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Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder
Notes: A thing of beauty. Teenage Engineering channel the vibes of vintage open-reel tape recorders mashed up with modern tech. A proper all-round recording solution, from voice memos to studio work.

Supplier's Notes:
There are thoughts, ideas and fragments that - for the sake of humanity - we need to record and be able to return to as a reference, as a seed for new thoughts or just to remember another time. TP-7 is built for just that, to record sound, music, interviews and important ideas with zero friction in the highest possible quality. A device engineered in every detail to do only one thing and to do it well. A dedicated piece of hardware for ideas, or just a dirty riff.

The ultra-portable audio recorder. Record and listen back using the internal mic and speaker, or use any number of the 3x two-way jacks for external mics, headsets or other signal sources. Multiple connectivity options include USB-C, MFi and Bluetooth. Instant voice-to-text transcription available via the IOS app. Included in the box: 6.35 mm jack adapter, textile USB-C cable, user guide and reusable plastic storage box.

Intuitive muscle reflex control.

TP-7 fits perfectly in the palm of your hand and lets your fingers naturally adopt the controls. The index finger triggers fast forward and the middle finger rewinds. Your thumb records a memo, the pinky selects the mode. It's a genuinely rewarding experience.

Tape reel sensation.

The centre piece of the TP-7 is the motorized tape reel. A delicately engineered brushed motor with ball bearings, and a highly sensitive hall sensor that lets you virtually grab your recording. the reel is also used for scrubbing, to pause, menu navigation and as gentle visual feedback during playback and recording.

The rocker.

The side-mounted rocker allows you to quickly scrub through your audio.
just press on the top edge to fast forward, and down to rewind. watch the wheel spin around and hear your tracks scrub in 'hyperspeed'.

Transcription hell turned into transcription heaven.

We've all experienced the process of transcribing recorded speech to text by hand. A key feature of the TP-7 is its ability to streamline the process of turning audio into text. simply connect your phone to TP-7 via BLE or USB, open the TP-7 app and press transcribe. Job done!

(* Additional languages, text-to-audio edit and other useful features will be added over time.)

Off the record.

Picture yourself in an interview situation. The reel on the TP-7 is spinning slowly, the bright red record lamp is lit. Both the reel and the lamp indicates that a recording is taking place. The interview is going quite well. The situation gets heated, you're suddenly asked some personal questions. In that moment, you gently place a finger on the reel and pause the recording, allowing you to continue the interview 'off the record'.

The importance of zero friction.
(or how to remove steps from thought to action.)

Let's compare TP-7 to the most common recorder today - the smartphone:
Once you've turned on and unlocked your phone, found the recording app and started recording, you've probably forgotten whatever you had in mind. When recording on TP-7: press the memo button and start talking.

Inputs, outputs and 20 years of ideas.

TP-7 features three stereo two-way jacks to be used as either inputs or outputs, for connecting external mics, headphones, studio monitors, or any other audio equipment like OP-1 field or TX-6, recording with all 6 stereo channels. Use USB-C for multi-channel audio interface, MIDI, data transfer and charging, and BLE and MFi for wireless connectivity. TP-7 also includes a 6.35 mm to 3.5 mm jack adapter. Add to that 128 GB of internal storage and you can preserve 5 minutes of ideas a day for 20 years..

Applications.

Interview

Let you, and your subject, focus on the job at hand. When conducting interviews, TP-7's discreet size and dedicated function makes for an unobtrusive recording device.

Podcast

Whether you're in the studio or out in the field, TP-7's high quality audio is perfect for podcast recording. Connect up to 3 external mics, or use the internal mic in a pinch. Keep an eye on your levels with the VU meter and headphones.

Voice memos

Think out loud, tape does the rest. Let TP-7 capture your thoughts, then convert them into accurate text using the TP-7 app. For professionals, and avid thinkers and writers.

Field recording

Inspiration can strike when you least expect it. With an internal mic, 3x inputs, and a 7 hr rechargeable battery, you can use tape to record samples and demos on the go. Never lose an idea again.

Live performance

Use TP-7 in a live performance or recording scenario. Track all the instruments in your studio, or record your live set when performing. You can even use TP-7 as turntables and TX-6 to mix.

The field system.

TP-7 is part of Teenage Engineering's ultra-portable sound recording and performance system. All battery-powered, rechargeable via USB-C and with full interconnectivity (MIDI and high resolution audio). Compatible with iOS, macOS, and windows it's the most powerful, highest quality, portable system in the world 'as we know it'.

TP-7 specifications

Highlights
3x stereo two-way jack input/output/headset connectors
1x stereo headphones connector with 3.5 to 6.35 mm jack adapter
Internal microphone and speaker
Motorised 'tape reel'
128 GB internal storage
24-bit/96 kHz usb audio interface
Bluetooth low energy
Rechargeable battery
7 hr battery life
64x32 pixel monochrome display
LED VU meters
Companion transcription app

Dimensions and weight
96 mm x 68 mm x 16 mm
170 g / 5.6 oz

Electrical characteristics
Two-way jacks (3.5 mm TRRS)

Stereo input:
Input impedance 9.5 kOhm
Analogue gain 0 - 42 dB
Max level 8 dBu (2 Vrms)
SNR 105 dBA

Headset:
Max level out 2 dBu (1 Vrms)
SNR 110 dBA
Microphone SNR 98 dBA

Headphone output (6.35 mm TRS)
Max level 8 dBu (2 Vrms)
SNR 120 dBA
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Erica Synths Syntrx II Analogue Desktop Synthesiser Erica Synths Syntrx II Analogue Desktop Synthesiser Erica Synths Syntrx II Analogue Desktop Synthesiser Erica Synths Syntrx II Analogue Desktop Synthesiser Erica Synths Syntrx II Analogue Desktop Synthesiser
Cat: 877389 Rel: 15 Jun 23 • View all シンセサイザー
 
A re-imagination of the legendary Synthi AKS synthesiser
Notes: Updated version of Erica's superb EMS-inspired synth, featuring a powerful dual oscillator synth architecture, piano roll sequencer, modulation matrix and recordable joystick.

Supplier's Notes:
Based on lessons learned from the SYNTRX, Erica Synths decided to create an instrument that would integrate even deeper into contemporary electronic and experimental music setups and cover sonic territory from daunting drones to powerful basslines and glitched noisescapes - the SYNTRX II is a new dark horse for experimental sonic rides.

The SYNTRX II is the culmination of Erica Synths' analogue sound design circuits - two perfectly stable main oscillators with waveshapers, a modulation oscillator with 1V/oct tracking, a versatile multimode filter, supercharged external instrument inputs with an envelope follower, a unique, great-sounding ring modulator, a recordable joystick, built-in piano roll sequencer and stepped modulation sources, all arranged around Erica Synths' signature matrix mixer and topped off with powerful FX on their new DSP platform.

"The SYNTRX 2 is awesome, a very different instrument from V1. My first synths were the VCS3 and the AKS and are still among my favorites today. The Syntrx 2 is pushing the boundaries of possibilities & experimentations much beyond the original analogue version. The Syntrx 2 is an instant classic". - Jean Michel Jarre

Features

Two perfectly stable main oscillators with CV-controlled waveforms
Modulation oscillator with variable waveforms
Highpass and Lowpass filters in series
Free running or gate synced sample and hold circuit
Multi-colour noise generator
DC coupled instrument inputs with signal inversion and envelope follower
Ring modulator of unique design
Looping trapezoid envelope generator and VCA
Two output VCAs
Signal meter with a dedicated audio/CV output
FX section with great sounding Delay and Reverb developed in collaboration with 112db.com
Recordable Joystick
Analogue patch matrix with 3 attenuation levels in each patch point
254 patch memory
Piano roll sequencer and two stepper modulation sources
DIN5 MIDI Input and MIDI Thru
Two assignable outputs
Headphone output
Dimensions: 309mm x 457mm x 115mm (with the joystick in centre position)
Weight: 3.9 kg
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quote 877389
Intellijel Cascadia East & West Coast Analogue Semi-Modular Synthesiser
Cat: 940574 Rel: 15 May 23 • View all シンセサイザー
 
A synthesist's synthesizer - a well-considered, finely-honed, stand-alone instrument capable of both nuance and bombast.
Notes: Based on Intellijel's extensive Eurorack experience, the Cascadia is a beautiful semi-modular synth which combines East and West coast principles, designed with live performance and real-time tweaking in mind.

Supplier's Notes:
A deep and flexible semi-modular mono synth, it was developed by a team of veteran synth aficionados to be the realization of their collective dream. It is a synthesist's synthesizer - a well-considered, finely-honed, stand-alone instrument capable of both nuance and bombast. You are never more than a slider away from turning sweet into raucous, or a patch cable removed from corrupting the virtuous into the wicked.

To distill Cascadia into a bullet-list of features does not do justice to the sonic possibilities that lurk just behind the panel. Instead, it's best to imagine the potential of two oscillators (one capable of operating at LFO rates; and one with full TZFM and sync capabilities) - each with multiple independent outputs working as both sound and modulation sources. Think about the possibilities of a fully-modulatable, self-oscillating, multimode filter with numerous modes simultaneously available, or the sonic advantages of having both wavefolding and ring modulation built-in. Envision having a pair of fully-configurable envelopes - one, a take on a classic ADSR with an assignable Hold stage; the other, a powerful multimode function generator, which becomes an Envelope, LFO or Burst generator with the flick of a switch. Picture using either MIDI or CV (or both) to drive your sound and modulation; or using the built-in trio of utility LFOs; an additional VCA/LPF/LPG; slew; sample & hold; multipliers, inverter; and mixuverters to refashion it. Ponder the sonic options of bringing in external audio and using it to either modulate or mix into Cascadia's architecture. Speaking of mixing, consider the fully-featured on-board mixer that blends not only all these internal and external sources, but also features multiple types of noise, a sub-oscillator, and soft clipping. And because we wanted Cascadia to be as flexible as possible, we decided not to hamper it with a limited selection of on-board effects but, instead, imbue it with the capability to fully integrate and control external effects devices - allowing you to incorporate your favorite pedals into your own personal playground of signature sounds, anywhere in the signal chain.

Cascadia is a semi-modular synthesizer, meaning that many of its capabilities reveal themselves to the musician without the need to insert a single patch cable. Cascadia's default signal path is well-conceived and deep. But for those willing to dive even deeper, a plethora of new sounds are possible when you start rerouting signals using the many available patch points. And to allow for the ultimate flexibility, these patch points conform to the Eurorack standard, meaning you can expand Cascadia's capabilities through the use of external modules.

Cascadia leverages Intellijel's long commitment to modular synthesis and coalesces it into a single package of sonic possibility. Whether used stand-alone or as part of a larger system, we at Intellijel believe this is the synth to bridge the past to the future; the novice to the pro; the desktop to the eurorack; and you to your musical goals.
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Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser
Cat: 975777 Rel: 26 Oct 23 • View all シンセサイザー
 
12-voice virtual analogue polyphonic desktop synthesiser
Notes: 12-voice version of Waldorf's Iridium Core, a compact synth from the same range as the Quantum. Running on the Waldorf OS, the Iridium features a versatile selection of Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator synth engines.

Supplier's Notes:
The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.

Specifications

Compatible with the Waldorf Quantum synth engine
Software: Waldorf Synthesis Platform OS

Oscillators
3 Oscillators each capable of 5 synthesis modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM, AM or Wavetable-position at audio rate)

Dual Stereo Filters per voice
True stereo path Dual Digital Filter with independent modes:
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Analyzer displayed in Filter view
Filter curve animation when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Digital Former
Filter models like State Variable, Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filters, Bit-Crusher, various Drives, Ring-Modulation

Modulators
6 Envelopes
6 LFO
Komplex Modulator (LFO/Envelope combination with user-definable shape and morphing)

Mod Matrix
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Effects
5 slots per layer
Various parallel and sequential routing options
Reverb, Delay, Chorus, Phaser, Flanger, Drive, EQ, Compressor, Tremolo

Performance features
Advanced Arpeggiator
Step-sequencer with up to 64 steps for notes and parameters
2x4 button pads assignable to notes or chords
4 user-assignable potentiometers
6 user-configurable macro buttons
Favourites screen for quick patch recall
XY control on touchscreen
Wheels touchscreen for MIDI controls like mod wheel, pitch bend, aftertouch and velocity
MPE capable

Screen
Industrial-grade highly responsive touch screen with Brightness control
1024x600 pixels

Voices
12 voice polyphony
Duo-timbral
Mono, Legato and Unisono modes

Patches
Over 1700 factory patches
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum and other Iridium variants can be loaded and vice-versa
Category filter for patch list
2.6 GB sample flash memory preloaded with 2 GB factory samples

Connections
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included)
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MicroSD slot
2 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analogue clock In & Out with clock divider settings

Overall
Sturdy metal case
Dimensions: 346 mm wide by 200 mm depth by 64 mm height (including controls)
Weight: 2.2 kg
External Power Supply: Input 100-240 V / AC 50-60 Hz, Output 12 V DC / 3 A

What's In the Box?
Iridium Core Synthesizer
Two MIDI adapters: mini TRS to DIN sockets
Power Supply
Printed Quick Start Guide
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Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black)
Cat: 781129 Rel: 28 Jul 21 • View all ドラムマシン
 
A multi-functional analogue synthesiser and generator of complex rhythmic patterns.
Notes: Typically creative stuff from Soma Lab. Four channels of analogue drum synthesis, unique looping trigger generators, pseudo-random 'Shaos' generator and DSP-based effects.

Supplier's Notes:
Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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 1 in stock $1,552.51
SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak)
Cat: 955441 Rel: 08 Mar 24 • View all シンセサイザー
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
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 7 in stock $1,455.73
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Future Retro Vectra 29-Keys Hybrid Synthesiser
Cat: 854774 Rel: 12 Mar 24 • View all シンセサイザー
 
29-keys hybrid keyboard synthesiser
Notes: Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.

The five LFO's provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO's, complex envelopes, or audio rate oscillators.

OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.
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 8 in stock $1,597.73
Squarp Instruments Hapax Professional Standalone Sequencer Squarp Instruments Hapax Professional Standalone Sequencer Squarp Instruments Hapax Professional Standalone Sequencer Squarp Instruments Hapax Professional Standalone Sequencer Squarp Instruments Hapax Professional Standalone Sequencer
Cat: 868177 Rel: 01 Mar 23 • View all Sequencers
 
Genuine centerpiece of a setup, it offers every tool needed to compose songs in the studio and perform them on stage.
Notes: A true MIDI powerhouse, based around a 128-pad matrix and 16-track MIDI sequencer with slick programming workflow and Ableton-style pattern mode for live performance.

*** Version 2.0 updates - January 2024 ***

In this version, Squarp have put a lot of effort into improving the ergonomics and screen designs.

As for features, the focus has been on expanding patterns from 8 to 16 per track. Follow-actions have been introduced to bring more life to your sections, adding logic and randomness to the construction of your tracks.

A new MixMute mode has been created to enhance live performances, improve transitions between projects and arm your tracks for multitrack recording.

Now you can engage in multi-track recording and capture on multiple tracks simultaneously.

