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Review: Fresh from fine outings on Razor N Tape Reserve, Royal Oak and Nervous Chill, prolific producer Felipe Gordon makes his bow on French label Phonogramme. While the Colombian producer made his name with a jazz-funk-flecked brand of warming deep house, these days his EPs tend to showcase more subtle variety. That's certainly the case here, as he first gives his take on Latin-flecked jazz-house (the superb 'Who's Gonna Be', which makes great use of vintage female vocal snippets), before flitting between gorgeous, piano-laden deep house (the similarly jazzy, sample-heavy 'Wait On You (Say Goodbye)'), bluesy deep house haziness ('Keep Doing What You Love'), and hypnotic excellence (title track 'Phasing The Shit', where warped electronic motifs, woozy chords and crispy cymbal hits catch the ear).

Review: The rightly lauded Bogota producer Felipe Gordon has always turned out plenty of high quality music and this year already he has lined up a new instrumental hip-hop album Psychedelic Melancholia. But that's not all because now he arrives on the much loved Razor-N-Tape with his fine Flutes Of Gold EP. The title track is pure joy with shuffling and jazz-infused house grooves topped with lush chords and golden melodies. 'Right Beside Me' has more swing to it and an intriguing vocal sample that is perfect for late night dances. 'Homage To Bossa' has Latin influences and 'Acid Party At Santa Barbara' has prickly 303s twisting and turning through another warm house arrangement.

Review: He is just about to drop his second conceptual album with Wide Awake but before that Felipe Gordon offers up a new three-track EP on Toucan Sounds. 'The Warehouse Beast' is a mid tempo house cut with deep drums and plenty of focus on the pixelated chords that churn up top over tighter stabs that keep things moving. 'It's Over (You Can Drive My Car)' is another unhurried cut with smeared synth warmth and hiccuping hits. The pick of the bunch however is the acid laced Glenn Underground remix of 'The Warehouse Beast'.

Review: You always knew that when Norm Talley started his Upstairs Asylum label is was going to be pure quality. The Detroit man is one of the many contemporary flag bearers for the much loved original 313 house sound and as his DJ sets attest, heinous how to pick out the best work from others on a similar tip. He does that here with a various artists four tracker that kicks off with a brace of soul fuelled and jazz laced deep house cuts from Felipe Gordon. Stefan Ringer then brings that lo-fi house goodness and exquisite synth craft with 'You Know' while Deepset's 'U Got Dat' is a late night number with a low slung sense of sleaze.

Review: Contemporary house music's most prolific producer, Felipe Gordon, delivers his second EP for Clone offshoot Royal Oak. Whereas his first, 2022's 'Impresiones Acidas', added oodles of TB-303 trickery to his usual jazz-funk-flecked deep house sound, this four-tracker seems more informed by vintage New Jersey garage and turn-of-the-90s NYC deep house. The headline attraction is 'For Martha', a bumpin' excursion rich in squelchy synth-bass, synthesiser horn sounds and deliciously dreamy chords. Kai Alce delivers an even more old school-sounding revision blessed with his usual warming and jazz-flecked instrumentation, before the Colombian producer returns with 'Waves', a spacey, off-kilter, percussion-rich workout of the sort we'd usually associate with Glenn Underground or Ron Trent, and the hazy, all-action early morning delight that is 'The Beginning Of That Lonesome Road'.

Review: Felipe Gordon kicks off the new Wide Awake album with Errare Humanum Est, a second conceptual album that runs a gamut of deep house sounds. The title comes from the Latin proverb 'To err is human' which is an inspiration for Gordon who leaves the mistakes in his music. It was written in his home studio in Bogota at the end of 2022 and the start of 2023 and finds him re-visit some forgotten musical sketches to rework them and cook up a long and absorbing listen that really makes use of the long player format.

Review: Bogota producer Felipe Gordon seems to be in an unstoppable run of form right now. His new album Psychedelic Melancholia is just about to drop on Hip Dozer and is already much talked about, while he has also found time to turn out this fresh EP for Dutch label Clone. It opens up with the delightfully deep, dusty and Detroit-style house of 'No Words' then things get more physical but no less warm and vibes with the cursing grooves of 'Travel Through Your Mind'. 'No Words' (Byron The Aquarius dub mix) then boils things back down into a steamy dub stew and a second remix of the same tune by the American brings a little more playful and jazzy synth-funk.