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Review: Timing is definitely everything in life. Just ask Morning Reign. This unearthed album, now around 50 years old, was never released at the time, but had it been there's every chance you'd be much more familiar with the band name in question. Instead, they only put out four 45rpm singles while still active, and disappeared with little fanfare and few tributes paid. Take it from us before you even hit play on the previews, that story is regrettable, and their obscurity a crying shame.
Critics tackling Taking Cover now it has finally made its way to the release schedule have pointed to Morning Reign setting precedents for garage rock, and the likelihood people would have been referencing them alongside the likes of The Doors and Eric Burdon had they managed to break through. A classic that took a long time to realise it.
… Read moreCritics tackling Taking Cover now it has finally made its way to the release schedule have pointed to Morning Reign setting precedents for garage rock, and the likelihood people would have been referencing them alongside the likes of The Doors and Eric Burdon had they managed to break through. A classic that took a long time to realise it.
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Review: RECOMMENDED
Every once in a while you get hold of an album with a title that couldn't be more fitting. Pioff? is one of those moments. Quite what this music is, or where it comes from, is anyone's guess on first impressions, making for perhaps the best use of a question mark we have seen in some time. As jaunty and upbeat as it is robotic and regimented, here's proof that German funk is all about that mechanical strut.
Whether it's 'Pass Auf!', a track that boasts one of the most infectious stepping beats you could ask for, the sublime e-funk pop of 'In Der Nacht', or the woozy guitar and synth odyssey 'Schau Dich Doch An', the fact of the matter is Pioff make tunes that could have been made at any time in human history - past or future. Kraut-slo-mo-chug-electro-groove might be one way to put it.
… Read moreEvery once in a while you get hold of an album with a title that couldn't be more fitting. Pioff? is one of those moments. Quite what this music is, or where it comes from, is anyone's guess on first impressions, making for perhaps the best use of a question mark we have seen in some time. As jaunty and upbeat as it is robotic and regimented, here's proof that German funk is all about that mechanical strut.
Whether it's 'Pass Auf!', a track that boasts one of the most infectious stepping beats you could ask for, the sublime e-funk pop of 'In Der Nacht', or the woozy guitar and synth odyssey 'Schau Dich Doch An', the fact of the matter is Pioff make tunes that could have been made at any time in human history - past or future. Kraut-slo-mo-chug-electro-groove might be one way to put it.
in stock $14.89
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Review: Richard von der Schulenburg is the much loved resident DJ at the Golden Pudel club in Hamburg and he has been since 2005. He makes disco, house and techno but is also an ambient craftsman with a new age disposition. Bureau B snap him up here for nine tracks of lush and melodic electronic music that is detailed and engaging. There are gentle xylophone sounds on the opener, while 'Caravan Of The Pentamatics' gets more mystic and otherworldly with its curious leads. 'DX7s Broken Hearts' is the sound of a machine in love and 'Planet Dragon' pairs edgy synth sounds with gypsy beats.
… Read morein stock $14.84
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Review: Lawson Jr'Music is based in Montreal in Canada and is a drummer, singer and music composer who has played all over the world since a young age. He brings a distinctive Afro vibe to his take on hip hop as demonstrated by this masterful new cut on BSide/Lawson Entertainment. 'Let It Go' is defined by its screwy bass down low and the echoing hits up top. Aside from that I'd an empty but atmospheric cut with yearning vocals and melancholic chords. The flispide instrumental allows the slick production to shine.
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Review: Harry Dennis and Larry Heard began making music together as The IT in the mid-80s, releasing records on D.J International and Black Market until the duo took a break from collaborating in 1990. A staggering 21 years later they resurfaced on proud Chicago DJ and producer Kevin Starke's label, and following that split 12" they now debut on Heard's own Alleviated Records. "Somebody Somewhere" is a classic Chicago house track with pained spoken word lyrics talking about the struggles of life, while "Crying" is deep and kooky in a Perlon kind of way. "Utopian Dream" is piece of street poetry laced with club music that blends electroclash with house, while "Beauty In A Picture" is tribal and bassline driven. Club music doggerels from the street.