Two new effects are making their debut as well: FX ECHO, the best delay Squarp have made so far, and FX OUTPUT, allowing rerouting to a different output in the middle of the effect chain.

You can now Import/ExportMIDI files, either to save and reuse your own patterns in different projects or to load complex MIDI files from a computer.

The Curve algorithm is now accessible in automation mode, Squarp have added a track compensation mechanism and Auto-load.

Supplier's Notes:
Professional standalone sequencer

Genuine centerpiece of a setup, it offers every tool needed to compose songs in the studio and perform them on stage. From vintage to modern synths, from modular systems to your favourite DAW, Hapax can sequence and synchronize all your gear, while bringing you carefully crafted tools, designed for maximizing creativity.

The midi powerhouse.

Up to a million notes and events

16 tracks per project, 8 patterns per track.

Thanks to its dual-processor architecture, Hapax can record and transform tremendous amounts of data in no time, without a hitch.

Express yourself.

MPE compatibility

Hapax is the first hardware sequencer that fully supports MIDI Polyphonic Expression. Record the finest gestures, slides and articulations of your playing, without compromising quality.

Around the clock performance.
Dual-project architecture



Hapax can handle two separate and independent projects, that can be played simultaneously. This lets you compose or load an entire project while the first one is already playing, enabling endless sets and seamless transitions.

Dawless is more.

Hapax offers broad connectivity options for perfect integration in any setup.

Adaptive workflow.
Several ways to write music
Writing a melody: use a polyphonic or MPE track and take advantage of the advanced step sequencer to quickly lay down notes or edit your live recording.

Composing a beat: control up to 8 different instruments with a single track. The drum sequencer is tailored for very easy rhythm writing and jamming.

Real-time midi effects.

Bring your synths to life

Hapax embeds multiple real-time, polyphonic, non-destructive midi effects, as well as project-wide assignable LFOs. Each parameter of these effects can be automated in the dedicated mode, and processed in the mod matrix, which provides even more ways of routing and modulating.

Powerful composition tools.

Algorithms

Powerful tools for offline note transformation and generation, right at your fingertips. Harmonically invert your motive, generate a controlled-random counter-melody, slowly ramp up the velocities, emphasize every fifth 8th note...

Hi-res recording

Hit the red button, and record from the encoders and 128 pads of Hapax, external midi instruments (included MPE controllers) or any incoming analogue signal, at a high resolution of 192 ppqn. Looper style recording, count-down and metronome options, punch-in mode, you'll certainly find the options that best suit your workflow.

Time elasticity

Each track has an elasticity value which changes its playback speed, expressed in percentage of BPM. Quickly double or halve the speed of a track, or create slightly shifted tracks that will slowly drift out of phase with each other.

Fluid editing

Using hardware should never get in the way of creative flow. The undo/redo button lets you go back in time as needed, thanks to its extensive history. Additionally, the snapshot function enables you to save the state of a pattern and recall it with a single press. Together with dedicated copy, paste and delete buttons, Hapax offers a complete toolbox for the prompt editing of your tracks.

Harmony, simplified

For fast and intuitive chord building, the chord live mode brings harmonic capabilities to anyone, with or without deep theoretical knowledge. With its colourful interface, the chord mode displays a synesthetic melding of hearing, vision and touch.

Simple by design.

Trimmed to perfection

Squarp designed Hapax from the ground up, deconstructing everything you thought you knew about sequencing- aiming for a high-end product, with dual arm processors for computation power and a rugged yet minimalist housing.

As music-making should remain an enjoyable process, dedicated buttons were over key combinations and imagined a clear-cut interface as well as a simple architecture. Squarp have striven to minimize the importance of screens for live performing, but the dual grayscale display helps keeping track of things in a studio context.

Hapaxos
Evolving firmware.
The Hapax Operating System has been written with extra care, prioritizing stable and fast operations. New features and parameters will be added regularly.

Specifications
Model name: Hapax
Hardware: 128 RGB MATRIX pads
52 clic pads
9 sturdy clickable encoders
2 OLED greyscale displays
SD card for saving projects
CPU: dual ARM design
RAM: 32MiB
Housing: machined aluminium 2mm
Housing (back): unibody ABS

Sequencer
Dual Sequencer (2 Projects)
16 tracks per project
8 patterns per track

Input
2× midi in (DIN + TRS)
2× CV in [-5V to +5V] (16bit)
Stereo pedal (footswitch)

Output
4× midi out (3× DIN + TRS)
4× CV out [-5V to +5V] (16bit)
4× GATE out [+5V]

Bidirectional I/O
USB Host (link a controller)
USB Device (link a computer)
Power supply: 15V, 1.2A, 18W (included)
Dimensions: 358 × 206 × 48 mm
Weight: 1.855 kg
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 1 in stock $1,167.54
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quote 868177
Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer
Cat: 959310 Rel: 27 Nov 23 • View all DJミキサー
 
Professional four channel analogue rotary DJ mixer.
Notes: A proper bargain here. Ecler's flagship rotary mixer offers all the benefits of audiophile sound quality and organic, hands-on control at a surprisingly low price point.

Supplier's Notes:
WARM4 is a professional four channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona. Featuring 4 phono/line channels, 2 MIC inputs, classic sharp filters and a 4th order Isolator. WARM4 includes an unique feature, an Analogue Subharmonic Synthesizer selectable per channel, specially designed to generate and reinforce ultra-low frequencies.

Applications

Night Clubs
DJ studios
Itinerant DJ performances

Audio performances

Inputs:

Number of Inputs:
LINE: 4 Stereo Unbalanced Inputs
PHONO: 4 Stereo Unbalanced Inputs
MICRO: 2 Mono Balanced Inputs
FX RETURN: 1 Stereo Unbalanced Input

Connectors type:
LINE 1-2-3-4: RCA STEREO
PHONO 1-2-3-4: RCA STEREO
MICRO 3: XLR3-F
MICRO 4: Combo XLR3F-6.3mm TRS BAL
FX RETURN: RCA STEREO

Inputs Sensitivity nom/Impedance:
LINE: 0dBV/50kO
PHONO: -40dBV/50kO
MICRO: -50dBV/>1kO
FX RETURN: 0dBV/>6kO

PERFORMANCE:

Frequency Response:
LINE: 10Hz#30kHz -1dB
MICRO: 10Hz#25kHz -1dB
PHONO: RIAA i0.5dB
FX RETURN: 10Hz#50kHz -1dB

THD+N:
LINE: <0.004%
MICRO: <0.7%
PHONO: <0.06%
FX RETURN: <0.001%

CMMR:
MICRO: >75dB @ 1kHz

Signal Noise Ratio:
LINE: >105dB
MICRO: >90dB
PHONO: >100dB
FX RETURN: >110dB

Trim control / Tone control Inputs 1-2-3-4:
INPUTS 1-2-3-4: i 15dB
BASS: +10/-30dB
MID: +10/-25dB
TREBLE: +10/-30dB

Trim control / Tone control Isolator:
BASS: +12/-70dB
MID: +12/-40dB
TREBLE: +12/-70dB

Tone Filter cut frequency at -6dB (slope 12dB/oct):
BASS: 200Hz
MID: 200Hz#6.8kHz
TREBLE: 6.8kHz

Isolator cut frequency at -6dB (slope 24dB/oct):
BASS: 300Hz#4kHz
TREBLE: 4kHz

Analogue Subharmonic Synthesizer:
Input selective filter: 50#120Hz
Harmonics synthesis: 25#60Hz
Max Output level: +12dBV

OUTPUTS:

Number of Outputs:
HOUSE: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
BOOTH: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
HEADPHONE: 2 Stereo Unbalanced Outputs
FX SEND: 1 Stereo Unbalanced
REC: 1 Stereo Unbalanced

Connectors Type:
HOUSE: XLR3-M STEREO / RCA STEREO
BOOTH: XLR3-M STEREO / RCA STEREO
HEADPHONE: Jack Stereo 6.3mm / Jack Stereo 3.5mm
FX SEND: RCA STEREO
REC: RCA STEREO

Outputs Level/Minimum Load:
HOUSE (BAL): 0dBV/600O 1V *(+12dB 4V)
HOUSE (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (BAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
REC: 0dBV/10kO
HEADPHONES: 200mO/200O THD 1%
FX SEND: 0dBV/2.2kO

Max Undistorted Output Level:
HOUSE (Electr.BAL): 21dBV (23dBu)
BOOTH (Electr.BAL): 21dBV (23dBu)
HOUSE (UNBAL): 21dBV (23dBu)
BOOTH (UNBAL): 21dBV (23dBu)

MICELLANEOUS
Control Mode: Rotary with Alps Blue Velvet Potentiometers and Alps RK09L potentiometers
Phantom Voltage: 18VDC/5mA Max (Default ON)
Input VU-Meter: LED 12 segments (-38dBV # +10dBV)
House-Mix-Booth VU-Meter: LED 12 segments (-30dBV # +20dBV)
Subharmonic Output VU-Meter: LED 3 Segments (-20dBV / 0dBV / +4dBV)

ELECTRICAL

Power Supply: Internal
AC Mains Voltage: 90-264VAC 47-63Hz
AC Main Connector: 15A IEC inlet connector
Rated power consumption: 39 VA

PHYSICAL
Operating Temperature: -5-C # 45-C / 23-F # 113-F
Operating Humidity: 20 - 90% RH (no condensation)
Storage Temperature: -10-C # 50-C / 14-F # 122-F
Storage Humidit : <90% RH (no condensation)
Operating Humidity: 20 - 90% RH (no condensation)
Installation Options: Desktop or Rack mount with optional accessories
Included Accessories: IEC Cable EU
Dimensions (WxHxD): 34.0 x 8.1 x 37.2 cm / 13.39 x 3.19 x 14.65 in
Weight: 5.32 Kg / 11.73 lb
Shipping Dimensions (WxHxD): 49.5 x 17.5 x 43.5 cm / 19.49 x 6.89 x 17.13 in
Shipping Weight: 6.74 Kg / 14.86 lb

MECHANICAL

Dimensions (without wooden sides) : 400 x 185 x 100mm / 15.7" x 7.2" x 3.9"
Weight : 3.6Kg / 7.94 lbs
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MRP:$1,472.57 SAVE 12%
 2 in stock $1,290.18
SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak)
Cat: 951312 Rel: 08 Mar 24 • View all シンセサイザー
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: The kind of instrument Soma Labs do so well: weird but wonderful. Based around 32 complex digital synth algorithms and 12 note velocity- and pressure-sensitive sensors, transposition techniques allow you to play the full range of a grand piano.

Supplier's Notes:
TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
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 7 in stock $1,470.46
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quote 951312
Allen & Heath Xone 92 Professional 6-Channel Club/DJ Mixer Allen & Heath Xone 92 Professional 6-Channel Club/DJ Mixer Allen & Heath Xone 92 Professional 6-Channel Club/DJ Mixer Allen & Heath Xone 92 Professional 6-Channel Club/DJ Mixer
Cat: 380720 Rel: 16 Feb 10 • View all DJミキサー
 
Professional 6-channel club/DJ mixer with 2 independent stereo mix outputs & voltage controlled filter (VCF) system
Notes: Still a classic, still a brilliant mixer. Nearly 20 years on the market but sounding just as good as ever, the Xone:92 seems like a bit of a bargain now.

Supplier's Notes:
The industry-standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound. With its solid construction and easy to use interface, the 92 is on the riders of most of the world's top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters. With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ's dream tool.

For those who prefer to blend with rotary faders the Xone:92R is also available.
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MRP:$1,525.16 SAVE 11%
 2 in stock $1,351.60
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quote 380720
Vermona PerFourMer MkII 4-Voice Analogue Desktop Synthesiser With CV/Gate Vermona PerFourMer MkII 4-Voice Analogue Desktop Synthesiser With CV/Gate Vermona PerFourMer MkII 4-Voice Analogue Desktop Synthesiser With CV/Gate
Cat: 439571 Rel: 22 Mar 12 • View all シンセサイザー
 
4 voice analogue synthesiser with CV/gate
Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.
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 2 in stock $1,459.95
Click for better price!
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quote 439571
Alpha Recording System MODEL9100B 4-Channel Rotary DJ Mixer Alpha Recording System MODEL9100B 4-Channel Rotary DJ Mixer Alpha Recording System MODEL9100B 4-Channel Rotary DJ Mixer
Cat: 871156 Rel: 28 Mar 22 • View all DJミキサー
 
A Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-EQ Mid-EQ Low -Iso on each channel.
Notes: Broadcast-ready update of ARS's flagship audiophile rotary mixer. Small design changes mean even better sound quality and improved cueing. Still hand built in Japan to the highest standards.

Supplier's Notes:
Model 9100B Music Mixer

4 channel table top mixer

Model 9100B (broadcast mixer) Music Mixer Wood TYPE (Headphone Monitor Trim: Cue-Mix-Pgm special version)

ARS Model 9100B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-EQ Mid-EQ Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .

A long time in the development phase this mixer is a beautiful example of Japanese hand made precision workmanship- highly recommended.

It is designed with purist ideals with only essential features.

ARS 9100 has 3 band hybrid iso-EQ hi-EQ mid-EQ low-iso on each channel and 3band Iso on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-EQ mid-EQ can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specifications
Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)306 x (H)250 x (D)100 mm
Front Panel Colour: Black
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 1 in stock $3,138.67
Alpha Recording System MODEL9100BW Limited Edition 4-Channel Rotary DJ Mixer (wood side panels)
Cat: 871161 Rel: 28 Mar 22 • View all DJミキサー
 
A Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-EQ Mid-EQ Low -Iso on each channel.
Notes: Upgraded to broadcast-ready specification for 2022, ARS's flagship Model 9100 is a thing of beauty. True hand-built Japanese audiophile quality, available here with wooden end cheeks.

Supplier's Notes:
Model 9100B Music Mixer

4 channel table top mixer

Model 9100B (broadcast mixer) Music Mixer Wood TYPE (Headphone Monitor Trim: Cue-Mix-Pgm special version)

ARS Model 9100B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-EQ Mid-EQ Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .

A long time in the development phase this mixer is a beautiful example of Japanese hand made precision workmanship- highly recommended.

It is designed with purist ideals with only essential features.

ARS 9100 has 3 band hybrid iso-EQ hi-EQ mid-EQ low-iso on each channel and 3band Iso on the master
.
The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-EQ mid-EQ can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specifications

Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)306 x (H)250 x (D)100 mm
Front Panel Colour: Black
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 1 in stock $3,258.58
Isla Instruments S2400 Desktop Audio Sampler & Sequencer Isla Instruments S2400 Desktop Audio Sampler & Sequencer Isla Instruments S2400 Desktop Audio Sampler & Sequencer Isla Instruments S2400 Desktop Audio Sampler & Sequencer Isla Instruments S2400 Desktop Audio Sampler & Sequencer
Cat: 934991 Rel: 29 Mar 23 • View all Samplers
 
Audio sampler and sequencer.
Notes: Combining vintage sound with modern features, the S2400 draws heavily on the iconic Emu SP1200 to create a new instrument with a distinctive character. One of the best samplers money can buy.

Supplier's Notes:
A legend, reborn.

The S2400 is nothing short of a passion project. Along with a small team of talented Software Engineers, CAD Engineers and revered artists, Isla Instruments have developed a future classic.

