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Crisis & Oppurtunity Vol 2: Peaks (180 gram vinyl LP + MP3 download code)
Cat: DM 010. Rel: 15 Feb 22
Jazz
Played by: RUSTAM OSPANOFF.
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Review: If you've ever had the privilege to witness George Clinton & The P Funk Allstars live, you know they bring it, each and every time. After all, the magic of Parliament and Funkadelic's imperious catalogue lies in that in-the-room, jammed out madness where anything could happen at any moment, which translates to the stage so beautifully. This collection pulls together some of the choicest live cuts from recent times, as stone-cold classics like 'Let's Take It To The Stage' and 'Cosmic Slop' collide with 'Atomic Dog' and 'Funkentelechy'. Of course the tracks take on whole new dimensions in the live setting, stretched out and freaked up even more than in their original form, making this a must-grab for any P funk devotee.
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Review: Moar is a French Beatmaker who'se made beats since 1995, opting for a 'traditional vibe' of digging & sampling wax, complemented with all-in-one sets using an MPC or SP. Of course, tradition is one of the few ways we stay grounded to our roots; artists like Moar ensure that we don't go insane with experimentation and tradition-breaking. That being said, this beat collection from 2002-2006 is remarkably experimental in sound, showing that Moar's 'trad' ideology is more focused on the process rather than the end result. A diggers' delight, for the few turntablists out there still keeping the tradition alive.
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Review: It's always worth checking the reissues offered up by Jazz Room Records, not least because there are few people more knowledgeable on the dancefloor friendly end of jazz than boss man Paul Murphy. Predictably, he's scored another coup here by securing the rights to reissue Jazzberry Patch's 1977 debut - a private-press jazz-funk gem that's long been a "holy grail" amongst collectors. Joined by virtuoso organist Mike Longo (who supplies liner notes) and a handful of guest percussionists, the Californian trio lay down a series of effortlessly funky, percussive and solo-rich workouts that should delight jazz-funk fans everywhere. The piece de resistance is undoubtedly the epic title track, which grooves, bobs and weaves over 20 mesmerising minutes.
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Review: This reissue from Jazz Room is one from the rather more obscure end of the jazz spectrum but it is well worthy of your time. Johnny Walker - not the same guy as the whisky magnate - recorded this one when he was touring the world with veteran jazz star Lionel Hampton back in 1982. The sounds that defined his signature are drenched in funk with fat beats powering them along. The excellent rhythm section work really shines through here on an album that was originally released on his own Private Press label.
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Sound Is Like Water (limited grape swirl vinyl LP + MP3 download code)
Cat: SPC 150LPC2. Rel: 17 Nov 22
Soul
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Review: Long lost groove gold from South Africa, The Movers blessed the world with almost 20 albums during their tenure throughout the late 60s / 70s. A fluid collective with scant documentation on their history, key players changed in the band frequently but Soundway have traced the credits of this rare opus down to producer David Thekwane and musicians Jabu Sibumbe, L Rhikoti, Lloyd Lelosa and Sankie Chounyane. Whoever the line-up was, the key sounds were always consistent as the troupe writhed and frolicked around disco soul axis, as is best celebrated here on the thumping funk fusion of the title track, the sweaty insistency and tightness of "Beat" and the awesome falsettos of "Work Is Done".
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Jean Pierre MASSIERA / VARIOUS
Midnight Massiera: The B Music Of Jean Pierre Massiera (LP + insert)
Cat: FKR 022LPX. Rel: 08 Jul 22
Funk
Review: Jean-Pierre Massiera lived in his own little world with his own famous studio in the South of France. He is as master of outsider sounds from pop to funk and often transcends all these sounds with psychedelia. He is a perfect embodiment of the Finders Keeper label and that is why he is back on it with a reissue of his classic compendium Midnight Massiera. This special limited edition version captures all of weird and wonderful sounds and left of centre grooves. The once called himself Jesus while stood informant of a theatrical electric chair crucifixion, and he certainly has a godly talent.
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Review: Long-serving French funk label Funkysize has not provided much information about this mini-album release, though it appears to be a scaled down compilation featuring previously unheard tracks from its roster of underground artists. There's plenty to set the pulse racing throughout, from the P-funk-influenced disco-funk cheeriness of Magic Juice's 'Fatility' and Bump Squad's Parliament/Funkadelic-esque 'Dexter Street Jock', to the smooth, bass guitar-driven Fatback style goodness of 'Funk Me Tonight' by Rudee Kane, to the talkbox-sporting electrofunk revivalism of Prodige Talkbox's 'It's Yours' and Prince-inspired 'Electrik Boogie'. This is funk, '80s style, laid down in 2021 by talented musicians and vocalists: what's not to like?
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Turning It Out (reissue) (hot pink vinyl LP limited to 100 copies)
Cat: TWM 105RT. Rel: 01 Jan 90
Funk
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Played by: Marcelo Tavares(Deep Space Podcast)
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Show The World (reissue) (limited yellow & black splattered vinyl LP)
Cat: NDY 003. Rel: 04 May 23
Reggae Classics/Ska
Played by: Juno Recommends Reggae
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Review: Jazz saxophonist Tony Lavorgna, sometimes known as Captain Bad, recorded Chameleon with the St Thomas Jazz Quartet in 1982. The title track is a cover of Herbie Hancock's classic from Head Hunters, given a fresh lick on this superlative album of incredible renditions of long time favourites. Ray Charles' 'Georgia On My Mind', War's 'The World Is A Ghetto' and Dave Brubeck's 'Take The 'A' Train' all get a look in, given a soulful treatment which goes down very smooth indeed. On the strength of these, it's a shame the group never recorded more music together, covers or otherwise.
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Review: Out 2 is a project from Jeremy Campbell and R. Zanzibar, who have previously worked together on albums for L.I.E.S. and Lectric Sands under different aliases. They sound right at home on Emotional Response, channeling the influence of 1980s New York dancefloor hybridization into six original tracks and their counterpart dub versions. It's an impeccable tribute to the forefathers of new / no / minimal wave with the right kind of funk rubbed in the groove and ample space in the mix for all the live dubbing the style demands. "Moving" is a surefire death disco party starter, "Dancing" hovers in a beyond the grave island boogie reverie and "Some Air's Red There" heads out into exotically enhanced territory without losing that NYC grit. It's a marvelous record, with the dub versions adding new dimensions to the music rather than simply repeating the same tricks sans vocals.
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Cat: CW 005. Rel: 14 Mar 23
Disco/Nu-Disco
Review: Niels Nieuborg is Arp Frique, an artist who made a bold and brilliant debut on Rush Hour a few years ago and has never looked back since. His 2018 album Welcome To The Colorful World of Arp Frique showed off his fresh take on disco with a host of collaborators and now he once again lays down the beats while various guests appear on this new EP on Colourful World. Elements of zouk, highlife, Afro-disco and many more worldly rhythms lend these cuts their unique and characterful style. Analog drum machines, kick rhythms and psyched out synths all sit next to great vocals for a kaleidoscopic trip like no other.
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Fire Passion Ecstasy (180 gram clear vinyl LP + insert limited to 100 copies)
Cat: TWM 80LITA. Rel: 24 Mar 23
Disco/Nu-Disco
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Review: 8-piece soul unit Stone Foundation return after just two years for another album, going full-pelt with yet another array of collaborators and guest singers. Now comfortable with their relatively newfound home at 100% Records, the band here portray a musical mood of peace, with 'Echoes Of Joy' edging on religiosity, and alongside 'Outside Looking In', nailing that post-chic fusion of modern EDM and funk that has bagged them numerous Top 40 spots.
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