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Review: The crew behind that monumental Ilo edit which you will have heard if you stepped in a club any time over the past year come through with a new label called Lo Fi Edits, with this debut offering brandishing five super spacey disco edits for the price of a ten bag. During the trip expect to be plucked from reality with the same tight guitar string picks of Kikroko's "Man This Is My Girl", look forward to some serious robotic struts on the Italo classic "Takin' It Straight", prepare for a savvy string massage on "Space Sentry", anticipate a sloppy bass kiss upside your chops on "Boogieasy" and be sure to receive the loopy, filtered funk finale that is the "Makin Love To The Music" sucker punch. Wow.
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Review: classic 2010 Theo Parrish album Sketches back in stock on CD.
… Read morePlayed by: Cez (Pop Your Funk), Negghead, Mukatsuku Records Chart, Be-1ne, Spacewalker (Balance), Andy Ticker, Marcello Napoletano, Ksoul, Rob Coley (Soul-Identity Music), ISOUL8 (Volcov), Marcel Vogel, Femanyst, Vakula, Benoit & Sergio, MuteOscillator, Native Sound (Cortelyou Road), Ticker, BOGLEWALTZ
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Review: Patrice Scott's long awaited debut album, Euphonium, was arguably one of the most underrated full-lengths of 2015. Happily, he's kept the quality threshold high for this follow-up EP. "The Detroit Upright" is particularly potent, with effortlessly smooth keys stretching out over rich chords and bumpin' deep house beats. On the flip, Scott doffs a cap to the hazy, jazz-funk influenced styles of 2000 Black, on the impeccable broken beat/deep house fusion cut, "Who We Are". Weighty at the bottom end, and blessed with both starry keys and delay-laden synth lines, it's the kind of track you could imagine Theo Parrish losing his shit to.
… Read morePlayed by: Patrick Luca (Island Issues), Tomi Chair, Tres Manos-Your Only Friend, Sean Dixon, Matt Pond (DeepSystems), Bantam Lions, Michael Zucker - Finale / Balance, Patrice Scott, Dj Prophet, Per Bojsen-Moller, ISOUL8 (Volcov), Nick Anthony Simoncino, MR G, Jorge Caiado / Conversion, Petko / Soul Print Recordings, Alex Bradley, NICOLA CONTE, Appian, Cromby, Djs: Most Charted - Deep House, Don Crisp, Titonton Duvante (Residual), DJP (Soul Print Rec), Aleqs Notal, Bradford James (DS Records), Danijel Kevic, Chaos In The CBD, Secretsundaze, Reggie Dokes, Aaron Paar / Teflon Dons
… Read more! low stock $14.79
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Cat: GR 1209. Rel: 28 Nov 16
Deep House
Review: Rewind to 1992: Italian DMC champ Andrea Gemolotto and Alfredo conspirator Leo Marras collide for the first of three rare and seminal deep house exercises that have matured perfectly. The Mr Fingers-at-Bora-Bora trumpet-in-space sensuality of "Lose Control", the wide warm struts of the In Dub We Trust mix, spacious dubby reflections of "Night Clerk", the measured strikes and layered humanised stutters of "Nocturne Seduction"... If you think these remastered sound blow minds today, consider how they blew heads clean off 24 years ago. Historical.
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Review: Here's something to get excited about: a cracking new cut from Detroit deep house legend Alton Miller, backed with a 'Sound Signature' translation from the equally revered Theo Parrish. Miller's version of "Bring Me Down", is something of a treat: a sparkling, starry deep house epic that's blessed with immaculate vocals from soul chanteuse Maurissa Rose. Parrish's translation is equally as stretched out and similarly enjoyable, but is far looser and dustier in feel, with warmer bass and beats that naturally tend towards the jazzier. It's naturally more in keeping with Parrish's work than Miller's, but retains enough of the latter's touches to be counted as a fine remix.
