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Notes: BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music’s acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.

This is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.

Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.

Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.

The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world’s leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.

Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan’s fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.

Review: Studio Ghibli's beloved animated masterpieces, Kiki's Delivery Service and Porco Rosso, embark on a new sonic adventure with the long-awaited release of their soundtracks on vinyl. Composed by the legendary Joe Hisaishi, these vinyl releases offer a captivating auditory experience that transports listeners to the enchanting worlds of these cinematic treasures. Kiki's Delivery Service enchants with its playful melodies and heartwarming themes. Soaring orchestrations, ethereal vocals, and enchanting piano passages evoke the film's whimsical atmosphere. Hisaishi's score masterfully blends big band jazz, sweeping orchestral arrangements and atmospheric soundscapes. There has been new artwork made for this beautiful package, making this a must-have for fans of the iconic Japanese animation studio and music enthusiasts alike.

Review: The legend of the late great David Bowie will always live on, particularly with spectral releases like this still appearing on the regular. Rock 'n' Roll Star! vharts Bowie's journey to Ziggy Stardust across no fewer than six CDs and a blue-ray disc that include early home demos, radio sessions and live performances, session recordings, outtakes and alternate versions of tunes from his The Rise and Fall of Ziggy Stardust record. Unreleased gems on the album include an alternate rendition of 'Lady Stardust,' an unheard version of the cherished 'Shadow Man,' and an upbeat interpretation of The Who's 'I Can't Explain.' Interestingly, Bowie later slowed down and covered this for the PIN-UPS album.

Notes: As close to an industry standard as you can get. The archetypal DJ headphones: punchy, comfortable and durable. Firm favourites of countless DJs, for good reason.

Supplier's notes:
The Sennheiser HD 25 Headphones have been redesigned, featuring the iconic split headband with a single-sided connection cable and a flip-away earcup for convenient single-sided listening.

With a frequency response of 16Hz to 22kHz, an impedance of 70 ohms and a maximum SPL of 120dB, the HD 25 headphones are ideal for any monitoring application; whether broadcasting, live recording, in the DJ booth or just travelling from venue to venue.

Review: Dave Clarke's Red Series remains a vital benchmark in the evolution of UK techno. Released between 1993 and 1996, the three-volume run even managed to brush the UK top 40 back in the good old days when anything felt possible. Tracks like 'Wisdom To The Wise' will forever be etched in the make up of techno, and for very good reason. Now the whole series is being given a lavish reissue treatment which takes in all the original releases along with additional discs of rare, archival tracks and remixes, all bundled up in a box with a booklet and autographed by the Baron himself.

Review: ***B-STOCK: Box slightly damaged, slight surface marks, otherwise in perfect working order***


The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.

Notes: Latest version of the classic Technics DJ headphones, updating the classic RP-DJ1200 design, which sold more than half a million units in its lifetime. Solid stuff. Popular for a reason.

Supplier notes:
New-Standard EAH-DJ1200 DJ headphones with excellent functionality, furability, and DJ playing performance.

The EAH-DJ1200 is a successor model to the RP-DJ1200, which has sold more than 500,000 units since it was launched in 1996. While inheriting the basic concept of the previous model, the EAH-DJ1200 better meets the needs of today's DJ users, resulting in DJ headphones with more advanced functions, design and sound quality. In addition to ordinary listening, the EAH-DJ1200 provide precise monitoring of the beat even in large-volume sound environments such as those in clubs. The matte finish black colour design also makes it an excellent match for the SL-1200MK7 DJ Turntable.

The newly developed driver uses a 40mm-diameter CCAW voice coil. It achieves clear, detailed sound, and high-durability input (2,500 mW) with no distortion even at high volumes. Also, because the sound is well balanced from low to high ranges, DJ play in high-volume surroundings is not buried in noise and monitoring is comfortable.

The EAH-DJ1200 is a lightweight on-ear type design. The housing is equipped with lockable swiveling mechanisms so the headphones can be used for monitoring with one ear. It adapts to all styles of monitoring by DJs. The headphones can be folded compactly for easy portability and storage.