The S2400 is a passion project - to recreate the sound of one of the world's most iconic sampling drum machines, and bring it up-to-date with modern features. The result is the very best of old school and new school technology coming together.

Brad has been obsessed with drum machines for many years - owning, repairing, restoring, modifying countless makes and models (see his HR-16 mods on YouTube).

Staying true to form in both sonic characteristics and design aesthetic were the main drivers in the realisation of this project, while bringing the hardware into the 21st Century and keeping the same 'instant gratification' and intuitiveness of its spiritual pre-predecessor at heart.

A machine built for the now and the future.

S2400 Specifications

Sampler / Audio:
16-Bit 48Khz 'Hi-Fi' Sampling/Playback Engine
12-Bit 26Khz 'Classic' Sampling/Playback Engine
Engine type assignable to each of the 32 sample slots
Sample up to 21.5 minutes per slot (Classic / Mono),
5.5 minutes (Hi-Fi / Stereo)
Simultaneous (Full Duplex) playback and record with 8 channel LiveLooping functionality.
On-screen waveform display (slice audio, set loop-points with ease)
128 MB of built-in factory drum kits (from some of our featured beta team)
Independent Headphone output for monitoring (effectively 2 extra channels)
DSP based LP/HP Filtering per track (more FX planned for future)

Sequencer:
Multiple sequence entry methods: Live recording, Step Sequence, Piano Roll GUI, TR x0x Style
32 Stereo Audio Tracks w/ 16 Voice polyphony
32 MIDI Tracks (for sequencing external equipment)
96 PPQN Clock
Per track quantization and swing (including classic mode)
Patterns are up to 100 measures, any time signature
All parameters (level, pitch, envelope, filters) configurable per pattern step
Song mode

Hardware

Bright 128 × 64 pixel OLED display (viewable from any angle)
Ultra High quality Grayhill Optical Data Entry Encoder
8 x 60mm Professional Dual Rail Faders
8 x Dual 'concentric' Pro-Audio rotary pots
Broadcast Equipment grade A/V backlit pushbutton switches
Tactile silicone pads backlit with RGB LEDs
SD Card storage (up to 1TB currently tested)
Classic (OG) input and output analogue filtering circuitry.

I/O

MIDI In/Out/Thru (Standard 5-pin DIN)
2 × 1/4" Stereo Mix Out jacks (psuedo balanced)
8 × 1/4" Individual audio out jacks (psuedo balanced)
4 × 1/4" External input jacks (with adjustable pre-amp modes)
2 × Stereo RCA Line/Phono Inputs (with dual phono pre-amps)
Hi-speed USB 2.0 device port. (USB Audio/MIDI)
USB Host port (connect external USB peripherals, MIDI controllers etc).
3.5mm Clock/trigger in and out jacks (to sync/trigger vintage equipment or modular synths)
Universal Voltage100-250V AC Mains powered.

Physical

Rock Solid 16Ga Cold Rolled Steel enclosure with 6mm Anodised aluminium sidewalls.
Aluminium knobs
Dimensions: (Including knobs, jacks, feet)
Imperial: W18" x D12" x H5" (back) 3" (front)
Metric: W460mm x D310mm x H130mm (back) 80mm (front)
Weight: approximately 13lbs / 6Kgs (metric)

*** Please note: This product does not come with the three-pin PSU kettle leads required, please purchase separately. ***
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quote 934991
Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser
Cat: 939891 Rel: 09 Jun 23 • View all シンセサイザー
 
A wavetable synthesiser with 24-voice polyphony and 4-part multi-timbral capacity.
Notes: A serious, serious synth. PPG-esque wavetable synthesis with huge 24-voice polyphony, dual analogue filters and four-part multitimbrality. Incredible sound, incredible versatility.

Supplier's Notes:
The 3rd Wave is a powerhouse wavetable synth with 24-voice polyphony and 4-part multi-timbral capability that's like having four independent synthesizers at your fingerprints.

Each of its 3 oscillators per voice can be:

A classic PPG-era wavetable
A high-resolution complex wavetable
An analogue-modelled waveform
Create up to 64 custom wavetables of your own using the built-in Wavemaker. With sample-to-wavetable capability, you can connect an audio source to the audio input and generate a wavetable at the touch of a button.

Classic legacy; modern sound

While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that's a product of its expanded wavetables and warm, organic-sounding analogue filters

It boasts not only a punchy, Dave Rossum-designed 2140 analogue low-pass filter with variable saturation, but a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Run both filters in series for harmonically complex textures.

4-part; multi-timbral

With 24-voices, the 3rd Wave has enough power for the most note-intensive performances.

And that polyphony really comes into play with its ability to layer up to 4 independent parts or split zones - each with a completely different sound, sequence, and dual effect.

Each stereo part has independent panning, volume, and a dedicated stereo physical output.

Modulation Matrix

The secret weapon of any synth is its mod matrix, and the 3rd Wave doesn't disappoint.

With 16 assignable slots, 12 additional fixed-source slots, 27 sources, and 114 destinations, it has the flexibility of a modular.

And all of this power is per multipart. That means up to 4 independent layers of sound, each with its own mod matrix.

Sequence notes; songs & params

The 3rd Wave's sequencer is an inspiring tool for both composers and sound designers because it is pattern-based and can sequence notes, songs, and parameter changes.

For composing and performing, enter notes and chords in real time with or without quantization for maximum groove and arrange up to 24 patterns of up to 32 measures in length into songs just as easily.

Specs

Sound Engine

3 High-resolution Digital Oscillators Per Voice
64 total user wavetable positions with 48 wavetables that contain 64 waveforms per table (32 legacy PPG waves with room for another 16 of this type)
32 original 8 bit wavetables from the PPG 2 series instruments with room for 16 more user created 8 bit wavetables
7 high-resolution modelled analogue waveforms (sine, saw, triangle, supersaw, pulse, white noise, pink noise)

VCO sync

Linear FM
6-stage wave envelope per oscillator with variable time and position that can be looped
Optional wave flow section that allows for no wavetable as well as no waveform interpolation
Upper wavetable mode as with the original PPG 2 series
Unison mode and chord mode with variable voice count

1 Analogue Low-pass Filter

Dave Rossum designed, classic, 2140 low-pass resonant filter
24 db per octave slope
variable saturation amount
optional resonance compensation

1 State-Variable Filter

12 db per octave slope
Continuously variable between low-pass, notch, and high-pass, operation with optional band-pass mode

4 ADSR+ Delay Envelopes

Filter, Amplifier, plus 2 additional envelopes switchable between exponential and vintage PPG-style response
Freely assignable to multiple modulation destinations

4 Low-Frequency Oscillators

Triangle, sawtooth, reverse sawtooth, square, pulse 1, pulse 2, pulse 3, and random (S&H)
Variable delay
Note reset
Syncable to master clock BPM

2 Digital Effects

BBD, stereo delay, tape delay, chorus, phaser, flanger, distortion pedal, rotating speaker, ring mod, room reverb, hall reverb, super plate reverb - most modelled on famous hardware devices
Syncable to master clock BPM
Parameters modulatable via mod matrix

Wavemaker Tool: Built-In Custom Wavetable Maker

"Sample-to-wave" functionality. Connect an audio source to the 3rd Wave's Audio In port, press "Make Waves" and the synth samples the audio to create a custom wavetable
Samples to convert can also be brought in as a 96 kHz wav file through USB
Store up to 32 custom wavetables
64 waveforms per wavetable
Accepts pitched or un-pitched material as input
96 kHz sampling rate
16-bit resolution
1024 cycles per waveform, converted automatically to cover entire keyboard range
Flexible wave-sampling length
Imports Serum wavetables

Sequencer: Performs both Note and Parameter Sequencing

4 parts per sequence
24 sequences per preset
Up to 32 measures per sequence
Variable quantization resolution per sequence (32nd, 16th, 8th, quarter, half, whole note, or quantization off), that is settable in real time
Variable swing

Arpeggiator: 1 Arp per Multi-part
Up, down, up/down, and assign modes
Variable range (1, 2, or 3 octaves)

Mod Matrix: 16-slot Modulation Matrix Per Multi-Part

16 slot modulation matrix with 27 mod sources and 114 mod destinations
12 additional fixed-source mod paths
Modulation assignment buttons enable quick and easy modulation routing
Mod Matrix runs at audio rates
Sequencer can record and play mod parameter changes in real time

Controls

77 knobs and 39 buttons enable deep, comprehensive editing with minimal menu diving
Pitch and Mod Wheels
Full-sized, five-octave, semi-weighted, premium Fatar keyboard with velocity and aftertouch

Programs

500 factory programs. User rewritable

In/out

4 Stereo outputs (2x 1/4" phone jack per part)
Headphone out (stereo 1/4" phone jack)
MIDI In, MIDI Out, and MIDI Thru
USB port for bidirectional MIDI communication
Audio Input for creating user wavetables from external audio source (1/4" phone jack)
Audio Input can also route audio through the filters, output chain, and effects
Sustain/footswitch input
Volume pedal input
Expression pedal input

Power

1 universal IEC AC power inlet for internal power supply
Operates worldwide on voltages between 100-240v, 50-60 Hz, 65 watts maximum power consumption

Dimensions

Shipping Box Dimensions: 44 x 20 x 13 inches, 35 lbs
Synth Dimensions: 38.5 x 14.25 x 5 inches, 27 lbs
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quote 939891
Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone
Cat: 945838 Rel: 14 Nov 23 • View all Vocal Recording Microphones
 
Portable studio condenser microphone.
Notes: A tiny studio microphone with a large-diaphragm capsule and groundbreaking features.

CM-1; the latest addition to Teenage Engineering's field system.

A versatile studio quality, ultra-portable microphone that comes with a built-in professional SUB-C audio interface with built-in preamp. Add a 3.5 mm jack and a 48v phantom powered mini XLR, and you have a truly one-of-a-kind battery-powered studio microphone.
A rarity in the field.

Large-diaphragm capsules are preferred for professional recording, but are rare within the world of portable equipment. CM-15 features an ESS sabre analogue-to-digital converter, preserving high-fidelity sound and capturing exceptional detail in any recording situation.

Clean, mean and lean mic-machine.

Clean, rich, transparent and natural sound. Period.

Use the gain switch on the back for padding those mean drums, or the other way around. Battery-powered with an integrated audio interface and preamp, cm-15 is always ready to use wherever you like to record. In other words: 'lean operation'.

CM-15 includes a standard 1/4" and 3/8" adapter, making it universally compatible with standard mic stands and tripods.

The included adapter allows for a 90- to 110- tilt, so you can mount the mic onto a boom arm or to better record overheads. Use tripod mini for portable setups (available separately).

Dynamic sound for any occasion.

Teenage Engineering's first microphone also means a unique sound quality to discover.

Rich, transparent and natural, cm-15 captures clear and clean sound for professional audio productions, always ready to set up wherever you like to record.

Pure craftsmanship.

CM-15 is an incredibly versatile microphone, both inside and outside the studio. The large-diaphragm condenser capsule essentially means you get a better signal, so there is less noise and better depth of sound.

Vocal recording

As a directional mic, CM-15 is perfect for the vocal booth, focused on picking up sounds in front of it.

Instrument recording

With the flattest frequency response at a 50 cm distance, CM-15 is perfect for capturing a variety of instruments, including your drum kit.

Interview/podcast

CM-15 is great for podcasts and interviews, where high audio quality and portability is necessary.

Field production

With a compact form factor and 10 hour rechargeable battery, it's a great tool for every 'trip'.

Camera mic

When filming with a video camera, connect CM-15 through the line out to record synced audio directly.

Multi-use connectivity.

CM-15 has multiple outputs that can be used simultaneously:

mini XLR, 3.5 mm jack and USB-C. It can also be powered three ways, through phantom power, battery or USB-C, instantly detecting the right power source for your connected device.

On the bottom side of CM-15, you will find three audio outputs: mini XLR, 3.5 mm jack and USB-C. The built in table stand can be used to rest and angle the microphone on a surface.

CM-15 includes a mini XLR to XLR cable for connecting to your recording console. The 3.5 mm jack can be used with headphones, while USB-C is used for digital audio interface connection, firmware updates and charging.

Technical specifications

CM-15 highlights

1-inch large-diaphragm capsule
10 hour rechargeable battery
48 V phantom power compatible pseudo-balanced mini xlr output
dual mono 3.5 mm jack line output
USB-C class compliant device with high performance
ESS sabre ES9822Q PRO analogue to digital converter

Dimensions and weight

90 mm x 65.5 mm x 19 mm
132 g / 54.6 oz

Audio characteristics

Self noise: 14 dBA

Max SPL for 0.5% THD: 138 dB
USB SNR dBA FS: 120 dB
Polar pattern: supercardioid
Polarity: positive

The field system.

CM-15 is part of Teenage Engineering's ultra-portable sound recording and performance system. All battery-powered, rechargeable via USB-C and with full interconnectivity (MIDI and high resolution audio). Compatible with iOS, macOS, and windows it's the most powerful, highest quality, portable system in the world 'as we know it'.
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 2 in stock $1,077.07
PLAYdifferently Model 1.4 4-Channel Analogue DJ Mixer PLAYdifferently Model 1.4 4-Channel Analogue DJ Mixer PLAYdifferently Model 1.4 4-Channel Analogue DJ Mixer PLAYdifferently Model 1.4 4-Channel Analogue DJ Mixer PLAYdifferently Model 1.4 4-Channel Analogue DJ Mixer PLAYdifferently Model 1.4 4-Channel Analogue DJ Mixer PLAYdifferently Model 1.4 4-Channel Analogue DJ Mixer
Cat: 810568 Rel: 10 Feb 21 • View all DJミキサー
 
Analogue DJ mixer
Notes: Four-channel version of Richie Hawtin-designed Play 1 mixer, engineered by music tech royalty Andy Rigby-Jones. Immense sound quality and performance features, including analogue filters, overdrive and DualCue system for back-to-back sets.

Supplier's Notes:
With MODEL 1, PLAYdifferently hit the apex of pure analogue DJ mixer design. MODEL 1 brings performance to an ultra-compact 4-channel design, ideal for home studio use, or as the ultimate tour-able analogue mixer- so you can take your analogue core wherever you go.

Engineered by Andy Rigby-Jones and co-designed by Richie Hawtin with feedback from artists, clubs and engineers, MODEL 1.4 features the same uncompromising approach to build quality, precision and detail that set MODEL 1 in a class of its own.

MODEL 1.4 can be used standalone or paired with a MODEL1 using unique mixer-link functionality to deliver an unrivalled 10-Channel Live mix experience.

