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Review: Zon Records has released music digitally before, though this is the first time the wilfully eclectic Belgian label - and the producers behind the label, also called Zon - has made it onto wax. As vinyl debuts go, it's pretty good. They set their stall out with title track 'Keys For Days', a warming and sun-splashed slab of tech-tinged deep house peppered with warming chords, jazzy synth-bass and subtle TB-303 motifs, before diving into deeper, more immersive territory on the gorgeous, sunrise-ready 'Spring Break' (featuring vocalisations from Lotte Sarembe). Over on the reverse, 'Upon Us' is an analogue-rich chunk of deep tech-house, while Ukrainian producer Kirik's remix of the same track is a far more bass-heavy, tactile and otherworldly affair.
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Review: Opal Sunn aka Alex Kassian and Hiroaki OBA are dreamers and fantasists that comes over in the inventive sounds they cook up on their first Ep for the ESP Institute label. The title track 'The Problem With George' kicks off and is a dense and prickly affair. Jittery synth lines and restless snares, dubs of deep space colour and droplets of melody all make for a nebulous cacophony that tugs and pull in different directions at once. 'The Mystery Of Mr Lee' is a little more settled with its silky space house grooves and meditative chords.
… Read morePlayed by: Marcelo Tavares(Deep Space Podcast)
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Review: America's Thema label loudly return with the third chapter of the Strength In Numbers series, an outlet reserved strictly for the finest and sleekest in dancefloor delights. There's plenty of talent and quality within, presented by a handsomely hand-picked selection of house scientists, namely Raudive, Cesare vs Disorder and Suburb, but it's the UK's Mr.G who takes the limelight on this one. His singular style - warm, analogue tech-house infested with the sound of valve compressors - is both utterly effective on the floor and also a pleasure to listen to while swinging to a fro wherever you may find yourself.
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Review: Iceland's Thule offshoot label 66 Degrees was a vital label back in the day. After a 20-year hiatus, it came back strong in August and now follows up quickly with a second superb EP. This one is a carefully curated various artists collection that pulls together some local house anthems new and old. Ozy's 'Sequential Dub' is a super smooth deep house number with lush chord work. Sanasol brings heavier, more raw house drums and grinding bass that will get floors in a sweat. Oz Artists mixes up a raw, mechanical groove with balmy, dreamy pads up top to make for something utterly compelling on 'Atomox; while last of all Terry Cummingz pays homage to dusty Windy City house on his perfectly lo-fi 'Cherry Bon Bon. Classy business for sure.
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Review: Marquis Hawkes is back in Juxta Position mode. After two killer releases on DVS1's Mistress imprint, he now appears on Rhythm Nation (following up great releases by Tallmen 785 and Kessel Vale) with more fierce and energetic hardware house jams dripping with soul and emotion. "Soon" on the A side is a raw and jacking effort, with dramatic strings and sampled vocals harmonies powered by thunderous tom workouts. On the flip is "Neubau Signal" a darker and deeper excursion with sombre but sexy piano pads, delayed claps and those rich strings making for another awesome appearance.
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Review: A new offering on Bristol imprint Banoffee Pies this week, on which they have again tapped the elusive Gallegos following up some terrific releases on Holding Hands and Service Please. This is his second EP for the label since 2018. Said to be a nostalgic reflection of UK club culture, it features the oddball house gem 'Sentiment Of Love' on the first side, followed by the dusty acid house banger 'Put Me In'. Over on the flip, he goes for a UK garage vibe on the tripped-out number 'Together Flyin' High' and closing it out is the euphoric early '90s rave homage 'Before Or Since'.
… Read morePlayed by: Your Name (Legalize Lambada)
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Review: Oooh! Angie Stone's "Wish I Didn't Miss You" definitely belongs in the canon of all time modern soul classics. Taken from her 2001 second album Mahogany Soul, the Swizz Beats produced track made optimum usage of an O' Jays sample and was instrumental in that LP going gold and propelling the former D'Angelo collaborator to stardom. It also inspired countless official and under the counter remixes with Blaze's perhaps the most recognisable. So yes this reissue on 7" from Outta Sight is worthy if you don't have the original in your collection and features a housed up remix from Hex Hector on the flip.