The detachable cord is easy to clean and maintain. A locking mechanism is provided to prevent accidental detachment of the cord during use. The stretchable coiled cord, coupled with the L-type plug which resists internal wire breakage, enables extra ease of use and high durability. It withstands harsh and intense usage by professional DJs.

Based on the RP-DJ1200, which remained as a long-selling model in the market for more than 20 years, the EAH-DJ1200 sports a contemporary black color scheme for an updated appearance. Armed with high durability and excellent functionality, the EAH-DJ1200 matches perfectly with the SL-1200MK7, which features a matte black finish.

Notes: A standalone instrument to get you into the world of analogue synthesis. Hand-built, simple to use and capable of some excellent drones and tones. Just add headphones.

Supplier's Notes:
OVUM is where you start: a standalone all-analogue tool for exploratory sound synthesis - all you need to start creating is headphones.

OVUM is designed for exploring pure tones, drones, and microtonal sound textures. Five independently controlled triangle-core oscillators give you five lush voices to layer and evolve. Each voice has a separate control for volume, pitch, and tone, and can be switched between a bright square wave and a crisp triangle wave.

OVUM is hand-built from 100% analogue circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

OVUM is enclosed in a beautiful and sturdy wood and aluminum case that feels as good in your hands as it looks on your tabletop.

OVUM has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default OVUM comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. OVUM is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: The mmMidi is a simple & compact MIDI to CV interface for your Eurorack synthesiser. It translates both MIDI clock and 2 Channels of MIDI note, velocity and gate information to corresponding voltage control signals. The mmMidi is quick to set up and requires minimal configuration.

Review: Second time around for Madonna's Finally Enough Love box set, which celebrates the iconic artist's unique achievement of notching up no less than 50 number ones on the Billboard Dance chart - the first artist in history to do so. In effect, it's a celebration of her Madgesty's links with dance music culture, showcasing 40 years of popular reworks of her biggest hits, presented in a 'rainbow edition' box set where each of the six slabs of wax is pressed onto different coloured vinyl. So, alongside classic early hits and reworks from 1987 remix album You Can Dance, we get revisions by everyone from Junior Jasquez, Jellybean, Shep Pettinone and Pet Shop Boys, to William Orbit, Aviici, Felx De Housecat, Jacques Lu Cont and Tracey Young. Madonna-ologists assemble!

Notes: Your USB device is plugged into the MIDI USB Host mk3 instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).

The MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.

Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.

Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.

Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.

The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.

The attached USB MIDI device MUST be 'Class Compliant'.

The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.

Attractively finished in brushed aluminium with black screen print

Dimensions: 110mm x 55mm x 32mm

Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.

It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.

Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.

If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.

Power

It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.

Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.

If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.

The following Yamaha keyboards ar known to be class compliant and therefore should work OK:

PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255

The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:

Korg Microkey 61
Korg Microkey 49
Korg Microkey 37

Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).

This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.

Notes: Entry-level DJ mixer from the ever-trustworthy Reloop. Very simple two-channel design with three-band EQ and a Bluetooth option for convenience.

Supplier notes:
RMX-10 BT - a compact 2-channel DJ mixer, which facilitates wireless music streaming directly to the mixer via the integrated Bluetooth interface.

This way it is possible to use a smartphone or tablet as playback source and route the signal through the mixer. The Bluetooth signal can be routed to both channels. Moreover, the 45-mm crossfader is user-replaceable and the smooth linefaders make mixing more comfortable.

The RMX-10 BT has a 6.3-mm microphone input with separate volume adjustment, as well as a 6.3-mm headphones output with volume adjustment and cue-mix function. Master output volume can be monitored via an integrated LED display. The space-saving and sturdy construction is made of metal.

Notes: The Headliner Avalon Dual CDJ Stand is a sturdy and durable space-saving stand designed to elevate your media players, leaving room for turntables or additional decks on either side of your mixer. The twin CDJ arms are fully adjustable to find the perfect height and position for any space. They set in place with a secure bolt locking system to keep them from moving around during performances, and can be set up to 19" above your work surface.