… Read morePlayed by: Andrew Pirie (Melting Pot), Ernie (Minuendo Recordings), Mental Vibe Construction, Alex Attias, Thatmanmonkz (Shadeleaf Music), CHRIS KIDBIBZ HABIBIAN, Per Bojsen-Moller, ISOUL8 (Volcov), Juno Recommends Deep House, Petko / Soul Print Recordings, Your Name (Legalize Lambada), Djs: Most Charted - Deep House, Solune, ReeKee (Wrong Notes), Danijel Kevic, DCook, Secretsundaze, Reggie Dokes
… Read more in stock $14.79
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Review: Chicago house legend Ron Trent still has the magic touch. It's getting close to thirty years since his first releases began trickling out of the second generation of the Windy City's house scene, but the producer and DJ still knows how to lay down the utter truth. "Time & Space" is a classic Trent joint, where the spark is lit thanks to warm glow of dubby beats accompanied by sweet, mesmerising licks of instruments floating in mid-air. "Bass To Love" is as gentle and moving, but the sounds linger towards the higher end of the tune, where driving pads fuse gracefully with cascading synth solos to form a thick and wide-eyed wall of house for the deeper end of the DJ spectrum.
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Review: Detroit's Theo Parrish continues to serve up expressive and utterly unique new music, but his vast back catalogue will always remain of almost just as much interest to house heads. As such his Sound Signature label has repressed some quality gems from his discography. 'Roots Revisited' first came back towards the tail end of 1998 and finds the sonic shaman in heavy percussive mode while off-grid rhythms and his unique take on soul shining through. 'Dan Ryan' is deeply meditative, while the 'Walking Thru The Sky' (feat Ron Smith - Liberation mix) is a dusty and scuffed-up deep house exploration with Theo's trademark keys.
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Review: During the 1970s, Cornell Campbell made some fantastic records with producer Bunny Lee. 'My Baby Just Care For Me', a favourite amongst the lovers rock-powered 1970s blues party scene in London, is undoubtedly one of their best joint efforts. The riddim is loose and languid, the added piano solos pleasingly expressive and jangling, and Campbell soulful lead vocal tterly beguiling. Chunkier, more dancefloor-friendly roots reggae vibes are the order of the day on flipside cut 'Jah Jah He Morn Ya', where Campbell's vocal improvisation between verses add even more energy to an already heavyweight jam. In a word: essential.
… Read morePlayed by: Juno Recommends Reggae/Oldies/Ska
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Back To The Streets (Flying Mojito Bros Refritos) (12" + sticker + MP3 download code)
Cat: UR 12400. Rel: 20 May 21
Disco/Nu-Disco
Review: So far spring has been a real wash out here in the UK. As this is typed, the drizzle has been falling non-stop for 12 hours. But as soon as the first few bars of these Flying Mojito Bros Refritos versions of Rudy Norman's 'Bacl to the Streets' play out, our mood is lifted. There is sunshine b the lush keys, warmth in the bass and feel good groove in the gentle rhythms. The original is included and has a more angular and arts feel, while the dub is the most cosmic and rolling of the lot. You can always rely on Ubiquity for some sunny goodness
… Read more in stock $14.79
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Review: This week on Bordello A Parigi we have a release originally from 1983 on Cinofilm Produzione. Berlin-based, Italian producer Armonics (Slow Motion) came across the 'Radio' 7? by coincidence in 2020 near his home in Southern Italy. Vito Lisco wrote and produced the track together with Renzo Maria La Costa back in the 80's in a basement. The original track has been revised with the vocal parts re-recorded, plus some added guitar riffs and remixed for a modern take on this eccentric Italo production by Evolution (L&L). Limited to 200 copies.
… Read morePlayed by: ROTCIV
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Review: NOUN Records is a brand new sub-label of the much love Undersound Recordings, and it is all about serving up electronic music exclusively on 10" format. Caramel Chameleon opens up with a couple of tunes that he says are inspired by memories he has of childhood when he would walk on green hills. 'Sugary 2096 (Acid mix)' sure has a nostalgic feel, with its conversational synth leads and subtle acid lines washing over a crisp, punchy electro beat. O the flip is the more downbeat 'Apulian Feelings' with its rasping bassline and gentle, smeared chords bring a cosmic feel. A fine first EP.
