping to change modes. Everything sends and receives MIDI control messages and it even supports audio and MIDI over USB.

Portable. Affordable. Authentic:

Original TR-808s are big and heavy, and their rarity makes them extremely expensive and sought-after on the used market. Because of this, many have resorted to 808 sample packs or hardware knockoffs. But there's something about the colours and controls and, of course, the sound of a genuine TR-808 that brings home the sound of so many classic tracks. The TR-08 accurately recreates the ingredients that make an 808 so special. The interface, while miniaturized, is 100% authentic. The sound is vibrant and alive thanks to our proprietary Analog Circuit Behaviour (ACB) technology. We use ACB to carefully recreate all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level.

Not only does the TR-08 look and sound the part, but it also has some modern features and conveniences. With all this beat-making power, it would be a shame to keep it shackled to the studio. After all, inspiration can strike anywhere, and drum machines are fun to play live. The TR-08 is literally small enough to take just about anywhere. It's ruggedly built with sturdy knobs, buttons, and switches. It has several tilt options for easy viewing in various live and studio scenarios. It can be a low-latency, portable audio interface. It has a built-in speaker, and even runs on batteries for when the beat absolutely must go on. With all this power and flexibility, you may be most surprised by the TR-08's affordable price, which puts the legendary 808 vibe within reach of just about anyone who's ever dreamed of owning the iconic original.
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 3 in stock $318.36
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quote 659961
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