The trays tilt and pivot independently and feature adjustable lips at the top and bottom to hold your gear in place. They are each 12" wide and have variable depth adjustment from 14" to 18", making them suitable for various gear from small media players to full sized CDJ's such as CDJ-2000NXS2 or SC6000M.

The Headliner Avalon Dual CDJ Stand features a heavy duty powder coated base plate that will accommodate mixers up to 16" deep and 16.5" wide, including most models from Pioneer and Allen & Heath Xone.

Features

Dual CDJ stand with independently adjustable twin arms
Trays fit most single-deck CD and media players including CDJ-2000NXS2, CDJ-2000 Nexus, CDJ-900NXS, XDJ-1000MK2, XDJ-700, DJS-1000, SC6000M, SC6000, SC5000M, SC5000, NDX500
Base plate fits most DJ mixers including DJM-2000NXS, DJM-900NXS2, DJM-900 Nexus, DJM-900SRT, DJM-850, DJM750MK2, Xone:96, Xone:43, Xone:43C, Xone:DB4, Xone:PX5, and more
Heavy duty powder coated steel base plate
Tray Dimensions: 12"W x 14"-18"D (adjustable)
Base Plate Dimensions: 16.5"W x 19"D (Fits mixers or other equipment up to 16" deep)
Max Tray Height: 19"
Net Weight: 22 lbs

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: DR-07X bring high-quality recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. A pair of condenser microphones handles small to loud sound up to 125dB SPL with the sensitivity to capture every detail.
The layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.

For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.

Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese

DR-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.

Writing down what you hear easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button.

Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you're safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
If you don't like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the Overwrite mode is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.

Notes: The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack/Decay and Attack/Sustain/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects.

The improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.

Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.

Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm

Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 12 MIDI THRU sockets. These can then be connected to the MIDI IN of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.

Notes: Another intriguing experimental offering from Soma Labs. ROaT is a digital synth inspired by 80s video games. Four oscillators combine with a sequencer to create drones, soundscapes and glitchy loops.

Supplier's Notes:
Rumble of Ancient Times (RoAT) is an 8-bit noise synthesizer and sequencer inspired by the clever programming of the early PC era when an entire video game would fit on a floppy disk. RoAT is capable of a wide variety of sounds ranging from dense noise scapes to diverse glitching rhythmic patterns. The compact and portable instrument contains many elements that can be combined into surprising musical results.

The "heart" of the synthesizer contains 4 sound oscillators, each with a tunable waveform and an individual LFO, which can modulate the tone or volume of the oscillator. The modulated signal of each oscillator is mixed with other signals using 1,536 variations of complex summing algorithms that contain FM, ring modulation, bitwise logical operations and more.

The synth contains an 8-bit resonant lowpass filter with a distinct Lo-Fi character.
The built-in sequencer can be synced to an external device and also send clock out.
RoAT is battery powered and can work up to 130 hours on one set of AAA batteries.

Rumble of Ancient Times is built on a very simple 8-bit microcontroller similar to the ones used in the "brains" of old refrigerators and other simple electronic devices. Thanks to some very clever programming, it's also able to drive a very capable synth with many features!

In stark contrast to modern consumer electronics, this synth celebrates and emphasizes what can be achieved with efficiency of code and using chips considered obsolete by industry leaders. We live in an age where text editors can be 1GB or more and simple things like checking email require the latest OS and powerful processing, despite the core tasks being no different than 15 years ago with a fraction of the computational power.

So RoAT proposes a new kind of ecological thinking with the innovative use of chips that were developed and produced decades ago, instead of turning them into millions of tons of trash. We can still use technology that the industry forced us to consider obsolete, with the added benefit here of extremely low power consumption. It's an environmentally friendlier approach than galloping in the rush of planned obsolescence that damages our planet and wastes precious resources.

Rumble of Ancient Times was designed and programmed by Kakos Nonos, a new creative mind who joined the SOMA development team. His very unique style of building electronic musical instruments combines quality craftsmanship, advanced programming and a love for medieval acoustic instruments such as gusli, wheeled lyre and bagpipes.

