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Review: The Too Slow To Disco compilation series and subsequent label is one of the best to emerge in recent years if you ask us. The latest in its cultured Edits series finds a brace of new hot takes from Dave Mathmos. First, he offers a Contemporary Soul remix of 'Your Love' and it is the sort of heart-warning sound that brings impossible fee good energy to a park. On the flip he offers an interpretation of 'You Abandoned Me' that has a fleshy and gurgling bassline topped with aching soul vocal hooks and lush, late-night piano chords. Gorgeous stuff.

Review: After many years turning out 12"s, Klasse Wrecks has decided to serve up a first-ever 10" and they give the honour to Mr. Ho. His '000 Baby' is a delightfully widescreen sound - a post-rave mix of comedown electronics, dusty breakbeats and soothing ambient pads with some smart vocal samples drifting like wispy clouds. On the flipside, we're treated to and OM Unit remix that beefs things up and speeds up the drums. The percussion too is more defined and the energy levels ramped up with deft 808 bass and searching acidic leads. A nice yin to the A-side's yang.

Review: DJ S is a Greek producer who is one of the best editors around, with his own singular downbeat sound. On his latest release, he joins the Too Slow To Disco Edits series with four tracks of smooth and groovy disco edits. He reworks some classic and obscure gems from the late 70s and early 80s, adding his signature touch of warmth and soul. From the funky groove of 'Groovin', to the low slung sexiness of 'Sweet Love' (2022 version) and the absolutely romantic 'U' - DJ S delivers a delightful EP that will make you want to dance and chill.

Review: A really cool concept from Expansion here; one side is a reissued seminal classic, the other is a contemporary version. And what a way to start the start the series; hard bop hero Johnny Hammond influenced pretty much every soul, jazz, rare groove and funk artist who've followed in his path, and the joyously unpredictable "Los Conquistadores Chocolates" is one of his best. Naturally Japanese jazz outfit Quasimode are an ideal remix choice. Known for their wildstyle riffage and signature switches, they've paid the utmost respect to Hammond.

Review: The 11th Barefoot beats is another hugely effective disco 12" with two well purposed cuts. JKriv & Dicky Trisco link up first for 'Mae Do Mar,' a tune that has you dreaming of warmer climes, sandy beaches and sunny skies. It's an airy cut with a tropical percussive line, hints of Latin flair and breezy vocals. Flip it over and the temperature goes up a notch - Bernardo Pinheiro's 'Xango' is a superbly soulful and heartwarming groover. The chords are draped elegantly over the busy funky bass and the vocals are chants that draw your attention and get you in a trance.

Review: Sunshine Sound is the NYC imprint that became recognised as the birthplace of the edit, through a series of genre defining releases. It is back with another golden oldie, re-spliced with paramount expertise and respect by the one and only Francois K. The multi-layered and utterly hypnotic "I Feel Love Medley" (Francois K edit) is a long sought after rework of the well known Donna Summer classic. Over on the flip, from the depths of the label's archive is another Donna Summer classic - the unique 'Faster & Faster Medley' edited by Canada's Jacques Lessard.

Review: Take a journey to the dawn of DJ culture with Sunshine Sound, the NY imprint that became recognised as the 'Birthplace of the Edit'. The Francois K and Walter Gibbons resplices here of 'Happy Song' is their first vinyl release, known as the original DJ tool (and the original bonus beat) which has been the source of countless samples and imitations since it first appeared in 1977. Kevorkian's version on the A side is the most commonly known one, with its upbeat infectious rhythm, while Gibbons' take over on the flip has more stomp and was very much streamlined for his legendary DJ sets at Galaxy 21.

Review: Expansion's offshoot label is back with a second release and for the occasion have put together a special eco vinyl 10" here that is strictly limited to just 100 copies and is fully deserving of that treatment: Tom Browne Feat. Carol Woods combined to great effect in the 80s on this soul classic that now gets a first-ever single release. It's the sort of immediately heartwarming tune that draws from soul, jazz funk, disco and more to cook up a steamy and excellent groove. On the flip is Diplomats Of Soul with their own super cover of 'Brighter Tomorrow' featuring Brit funk and acid jazz greats Incognito & Imaani.

Review: Jurgen Paape has a brilliantly characterful sound and wrote one of our favourite silly records in 'Ofterschwang' some 13 years ago (go check it out, it's brilliant.) We're glad to hear some new music from the long time Kompakt legend and co-founder and once again it's not what you would expect. 'Allein' is a downbeat piece with oriental melodies and gently plucked strings over warm bass. It's not for the club, that is for sure, but the flip side version 'Allein In Italien' sure is. This one is a chugging and brit Italo disco number with retro 80s synth sounds and plenty of joyous grooves.

Review: French edit maestro Chevals has been busy with releases on Whiskey Disco, Kolour LTD, Tropical Disco and Editorial over the past year. That should tell you all you need to know about how seriously rated this guy is in the scene, and it's no different as he lands on Masterworks with this tasteful 10" gem. "It's Just A Feelin" is an infectiously upbeat heater that brings out the best elements of disco and house in perfect synergy. "The Way U Move" is a dreamier affair with more overt funk stylings and a subtly cosmic tint to the keys - one to get starry eyed and sway to.

Review: Manuel Darquart is actually a couple of Kiwis named Louis Anderson-Rich (aka Louie From The Club) and Sean Whitaker, who nowadays live in London. They are back on local imprint Wolf Music after their debut for the label last year with this 10' featuring a couple of nice reworks of the track 'Keep It Dxy'. On the A side, we have got Italian Don Carlos' remix which takes the track into sunny balearic territory, while over on the flip you can enjoy the low-slung broken beat swing of Manny D's Sleazy Sunday mix.

Review: The mysterious True label is up to an eighth release now and still, we know nothing about the who, why, where, and when. This one opens up with a nice playful disco-house bouncer. 'CRUE08A' is a real crowd pleaser with bendy bass and lively drums as well as plenty of characterful synths. On the flip, things get more house-y, with a grainy, dubbed out and low slung sleaze that has cute stabs, hip-swinging claps and a diva vocal sample that is a throwback to the deep house revival of a decade ago. It's the sort of tune that will always do good work in the club, though.

Review: Austrian label forTunea hits its quarter century with a tasteful 10" that comes hand numbered and is limited to just 300 copies, which are sure to fly as the grooves here are super sweet. Peletronic serves them up, starting with the busy and direct 'Sanguine' which is as bold optimistic as the title suggests. It has warm and rushing chords overlaid with vocal whoops to bring the emotion. 'Reflections' then has a more inward vibe with melancholic minor chords over a more loopy and less direct beat. It's still a house cut to make the floor take flight.

Review: A Track has been a big name in the EDM scene for well over a decade now. He is one of those DJs often in the DJ Mag Top 100 poll and plays on the largest stages. He also runs the fFools Gold label and occasionally puts out batches of gritty beats made on his trusty SP1200! This is a second such serving that finds him getting busy on the ol' drum machine, serving up the rawest of the raw cut-ups. These four jams are chunky 2-bit numbers that are fad frill and all about the body rocking beats.