Technical specifications:

Maximum output level: +28dBu Balanced, +23dBu Unbalanced
Output Impedance: 50R Balanced, 68R Unbalanced
Residual Noise: -100dBu Un-weighted, 22Hz to 20k
Dynamic range: > 112dB
Frequency Response: 20Hz - 40kHz +0/-2dB
Distortion (THD+N): 0.008% Line In to Mix 1 out, 0dBu Unity Gain
Inter-channel Crosstalk: < -100dB
Left/Right Crosstalk:-80dB 1kHz
Power consumption: 45W maximum
Weight: 5.00kg
Dimensions: L 368mm x W 248mm x H 111mm
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 1 in stock $1,818.62
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Rane DJ One Professional Motorized DJ Controller Rane DJ One Professional Motorized DJ Controller Rane DJ One Professional Motorized DJ Controller Rane DJ One Professional Motorized DJ Controller Rane DJ One Professional Motorized DJ Controller Rane DJ One Professional Motorized DJ Controller
Cat: 821190 Rel: 20 May 21 • View all DJコントローラ
 
Professional motorised DJ controller
Notes: One of a small selection of vinyl-style DJ controllers on the market, the One features 7-inch turntable-style platters and a scratch-friendly Mag Four crossfader. A great option for scratch DJs and those who prefer the vinyl feel.

Supplier's Notes:
The Rane One Motorized DJ controller takes the high-performance features, reliability and exceptional quality we're trusted for and without compromise, combines them into the ultimate Motorized DJ Controller.

The One continues Rane's reputation for high-end, no-compromise sound quality and creative freedom. The gig-ready One represents the pinnacle in music control for DJs commanding the best in performance and sound.

The One gives DJ's a familiar, performance driven, intuitive layout with everything you need, where you need it. Take control with the multi-function performances pads, aluminum FX paddles, dedicated loop section and mixer controls.

The One features authentic motorized 7" turntable platters for high-performance precision. Experience the traditional vinyl-like touch, with all the creative tools the digital world has to offer. With support for leading DJ software platforms like Serato DJ Pro, Algoriddim's djay Pro AI, and Virtual DJ, the One brings a true turntable experience to the portable arena.

If you like scratching, you're going to love the Mag Four crossfader. Rane's lightest and smoothest fader ever, the Mag Four gives you swift and precise control over your cuts, with a software cut-in adjustment available in Serato DJ Pro.

The One has 8 multi-function performance pads per deck for full creative control. Each deck includes Hot Cue, Pitch 'n Time, Saved Loop, Roll, Sampler, Slicer, as well as Serato DJ Pro's Scratch Bank feature. Everything you need for creative control.

With 6 radio-style stackable FX buttons, instantly activate any combination of software FX with a single press, fine-tune with depth and beat parameter controls, then activate with the independent aluminum paddle controls with latch or momentary positions.

Tech Specs:

Digital Audio:

Converters: Cirrus Logic, 24-bit PCM, 48 kHz
Digital Signal Processing: 32-bit, floating point, double precision
Dynamic Range (A-weighted, unity gain):
ADC: 113 dB
DAC: 113 dB
CD Input to Analog Output: 110 dB
CD Input to USB Output: 113 dB
USB Input to Analog Output: 113 dB

Inputs:
2x XLR / 1/4" (6.35 mm) TRS Combo (Mic 1-2)
1x RCA stereo pair (Aux)
2x RCA stereo pairs (CD/Phono 1-2)

Outputs:
2x XLR (Main)
2x XLR (Booth)
1x RCA stereo pair (Master)
1x 1/4" (6.35 mm) TRS (Headphones)

1x 1/8" (3.5 mm) TRS (Headphones)
Pads: 16x velocity-sensitive multi-color back-lit pads (8 per deck, 5 modes each)
Faders: 1x MAG FOUR tension-adjustable crossfader with independent Contour and Reverse controls, 2x Standard channel faders with shared Contour and Reverse controls

Connections:
2x XLR outputs (Main)
2x XLR outputs (Booth)
1x RCA stereo output pair (Master)
2x XLR / 1/4" (6.35 mm) TRS inputs (Mic 1-2)
2x RCA stereo input pairs (Deck 1-2)
1x RCA stereo input pair (Aux)
1x 1/4" (6.35 mm) TRS output (Headphones)
1x 1/8" (3.5 mm) TRS output (Headphones)
2x USB Type-B ports
1x IEC power cable input

Power
Connection: IEC
Voltage: 100-240V, 50/60 Hz
Consumption: 50 W

Dimensions (wxdxh): 26.5" x 13.6" x 4.9" (674 x 345 x 124.3 mm)
Weight: 23.55 lbs. (10.68 kg)
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quote 821190
Kodamo EssenceFM MKII Tabletop/Rackmount FM Synthesiser Kodamo EssenceFM MKII Tabletop/Rackmount FM Synthesiser Kodamo EssenceFM MKII Tabletop/Rackmount FM Synthesiser Kodamo EssenceFM MKII Tabletop/Rackmount FM Synthesiser Kodamo EssenceFM MKII Tabletop/Rackmount FM Synthesiser Kodamo EssenceFM MKII Tabletop/Rackmount FM Synthesiser Kodamo EssenceFM MKII Tabletop/Rackmount FM Synthesiser Kodamo EssenceFM MKII Tabletop/Rackmount FM Synthesiser Kodamo EssenceFM MKII Tabletop/Rackmount FM Synthesiser
Cat: 822621 Rel: 16 Jun 21 • View all シンセサイザー
 
Tabletop/rackmount synthesiser
Notes: A unique approach to FM synthesis in this updated version of Kodamo's ludicrously powerful EssenceFM. Up to 300 voice polyphony, hugely powerful touchscreen editing and stereo effects.

Supplier notes:
The EssenceFM is a powerful and easy to use FM synthesiser, allowing you to explore the endless soundscapes offered by FM synthesis. With a super-responsive touchscreen, assignable knobs and workflow optimized for sound design, creating rich and unique sounds is easier than on any other FM synthesiser.

The EssenceFM engine allows to create ridiculously powerful sounds made of more than 6 operators. That's why it's been given 300 voices of polyphony, you get the easy-to-program 6 op FM synthesis and the ability to layer many voices to create huge, rich-souding instruments.

There are 1800 operators and 4200 envelopes running at the same time, more than you will ever need.

This synth is the result of Kodamo's efforts to create the best user interface to interact with FM synthesis. No endless menus, no weird key combinations, no complex structure to remember. Everything is displayed on screen, every element is editable by pressing on it.It requires some trial and error to find the perfect sound, and that exploration process is fun only when the interface doesn't work against you. The EssenceFM is full of small details that makes workflow better: 1024 undo/redo steps while editing, copy/paste on every element, clear navigation using 4 modes and a breadcrumb, real-time envelope level display on the operators and much more. All that makes for a powerful and enjoyable synthesiser.

What you can do with it:
Create your own FM algorithms by drag and dropping operators on the touch screen. An almost infinite number of configurations is possible
Layer up to 128 voices per patch, each consisting of 6 operators, for incredibly rich sounds
Draw your custom waveforms on the touch screen to use them as oscillators or LFOs
Thicken the sound with the built-in effects
Take advantage of its 16 part/300 voice multi-timbrality to create full songs with it
Use it to make analog-like sounds with the built-in resonant filter
Connect it to your audio recording gear and effect modules in many different ways with the four balanced stereo outputs
Explore FM synthesis in the most convenient way possible with the Undo-Redo buttons, allowing for any action to be undone
Try microtunings, layer splits, round robin, MPE, and many other advanced features.

Package Contents:

EssenceFM synthesizer (MKII version)
Printed user manual
2x 3U 19" rack mount brackets
4x screws
Universal (100-240V) AC adapter
IEC power cable
2x rubber strip
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 1 in stock $1,167.54
Allen & Heath Xone 96 4+2-Channel Analogue DJ Mixer
Cat: 691097 Rel: 11 Oct 18 • View all DJミキサー
 
DJ mixer featuring legendary Xone analogue design
Notes: Top-of-the-range option from A&H, with a focus on pure analogue sound and ease of use. 4+2 channel design with four-band EQ, built-in soundcard and the brand's trademark Xone filters.

Supplier's notes:
Xone:96. The long-awaited follow-up to a genuine club classic.

A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, Xone:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity.

It's all here. The huge, detailed, space-shaking analogue sound that only Xone delivers. A refined, precision 4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard (24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.

Xone:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths and drum machines.

Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware.

Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.

Xone96: You mixed. We listened.
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quote 691097
Rane DJ Seventy Premium Scratch 2-Channel DJ Mixer
Cat: 762325 Rel: 31 Mar 21 • View all DJミキサー
 
Premium scratch 2-channel DJ mixer
Notes: Sitting below the flagship Seventy Two model in Rane's mixer line-up, the Seventy is a simpler model aimed at streamlining scratch performances. Two channels, effects, paddles, pads and Serato integration.

Supplier's Notes:
Solid Steel, Precision Performance Battle Mixer

2-channel Serato mixer for the Pro-Performance DJ

The SEVENTY is the latest edition to RANE's solid steel, Serato battle-ready mixer series. Built from the same high-quality components as the multi world-title winning, SEVENTY-TWO.

Display: Full-color display with capacitive multi-touch (2.1" x 3.7" / 54 x 95 mm (wxd)) (4.3" / 109 mm (diagonal))
Pads: 16x velocity-sensitive multi-color back-lit pads (8 per deck, 10 modes each)
Faders: 3x MAG THREE tension-adjustable faders (2 channel/line faders, 1 crossfader)

Outputs:
2x XLR (Main)
2x 1/4" (6.35 mm) TRS (Booth)
1x RCA stereo pair (Session)
1x 1/4" (6.35 mm) TRS (Headphones)
1x 1/8" (3.5 mm) TRS (Headphones)

Inputs:
4x RCA stereo pairs (Deck 1-2)
2x XLR / 1/4" (6.35 mm) TRS (Mic 1-2)
1x RCA stereo pair (Session)
1x 1/4" (6.35 mm) TRS (Footswitch)

Connections:
2x USB Type-A ports (Deck 1-2 USB Controllers)
2x USB Type-B ports
1x IEC power cable input
Digital Audio

Converters: AKM High Definition Audio; 24-bit PCM, 48 kHz

Digital Signal Processing: 32-bit, floating point, double precision

Dynamic Range (A-weighted, unity gain):
ADC: 114 dB
DAC: 114 dB
CD Input to Analog Output: 114 dB
CD Input to USB Output: 114 dB
USB Input to Analog Output: 114 dB
Power Voltage: 100-240V, 50/60 Hz
Consumption: 30 W

Dimensions (WxDxH): 11.2" x 17.5" x 4.25" (28.4 x 44.5 x 10.8 cm)

Weight: 12.0 lbs. (5.46 kg)

Two Deck Inputs: Left Deck and Right Deck

Source selects:
USB-A
PH-CD
AUX
USB-B
PH-CD RCA Inputs
Select Phono (RIAA) or CD (line-level)

CD setting:
4 Vrms maximum input
A-weighted DR 114 dB
Photo Setting
RIAA Curve, +0.1/-0.2dB
Gain @ 1kHz = 30 dB

Maximum input at 1 kHz = 126mV

AUX RCA Input:
4 Vrms maximum input
A-weighted DR 114 dB
Gain Trim
Off at minumum
0dB @ center position
+15

Tone Controls:
Full-cut 2nd order filters
Off @ minumum, flat at center, +6 dB maximum
Crossover frequencies 300 Hz and kHz
Manual swept filter
Flat at center, CCW = High-cut, CW = Low-cut
4th order, adjustable Q

Session Inputs:
RCA Inputs:
Max Input 4 Vrms
A-weighted DR 114 dB
Analog to Digital Converters
AKM High Definition Audio
24-bit PCM, 48 kHz
Digital to Analog Converters
AKM High Definition Audio
24-bit PCM, 48 kHz

Digital Signal Processing:
32-bit, floating point, double precision
A-weighted Dynamic Range (unity gain)
ADC, 114 dB
DAC, 114 dB
Single CD Input to any Analog Output, 111 dB
Single CD Input to USB Output, 114 dB
Single USB Input to any Analog output, 114 dB

USB Ports
Two Device Ports
Two powered Hub Ports
+5V @500mA
Connect RT01 Controller
Auto-switch HUB ports between USB-A and USB-B
Determined by Input Selection
USB 2.0 Class-compliant Audio and MIDI
No driver needed for MAC
Universal ASIO driver for windows
24-bit PCM, 48 kHz SR
USB Port Audio for USB-A and USB-B

Record:
Deck-1 Pre L/R
Deck-2 Pre L/R
Deck-1 Post L/R
Deck-2 Post L/R
Mix L/R
Mics L/R
Session L/R

Playback:
Deck-1 L/R
Deck-2 L/R
Sampler L/R

Two Mic Inputs

Mic-1 Features
XLR/TRS Combo Jack
Mic/Line Select on Rear Panel
Dynamic Mic, Analog Gain 30dB, Max Input 0.126 Vrms
Line, Analog Gain 4.75 dB, Max Input 2.3 Vrms
ON/OFF switch
Press to toggle on/off
Press and hold to enable auto talk-over
Duck level = 10 dB
Gain Trim: Off to +20dB (unity at center)
Tone Control
One knob tilt tone control
Max boost/cut = 10 dB
Echo Effect (Mic-1 Only)
Echo enable button on top plate
Echo Depth Control on Front Panel
Mic-2 Features
XLR/TRS Combo Jack
Mic/Line Select on Rear Panel
Dynamic Mic, Analog Gain 30dB, Max Input 0.126 Vrms
Line, Analog Gain 4.75 dB, Max Input 2.3 Vrms
ON/OFF switch (front panel)
Toggle on/off
Gain Trim (front panel)
Off to +20dB (unity at center)
On front Panel
Tone Control (front panel)
One knob tilto tone control
Max boost/cut = 10 dB
Line Outputs
Balanced XLR Main Output
Frequency Response Flat 20 to 20 kHz (+/- 0.2 dB)
Maximum Output, 8 Vrms
THD+N, 0.002%, 1 kHz, 4 Vrms
Balanched TRS Booth Output
Frequency Response Flat 20 to 20 kHz (+/- 0.2 dB)
Maximum Output, 8 Vrms
THD+N, 0.002%, 1 kHz, 4 Vrms
Unablanced Session Output
Frequency Response Flat 20 to 20 kHz (+/- 0.2 dB)
Maximum Output, 4 Vrms
THD+N, 0.02%, 1 kHz, 2 Vrms
Headphones
1/4" TRS and mini 3.5mm TRS Jacks
Max ouput voltage, 4V, (no load)
THD+N @ 2Vrms = 0.003%
Power Into 50 ohms, 96mW
Turn on/off muting
Universal AC Mains Power Supply
AC Input: 100 to 240 AC, 50/60 Hz, 30 watts

Minimum System Requirements
Operating System:
macOS High Sierra 10.13
macOS Sierra 10.12
Mac OS X 10.11
Windows 10
Windows 8.1
Windows 7

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MRP:$1,577.75 SAVE 17%
 1 in stock $1,316.22
Technics SL-1500C Direct Drive Hi-Fi Turntable (silver) Technics SL-1500C Direct Drive Hi-Fi Turntable (silver) Technics SL-1500C Direct Drive Hi-Fi Turntable (silver)
 
Turntable system featuring the latest coreless direct drive motor for high-precision stable rotation - silver
Notes: The technologies acquired through the development of the SL-1200 Series and the high-end SL-1000R model were lavishly inserted into the motor drive unit, a key part of the turntable. The motor exclusively tunes the single-rotor, coreless direct drive motor adopted by the SL-1200GR in order to read the high rotation accuracy and high-precision signals of the record. Optimal motor control is conducted for the inertial mass of the two-layer structure platter on which the vinyl record is placed with deadening rubber on the entire back surface to eliminate unwanted resonance in the aluminium die-cast platter to eliminate the rotation irregularity called cogging. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The insulator is comprised of a spring and rubber to provide optimal vibration-damping characteristics. The tonearm is a static-balance universal S-shape tonearm, another Technics tradition. By adopting a high-precision bearing using the same gimbal suspension construction and machined housing as the SL-1200 Series, high initial sensitivity is achieved. In addition, reliability has been improved by incorporating a removable power cable and gold-plated terminals, which have less sound quality degradation, for the PHONO and LINE terminals.