Specifications:

Sync out voltage: 5 V
Minimum syn in voltage: 0.2 V
Current input: 20 mA
Maximum output voltage: 5 V
Audio output:3.5 mm jack
Sync out: 3.5 mm jack
Power Supply: 4*AAA battaries
Size: 122 x 136 x 40 mm
Weight (without batteries): 145 g

Review: A new special edition of The Beatles' Revolver comes courtesy of Apple, the original label on which the fab four released some of their most seminal works. Featuring a new mix and master by Giles Martin and Sam Okell, this version contains yet another 100-page book with a foreword by Paul McCartney and an unlikely essay by Questlove of The Roots.

Notes: PRO Expanders:

Extra Pam Outputs.

ALM034-EX

PPEXP1 & PPEXP2 are two expander modules for Pamela's PRO Workout that both offer additional dedicated fixed clock, Din Sync & MIDI clock outputs.

Extend Pam as a master to clock external gear with super solid dedicated MIDI & Din Sync clock outputs. The Din Sync clock (x24) and Run outputs can also be patched into a 2nd Pam to easily sync it.

Use the extra fixed clocked gate outputs to free up Pam's main outputs for unique sequencing or complex modulation duties.

Connects directly to and is powered by the 'MIDI-EX' expander header on rear of Pamela's PRO Workout.

Only a single output expander is supported at any time but either can be used alongside an AXON-1 CV input expander.

A MIDI adapter cable and a Din Sync adapter cable are both available for connecting to 5 pin 'Din' type connectors. The PPEXP 1 includes a MIDI Din adapter cable.

Technical Specifications

Power: Additional approx +12V 40mA (PPEXP1) / 20mA (PPEXP2)
Size: 4HP & 2HP
Depth: 32mm

Notes: Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.

Notes: Nagaoka MP-110 the successor to the highly acclaimed and classic Nagaoka MP11 phono cartridge, the new Nagaoka MP-110 phono cartridge extends and strengthens its predecessor's prowess and talents to a new level of radiance. You'll hear more music, more detailed refinement to enjoy and savor. The Nagaoka MP-110 is the cartridge to start with and to keep for a long time.

Features:
-Superfine polished eliptical diamond bonded stylus
-Powerfull samarium cobalt magnet
-Lightweight aluminum alloy cantilever for high fidelity
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing

Stylus replacement: Nagaoka JN-P110

The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod32 is 32HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod32 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Goldring D06 stylus is designed to fit the current Goldring 1006 phono cartridge, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Notes: Sometimes your ears are not enough and you really need to see the sounds and control voltages you are generating. Zeroscope's two channel design lets you display and compare both control voltages and audio. It's a good old fashioned sci-fi light show!

The Zeroscope 1U is an adaptation of the excellent 3U Zeroscope by VPME.DE.

Three Modes Packed Into 1U:

- Scope: Standard graphical display, with time displayed on the X-axis and voltage displayed on the Y-axis.
- X-Y: Alternate graphical display with CH 1 driving the X-axis and CH 2 driving the Y-axis.
- Tune: Alphanumerical tuning display, which you can configure to show either Hz values or note names.

The Scope displays have adjustable display offset for each channel and an adjustable trigger threshold, while the tuner has options for reference pitch and average update speed.
Ins & Outs

The inputs are DC coupled and accept signals between -10V and +10V. The Signal on the input is normalled to the output below; this allows you to monitor or tune a signal without a mult or re-patching.

Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:

Increased headroom
Improved sound quality
The LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New aluminium knobs on the black module version

Power consumption:
240 mA +12V
75 mA -12V
0 mA 5V

Dimensions:
6 HP
38 mm deep

Notes: Get up and running quickly at any gig.

DJs always need a dependable mixer. M101USB fits the bill perfectly as a highly adaptable two-channel mixer for virtually any DJ. M101USB lets you get up and running quickly whether you're using a computer, turntables or CDs. M101USB is right at home at weddings, parties, clubs and everything in-between.

Beginners and seasoned DJs alike who want a durable USB-equipped two-channel solution will find M101USB a perfect fit. M101USB builds on the two-channel M101 mixer with the addition of an easy-to-use USB audio interface for DJs who want the option of working with their computer as well as traditional analog I/O.