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Review: Skatebard's Digitalo Enterprises has been keeping it real since the mid 00s, never failing to come through with what we like to call 'the truth'. Whether it's disco, house or even techno on the menu, the quirky Norwegian producer-DJ has got a touch of class across everything he does, and inviting fellow Norwegian DJ Sotofett to the catalogue is pure evidence of that. The head honcho is up first, rolling across the wax plate with 2 cuts: the first, "Stalheim-Mix" is a pacey, bass-heavy techno roller with a supremely progressive tone of voice, whereas "Tristulf" is made for pure meditation thanks to its slow, warm flow of Balearics. On the flip, DJ SO-PHAT adds to the ambient glow thanks to the placid waters of "Digitalo-Mix", a sparkling slice of synth experimentation that'll have the new age retroists gleaming with joy. Bloody lovely, we might say!
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Review: Put on your smoking jacket and kick back, because this coming together of Retromigration and Nephews is smoother than butter. The intro in particular is as seductive as hey come, with rolling drums and jazzy chords that will have you wishing it lasted way longer than the two minutes it does. 'Kindness' picks up the pace but is still super cuddly and warm, with neat piano riffs riding on a bumpy kick drum pattern. That continues through 'Marnix' and then a second interlude 'Never Alone' again swells the heart and has you all misty eyed. 'Chb Pimpin' is an excellent Rhodes work out before you're left melting into the sofa one final time at the hands of 'Quomo.'
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Cat: TOYT 081. Rel: 10 Oct 18
Deep House
Review: New York psychedelic soul/stoner disco fusionists Phenomenal Handclap Band have been rather quiet of late, with this surprise single on Toy Tonics marking the New York combo's first outing for 18 months. Curiously, there's no original version of "Judge Not" for us to assess, just three reworks from disco stalwart Ray Mang. They are, though, extremely good. The A-side "Special Remix" is particularly potent, with Mang lacing the band's breezy, gospel-influenced vocals and killer pianos solos over a lolloping West Coast disco groove. Those pianos take pride of place on the dub disco style flipside "Reprise Mix", which may well be our pick of a very strong bunch, and on the sweaty, dancefloor-ready "Instrumental" version.
… Read morePlayed by: Casbah 73, Dicky Trisco, 7 Samurai Tom Wieland freesoulinc, Fabietto Delgado (Ankle Release), Goshawk/Rhythm Plate, Faze Action, Blakkat, Juno Recommends Deep House, Frank Booker, Ray Mang, Red Greg, RSS Disco, Charlie bucket/ dancing in space, Pontchartrain, SARTORIAL (Tropical Disco Records)
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Review: Denmark's DJ Central has been behind some of the most interesting - and fun - house music of the last few years. His melodic, energetic take on the genre harks back to the Scandi-house heyday and now he's back with a third EP of the year already, this time on regular home Help. After opening with the lithe but dubbed out "Que", "Da Bu" moves things along with its punchy rubbery kicks and busy, rump-wiggling synth bass and "Ma La" exudes pure human warmth with jazzy chords and closer "Klum" gets more freaky, with a minimal rhythm and molten chords taking you to the afters.
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Review: Of all DJ duos currently operating in British dance music, Belfast boys Bicep might be the hardest to pin down (Optimo aside, of course). Certainly, this debut album is not easy to pigeonhole, though it is an enjoyably cohesive listen. This is largely down to two factors; the frequent use of deliciously colorful and loved-up synthesizer parts, and the duo's innate ability to utilize beats tailor-made for dancefloor devastation. So while keen dancefloor historians may notice sly (and not so subtle) nods to '89 rave, U.S house and garage, Italo-disco, late '90s progressive house, jungle and early British hardcore, the album never sounds anything less than a fine set of Bicep tracks. Expect it to be one of the biggest albums of the year.