Complete Turntable with a Built-in Phono Equalizer and Cartridge In order to enjoy playing analogue records more comfortably, the SL-1500C features a built-in phono equalizer and bundled cartridge. There is no need to separately prepare either one, making it easy to link with a wide range of audio equipment. The shield structure of the built-in phono equalizer suppresses the effects of external noise and noise from the power supply. It is also equipped with a switch to turn the LINE output off when it is not being used. The turntable has been designed to thoroughly shut-out adverse effects to the PHONO output. The dedicated power supply for the PHONO output terminal is isolated from the power supply for the LINE output terminal, and has been designed to prioritize sound quality by minimising the wiring of the PHONO signal. The isolated terminals also prevent wiring mistakes. An Ortofon 2M RED cartridge, which is highly acclaimed as an MM cartridge, has been selected for the bundled cartridge. Combining this high-quality cartridge with the performance of the SL-1500C will maximise the sound quality of vinyl records.

When the tonearm reaches the end of the record, the Auto Lifter function automatically raises the cartridge. This prevents unnecessary wear on your valuable vinyl records and stylus. By embedding the Auto Lifter function in the base portion of the tonearm, it eliminates impacts to the tonearm. Due to a simple design that doesn't use motor power, there is no electrical or vibrational impact and it will not prevent the movement of the tonearm. In response to requests from many users regarding the Auto Lifter function, a design that prioritises sound quality was adopted. The functions required to playback records were kept to a bare minimum, achieving simple and easy-to-use operability.

The SL-1500C sports a simple design without unnecessary frills, while retaining the superb operating feel that is a Technics tradition. The attractive appearance lets you enjoy playing records to your heart's content.
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 3 in stock $1,082.34
Alpha Recording System MODEL1100 2-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL1100 2-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL1100 2-Channel Rotary DJ Mixer (red, 25th anniversary limited edition)
Cat: 995339 Rel: 26 Jan 24 • View all DJミキサー
 
2-channel rotary DJ mixer, 25th anniversary limited edition to 100 units
Notes: Celebrating a quarter of a century for ARS, the Model 1100 gets a red makeover. Same two-channel design with elite audiophile quality. Limited to 50 units worldwide.

Supplier's Notes:
MODEL1100 RED LE Music Mixer

2 channel table top mixer

MODEL1100 RED LE(broadcast mixer) Music Mixer
ARS Anniversary limited edition red face model

ARS MODEL 1100 DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .
A long time in the development phase, this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.


It is designed with purist ideals with only essential features.

ARS 1100 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-1100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 2 x Phono: 47K Ohm /2 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-2Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.


Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 20w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)220 x (H)250 x (D)100 mm
Front Panel Colour: Red
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 1 in stock $3,421.52
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quote 995339
Alpha Recording System MODEL9500 4-Channel Rotary DJ Mixer (red, 25th anniversary limited edition)
Cat: 995349 Rel: 31 Jan 24 • View all DJミキサー
 
4-channel rotary DJ mixer, 25th anniversary limited edition to 100 units
Notes: For Alpha Recording Systems' 25th birthday, the Model 9500 gets a limited-edition red paint job. Classic four-channel design with three-band EQ and world-class sound. Limited to 100 units worldwide.

Supplier's Notes:
MODEL9500 Music Mixer

4 channel table top mixer

MODEL9500 (broadcast mixer) Music Mixer STD

ARS MODEL 9500 DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator and 5Band Equalizer on the master.

5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Potentiometer and Switch are All ALPS. A long time in the development phase, this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.

It is designed with purist ideals with only essential features.

ARS 9500 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso and 5band EQ on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9500 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Wood is a natural material, so there may be unevenness in the wood grain. Thank you for your understanding.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.
5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 30w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)366 x (H)250 x (D)100 mm
model9500BW Unit weight:5400g
AC BOX:1100g
Front Panel Colour: Red
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 1 in stock $3,890.73
Vermona PERfourMER MKII 4-Voice Analogue Desktop Synthesiser Vermona PERfourMER MKII 4-Voice Analogue Desktop Synthesiser Vermona PERfourMER MKII 4-Voice Analogue Desktop Synthesiser
Cat: 439566 Rel: 22 Mar 12 • View all シンセサイザー
 
4-voice analogue synthesiser
Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk
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 1 in stock $1,354.76
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quote 439566
Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels) Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels) Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels) Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels) Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels)
Cat: 988075 Rel: 14 Dec 23 • View all DJミキサー
 
4-channel table top mixer
Notes: Wooden side panel version of ARS's brilliant Model9500 mixer. Four-channel rotary design with unique three-band hybrid iso-EQ plus three-band isolator and five-band master EQ.

Supplier's Notes:
MODEL9500BW Music Mixer

4-channel table top mixer

MODEL9500BW (broadcast mixer) Music Mixer Wood TYPE

ARS MODEL 9500BW DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first?3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator and 5Band Equalizer on the master.

5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Potentiometer and Switch are All ALPS .

A long time in the development phase this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.

It is designed with purist ideals with only essential features.

ARS 9500 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso and 5band EQ on the master.

The Master Isolators can be boost of cut from +18db ~ .

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ .

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9500 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Wood is a natural material, so there may be unevenness in the wood grain. Thank you for your understanding.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output :RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm

Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~.
5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 30w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)366 x (H)250 x (D)100 mm (WOOD 20MM Thickness)
Model: 9500BW
Unit weight:5400g
ACBOX:1100g
Front Panel Colour: Black
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 1 in stock $3,833.93
Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser
Cat: 880471 Rel: 10 Aug 22 • View all シンセサイザー
 
Louder, thinner and 100 times better.
Notes: Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm
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MRP:$1,892.25 SAVE 10%
 2 in stock $1,708.17
Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser
Cat: 956175 Rel: 06 Feb 24 • View all シンセサイザー
 
The development of Don Buchla's legendary modular analogue synthesiser.
Notes: Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."
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 2 in stock $5,070.89
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quote 956175
Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser
Cat: 920289 Rel: 24 Jul 23 • View all シンセサイザー
 
Expressive polyphonic synthesizer with embedded EaganMatrix sound engine.
Notes: Next-gen standalone expressive synthesizer. Add emotion & movement to your music with a simple touch.

Osmose is the new standard for musical expressivity. Use intuitive gestures to control this standalone synthesizer and upgrade your playing & production skills. Press, bend, shake, strum & more to interact with keyboards & electronic sounds in a new organic way. Whether you're a veteran keyboardist, a workflow-oriented producer, a daring sound designer, or anything in between, Osmose will take your musical journey to uncharted places.

Explore new ways to play

Behind the expressivity of Osmose lies a few natural gestures you already know well. Discover how they interact with Osmose and enhance your musicianship from the very first touch.

Design & build quality

Designed in France to stand the test of time and touring with style, Osmose is made of quality components and boasts a high repairability index.

A sound engine by Haken Audio

Made for expressivity by Haken Audio, the EaganMatrix sound engine is at home with FM, virtual analogue, and physical modeling synthesis, as well as everything in-between.

Fun to play

Easy-to-tweak presets, a playful interface, and an innovative keybed make for a fun & refreshing playing experience, for players of all levels.

Osmose's browser has been tailored to make it a hassle-free experience. It offers various filters and sub-filters based on both sound types and colours so you can find the sounds in your head quickly.

Main features:

49 Key MPE keyboard with polyphonic aftertouch
Full-size keys with 3-dimension MPE control
EaganMatrix sound engine by Haken Audio: a digital modular sandbox allowing subtractive, FM and different physical modeling synthesis
24 voices of polyphony
Assignable mod and pitch sliders
500 factory presets
128 user presets
Configuration modes: standalone synthesizer, MPE MIDI Controller, and classic MIDI Controller
Filters and sub-filters for browsing
Customisable sensitivity and velocity curves
Multi-mode MPE arpeggiator and innovative pressure glide feature
Digital stereo effects: select between reverb , mod delay, swept echo,analog echo or LPF and HPF delay
Large colour display
9 push encoders
2 Line outputs: Two 14" TS pseudo balanced line outputs
MIDI input, output, and MIDI-thru
USB MIDI
Separated 14" TRS headphone output on the front panel (with its dedicated volume knob)
2 continuous pedal inputs assignable to macro or sustain: 6.35 mm Jack
Power: External PSU with lockable connector, 12V, 1.5A, center positive
Dimensions (W x H x D): 894 x 316 x 87.5 mm / 35.2" x 12.4" x 3.4"
Weight: 8.3 kg / 18.4 lbs
Includes a software updater for new firmware and library versions
Includes a Mac/PC editor to create and edit sound
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 2 in stock $1,634.55
Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay
Cat: 1001110 Rel: 07 Mar 24 • View all シンセサイザー
 
37-key analogue paraphonic synthesiser with modular expansion bay
Notes: Keyboard version of Pittsburgh's superb Taiga synth, combining Moog-style East Coast elements with Buchla-inspired West Coast synthesis. Premium 37-key model with velocity, aftertouch and 24 HP expansion bay.

Supplier's Notes:
Modern Analogue Keyboard with Expansion Bay

Taiga Keyboard is an evolution of the award-winning Taiga synthesizer. Taiga gave users a boundary-smashing suite of unique modern Pittsburgh Modular analogue synthesizer innovations. Now in Taiga Keyboard, that same powerful suite of tools acts as a foundation in this expressive keyboard instrument.

Exploring the larger keyboard format, spreading controls out, and adding larger knobs makes sound sculpting while performing easier than ever. We've also added additional modulation sources, additional controls, a full-size 37 key premium aftertouch-enabled keybed, and a first-of-its-kind, modular expansion bay.

Taiga Keyboard oscillators

Waveforms generated by the three Taiga Keyboard oscillators stretch beyond the basic geometric shapes and sounds associated with analogue synthesis. Taiga Keyboard waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga Keyboard. Dedicated coarse and fine controls deliver maximum flexibility & control over the full range of each oscillator.

The "Pittsburgh Filter"

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga Keyboard's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga Keyboard with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga Keyboard.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga Keyboard sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analogue delay tuned to enhance the source material by repeating it over and over. Echos utilizes a pair of bucket brigade delay chips to produce a classic voltage-controllable analogue delay effect that helps to place the sounds of Taiga Keyboard in a simulated environment.

Open Architecture

Taiga Keyboard has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga Keyboard is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 64 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Modular Expansion Bay

Staying true to our modular roots, we've added a 24hp powered eurorack Modular Expansion Bay that lets you personalize your Taiga Keyboard to your sound and performance needs. Simply remove the metal plate that covers the bay and add eurorack compatible modules. The modular bay helps you make Taiga Keyboard's sound completely your own.

Complete Set of Modular Tools

Taiga Keyboard includes a host of fully modular, analogue, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga Keyboard toolset is deep enough for any type of sonic exploration.

Keybed and additional MIDI control

Taiga Keyboard as its name would suggest, has an integrated 37 key keyboard with aftertouch, as well as pitch bend and modwheel. The keyboard can be used as a separate USB / Din MIDI controller using the Local On/Off modes.


Taiga Keyboard's key range can be easily changed using the dedicated octave up and down buttons that are located adjacent to the pitch bend and modwheel.

Taiga Keyboard features and other info:

Paraphonic synthesizer with unique additive elements
37 note aftertouch equipped keybed with full-sized keys
Fully patchable - use Taiga Keyboard's components as separate modules with external devices or reroute its internal patching.
24hp powered Eurorack Modular Expansion Bay
64 point patch bay for rerouting internal signal flow and integrating external sound and modulation sources
Controllable via MIDI, CV, and integrated pseudo random sequencing mode
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MRP:$1,498.86 SAVE 13%
 2 in stock $1,299.02
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Technics SL-1210GR2 Direct Drive DJ Turntable System Technics SL-1210GR2 Direct Drive DJ Turntable System Technics SL-1210GR2 Direct Drive DJ Turntable System Technics SL-1210GR2 Direct Drive DJ Turntable System
Cat: 971569 Rel: 19 Oct 23 • View all DJ turntables
 
Direct drive DJ turntable system
Notes: Second-generation version of the updated Technics GR series turntable, now with improved motor control. Black SL-1210 version offers subtle style paired with precise, accurate sound.

Supplier's Notes:
The improved motor-drive circuit centered on the newly developed ?S-Drive (Delta Sigma Drive) thoroughly suppresses any minute vibrations generated from the motor. This is the first stage of Technics' new generation of direct drive turntables that aim for further improvements in sound quality.

Features

New Motor-Drive System, AE-Drive (Delta Sigma Drive)

The AE-Drive is a new system that applies Technics' expertise in PWM signal processing. In addition to reducing high harmonics, the new drive suppresses vibrations from the motor for smoother, more accurate rotation, ensuring a rich reproduction of the music.

The First Stage of The New Generation of Technics' Direct Drive Turntables

Since inventing the world's first direct drive turntable, Technics has continued to work to improve sound quality. It has now developed the ?S-Drive, which suppresses minute vibrations from the motor and improves the electromagnetic conversion accuracy of the cartridge. The first stage of direct drive turntable systems featuring this technology is the SL-1200GR2.

Coreless Direct Drive Motor Achieving Stable Rotation

In 1970, Technics commercialised the world's first direct drive turntable, and the system took the world by storm. Unlike belt drive and other systems, direct drive systems rotate the motor at low speed and directly drive the platter, thus providing numerous advantages, such as the almost complete absence of degradation in S/N ratio due to motor vibration and deceleration mechanisms, as well as high reliability over a long period time because of not requiring parts replacement.

And in 2016, Technics developed the twin-rotor, surface-facing, coreless direct drive motor with rotor magnets placed on both sides, thereby eliminating the rotation irregularity of the motor, referred to as "cogging," which was a unique issue for direct drive systems. This motor was adopted for the SL-1200G, which once again drew a significant response in the hi-fi market. The SL-1200GR2 inherits the same design philosophy with the new development of a single-rotor, surface-facing, coreless direct drive motor, resulting in the elimination of cogging.

Multi-Stage Silent Power Supply

Low-Noise Switching Circuit

Use of a high-speed switching power supply ensures a stable supply capacity and less ripple and humming. Applying a switching power supply to a turntable eliminates the need for a large transformer and countermeasures for the ensuing mechanical vibrations.

A switching frequency of above 100 kHz limits the impact of noise on the music playback bandwidth.

Current Injection Active Noise Cancelling

This technology combines a noise detection device with an error amplifier. It detects residual noise in the power supply and applies an inverse phase current to remove noise components. It removes low frequency noise more effectively than a regulator to ensure a more ideal power supply.