Beyond simply mixing, M101USB has a built-in EQ so that you can fine tune your mix depending on the room or the tracks themselves. Two pairs of switchable Phono/Line inputs are included along with a crossfader, 14" mic input and stereo RCA line output for connection to an amplifier, powered speakers or another mixer. M101USB can be rack-mounted and features Numark's legendary industrial-grade durability.

Connecting M101USB to your computer is a snap using a single USB cable. Once connected you can use your computer as an audio source or record your sets straight to your computer's hard drive. If you're a computer DJ on the move and need solid, dependable two-channel performance, look no further than the M101USB mixer.

INCLUDES:

M101USB Mixer
Power Supply
Quickstart Guide

Notes: Typically good value from Omnitronic with this entry-level turntable. Belt drive makes it a little trickier to mix on than a more expensive direct-drive model but good solid sound quality for general listening.

Supplier notes:
Includes pick-up system
- Adjustable +/- 10% speed control
- Large start/stop button
- Strobe lamp for exact speed adjustment
- Includes removable dustcover
- Adjustable anti-skating
- Shock-absorbing feet

Notes: A studio monitor is no ordinary loudspeaker. Unlike a conventional speaker, a true monitor must be unerringly accurate, with a flat frequency response and vanishingly low distortion. It has to tell you, the music producer-dependably and unquestionably-exactly what is or is not in your recording. In a studio-grade monitor speaker, there is no place for the usual list of speaker colorations and limitations prevalent in conventional loudspeakers. Response peaks\dips, uneven polar response, high THD, nasal midrange, bloated mid-bass, and crossover-induced phase incoherence do nothing but undermine the confidence demanded for superior mix performance.

Introducing M-Audio's BX8-D3 monitors-the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio's BX monitors guarantee absolute surgical precision and repeatable engineering excellence.

Listen with confidence: with M-Audio's BX8-D3 studio reference monitors, you'll hear everything in lifelike detail, so your mixes and recordings will sound their best!

A monitor's drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3's 8-inch military-grade Kevlar woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted 'cone breakup'. BX8-D3's treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.

With M-Audio's BX8-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX8-D3 monitors have a rear-mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX8-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX8-D3's tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency 'scatter', whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy location of the optimum listening position, the BX8-D3's front-mounted positioning LED shines brightly when you're located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX8-D3's iconic design on the front panel M-Audio's famous 'keyhole' shape is more than just an attractive look: This special 'fastenerless' design ensures so there are no driver attachment screw heads to interfere with the sound coming from the drivers.

Efficient and accurate: Driving the BX8-D3 monitors are two Class A/B internal amplifiers that power the woofer and tweeter separately - each optimised for the specific frequency range it handles and engineered to complement the characteristics of its companion driver. A precision-tuned crossover guarantees each driver only handles the frequencies that it produces most efficiently for a sound that is cohesive across the entire frequency spectrum. Play louder with less audible distortion: The BX8-D3 bi-amplified design is a far more efficient and accurate way to power a loudspeaker than using a single full-range amplifier to drive multiple driver elements.

No two listening spaces are the same. Therefore, the BX8-D3 monitors custom tailors your sound to your environment, so you will always experience sonically-true, reassuringly-accurate sound reproduction. Negate problematic bass frequencies and limit the impact of nuisance standing waves thanks to BX8-D3's special Acoustic Space control for precise adjustment of BX8-D3's sound output in line with your studio space.

Whatever your needs, the BX8-D3 Studio monitors guarantee to assimilate into your existing setup with ease. Combining conveniently-located, rear-mounted XLR and 1/4-inch balanced inputs, BX8-D3 connects to virtually all studio equipment including mixers, interfaces, DJ gear and more.

M-Audio's BX8-D3 monitors excel in every way, the rightful successor to the original studio icon. Fusing superb drivers, meticulously engineered enclosures, great-sounding amplifiers, versatile control options and standardized connection facilities, BX8-D3 delivers sound quality you can trust.

Notes: The AT-XP series cartridges provide a high-quality sound for vinyl DJ's. Offering all of the features of a DJ cartridge, but with a Hi-fi sound, the XP series are perfect for the stage and club DJ who prioritises sound quality.