… Read morePlayed by: Juno Recommends Electro
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Review: On the second volume in the GATT edits series, Swedish scalpel fiend Beatconductor once again pairs a previously unheard rework with something sought-after from his catalogue. In the latter category you'll find flipside 'Crazy in Kingston', an early noughties mash-up that adds Beyonce's superb lead vocals (and Jay-Z's on-point rap verse) from the peerless 'Crazy in Love' with a dusty old reggae riddim. It's a simple idea, beautifully executed. The brand-new (or at least previously unheard) cut this time around is 'Finger on the Trigger', a lolloping, life-affirming tweak of a 1970s dancefloor soul number that sits somewhere between the stomping heaviness of Detroit Soul and the proto-disco deliciousness of Philly Soul.
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Review: Michael Gross is currently spearheading a new generation of techno producers for his own German label Electric Ballroom, charting a lesser-trodden sound for the Berlin scene, 90s rave. Still inflected with the mega-drops and hoover-risers endemic to much of EDM, there's a refreshing dryness to ADHS' sound, not normally traversed in much big room techno. 'Dancin' Forever' as a title nails it well; both the A track and 'Raveline', with their FM basses and tense string buildups, seem to continue on forever, ebbing upwards and downwards in flow.
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Review: Following the Bowery EP from DubTape, Skip Audio returns to its various artists format with a tidy four-tracker taking an extended journey into the realms of psychedelic house music. Sublee leads the way with the smoky, subliminal sound of 'Shuffle Kings' before DubTape offers up a subtly crooked beat to carry the whispers of pad and errant machine bleeps of 'Ziggurat'. Cosmjn keeps things steady and seductive with the late night tones of 'Grun', and Andy Catana's 'Everybody Dance' toys with broken beats and acid tweaking to get limbs all juicy when you up to your neck in heady party people wanting to get deeper on the dancefloor.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: Chicago collective Starvue's sole album, 1980's Upward Bound, has long been considered something of an underground classic by disco, soul and jazz-funk collectors, with numerous reissues and bootleg editions of the album appearing at various points over the last four decades. This licensed seven-inch single boasts two of the set's most potent tracks: single 'Body Fusion', a super-sweet, string-drenched slab of dewy-eyed jazz-funk/disco fusion that has been sampled on numerous occasions by house and nu-disco producers, and the lesser-celebrated 'Put The BS Aside'. This is arguably even better: a super-soulful post-disco number that boasts sumptuous orchestration and lusciously loved-up male and female vocals.
… Read morePlayed by: * Record Breakin' Music *
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Review: Alleviated's trawl through the (admittedly limited) back catalogue of Larry Heard's long-forgotten Loosefingers alter ego continues. The three tracks here were originally released back in 2004 on the When Summer Comes EP, and see Heard at his deepest and most sensual. The ten-minute title track is particularly gorgeous, sounding like a blueprint for all those hazy "beach house" releases that followed in subsequent years. Pleasingly, there's some more aggressive, in-your-face material on the flip, with the rubbery "Transmission X" and bold "Acid Bounce" recalling Heard's more robust, acid house-inclined work (Gherkin Jerks, "Washing Machine" etc). In fact, it's these two cuts that make the EP nigh on essential.
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Review: UK label After Hours looks across Europe to the talents of Romanian minimal man Vlad Arapasu. He serves up classic, turn of the millennium final where it is all abstract sounds, farting bass and weird modulations. 'I Figured Out A Way To Be Outside' is a prime example of that with its pinging kicks and soupy pads, whirring spacecraft sounds and bulbous synth droplets. 'Einatmen' is more busy but just as heady with warming sub bass holding together a scattered mix of dry hits and distant chimes, subtle melodies and delicate kicks. 'Piscot' rounds out with another loosely held together fusion of vocals, sine waves and crunchy drum work.
