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1～25/25（ページ1/1）の商品
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 03 May 24 $14.52
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Review: Greyscale unveils its latest endeavour, the Spectrum Series, as a way to continue to evolve its offerings and this time it is with something that makes a vibrant departure from its traditional black-and-white aesthetic. The inaugural release features the iconic Lithuanian dub track 'Kasdienybes Sventykla' by grad_u & Eazystyle MC as a way of commemorating its 15th anniversary. It came as a double CD in 2011 but now gets a first vinyl pressing on a nice 10" slab of wax. The track itself taps into the earliest roots of dub in the 70s and traces a line through the 80s with its heavyweight drums and endlessly echoing bass topped by great mic work. A pared-back instrumental features on the flip of this latest crucial drop from the dub dons at Greyscale
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Pimping People In High Places (reissue) (limited 10")
Cat: DET 313R. Rel: 29 Jan 24
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Review: The Det 313 label is kicking off the new year with a bang and dropping a pair of brilliant new EPs on the same day in late January. This one is a reissue of the esteemed Gary Martin's 'Pimping People In High Places' on 10". It's the Woodword Ave alternative mix that kicks off and is a rough and ready percussive techno looper with hefty basslines underlapping and propping up the floor. 'The Medusa Touch' is a more wily and synth laced-late night jaunt with mystic energy and acid details that make it a deep and dramatic cut with real dynamism.
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Cat: 677863 0. Rel: 26 Sep 18
Broken Beat/Nu Jazz/Nu Soul
Review: Back in 2016, legendary Afrobeat drummer Tony Allen approached techno pioneer Jeff Mills with the idea of working together. A series of live gigs and off-the-radar studio sessions followed, with the first fruits of their joint efforts finally appearing on this must-have 10". As you'd expect, the duo's collaborative work combines Allen's traditional Nigerian polyrhythms, traditional Afrobeat instrumentation, and the far-sighted, sci-fi inspired electronic futurism that has always marked out Mills' work. The result is a quartet of cuts that could arguably be described as retro-futurist Afro-tech - all delay-laden beats, basslines and organs subtly sparring with gentle acid lines, Motor City electronics, beguiling deep space textures and shimmering, 31st century motifs. It's arguably Allen's stylistic contributions that dominate, but that's no bad thing.
… Read morePlayed by: Mourad Sliti, Mukatsuku Records Chart, 7 Samurai Tom Wieland freesoulinc, JEM/Joe Europe, Owain Kimber (Owain K), AfroBase (Radio Chart), RUSTAM OSPANOFF., Thatmanmonkz (Shadeleaf Music), Rouchos (Andreas Marouchos), Flash Atkins, Per Bojsen-Moller, Sol Power All-Stars, Juno Recommends Broken Beat Nu Jazz, Galletas Calientes, Andrea passenger, NICOLA CONTE, Giorgio Luceri, DoubtingThomas, NEI a.k.a. Cosmic Monkey, DJ Kobayashi, Cervo (Banana Hill)
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Review: There are no specific credits behind this drop on Dutch label Planet Rhythm, but someone has decided to take one of Nina Simone's most powerful musical moments, 'Sinnerman', and create a great big peak time techno monster out of it. The original version bristles with tension, not least thanks to Simone's dexterous piano work, and the looping quality of those keys certainly foreshadowed the cyclical nature of club music. It's not hard to see why the song inspires energy in a club setting, and on this one-track single-sided 12" you can hear Simone's creation chopped up, sampled and strapped to a thunderous kick.
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Review: There is a reason Mark Broom is still so revered in techno circles after all these years. He has a knack for sound design and crafting such powerful kicks that his tunes are always irresistible to both DJs and dancers. He offers up two more high grade weapons here for the second release on Beard Man. First is the maximal minimalism of the bendy 'Loop 132' with its glitchy hits and undulating synths, then comes the more driving and uplifting dub techno banger 'Loop 131.' The titles of these tunes make you wonder just how many of these this man has sitting on his computer ready to go.