- Audiophile DJ cartridge AT-XP5 pre-mounted on the AT-HS6BK headshell
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Carbon fibre-reinforced ABS cantilever and nylon wire suspension ensure precise tracking
- Compatible with the replacement styli ATN-XP3 and ATN-XP7
- Configuration as single cartridge (AT-XP5), Replacement Stylus (ATN-XP5) and as headshell bundle together with the headshell AT-HS6BK available (AT-XP5/H)

Notes: Desktop enclosure case for the Empress Zoia Euroboro- 12v power supply included. Euroboro not included- picture shown for demonstration purposes only.

Notes: More affordable XE version of AIAIAI's modular TMA-2 headphones. Bluetooth enabled for wireless use, with lightweight headband design and the brand's signature bio-diaphragm drivers.

Supplier's Notes:

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Lightweight design and REPREVEr cushions.

Ultra soft on-ear cushions made from recycled materials (including plastic bottles) and lightweight design to prevent excessive warmth and ensure optimal comfort for longer listening sessions.

Bluetooth 5.0 connectivity with +40h playback time.

High quality wireless audio, +40h playback time on any Bluetooth enabled device.

Intuitive multi-functional joystick controls.

Complete control of music and calls with multi-directional joystick, and dual mics for improved voice quality and clarity.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Lightweight design and REPREVEr cushions.
Bluetooth 5.0 connectivity with +40h playback time.
Intuitive multi-functional joystick controls.
Responsible modular headphones - Headphones for life.


SPECIFICATIONS AND PARTS

S10 . Bluetooth 5.0 - Detailed sound - Bio-diaphragm
Bluetoothr speaker units with a diaphragm made from stiff bio-cellulose for more defined high-frequency details, more pronounced mid-range, better dynamics, and more natural tonality. Delivered as a pair, including USB-C charging cable

H01 . Slim - PU foam
Slim and light-weight polycarbonate headband with soft, durable PU foam padding.

E10 . On ear - REPREVE
On-ear cushions made from memory foam and covered with REPREVEr, an ultra soft hi-tech fiber preventing excessive warmth and ensuring optimal comfort for longer listening sessions. Partly made from recycled plastic bottles. Delivered as a pair.

C05 . Straight - 1.2m
Straight 1.2m thermo plastic cable. Soft touch surface and perfect for small workstations.

A01 . Protective pouch
Designed to protect your headphones from dust and scratches, the A01 protective pouch is made from soft nylon and features a mesh inside. Fits any TMA-2 and Tracks headphone.

Notes: 'Nude' super-elliptical stylus of just 7.6 x 18 microns (0.3 x 0.7 mil), cut and polished from a single homogeneous piece of diamond. This makes for a lower effective tip mass of improved rigidity, which in turn means its ability to retrieve high-frequency detail is dramatically improved when compared to the 'bonded' elliptical stylus alternative. It's far less likely to 'mis-track' or overshoot when tracing high-frequency groove modulations, and because of its finely polished 7.6-micron profile it can more effectively fit into closely packed inner grooves. Lowerdistortion, improved transient response and a flat frequency response all contribute to superior fidelity when compared to any price-comparable alternative.

Technical specifications

Frequency Range 20 Hz - 20 kHz
Channel Balance < 1.5 dB @ 1 kHz
Channel Separation > 20 dB @ 1 kHz
Sensitivity 3.5 mV (1 kHz @ 5 cm/s)
Static Compliance 20 mm/N
Vertical Tracking Angle 20-
Stylus Radius 7.6 micron (0.3 x 0.7 mil)
Stylus Type Nude eliptical
Load Resistance 47 kO
Load Capacitance 100- 200 pF
Internal Inductance 400 mH
Internal Resistance 410 O
Cartridge Mass 6.9 g
Fixing Centre 12.7 mm (0.5 in)
Playing Weight 1.5 - 2.5 g (1.75 g recommended)

Notes: A Digital DJ looking for a professional, durable case solution for your Rane Four? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior, these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Rane Four, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specification:
Colour: Black
Weight: 3,30 kg / 7.26 lbs
Outer Dimensions (W x H x D): 83.8 x 45.9 x 12.4 cm | 32.9 x 18.1 x 4.9 inch
Inner Dimensions (W x H x D): 78.8 x 41.0 x 10.7 cm | 31.0 x 16.1 x 4.2 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Protective egg-crate foam

Extras:

Heavy duty handle
Easy grip zipper pulls
Convenient shoulder strap
Fits: Rane Four Controller

Notes: The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)

Notes: Mackie Mix Compact Mixers deliver the quality you expect from the world leader in compact mixer design.