… Read morePlayed by: James Reid
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Review: REPRESS: Keith Tucker and Gerald Donald of Dopplereffekt did it......They finally got together two of the originators from the monumental Detroit electronic groups Aux88 and Drexciya. The combination of these two musicians has created a retro bombardment of funk as only Keith Tucker and Gerald Donald can bring. That unearthly eerie funk and strings from other worlds. This release gives a sense of a melding of Cybotron and Kraftwerk....That snappy intelligent funk that Detroit so heavily influenced and unleashed to the universe.
… Read morePlayed by: Juno Recommends Electro
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Review: Theo Parrish is one of those characters who manages to unite lovers of both house and techno, indeed producing offerings that seem to make the distinction utterly redundant. How does he doe it? Well, if this pair of new tracks are anything to go on, it's the simple trick of making tracks that combine the soufulness and rootsy earthiness of house with a trippy sense of the futuristic and psychedelic that elevates them out of the ordinary.
Take, for instance 'In Motion's simple piano stabs and the subsequent off kilter groove that builds up around them. Or, equally, the cheeky bass keyboard manoeuvres that form the backbone of 'Don't Play' featuring Ava, funky enough to be Stevie Wonder but then matched with caustic, scything hi-hats that have more than a hint of the surreal and robotic about them. Best of all, it doesn't feel like a compromise, it feels like a full on creation that acknowledges both traditions but refuses to follow either slavishly.
… Read moreTake, for instance 'In Motion's simple piano stabs and the subsequent off kilter groove that builds up around them. Or, equally, the cheeky bass keyboard manoeuvres that form the backbone of 'Don't Play' featuring Ava, funky enough to be Stevie Wonder but then matched with caustic, scything hi-hats that have more than a hint of the surreal and robotic about them. Best of all, it doesn't feel like a compromise, it feels like a full on creation that acknowledges both traditions but refuses to follow either slavishly.
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Review: Nick Curly has revived his Cecile label to great effect this year. There have been a slew of fresh sounds from the likes of the German boss himself as well as Steffen Deux, De La Swing and now this collaborative offering from Miguel Lobo and Cristian Merino. The sound is still rooted in the tech house the label lis known for - and Miguel was saving up last time he rebased here in 2021 - but with plenty of additional soul. 'Last Track At Sunrise' is perfectly titled - it's driving to keep you locked after a night of dancing but has a lush vocal to signify the bright new day ahead. 'Looking For U' is a warped, elastic groove to latch you on in the middle of the night and then it gets a great remix from Dennis Quin who bulks up the drums, adds a little rawness and dances off into the future.
… Read more in stock $14.79
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Review: Dynamite Cuts have got another red hot bit of funk on their hands here with Brian Auger's Oblivion Express the subject of this reissue of two of his most blissed out sounds. The first is a magic cover of Marvin Gaye's timeless 'Inner City Blues' from his most iconic album, What's Going On. In this outfit's hands the groove becomes a little more deep and languid, with funky guitars and steamy vocals sinking you into a real romantic vibe. The second is an original tune, 'Voices Of Other Times,' that explores more uplifting soul vibes.
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Review: Matt Cheon & Co. unearth yet more rare gems from old school electro fiends Caroline Herve & Michael Amato here, on the second volume of Lost Trax. As story has it, after the French duo met at a rave in their native Grenoble in the early '90s, they made music heavily influenced by 80s synth, post-punk and Italo disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. From the sexy, four-to-the-floor EBM of "Upstart", the Drexciyan style "Love On" with its aquatic bass assault, or the classic Miss Kittin & The Hacker sound of old on the monochromatic" The Building" featuring the former's trademark deadpan vocal delivery.
… Read morePlayed by: Juno Recommends Electro
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Played by: Dynamite Cuts
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Cat: GR 1272. Rel: 29 Oct 20
Disco/Nu-Disco
Review: Loredana Berte's career started in the mid seventies and went on to make her into one of the most iconic Italian singers of her generation. Her 1980's album proved her most acclaimed and now Groovin Records serve up two of its most standout cuts. The fuse big hearted vocals, cosmic disco keys and funky reggae beat that will warm any early evening party right up. 'In Alto Mare' is the more upbeat of the two thanks to its funky riffs and big piano stabs, but both still sound mighty fine after 40 years.