… Read morePlayed by: Juno Recommends CD Albums, Ali Renault
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Played by: Ben Sims, Jerome Hill, Mimi, S-File, Dj soFa, Roberto Rodriguez (Manolo), Juno Recommends Electro, Jad & The
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Review: Frankfurt producer Shan has enjoyed a long and productive friendship with Running Back Gerd Janson. To date, it has included a swathe of collaborative tracks and remixes, as well as regular solo releases on the label. Shan's latest EP for the imprint is naturally packed with playable material. Saucer-eyed, retro-futurist opener "Who Run Tings", for example, underpins jaunty, Inner City style stabs and piano riffs with corking, hip-house style breakbeats, while "Awakenings" offers a slightly more muscular, big room-friendly take on the turn-of-the-'90s piano house blueprint. Shan deviates further from the script on the Nu Groove style vintage deep house musicality of "English Summer" and deep '80s synth-pop-meets-deep house flex of closer "Take Me To The Top".
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Cat: NE 24622. Rel: 14 Jun 19
Funky/Club House
Kim English - "It Makes A Difference" (Danny Krivit & Kyle Smith remix - Danny Krivit 7" edit) (5:39)
Review: Danny Krivit is currently known as one of the music community's greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as "King of the Re-edit." Danny has a deep connection to Kim English's "It Makes A Difference" release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny's re-edit of one of the most famed dubs from the Nervous catalogue as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The "rushing rushing rushing" hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.
… Read more in stock $10.13
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Cat: GCW 02LPCD. Rel: 28 Feb 17
Deep House
Review: Theo Conrad (better known for his work under the Paxton Fettel alias) has long been one of Greta Cottage Workshop's most intriguing artists. His first album for the Devon imprint, Everything Stays The Same, inhibited similar territory to the classic deep house/downtempo/soul/jazz fusion of fellow West Country dwellers The Rurals. Described by the label as "instrumental contemporary jazz-funk", Nothing Stays The Same sees Conrad combining loose jazz breaks and jazzy synths with the kind of rich grooves, fireside chords and dreamy electronics more often found in vintage deep house productions. It's a formula that results in a string of hugely impressive tracks.
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Review: Fresh off that awesome Unit 2 reissue of Happy Recordings, Running Back now look to some early works of seminal NYC duo Mateo & Matos under their Alex M. alias: its namesake dedicated to Mateo's late brother. The EP was originally released in 1992 on their Final Cut sub label, which became defunct the same year after around eight releases. On the A side is the deeply sublime and evocative zeitgeist of early 90's house; Big Apple style, on "It Works" and the deeper "Without Thought (Bassline 1)" which is more reminiscent of the Windy City sound actually. On the flip, the funky and stripped back late night groove of "Lakeview Slang (First mix)" is a familiar groove with a mesmerising melody and those dusty swing fuelled rhythms beneath. A time capsule from an important time in the genre's development by house music royalty on this respectful reissue.
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Review: This is New York-based, Florida native Anthony Naples' first EP since OTT/ZTL back in 2018. Produced right at the start of NYC's summer reopening, the five tracks on Club Pez 'express a state of optimism and excitement for club and dance experiences equal parts real and totally imaginary.' A bouncy bass plays centre stage while underpinned by Afro-house beats on the psychedelic dance of 'Bonk', before taking it down a couple of notches for the deep and minimal afterhours acid of 'Pez Anthem' as well as the elevating energy of 'Solero' on the flip.
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Cat: HBR 001. Rel: 06 Apr 22
Deep House
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Cat: EES 041. Rel: 03 Apr 23
Deep House
Review: DJ/producer Philip Lauer from Frankfurt has teamed up with Berlin vocalist Dena to create a modern take on Julie Stapleton's soulful house classic, containing multiple versions. Lauer's Hotel Lauer EP on Especial in 2016 cemented his position in the scene, with albums for Permanent Vacation and Running Back. Dena, born in Bulgaria and raised in Berlin, has released electronic dance-pop stylings on Kitsune Music and K7. The EP features a Club Mix, a Demo Mix, a deep tech remix by DJ Slyngshot, and a drifting Balearic version for late summer nights and dawn.