The professional and affordable Mix Series mixers feature high quality components, a rugged metal chassis and features designed for a variety of applications. With Mackie preamps and proven high-headroom, low-noise design, Mix delivers great sound from any source.

Besides, wouldn't you rather Mix on a Mackie?

Notes: The modDemix music synthesizer module features 2 identical direct-coupled balanced modulator circuits that may be used together or independently for Ring Modulation, VCA, Mixer, Signal Multiplication, Voltage Controlled Polarization, Attenuation and more.

Features

Unique balanced modulator circuit turns OFF around zero volts at the Carrier/ Control INput, making the circuit behave well as a VCA.

STRENGTH is a Combo Knob, with nothing patched to STRENGTH CV IN, it works as a standard panel control, setting Level. With signal patched to STRENGTH CV IN, it works as an attenuator, setting the strength of the modulation.

Both circuits feed a summing stage, allowing the module to be used as a voltage controlled mixer.

AUXiliary IN allows for the stacking of multiple modDemix and/ or Optomix to create larger mixes.

Part of a decentralized mix console integrated throughout the system along with Optomix, X-PAN, Dynamix, and RxMx.

Able to introduce warm distortions to audio signals, sounds like no other VCA or Ring Mod.

MAX BLINKENLIGHTS, 8 LEDs packed into a small 6hp module.

Pairs well with MATHS and Optomix.

Specifications

Width: 6hp
Max Depth
(incl. power cable): 32mm

Power:
30mA@ +12V
30mA @ -12V

Notes: 'Beast's Chalkboard' is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO's but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.

Technical Specifications:

Supply: +/-12V (Reverse voltage & polyfuse protection)
Current Draw: ~30ma
Size: 6 HP
Depth: 22mm (including power header)
Offset Error: +/- 10mV

Notes: The CP909 is the TR-909 clap sound analog generator in Eurorack format. This is yet another low-cost analog drum generator from a legendary drum machine in your modular synthesizer, expanding your Tiptop Audio modular drum machine even further.

The CP909 is an exact reproduction of the original analog circuit and, with the addition of just one extra knob, "trashing" the frequency of the internal noise generator, we have added greatly to the spectrum of sounds that can be generated - all that without compromising the signature sound of the TR-909 clap.

The CP909 clap effect is made by a special triple-saw envelope generator that controls the gain of a VCA. The sound source feeding into the VCA is made by a quasi-random logic based noise generator; some might call it "digital noise" though this term might be misleading in today's world of microcontrollers and sound samples. What really makes the noise generator is a ring of logic gates, so primitive, so BO's, and that's the sound of the 909 Clap!

The CP909 includes a high-powered output gain stage capable of producing hot signals. On the inputs, we have designed a pulse-shaper circuit so you can trigger the CP909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. Based on the architecture of the 909, the Accent input is versatile and able to take in both CV and Gate signals for continuously changing dynamics. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: There are lots of good reasons why these are some of the most popular studio headphones on the market. Clear sound, comfortable and good isolation. Perennial favourites from Japanese headphone specialists Audio-Technica.

Supplier's notes:
This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year.

The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables.

From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.

Notes: Modern classics. Open-backed design means they leak some sound but give a really clear impression of your music. Solid option for production work and mixing.

Supplier notes:
The DT 990 PRO is an open dynamic headphone for studio applications. Due to a weight reduction of the diaphragm an excellent sound reproduction quality is achieved. Its rugged design with a spring steel headband ensures a secure fit and withstands all demands. Soft headband and ear cushioning systems ensure a high comfort over long periods of time.

Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.