… Read more in stock $14.79
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Review: Mulen main man IO has been surprisingly quiet this year following a stellar 2019 in which he released a quintet of must-check EPs. The good news is that the Meuse EP was worth waiting for. The A-side title track is a terrific example of the more robust, peak-time-friendly end of his style, with addictive riffs, spacey electronics and ricocheting percussion hits riding a storming, beefed-up tech-house groove. He begins the B-side with a deeper, loopier and hazier (but not less rhythmically driving) excursion - the disco-tech jack of 'Flirt', before reaching for swinging drums, alien-sounding motifs and warming chords on hypnotic closing cut 'Response Profonde'.
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Review: Boo Williams is considered a 'second generation' house musician from Chicago, one of few who followed in the footsteps of the likes of Larry Heard and Lil Louis - it's as though house music were some kind of Socratic tradition. Whatever the case, his distinctive visage forms the branding basis for his own label Boo Moonman, which has been going for ages. This limited, hand-stamped 12" is yet another addition to the pile, dealing once more in his distinctive, gluey style of analogue jam.
… Read morePlayed by: Ricardo Miranda
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Review: The second Off Topic release is another various artist affair from this promising Lisbon-based label. Pir returns with two tracks on the A-side, our favourite being the quirky minimal tech funk of 'Amiddle', while over on the flip it's all about label head Antonio Nunes with the contemplative afterhours redux of 'Creme' and the emotive late night deepness of 'Tony Transmitters' in collaboration with Luhk & Pir. Tip!
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Review: Representing the newer generation of the Mannheim sound, esteemed DJ/producer Fabian Winkels makes a worthy addition to legendary local label Cecille with the Sober Up EP. Fabe's particular brand of minimal house is on display once again, yet more optmised for main room dancefloors this time around. We particularly enjoyed the trippy and swing-fueled minimal funk of opening cut 'Solid & Straight', as well as the rolling, vocal-led tech house of 'At The Bar' or 'Frozen Cake' which are sure to rock dancefloors on The White Isle as much as they will in Berlin, while the deep and emotive B-side cut is aimed squarely at the afterhours dancefloor.
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Review: Big up to the Orson label for hitting a quarter of a century of releases. Malata based artists Neil Hales aka Acidulant gets the nod and shows of his love of direct acid sounds. He has done similar on the likes of DJ Pierre's labels Jack Trax Records and Afro Acid but really hits the next level here with hard hitting and turbocharged bangers like 'Heavy Max' next to slower, more spaced out and melancholic jams like 'Butify'. The flipside starts off deep and atmospheric with 'Forget Your Imagination' and that pensive vibe continue through 'Nuhamba' before dramatic closer 'When The Sun Meets The Acid.'
… Read morePlayed by: Juno Recommends Electro, Rave Energy
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Review: There are few labels that have been as constantly excellent as Lobster Thermin, no matter the genre it turns its attention to. Here is it electro from Shedbug that gets us all worked up on a nice purple marbled vinyl. 'Ambroxitil' is a quick and crunchy opener steeped in cosmic tension with icy electro lines and dark bass. 'Timeframe' then has a lo-fi and sludgy feel with muffled drums and bass making for a distant cyborg rave. There is beauty and inward reflection in the sweeping melodies of 'Strive For More', angular grooves that make you jerk your body on 'Waouu' and a hyperspeed Voiski remix to close down.
… Read morePlayed by: Juno Recommends Electro
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Review: Street soul is one of the many short lived but vital in between genres that have emerged from the studios of the UK over the decades. Pause was an early act who excelled at the form as two incredibly rare and hard to find tunes that are both being pressed up bony Freestyle this month prove. The first one comes on this 12" in the form of 'It's Just Amazing' with various different mixes. The vocal mix pairs lo-fi drum breaks with shards of 80s synth stabs and a gorgeous vocal harmony finished perfectly by a melancholic bassline. The two instrumental mixes are even more dusty and lo-fi but the vocal version is the one that will always stand out and get the floor in a tizzy.