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Cat: ORN 032. Rel: 24 Oct 22
Deep House
Review: Breezy, easy vibes smoulder through every inch of this brand new 12 from label regulars Jonno & Tommo. Over the past ten years the pair have worked their magic through all strands of the house spectrum on labels such as Trelik, Finale Sessions, Verdant as well as Ornate, but on here, chief cut Biosflash places them squarely back in the domain of laidback, deep house. This is a perfect summer roller, and can't fail to put a smile on your face, as you roll your windows down. Stratocaster keeps the sunshine vibe high, yet mines a little deeper, channelling the sounds of classic late-90s deep house labels such as as Seasons, Straight Up and Rotax.
Two bona fide deep house heavyweights, Brawther and Andres, both lend their unmistakeable touches, taking one track each, giving this package a little something extra.
… Read moreTwo bona fide deep house heavyweights, Brawther and Andres, both lend their unmistakeable touches, taking one track each, giving this package a little something extra.
in stock $10.13
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Review: A top value for money opportunity here, as Moiss Music deliver the latest in their sweet and sticky Jam series of various artist 12" line ups, bringing you no less than six bubbling, vivacious disco triumphs from six artists. Khemir's 'Disco Bandit' kicks off proceedings, a production that sounds like it was made by a band of around 45 musicians, a proper cavalcade of strings, brass, brazen disco thump and beautifully bold vocals. Wurzelholz's 'Prince' goes for a bit more economy but with a slinky funk bassline like that - not to mention the occasional exclamation from the purple overlord himself - it's equally devastating in dancefloor terms. Among the other highlights, 'Golden' by I Gemin has the feel of a lost Daft Punk flip tune and Cosmocomics' 'Glamorous Garcon', boasting 70s-style synth bubbles that are as cute as they are retro. Tasty as ever.
… Read morePlayed by: PiCOSSU, Igor Gonya
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Review: St Petersberg's Dobro label is noted not just for the quality and playability of its funky house and disco re-edits, but also for its value for money. This, their seventh release, is another great example, with no less than six floorfillers included on one 12", each bringing their own individual mood to the table. 'Flowers Festival' from Sun Rhythms has throbbing organs and fruity keys, topped off by a gorgeous Russian vocal. DJ Merci's 'Timetable' goes for chunky rave pianos and Fairlight stabs, lending it an 80s Italo-disco feel, before Ground Plane Aerial's 'Transition SP' closes the side with slap bass and stripped down house vibe that echoes some of Roule Records' more accessible moments. Side two VIGI's 'I Am You', is the most memorable of the whole package, with its idiosyncratic female vocal weaving a magical spell around the listener, before we finish off with a double whammy of Monny Me's swirling stringfest 'The Name Of The Game' and the parping horns and strutting groove of Ugly Frankie's 'Free Alcohol Shit', the latter including a bewitching and unexpected piano solo. Great work all round.
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Review: DJ Fett Burger returns on Sex Tags UFO with with the growling junkyard beats of 'Galaxy Of Synthesis'. Speaking of which, DJ DOG provides a remix which is more straight ahead and optimised for the dancefloor, while retaining the strong acid and Motor City motifs of the original. Speaking of the latter, the Detroit influence remains strong on B side cut 'Comet Dust' which is definitely on the high tech and soulful tip, followed by a hypnotic and utterly uplifting live mix version by Gothenburg's Porn Sword Tobacco.
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Review: The first release here from Dutch label Modern Balance by Perfect Moment. Our Reality is an impressive four tracker featuring some collaborations with some well known and up-and-coming producers. Side A features the spiritual deep house of the title track (feat Nathaniel Asamoah) which really channels those Prescription Records vibes of old, while the cavernous and glacial 'Another Reality' (feat Amber Vineyard) takes a more ominous turn. Over on the flip, Baltimore legend Karizma lends his Midas touch to a properly deep re-rub of the A1 cut, as does 25 Places on the False Reality Treatment - which pushes the track into emotive and life-affirming territory.