Pursuing Rigidity and Vibration Damping Characteristics

The platter achieves high rigidity and vibration damping characteristics by using a two-layer construction with deadening rubber applied to the entire rear surface of the aluminium die-cast to eliminate the unnecessary resonance that is otherwise relayed to the record, thereby producing clear sound.

To increase the inertial mass and reduce vibration, the shape of the aluminium die-cast portion was optimized by simulation. At 2.5 kg (including the rubber mat), the SL-1200GR2 platter is 0.8 kg heavier than that of the previous SL-1200MK5. Also, the back surface of the platter has strengthening ribs added to improve rigidity. Increasing the surface area of contact with the deadening rubber achieves damping characteristics that are more than twice those of the SL-1200MK5.

Tonearm Achieving High Initial-Motion Sensitivity

The tonearm tracks the rotation of the record and enables reading with high precision, and the tonearm inherited by Technics is the traditionally used static-balance universal S-shaped tonearm, employing an aluminium pipe with excellent light weight and rigidity for the material of the tonearm pipe.

With its gimbal suspension construction, the tonearm bearing section uses a cut-processed housing that employs high-precision bearings, as in the SL-1200G and SL-1200GR. The high initial-motion sensitivity of 5 mg or less is achieved through manual assembly and adjustment by skilled Japanese artisans. This enables the grooves etched into the records to be accurately traced.

In addition, one type of auxiliary weight comes included, and the cartridge can be swapped with a variety of other cartridges to match the music genre or feeling. (Applicable cartridge weight when using the supplied auxiliary weight: 10 - 16.4 g (not including the supplied head shell)

Specs

Size and Weight

Height: 173mm
Width: 453mm
Depth: 372mm
Weight: 11.5kg
*Approx.

Coreless direct drive motor achieving stable rotation
AE-Drive suppresses vibrations from the motor for smoother, more accurate rotation
Low-noise, low-voltage power circuit and a switching power supply
Two-layer platter with high rigidity and vibration damping
Tonearm achieving high initial-motion sensitivity
High-rigidity body and high-damping silicon insulators for smooth sound and isolation from various vibrations

Turntable Section

Drive Method: Direct Drive
Motor: Brushless DC motor
Turntable Speeds: 33-1/3, 45 and 78 rpm
Pitch Adjustment Range: +/-8% and +/-16%
Starting Torque: 2.2 kg/cm
Build-up Characteristics: 0.7 s. from standstill to 33- 1/3 rpm
Braking system: Electronic brake
Wow and Flutter: 0.025%?W.R.M.S.
Turntable Platter: Aluminium diecast
Diameter: 332mm
Weight: Approx. 2.5kg (Including a rubber sheet)

Tonearm Section
Type: Static Balance
Effective Length: 230mm
Overhang: 15mm

Tracking Error Angle
Within 2- 32' (at the outer groove of 30cm(12") record)
Within 0- 32' (at the inner groove of 30cm(12") record)
Offset Angle: 22-
Arm Height Adjustment Range: 0 - 6mm
Stylus Pressure Adjustment Range: 0 - 4g (Direct Reading)
Headshell weight: Approx. 7.6g

Applicable Cartridge Weight Range (without auxiliary weight): 5.6 - 12.0g
3.1 - 9.5g (using cartridge spacer)
14.3 - 20.7g (including head shell)
(with auxiliary weight) 10.0 - 16.4g
7.5 - 13.9g (using cartridge spacer)
18.7 - 25.1g (including head shell)

Cartridge Mounting Dimension: 12.7 mm (1/2") interval
Head Shell Terminal Lug: 1.2mm 4-pin terminal lug

Terminals

Audio Output
PHONO (Pin Jack) x 1
EARTH TERMINAL x 1

General

Power Supply: AC220-240 V, 50/60 Hz

Power Consumption
11 W (ON)
0.3 W (OFF)
Dimensions (W x H x D): 453 x 173 x 372 mm
Weight: Approx. 11.5kg
Operating temperature range: 0C to +40C
Operating humidity range: 35% to 80% RH (no condensation)

Accessories: Turntable, Turntable sheet, Dust cover, EP record adaptor, Balance weight, Auxiliary weight, Cartridge spacer, Head shell, Overhang gauge, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Owner's Manual

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MRP:$1,892.25 SAVE 10%
 3 in stock $1,708.53
Buchla LEM218 v3 USB & MIDI Keyboard Controller With Polyphonic Aftertouch
Cat: 980388 Rel: 13 Dec 23 • View all MIDIキーボード
 
29-key USB & MIDI keyboard controller with polyphonic aftertouch
Notes: Buchla's touch-sensitive keyboard updated for the 21st century. Third-generation version offers expressive control for Buchla, MIDI and Eurorack. Iconic.

Supplier's Notes:
Though our lives are dominated by touchscreens, when it comes to music, there's still a lot of magic in capacitive touch control. Don Buchla was one of the first to apply this technology to electronic music in the Buchla 112 module. The non-traditional sounds were controlled with a futuristic interface. This fantastic idea met many iterations in Buchla history: the Music Easel, 400, 700, Thunder, and 223 all employed touch technology.

Buchla USA is proud to present the third iteration of one of the most used touch interfaces, the 218, as the LEM218v3: The 218e version3 Lunar Excursion Module. The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been updated with a new foundation of stable, modern electronics and plenty of inputs and outputs to integrate with your Buchla, MIDI, and Eurorack gear.

Capacitive Magic

The incredible sensitivity and accuracy of the redesigned touch bed means the lightest touch will produce triggers and control voltage for your setup. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience.

As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the LEM218 a uniquely expressive controller for all your synthesizers. The configurable touchstrip adds a fantastic addition for pitch bend or as an additional modulator to patch into your system.

MIDI Polyphony, Velocity & More!

More than just MIDI compatible, the LEM 218 v3 gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel. Send the LEM some MIDI, and it gets converted to voltages and gates for eurorack and Buchla control.

Get More For Your Euro

Even if you don't have any Buchla products, the LEM 218 v3 is designed to work with your Eurorack-compatible gear. Four 3.5mm jacks output 1v/octave pitch, 0-8 volts pressure, touchstrip voltage, and gate outputs for use with Eurorack equipment. Or, combine your Euro with your Buchla instruments. If NATO can do it, so can you. The sound design possibilities will blow your mind.

Arpeggiate

A pulse input allows the arpeggiator to be driven by external inputs and are allowed to interact with the automated notes to make the pattern more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising.

Control

The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control

Set It Up Your Way

Such a unique device will spark many ideas. With easy front panel configuration, you can quickly customize the velocity and pressure sensitivity, MIDI channel, knob behavior, and more. No cumbersome software setups, just simple settings with the keys and knobs, and you're ready to play.
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 1 in stock $1,295.86
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quote 980388
Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface
Cat: 875391 Rel: 22 Jun 22 • View all 自宅スタジオ用ミキサー
 
TX-6 is a professional 6-channel mixer with a multi-functional audio interface.
Notes: A tiny powerhouse of a mixer and audio interface. High-end electronics crammed into a compact, battery-powered format, featuring six stereo inputs, MIDI and Bluetooth support.

Supplier's Notes:
Ultra-portable pro-mixer and audio interface

TX-6 is an ultra-portable, battery-powered mixer and multi-channel audio interface. Comparable to larger units, but with even more tech packed into one sturdy little machine.

Mix 6 stereo input channels, use tempo sync, discover the internal synthesizer and sequencer or use the built-in tuner. MFi compatibility even lets you connect to your ios devices.

The smallest of its kind.

Tx-6 features a 6 channel stereo mixer with a configurable knob layout. Choose to have the three-band EQ at your fingertips, or customize each knob to control whichever setting you prefer. With more than meets the eye, TX-6 is packed full of features and connectivity options.

Battery powered

The rechargeable battery holds for about 8 hours. For energy efficiency, the display automatically goes to sleep when not in use, and led strength is completely adjustable.

Synthesizer & sequencer

TX-6 also functions as a portable synthesizer and sequencer with 4 oscillator waveforms and 4 synthesized drum sounds. Use tempo sync to stay on the beat.

8 built-in effects

Explore send effects like reverb, chorus and delay, and creative effects freeze, tape, filter, and distortion. Each channel has a three-band EQ and adjustable compressor.

Quality and engineering

TX-6 is a sturdy little machine. Encased in CNC aluminium with 2k moulding, custom-made encoders and faders, and custom PCB - engineered for portability.

Wireless connectivity

With BLE, you can use TX-6 as a wireless controller for other BLE MIDI devices or trigger and sync the internal synth and sequencer from other sources.

Super slimline cables

High quality, slimline cables custom-made for tx-6. The narrow profile allows you to use all 6 channels at once and makes for an easy pack down.

Customizable interface

When you're ready for the studio, use tx-6 as a 12 channel audio interface and connect to any daw over USB-C. MFi also allows you to connect to ios devices.

DJ mode

Turn TX-6 on its side and use it as a DJ mixer. Turn channel 1 into a fader to crossfade between the channel 5 and 6 so you can fade or cut between the two.

6.35 + 3.5 mm output

Connect your audio output through 3.5 mm mini jack or use the included and removable 6.35 mm jack to 3.5 mm mini jack adapter.

Field bags

Designed to fit TX-6 field mixer and constructed in heavy duty fabric and hardware, field bags are designed for durability, ready to be used out in the field.

Multitrack elegance.

The first portable pro-mixer that can be used as a multi-functional 32-bit 48khz audio interface that has an instrument tuner, built-in digital FX, synthesizer and drum machine.

Connect to your daw for 12 channel multitrack recordings. Use the internal synth and sequencer, or control them via external midi device. With MFi you can even connect to your ios device.inputs and outputs.

Specifications

Inputs and outputs.

32-bit/48kHz USB interface
3.5 mm mini jack to 6.3 mm jack
Headset mic input
Aux output
Connect to iPhoner, lightning cable
Stereo or mono for each input

Dimensions and weight

90 mm (102 mm with adapter) x 62 mm x 23 mm
160 g / 5.6 oz

Electrical characteristics
Audio inputs:
Impedance: 10 kOhm
Analog gain: 0 - 42 dB
Max level 8 dBu, 2 Vrms
TLV320ADC3140 burr-brown
SNR ~ 102 dBA
Audio output (main and aux):max level 8 dBu, 2 Vrms
Cirrus Logic Master Hifi CS43131
SNR > 120 dBA
Audio output (cue):max level 2 dBu, 1 Vrms
Cirrus logic CS47L35SNR > 110 dBA
Handling
Ambient working temperature: 0-50-C (32-122-F)
Ambient storage temperature: 0-30-C (32-86-F)

Clean the shell of the unit with a microfibre cloth. Use pressurized air to remove dust from the faders.

To keep the battery healthy, the unit should be charged at least every 6 months. If not used for a long time, it may not charge again.
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 1 in stock $1,039.21
UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser
Cat: 945397 Rel: 20 Nov 23 • View all シンセサイザー
 
20-voice dual layer polyphonic binaural analogue hybrid synthesiser with super-wave technology
Notes: Stacked with up to 20 voices of polyphony, the Super Gemini boasts an immensely powerful sound engine where a performance isn't just a single sound, but an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Spectrally rich digital hardware oscillators of unique construction, decorated with a plethora of expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past. The result is a core- sound that is rich, evolving, engaging and addictive.

Stacked with up to 20 voices of polyphony, each performance is an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Unique spectrally rich digital hardware oscillators, decorated with expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past.

Matching sonic innovation with tactility, the Super Gemini is equipped with a 61-note semi-weighted keybed with polyphonic aftertouch, in addition to a custom engineered ribbon sensor for individual note articulation and a gestural way to explore your sound. With 256 performance and patch slots, 64 interchangeable waveforms and 16 sequences, you can safely store and edit your sounds without concern.

As the second synth in the 'Super' series, the Gemini represents a quantum leap in UDO's technology - building on the acclaimed rich sound pioneered by George Hearn and the Super 6. Adopting a true-stereo Binaural signal path with dual FPGAs and twin effects processors, Gemini will take you on an adventure of spectral dynamics, of glittering frequency and shattering subharmonics, of comfort and discord, expectations and surprises.

Duality in control

Equipped with dual synth-control levels, the Super Gemini gifts you with comprehensive and immediate control over multiple patches/timbral layers, calling out for you to tweak, mold and transform your performances in an unprecedented real-time form. This is a synth that opens new heights of powerful and immediate play.

The power of play

With a total of 20 voices, the option to split and stack patches, each with its own individual arpeggio or sequence, and an uncompromisingly powerful sound engine, the Super Gemini allows you to push sonic boundaries and to explore the acclaimed UDO sound to the fullest.

Inspired by the classics built for today

Super Gemini fuses a state-of-the-art FPGA digital architecture with archetypal voltage-controlled synthesizer technology. This harmonious marriage of old and new encompasses all that is great from the era of classic analogue polyphonic synthesizers, yet in an unparalleled form factor which is immensely powerful, flexible, and reliable.

Binaural synthesis

Employing a true-stereo signal path, the Super Gemini twins its 20 voices to form 10 'super voices'. As a result, the left and right channels, and each of your ears, are assigned a complete synthesizer voice. This empowers UDO's championed warm analogue tone, and enables you to create extremely dynamic spatial sounds.

Unlimited expression

Featuring a custom-designed ribbon controller and a 61-note semi-weighted keyboard with polyphonic aftertouch, the Super Gemini will enhance your musicianship from the first touch, opening up new ways for you to explore and express your sound.

True no-compromise build quality

Forged entirely from aluminium and steel, the Super Gemini is undeniably robust. Equipped with an array of superior quality mechanical controls, the Super Gemini is engineered for reliability and service. As a loyal workmate and companion, this instrument is designed to stand the test of time.
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 1 in stock $3,664.58
Koma Elektronik Komplex Sequencer
Cat: 570602 Rel: 05 Feb 16 • View all Sequencers
 
Step sequencer built around four 16-step sequencers communicating via both MIDI and CV/Gate.
Notes: Powerful step sequencer built around four well-equipped full-featured 16-step sequencers communicating via both MIDI and CV/Gate. There are no screens or submenus.

All features have their own dedicated controls and have their own dedicated in- and outputs on the large 87-point patch bay. Every aspect of this sequencer is CV-able. Lastly a seven bank CV Recorder is on board and can output up to 5 banks at once!

The Komplex Sequencer opens up a whole new world of creative possibilities and starts where other sequencers have stopped!

Our step sequencer lets you construct complex musical patterns, via both MIDI and CV/Gate. Built around four full-featured 16-step sequencers in a compact and light enclosure, the Komplex Sequencer is a powerful tool both live and in the studio. All features have their own dedicated controls; no screens or submenus, and all features have their own dedicated in- and outputs on the large 87-point patch bay. By patching both internal and external CV sources through the patch bay of the Komplex, you can control any parameter of the sequencer immediately and "sequence the sequence." Controls include Speed, Sequence Length, Gate Length, Play Mode, Glide, Division, Transpose, Repeat, Sequence Start Point and Skip. Additionally, the sequencer can vary output range and also has a quantizer on board operable in different scales.