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Review: Depending on your cultural references you will know that Things Fall Apart is either the title of an album by hip-hop greats The Roots, the debut 1958 novel by Nigerian author Chinua Achebe or Jon Ronson's latest Radio 4 series on the culture wars. Here it is a deeply mystic techno 10" by Deadbeat. Back in July, he worked with Sa Pa on their first collaborative album on the anniversary of BLKRTZ's 50th release and what a stunner it was. Here he casts free and deep into an oceanic abyss with drum-less floating currents and drifting melodies on 'Things Fall Apart' then a more hunched and dynamic dub groove on 'Adieu Chez Cherie.'
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Review: Daniel Avery's heartfelt tribute to the late, great Andrew Weatherall, the melancholic masterpiece that is 'Lone Swordsmen', was one of the standout tracks on his most recent album, the critically acclaimed Ultra Truth. Here the track returns in remixed form, with Throbbing Gristle's Chris Carter putting his spin on Avery's bittersweet, late-90s style IDM gem. Carter's version is a touch warmer and more percussively up-beat, with Avery's lilting lead lines, poignant melodies and glistening electronic motifs rising above a slipped breakbeat and moody bass. It's an excellent remix all told, and a fine example of how to rework on already excellent track to enhance its key features.
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Review: Berlin-based maverick Stefan Goldmann returns after the exquisite and sonically spatial delights of his Vector Rituals album with two more upbeat tracks that nod to techno but nevertheless steadfastly refuse to follow its stricter rules. 'In Aggregate' and flip track 'Carob' both throb and surge their way to the run out groove, eschewing the usual array of drum sounds to leave the rhythmic urgency down to other elements and turning the genre's on its head. Which is, let's face it, what he does best.
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Review: Element is a Kyoto-based producer who explores the experimental side of dub music. On his latest release, 'Particular Angle', he delivers two tracks that showcase his diverse influences and skills. On the title track, he blends new roots, grime and dub techno into a mesmerising soundscape that is both heavy and hypnotic. On the B-side cut 'Blurring Off Into Its Opposite' he creates an atmospheric ambient journey that draws inspiration from Gil Melle's soundtrack for The Andromeda Strain. All-in-all it is a stunning example of his original and captivating style.
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Review: We'd be hard pushed to think of any labels out there right now that are doing a better job of serving up deliciously deep and detailed dub techno than Echo LTD. For this one, the in house crew takes care of a pair of sublime new sounds that take you to the ocean floor and keep you there. 'Echo From The Outer World' opens with gently echoing chords pacing about the mix over a rolling and rubbery low end with shards of light beaming down from above as if the sun has just shone through some clouds. 'Minimalism In Dub' takes things back even further with more liquid rhythms and smooth drum rotations. So good.
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Review: ***B-STOCK: Slight surface marks ***
Vade Mecum welcomes Soft Traffic for a debut release here and it is one that suggests the producer has a soft spot for the warm, deep and heady end of the dubbed out techno spectrum. Those are certainly all the words you would use to describe the quiet brilliance of opener 'Find Ya' (feat Prince Morella) which is icy cool and hypnotic. On the flipside, 'Night Drive' is another sublimely soft focus and supple techno roller with infinite horizons and milky pads that dissolve your soul. A superb debut.
… Read moreVade Mecum welcomes Soft Traffic for a debut release here and it is one that suggests the producer has a soft spot for the warm, deep and heady end of the dubbed out techno spectrum. Those are certainly all the words you would use to describe the quiet brilliance of opener 'Find Ya' (feat Prince Morella) which is icy cool and hypnotic. On the flipside, 'Night Drive' is another sublimely soft focus and supple techno roller with infinite horizons and milky pads that dissolve your soul. A superb debut.
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1～25/25（ページ1/1）の商品