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Review: Fett Burger and Cato Canari, a Norwegian DJ and producer based in Tokyo, have teamed up to brilliantly Balearic effect here on this new outing on the cult Sex Tags UFO label. They offer up three different versions of 'Para Siempre' that are all suited to sunset sessions on the beach. The tune features Florencia and first comes as an Italo Balearic vocal mix which is doused in lush synths and has steady bass rumbles below the rich chords. The Elements Of Trance mix is perfect for when things head indoors to the club with its weighty low-end thud then the most trippy and loved-up version comes at the end.
… Read more in stock $10.13
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Review: Caleto Records proudly presents its second V/A release, 'Caleto Sampler 02', on which four new bits by six ultra-talented producers, all from Poland and Italy, join forces for a full-on rally. Impressively layered and well-curated deep dubby techno and house abounds on this quartet of mellow heaters, highlights among which have to be, for us, Brusegan's 'What I Did Dream' and Etat Cru's 'Stan Surowy'.
… Read morePlayed by: Marcelo Tavares(Deep Space Podcast)
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Played by: Marcelo Tavares(Deep Space Podcast)
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Review: Relikt Originals has done a fine job of rolling out plenty of high class house sounds so far. This seventh transmission is another one that finds Hurlee taking us on a trip through the cosmos. 'Break Every Rule' in fact breaks none. It's a traditional house cut with painterly pads smeared over well designed drums but it is well-executed. 'Like Flames' has a heftier punch and hi-tek soul feel with nagging little vocal hooks adding some spice. 'After The Fall' is a more bubbly and laid-back vibe with lush synth layers and 'Closer To You' then completes a warm and heartfelt EP with another future-facing, punchy house cut with subtle vocal soul.
… Read morein stock $10.16
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Cat: TVPC 015. Rel: 01 Jan 90
Deep House
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
The latest missive from the Very Polish Cut Outs imprint, whose back catalogue is mostly made up of inspired re-edits and reworks of obscure old musical gems from Poland, is a little bit different. It sees a wealth of the label's artists rework tracks from Polish rapper Belmodawg's cult 2021 mini-album 'Hustle As Usual'. As far as we can tell, they're mostly quite radical rebuilds, but that's no criticism since there's tons to get the pulse racing throughout. For proof, check the gorgeous Italian dream house-meets-hip-house revivalism of Schmoltz's version of 'Pappadelle Alla Arrabbiata', the bleep and breaks revivalism of Speek's mix of 'Wte I Wewte', Polotronic's bouncy, late-80s garage-house re-fix of 'Poppyn Universe', and the dreamy d&b flex of Pejzaz's version of 'Te Tereny'.
… Read moreThe latest missive from the Very Polish Cut Outs imprint, whose back catalogue is mostly made up of inspired re-edits and reworks of obscure old musical gems from Poland, is a little bit different. It sees a wealth of the label's artists rework tracks from Polish rapper Belmodawg's cult 2021 mini-album 'Hustle As Usual'. As far as we can tell, they're mostly quite radical rebuilds, but that's no criticism since there's tons to get the pulse racing throughout. For proof, check the gorgeous Italian dream house-meets-hip-house revivalism of Schmoltz's version of 'Pappadelle Alla Arrabbiata', the bleep and breaks revivalism of Speek's mix of 'Wte I Wewte', Polotronic's bouncy, late-80s garage-house re-fix of 'Poppyn Universe', and the dreamy d&b flex of Pejzaz's version of 'Te Tereny'.
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Review: Z Lovecraft AKA Rhythm Section International's Mali Baden-Powell, offers up four originals on the Utopia Club Tracks label that showcase the disco/house end of his varied output. 'Exotic Passage' coasts along serenely with gently slapped bongos and warm electric piano, definitely a weapon to have in one's warm up arsenal. 'Release (The Tension)' ups the heat a little with a busier bassline, filters and disco licks, before B-side opener 'Lust In Denial' comes with more jazz-slanted piano riffs and 'People Get Too Deep' closes proceedings with the most spacious and dubby arrangement of the quartet. Musically refreshing and understated but lively enough to move feet onto dancefloors, this is the business.
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