And not only is the sequencer compatible with almost any synthesizer with CV/Gate, MIDI note, velocity and CC information can also transmitted by any of the four sequencers. Lastly a seven bank CV Recorder is on board and can output up to 5 banks at once! The Komplex Sequencer opens up a whole new world of creative possibilities and starts where other sequencers have stopped.

CV Inputs
Clock, Rec Clock, Transpose, Start, Stop, Skip Step, Sequence Start Point, Repeats, Seq Length, Gate Length, Play Mode, Glide, Division, CV Recorder (CV In, Clock, Start, Bank Up/Down)

CV Outputs
CV Out, Gate Out, Start Of Sequence, End Of Sequence, Clock, CV Recorder CV Out (A, B, C, D and CV)

Sequencer Controls
64 Sliders and Step Select Buttons, Speed, Sequence Length, Gate Length, Play Mode, Glide, Division, Quantizer and Scale, Output Range, One-Shot Mode, Play/Pause and Stop, Global Play/Pause and Global Stop

Section Controls
Repeat Set, Mode Menu, Skip Step, Glide, Sequence Start Point, Gate

MIDI
MIDI In, MIDI Out, MIDI Clock Out (1 trigger per quarter note)

CV Recorder
Banks A, B, C and D available at corresponding sequencer patch bay outputs. All 7 banks selectable at CV Recorder CV Out by the Select control or Bank Up/Down inputs. CV is recorded and clocked through the CV Recorder CV and Clock inputs or Sequencer Rec Clock inputs.

Extra Features
Mode Menu (Skip Step Mode, Repeat Mode, Unipolar/Bipolar CV Output, MIDI Message, MIDI Channel, MIDI CC) and Firmware Updates

Casing:
Powder coated aluminum casing, silk screened printing and wooden side panels.

Dimensions
46.2 cm x 29 cm x 4 cm (L x W x H)
18.2" x 11.4" x 1.6" (L x W x H)

Net Weight
3.2 kg / 8.8 lb

Shipping Weight:
4.5 kg. / 9.9 lbs including power adapter and instruction manual.

Power Requirements:
9VDC power adapter. Only use the KOMA adapter shipped with the unit.

Accessories
Included: dust cover, manual and power supply unit.
Rackmount kit available separately
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 3 in stock $1,804.95
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Alpha Recording System MODEL3500LE Limited Edition 2022 Crossover Alpha Recording System MODEL3500LE Limited Edition 2022 Crossover Alpha Recording System MODEL3500LE Limited Edition 2022 Crossover
Alpha Recording System MODEL3500LE Limited Edition 2022 Crossover (3-band crossover with two variable frequency controls)
Cat: 852540 Rel: 04 Nov 21 • View all DJミキサー
 
An innovative frequency isolator with adjustable crossover frequency control.
Notes: 2022 production run for ARS's excellent DJ crossover. LE version features adjustable frequency knobs on the front panel for added versatility. Also available as the standard Model 3500 or 3500B with booth volume control.

Supplier's Notes:
Limited modified model

Model 3500LE

3 band crossover

Two variable frequencies controls are installed on the front panel.

ARS Model-3500 is an innovative frequency isolator with adjustable crossover frequency control.

Users can adjust the crossover point to choose which frequency ranges of "LOW", "MID" and "HIGH" should be emphasized for their preferences and music genres.

Maximum Boost 18dB provides the users to be well aware of changes and is good for protection of speaker systems.

Volume curve is designed with insistence on quick attack and sharp response.

Its simplified design minimizing all possible sound degradation.

ARS MODEL-3500 provides superior controls for DJs to react to each different scenarios, giving more characteristics to their performance.

* HI/MID/LOW frequencies are completely separated giving each independent level controls.

Each band frequencies can be controlled the range of +18db to -infinity.

* Two variable frequencies controls are installed on the Front panel.

One is for adjusting the LOW/MID crossover point, the other is for the MID/HI crossover point.

Due to the feature of being able to set the midrange frequencies narrow or widen, the MODEL 3500 can be functional any musical genres.

* For the input sources, either RCA unbalanced jacks or XLR balanced jacks (2HOT) can be connected.

* For the output sources, both RCA unbalanced jacks and XLR balanced jacks can be connected simultaneously since both jacks has independent output circuits.

* Knobs have brims on the center point to easily identified the center with a little light in the clubs.

* 100 mm width intervals between knobs give smooth operation to improve DJ performance

* No power switch avoiding accidentally turning power off while playing.

* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Bypass:
Frequency Response: +-1dB 20Hz-20Khz
Input: RCA Unbalanced Impedance 20K Ohm/ XLR Balanced Impedance 40K Ohm

Output:
RCA Unbalanced Impedance: 600 Ohm / XLR Balanced Impedance 50 Ohm
Maximum Output Level: +20 dB
Crossover Type: Low Mid Hi 3 Band 18dB Octave / Crosspoint: Variable, Low Mid: 50Hz-500Hz / Mid Hi: 1KHz-10Khz
Crossover/Bypass Switch: Selector switch on the right of the front panel(*Silver front panel color type doesn't have this feature)
Power Requirement: (2 Types) US-115V/EU-230V(Selectable) JP-100V 50/60Hz
Power Consumption: 10w
Dimensions: Front Panel 1U (W)482x(H)44x(D)195mm
Front Panel Colour: Black
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 1 in stock $1,155.96
Soma Laboratory Pulsar-23 Organismic Drum Machine (orange)
Cat: 855508 Rel: 23 Nov 21 • View all ドラムマシン
 
A multi-functional analogue synthesiser and generator of complex rhythmic patterns.
Notes: PULSAR-23 is an organismic drum machine designed by Vlad Kreimer. It has a semi-modular structure and consists of 23 independent modules. PULSAR can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage and powerful analog FX processor.

The PULSAR functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination.

Additionally, PULSAR offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations. PULSAR continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.

PULSAR available in orange, black and white colours.

Please note that Pulsar is an experimental analog synth that means that it has some small noise and bleeds that can't affect your studio production or live performance but can be hearable in some modes. If you need a perfect silence and isolation of sound modules, using digital hardware is 100% recommended.

Specs

Range of input and output CV and audio signals: 0 to + 10V
Main output voltage swing: 2V
1/4 inch jack: 7 total
Mini-jack (for Eurorack connection): 8 total
MIDI input: standard DIN socket
Headphone output: 3.5 mm mini-jack
Supply voltage: 12 volts (plus in the center)
Consumption current: 0.3 amperes
Weight: 4 kg
Dimensions: 380 x 280 x 80 mm

What's in the box:

PULSAR-23
PSU
22 multi-colour cables with alligator clips 65cm
8 multi-colour cables with alligator clips 30cm
High-quality handmade bag for transportation
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 1 in stock $1,695.17
Soma Laboratory Pulsar-23 Organismic Drum Machine (zanzibar blue)
Cat: 856138 Rel: 24 Dec 21 • View all ドラムマシン
 
A multi-functional analogue synthesiser and generator of complex rhythmic patterns.
Notes: Blue version of Soma's weird and wonderful 'organismic' semi-modular synth. Ideal for drum and percussion synthesis but also suitable for melodic sounds, FX and more. Unique.

Supplier's Notes:
Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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 1 in stock $1,695.17
Mayer-EMI MD900 Extended Virtual Analogue X-VA 16-Voice Polyphonic Desktop Synthesiser Mayer-EMI MD900 Extended Virtual Analogue X-VA 16-Voice Polyphonic Desktop Synthesiser
Cat: 864703 Rel: 06 May 22 • View all シンセサイザー
 
MD900 extended Virtual Analog (XVA) Desktop Synthesiser.
Notes: An absolute powerhouse of a synth with 16-voice polyphony, stereo architecture and a four-part multitimbral digital sound engine. Built-in sequencers, sample playback and effects make it a true all-rounder.

Supplier's Notes:
MD900 is a polyphonic desktop synthesizer, multitimbral with 4 parts. A polyphony of up to 16 voices are shared by the 4 multi-timbral parts. All of these 4 parts have their own effect stack [Mod-Delay (flanger, chorus, vibrato), Reverb, Tube-AMP, EQ, LP-Filter, DYNAMIC (Limiter) , Stereo Delay ...].

The overall audio path is stereo. Rationally, the oscillator, mixer filter, amps and effects are all in stereo.

Four independent arpeggiator und step sequenzer assigned to each of the four synth parts. The trigger sequencer may trigger the built in transient sample player (Drum Kit .wav) or send triggers to MIDI-Out (USB-DIN or USB-MIDI)

The housing is made of aluminum with real walnut wood on the front and back.

All components are industrial grade. On the operator panel we use precision potentiometer with aluminum covered knobs.

For some parameter entries we use endless encoder without rest.

This kind of encoders feels like a potentiometer.

All of this feels very valuable and it feels great to work with.

The MD900 XVA engine is patch compatible with the M800-R2 synthesizer.

Overview Firmware OS:

The XVA-Sound Engine of the MD900 runs on top of a Linux OS with real time extensions. The overall boot time is < 30 sec.

All contents like Wavetable-, Sample-files, preset and sub-preset files are stored on the internal filesystem.

The filesystem is accessible over ethernet (USB-Lan Adapter).

Managing presets, samples, wavetables configurations & updates are possible and easy to handle.

Operation Panel:

The operation panel gives you real time control to the major voice parameters with a dedicated knob. All parameters are accessible via touch-display and the endless rotary encoders. The part (timbre) has to be selected to alter the parameter on the dependent timbre.

The module specific info display gives the necessary detailed feedback on the parameter changes.

Specifications

Dimensions: 460mm x 295mm x 65mm
Power: External 15V DC power brick 50W
Audio In : 6.3mm stereo jack
Audio Out: Left 6.3mm mono jack, right/left 6.3mm stereo jack
Headphone: 6.3mm stereo jack
MIDI DIN: 1x Midi Input, 1x Midi Output, 1x Midi through
USB 2.0: 2x Hot connect for USB/Ethernet, USB-Midi Host
Pedal SW: 1x Pedal switch input 6.3mm jack
Volume pedal: 1x Standard expression pedal
TFT Display: 5" 800x 480 Colour (24bit) capacitive touch display.
Frontpanel: 37x Potentiometer, 12x linear slider, 12x endless encoder, 30x switches, 42x Leds
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 1 in stock $3,221.77
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Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser
Cat: 868984 Rel: 10 Mar 22 • View all シンセサイザー
 
The Iridium Keyboard is a 49-key FATAR TP/8SK semi-weighted polyphonic aftertouch pressure-providing keyboard synthesiser.
Notes: A true powerhouse of a synth, packaging the Quantum synth engine into a more manageable four-octave design. Five synthesis modes, powerful stereo filters, performance features and outstanding playability.

Supplier's Notes:
Waldorf Iridium has made the impossible possible. The mighty synth engine from Quantum is now available in a compact form. Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:
12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.

The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Specifications
16-voice polyphony, duo-timbral
Compatible with the Waldorf Quantum synth engine

3 Oscillators
Oscillator Modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM at audio rate)

3 Stereo Filters per voice
True stereo path
Dual Digital Filter:
Two filters with independable modes
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Digital Former:
Filter models from Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filter
Bitcrusher
Drive
RingMod
StateVariable mode
Analyzer displayed in Filter view
Filter curve moves when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Modulators:
6 Envelopes
6 LFOs
Komplex Modulator (LFO/Envelope combination with user-definable shape)

Mod Matrix:
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Pads:
4x4 silicon pad matrix with RGB backlights
Pads can play notes, chords, arpeggios and sequences
Latch mode

Performance features:
Arpeggiator
Step sequencer with up to 32 steps for notes and parameters
Favourites screen for quick patch recall
Onscreen Mod Wheel, Pitch Bend and Aftertouch

Screen:
Industrial-grade highly responsive touch screen

Patches:
Over 1000 factory sounds
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum can be loaded and vice-versa
Category filter for patch list
2GB user sample flash memory

Connections:
2x TS output
2x TS input
Headphones output with Gain control
DIN MIDI In/Out/Thru
USB MIDI
USB host for storage and MIDI devices
MicroSD slot
Kensingtonr lock

CV connections:
4 CV inputs plus Gate In, Trigger In, Clock In, Clock Out
Inputs can be used as modulation sources in the Mod Matrix

Overall:
Sturdy metal case with aluminium knobs

Dimensions: 440mm wide by 305mm depth by 85mm height (including controls)
Weight: 5.4kg
19" rack assembly parts available
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MRP:$2,624.32 SAVE 10%
 1 in stock $2,365.58
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Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard
Akai Professional MPC Key 61 Standalone MPC Synthesiser Keyboard (music production centre synthesiser keyboard)
Cat: 883406 Rel: 23 Jun 22 • View all シンセサイザー
 
61-key standalone MPC synthesiser keyboard
Notes: *** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.


The Power of Sound

Introducing the Akai Professional MPC Key 61, the revolutionary new standalone production synthesizer keyboard powering the next chapter of the MPC legacy. Building on the history of powerful sequencing and revolutionary sampling, MPC Key 61 adds the most advanced next-generation virtual instruments and effects to MPC, adding to its arsenal of industry-leading music production tools. And now, with the addition of a 61-key semi-weighted keybed with aftertouch, the MPC experience ascends to an unprecedented level of creative interaction and expression, delivering the world's most powerful and complete standalone workflow.

Breaking Sound Barriers

Inside MPC Key 61, experience a new dimension of sound like never before. Powered by 25 plugin instrument engines at your fingertips, and with over 6000 cutting-edge presets, MPC Key 61 delivers the most modern-day sound pallet ever programmed in a production synthesizer. Each plugin instrument features advanced synthesis, deep parameter editing, and modern effects developed for a truly inspiring musical experience-all designed with a fast and vibrant touch interface for an intuitive and compelling workflow. Immerse yourself in a world of sound.

Keys to Expression

The MPC Key 61 features an incredibly expressive and playable semi-weighted keybed with aftertouch to drive its world-class sounds with dynamic responsive control. With players and producers in mind, technology and artisanship were combined to breathe inspiration into every performance. The MPC Key 61's keybed is designed to deliver the highest performance experience possible connecting the dots between sound and feel. The 16-velocity sensitive RGB pads on MPC Key 61 are the same award-winning pads as the MPC One. In addition to the iconic MPC pads are the renowned Time Correct, Swing, and Quantize features of MPC that continue to endure as mainstays of modern music production.

Plugin to a World of Effects

MPC Key 61 includes over 100 state-of-the-art effects ready to load across your music productions for mixing and mastering. Insert lush and spacious Reverb & Delay effects to your tracks, add bounce and punch to your drums and mix using modern or vintage style compressors and limiters. Experience plugin FX like never before only inside MPC Key 61. MPC Key 61 is the world's first production synthesizer incorporating modern day vocal FX plugins which can also be used for the most creative sound design.

Touch Strip and Hands-on Control

The onboard assignable Touch Strip Controller is a catalyst for new ways to control, create and interact with your own signature sounds. Dedicated Pitch Bend and Modulation Wheels mean an added touch of expression to elevate your compositions. Bend the notes of your synth and lead sounds in Fabric XL, add gentle vibrato to your stringed instruments in Session Strings, or dial in the speed of the Organ's rotary Leslie cabinet and hear your parts swell with a wide chorused tremolo.