… Read morePlayed by: Mike Shawe ✮ Hot Buttered Soul
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Review: The Hubble EP was originally put out by Metroplex Social Club aka the super talented trio of Optic Nerve, Strand, Posatronix and Marty Bonds back in 2003 and it has since become a huge Detroit anthem, with iconic synths and strings. It is powered by a serious hard-assed kick drum and a lush bassline featuring three melodies at once. It's funky, groovy, and sure to fire up any dance floor whether indoors at night or outdoors in the open air, and now gets a welcome reissue that is "dedicated to Juan Atkins and the spirit of Metroplex Records". A real piece of classic Motor City magic.
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Review: Audio Soul Project returns with fresh vinyl here in the form of their Simurgh EP, which is named after a mythical Persian bird. Across the tunes you'll find a fusion of dub, d&B, house and even r&b to make for an alluring sonic trip. Opener 'Deliver Me' brings the warmth and soul with balmy chords over raw, woody drums with a big diva vocal up top. Things are paired back for 'Azizam Dub' which has a subsonic bass line bump and synth stabs bringing the energy. 'Internal Vybrations' is d&b powered by monstrous bass with hi-hats, shakers and maracas detailing the rhythm, and last of all 'Celebration Dub' brings a funky and summery house vibe perfect for outdoor dancing. This is as varied an EP as you'll hear this season.
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Instrumorgan #1 (Doc J club mix)
Instrumorgan #2 (Freddy's mix)
Instrumorgan #3 (Chicago mix)
Review: DJ Fede's second EP as Luv, Instrumorgan, has become something of a cult classic in recent times, with a new generation of DJs embracing the 1995 release's blend of New Jersey garage, NYC deep house and organ-rich Italo-house flavours. This reissue, then, is long overdue. There's much to enjoy throughout, from the deep and chunky groves, tight organ stabs and eyes-closed spoken word snippets of 'Instrumorgan 1 (Doc J Club Mix)', and the deeper, crunchier and more bass-heavy throb of 'Instrumorgan 2 (Fede's Mix)', to the jacking, drum machine-driven looseness of 'Instrumorgan 3 (Chicaho Mix)', where a lo-fi synth-sax motif adds an extra dose of late-night energy.
… Read morePlayed by: Patrick Luca (Island Issues), Dj Fede
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Review: If you're reading this you will already be familiar with Jamaican rocksteady and reggae vocal trio The Heptones and their very many lovely tunes. This one with Woodfield Road All Stars is as smooth as they come. 'Love Has Got A Hold Of Me' has slow motion grooves and lazy drums with the most gently persuasive acoustic riffs next to soul drenched and warm vocals. On the flipside is 'Breezin' Up Brentford Road' which has some lovely hammond organ vibes and an evn more laid back swagger to it.
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Review: Daddario proves he is the daddio with a new electro excursion on the fledgling Ragoo label. Rather than all out cosmic dance floor assaults, this is electro steep in funk and boogie from the off. 'Shift' is a playful one with stiff melodies and lush chords while 'Boogie Night' (feat JZP) is just that. 'Space Lou' has a feel good disco tinge to the hip swinging clasp and jazzy keys and after an Astratto Fool mix that slows 'Boogie Night' down to a soulful slow dance the flipside brings dazzling electro-disco and downbeat analogue grooves that seduce and tease. The Mechanical Man remix of 'Brazillionaire' might just steal the show at the end.
… Read morePlayed by: LEGO EDIT
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Review: Maria Sanche has a brilliantly soulful voice and that's what leads this tasteful new two track 7" on Swedish label Soul Tune. Opening it up is the class and swirling sounds of 'Hey Love,' with big bang backing, lead horns full of feeling and Maria's own elegant and graceful vocal rising and falling with real fluidity and freedom. Flip it over for 'Give Me Your Login' with a smooth and cruising soul groove, with sliding hi hats and warm drums, gentle horns and a buttery vocal sound that melts the heart in an instant.
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Review: This is the fourth in a new series of stamped 7" releases from Gatt artist Beatconductor. There is nothing smart about the work on 'sink About It' which simply brings a classic vocal to a big beat. It's an easy way to get any party going. On the flip is 'Let It Happen' (unreleased 7" mix) which his more nuanced and interesting, with funky bass lines, loose limbed percussion and gorgeously twinkling keys all raining down from above.
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Review: The new Parrish single appears on vinyl in the form of two mixes differing in vibe but consistent in quality and suitability for DJ use. The original rides along on a shuffling, almost Afrobeat version of house, with Maurissa Rose's gorgeous vocal floating above the gloopy, hypnotic bassline which gets the full filter treatment. The instrumental dub places that b-line very much at the centre of the mix, starting from a single kickdrum before building up to a more techno-edged, vocal free climax. all throbbing bass, solid bears and minimal, glitchy keyboard interjections.
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Review: Explosive rave flavours! X-Plode strikes Amen Brother again with more high energy pieces. 'Space Piano' says it all - a lavish twist of detuned rave stabs and high vibe keys wrapped tightly around each other to squeeze as many positive vibes out of the situation. The feels remain high throughout the rest of the EP: 'In The House' is all about that rolling jungle techno 4x4, 'We Run Tings' nods towards the bleep side of the foundation and that aggy, tense Prodigy Experience vibe before 'Sonic Tonic' closes with a big hoover riff that drops into the most euphoric element of the EP. X-Plode: putting the bang into bangers each and every.
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Review: In the 27 years since Delicious Inc's 'Eau De Chante' first slipped out on Underground Music Movement (U.M.M), the E.P has become an in-demand item amongst house DJs. This latest reissue, then, is very welcome. Stripped-back, bumpin' and bass-heavy, it sits somewhere between the masculine funk of Murk, the muscular thump of Sound Factory-era Junior Vasquez, and the rolling swing of Chicago house. The sassy, spoken female vocal comes to the fore on "Eau De Chante (For Men)" and "Eu De Chante (For Sex)", the latter of which is built around woozy loops and a more thrusting, analogue-sounding bassline. There's also a killer 'For Beats' version for those DJs who like to get busy in the mix.
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Review: Simoncino is a link to house music's past - he makes tunes that are coated in that same dustiness that we all love so much about the OGs. And he does it well, whether going deep, dreamy, tribal, vocal or piano. Here he links with another original great in the form of heroic vocalist Robert Owens. and they cook up a two-part track that is steeped in mystic magic and driven by perfect deep house drums. Simoncino also adds three further solo cuts that all sink you into a world of cuddly, thoughtful house perfection. A Riviera Ambient Mix adds a nice blissed-out vibe to finish.
… Read morePlayed by: Mental Vibe Construction, Nick Anthony Simoncino
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Review: .Zurich has a small but well formed scene that now bears fruit in the form of this new label, alt?r:alt?r. Zefzeed takes the reins of the first sonic statement with four tracks of sophisticated and deep house and tech. 'A Well Watered Fern' is brain cleansingly smooth with buffed metal synths and liquid grooves. There is a darker minimal march to 'Save The Day' that reminds of Melchior and a sweaty pump to 'Farm That Face' that makes it a standout. 'Fishbed Touring' swings low with tripped-out designs and melted synths.
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Burn Frequency EP (feat Bluespirit dub) (heavywight vinyl 12")
Cat: MOSAIC VS01. Rel: 09 Oct 23
Minimal/Tech House
Review: We're always glad to hear new material from undisputed dub techno don Steve O'Sullivan. This new one on his own Mosiac label finds him facing off with Paul Simmons on a pair of deliciously deep cuts. 'Inner Glow' is given the whole of the A-side to make its mark and it does - with a slightly more soulful sound than you might expect. Rather than pure heads down underwater deepness, it's got a heart warming vocals hook and brighter chord vamps over the signature drum smoothness. 'Still Burnin''is a quicker cut with more radiant chords and a soulful spirit, then a Bluespirit dub of the a-side zones things out nicely.
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