Specifications

Keys: 61 semi-weighted, full-size keys with aftertouch

Pads: (16) velocity- and pressure-sensitive pads, RGB-backlit, (8) banks accessible via Pad Bank buttons

Knobs + Performance Controls: (4) 360- touch-sensitive Q-Link knobs for parameter adjustment, (1) Touch Strip multi-function 5.5" (140 mm) touch-capacitive controller with LED indicators 360- encoder for display navigation and selection via push, (2) Pitch Bend and Mod Wheel, (3) 270- knobs for gain, mix & level adjustment

Buttons: (44) dedicated-function buttons

Display: 6.9" / 176 mm (diagonal), 5.9" x 3.7" / 150 x 93 mm (width x height), Full-colour LED-backlit display with touch interface

Memory: RAM 4 GB, Storage 32 GB (user storage, 13 GB pre-installed content), 4 GB (MPC operating system), 15+ GB free-space for user storage expandable via SATA connections

Power: Via IEC (Included), Auto Switching Internal Power Supply (100-240v)

Connections: (2) XLR+1/4" (6.35 mm) TRS inputs (Input 1/2) (w/ XLR Mic Preamps), (4) 1/4" (6.35 mm) TRS outputs (2 stereo pairs), 1/4" (6.35 mm) stereo headphone output, (1) 5-pin MIDI input, (1) 5-pin MIDI output, (1) 5-pin MIDI thru, (8) 1/8" (3.5 mm) CV/Gate outputs, Ethernet Network port, USB Type-A ports, (1) USB Type-B port

Other Controls: (2) Line | Instrument switches +48v Phantom Power switch 1/4" (6.35 mm) TRS Footswitch jacks (Sustain + FS2) (Variable and switch compatible) 1/4" (6.35 mm) TRS Expression Pedal input
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MRP:$1,756.56 SAVE 16%
 2 in stock $1,467.02
Technics SL-1500C Direct Drive Hi-Fi Turntable (black) Technics SL-1500C Direct Drive Hi-Fi Turntable (black) Technics SL-1500C Direct Drive Hi-Fi Turntable (black) Technics SL-1500C Direct Drive Hi-Fi Turntable (black)
 
Turntable system featuring the latest coreless direct drive motor for high-precision stable rotation - black
Notes: The streamlined hi-fi option of the new Technics SL series, based on similar technology to the SL-1200 GR model but with no pitch control, just rock solid Technics sound at a good price.

Supplier notes:
The technologies acquired through the development of the SL-1200 Series and the high-end SL-1000R model were lavishly inserted into the motor drive unit, a key part of the turntable. The motor exclusively tunes the single-rotor, coreless direct drive motor adopted by the SL-1200GR in order to read the high rotation accuracy and high-precision signals of the record. Optimal motor control is conducted for the inertial mass of the two-layer structure platter on which the vinyl record is placed with deadening rubber on the entire back surface to eliminate unwanted resonance in the aluminium die-cast platter to eliminate the rotation irregularity called cogging. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The insulator is comprised of a spring and rubber to provide optimal vibration-damping characteristics. The tonearm is a static-balance universal S-shape tonearm, another Technics tradition. By adopting a high-precision bearing using the same gimbal suspension construction and machined housing as the SL-1200 Series, high initial sensitivity is achieved. In addition, reliability has been improved by incorporating a removable power cable and gold-plated terminals, which have less sound quality degradation, for the PHONO and LINE terminals.

Complete Turntable with a Built-in Phono Equalizer and Cartridge In order to enjoy playing analogue records more comfortably, the SL-1500C features a built-in phono equalizer and bundled cartridge. There is no need to separately prepare either one, making it easy to link with a wide range of audio equipment. The shield structure of the built-in phono equalizer suppresses the effects of external noise and noise from the power supply. It is also equipped with a switch to turn the LINE output off when it is not being used. The turntable has been designed to thoroughly shut-out adverse effects to the PHONO output. The dedicated power supply for the PHONO output terminal is isolated from the power supply for the LINE output terminal, and has been designed to prioritize sound quality by minimising the wiring of the PHONO signal. The isolated terminals also prevent wiring mistakes. An Ortofon 2M RED cartridge, which is highly acclaimed as an MM cartridge, has been selected for the bundled cartridge. Combining this high-quality cartridge with the performance of the SL-1500C will maximise the sound quality of vinyl records.

When the tonearm reaches the end of the record, the Auto Lifter function automatically raises the cartridge. This prevents unnecessary wear on your valuable vinyl records and stylus. By embedding the Auto Lifter function in the base portion of the tonearm, it eliminates impacts to the tonearm. Due to a simple design that doesn't use motor power, there is no electrical or vibrational impact and it will not prevent the movement of the tonearm. In response to requests from many users regarding the Auto Lifter function, a design that prioritises sound quality was adopted. The functions required to playback records were kept to a bare minimum, achieving simple and easy-to-use operability.

The SL-1500C sports a simple design without unnecessary frills, while retaining the superb operating feel that is a Technics tradition. The attractive appearance lets you enjoy playing records to your heart's content.
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 1 in stock $1,066.85
ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required)
Cat: 930740 Rel: 21 Apr 23 • View all シンセサイザー
 
The new ARP Odyssey FS Kit offers enthusiasts the unique opportunity to assemble this iconic synth with no technical knowledge or soldering required.
Notes: Full-scale kit version of the legendary ARP Odyssey, reissued by Korg. Simple DIY assembly with no soldering required, replicating the iconic sound of an analogue classic.

Supplier's Notes:
With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary. The new ARP Odyssey FS Kit offers enthusiasts the unique opportunity to assemble this iconic synth with no technical knowledge or soldering required. The kit features the same analogue circuitry as the original ARP Odyssey FS, complete with a full-sized keyboard and the option to switch between filters from all three historical revisions.

The Synth Odyssey

Originally produced by ARP in 1972, this iconic two-oscillator analogue synth can be heard on tracks from Abba, Herbie Hancock, Devo, Jean-Michele Jarre, Ultravox, Jon Lord, Yellow Magic Orchestra and more. With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary.

In 2015, ARP's history was thrust into the spotlight with the revival of the ARP Odyssey. This was just the beginning. From the ARP ODYSSEY FS with its full-size keyboard, to the long awaited ARP 2600 FS and ARP 2600 M, ARP synths once again stand at the forefront of the modern music scene.

Build the legacy

Staying true to the ARP Odyssey FS, this build-it-yourself kit uses the same analogue circuitry, preserving the original warm and rich sound. The kit also features the original specs of the Rev. 3 model with a full-size keyboard and a iconic black panel design with orange lettering.

To help simplify assembly, a pictorial guide is included and no technical knowledge (or soldering) is needed! To commemorate the unique experience of building it yourself, it is distinguished from any other ARP Odyssey with its own unique serial number engraved into an elegant metal plate.

Control

The original PPC (Proportional Pitch Control) based on a rubber pad has been reproduced. Press the rubber pad with your finger to control pitch bend or vibrato depth in proportion to the pressure.

A portamento slider and transpose switch are included, and you can even use a switch to select the way in which Rev1 and Rev2/3 of the original ARP Odyssey differ as to whether portamento is applied the moment that you operate the transpose lever.

Connect

The ARP Odyssey FS Kit is a versatile analogue synthesizer with multiple connectivity options. It has both 1/4" jack and XLR outputs, an audio input jack for external processing, and a headphone jack for self-feedback. The instrument also features CV, GATE, and TRIG jacks for sending and receiving analog signals, and includes both 1/4" and mini-size patch cables. Additionally, it has a MIDI IN connector and USB MIDI port for connection to a computer or other MIDI device. The GATE OUT and TRIG IN jacks can be connected to play legato without triggering the EG.

Specs

Keyboard: 37-note (Standard key or Full size key, No velocity sensitivity, No aftertouch)
Maximum Polyphony: 2 voices for duophonic; normally monophonic

Controllers
Transpose Positions: 2 octaves down, normal, 2 octave up
Proportional Pitch Control: b (Pitch down) Pad: about -2 / 3 octave; - (Modulation) Pad; # (Pitch-up) Pad: about +2 / 3 octave

Noise Generator: Noise Spectrum Types (white and pink)

Portamento: Maximum Speed: about 0.01 msec./oct; Minimum Speed: about 1.5 sec./oct

VCO (Voltage Controlled Oscillator)
Waveforms: Sawtooth, Square, Pluse (Dynamic Pluse)
Frequency Range: VCO-1 in low freq. mode, 0.2 Hz - 20 Hz; VCO-1 and VCO-2 (audio range) about 20 Hz - 20 kHz
Warm Up Drift: 1/30 semitone from turn on max
Pulse Width: 50 % - 5 %
Pulse Width Modulation: ADSR, +45 % - LFO, +15 %
Voltage Controlled Response: 1 V/oct
Maximum Frequency Shifts: LFO sin wave, +1/2 oct., LFO square wave, +1.5 oct., ADSR, +9 oct. - S/H, +2 oct.
* VCO-1 is low note priority, VCO-2 is high note priority.

VCF (Voltage Controlled Filter)
Types: Low pass (I: 12 dB/oct., II III: 24 dB/oct.)
Frequency Range: 16 Hz - 16 kHz
Maximum Usable Q: 30
Resonance: 1/2 - self oscillate
Voltage Controlled Response: C3 key (left edge): 0 V, C6 key (right edge) 3 V

VCA (Voltage Controlled Amplifier)
Dynamic Range: 80 dB

Ring Modulator
Type: Digital
Input Signal: VCO-1, VCO-2 (square wave)

Sample & Hold
Command Sources: Keyboard or LFO trigger
Sampled Signals: VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noise

ADSR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Decay Time: 10 msec. - 8 sec.
Sustain Level: 0 - 100 % or Peak
Release Time: 15 msec. - 10 sec.

AR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Release Time: 10 msec. - 8 sec.

Control Input Jacks
Pedal: 6.3 mm monaural phone jack
Portamento Foot Switch: 6.3 mm monaural phone jack

Audio Output Jacks LOW
Connector: 6.3 mm monaural phone jack
Maximum Output Level: -20 dBu@ 10 k ohm load
Output Impedance: 10 k ohm

Audio Output Jacks HIGH
Connector: XLR connector
Maximum Output Level: +4 dBu@ 1 k ohm load
Output Impedance: 330 ohm

Headphones Jack
Connector: 6.3 mm stereo phone jack
Maximum Output Level: 50 mW + 50 mW@ 33 ohm load
Output Impedance: 10 ohm
* Controllable by volume knob.

External Audio Input (Ext Audio Input) Jack
Connector: 6.3 mm monaural phone jack
Maximum Input Level: -10 dBu
Input Impedance: 22 k ohm
MIDI Connector: IN
USB Connector: Type B

CV IN/OUT Jacks
Keyboard CV (IN/OUT):
1 V/oct.
Connector: 3.5 mm monaural phone jack

GATE IN/OUT Jacks
GATE IN: +3 V (minimum)
GATE OUT: +10 V, key down; 0 V all keys up
Connector: 3.5 mm monaural phone jack

TRIG IN/OUT Jacks
TRIG IN: +3 V pulse min., 10 ?sec. Duration minimum
TRIG OUT: +10 V pulse on key depression, 10 ?sec. Duration
Connector: 3.5 mm monaural phone jack

Power Supply: AC adapter (DC 12V) + power cable
Power Consumption: 7.1 W
Dimensions (W x D x H): 585 x 466 x 163 mm / 23.03" x 18.35" x 6.42"
Weight: 7.3 kg / 16.09 lbs.
Included Items: AC adapter (DC 12V), power cable, phone cable, mini-phone cable
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MRP:$1,787.06 SAVE 41%
 1 in stock $1,050.78
Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller Rane DJ Four Advanced 4-Channel Stems DJ Controller
Cat: 931138 Rel: 15 Mar 23 • View all DJコントローラ
 
Advanced 4-channel controller designed for creative DJ performances with RANE’s industry-leading build-quality and signature sound.
Notes: Designed for seamless integration with Serato and the Stem-Split feature, the Four is Rane's flagship controller. Clever compatibility options let you add vinyl, CDJs and other controllers like the Rane Twelve or Denon LC6000.

Supplier's Notes:
Designed for creativity, built to last

The FOUR brilliantly combines the latest in performance-focused DJ technology with RANE's tried-and-true build and industry-leading sound quality. The result is a bulletproof, great sounding, feature-packed DJ controller that will unleash exciting new levels of creativity in your DJ sets and livestreams. With never-before-seen features like STEM-SPLIT, Performance Pad OLED displays, and a new dynamic internal FX engine, the FOUR is the world's most advanced 4-channel Stems DJ controller.

Harness the power of Serato stems

RANE and Serato have a long history of creating ground-breaking DJ products together, dating back to the RANE SL1 box in 2004. The RANE FOUR takes this partnership to the next level by melding the industrial-grade build and sound quality of RANE hardware with the powerful new Stems capabilities of Serato DJ software. The result is a next-level DJ controller with unprecedented Serato Stems control. A dedicated Stems Pad Mode, Instrumental and Acapella buttons, and RANE's exclusive STEM-SPLIT feature provide you with the ultimate Stems workflow and experience to fully elevate your creativity as a DJ.

New levels of creative FX

The newly designed internal FX suite features 22 paddle-triggered, fully customizable Main FX and 4 knob-controlled Channel FX for adding flavour and personality to individual Stems elements and tracks. This robust FX suite features traditional FX classics like Reverb and Echo and exhilarating new additions including Scale Down, Recycler, Riser, and more. The Channel FX section offers dynamic, hands-on manipulation of 4 knob-controlled FX including Filter, Filter Roll, Noise, and Flanger. The RANE FOUR also allows you to switch seamless back and forth between the built-in hardware FX and Serato's software FX, providing limitless options for any style of DJing.

Four channels of performance possibility

The 4-channel mixer section features full EQ control and intuitive FX assignment options, plus 2 external Line/Phono inputs for external turntables or decks. The FOUR is DVS-enabled and unlocks both Serato DJ Pro and Serato Pitch 'n Time when connected to laptop running the latest version of Serato. Enhanced Sampler routing options allow you to control the Sampler volume via a dedicated knob, or assign the audio to Channel 4 so that you can layer FX on top of your DJ drops, instruments, and other samples. The quick-access deck selection buttons allow for swiftly switching platter control between software decks, and the FOUR also supports external modular decks like the RANE TWELVE MKII and the Denon DJ LC6000 for a full physical 4-deck mixing experience.

Focus on your performance, not your laptop

The 8 OLED displays above the Performance Pads on each deck offer visual feedback for all pad modes, making it easier than ever to see the function of each pad without having to look at the computer. See Cue, Loop, and Sample names as well as Roll and Loop lengths, beat divisions, Pitch Play tuning, and Stem elements and FX.

The best static platters... ever

The 8.5" capacitive jog wheels were designed to be the smoothest and most accurate static jog wheels available on a DJ controller. A central colour display indicates play head position, BPM, pitch percentage, pitch range, overview waveform with Hot Cue markers, song key, time, loop size, deck selection, Beat Jump length and more.

Trusted Rane quality

The RANE FOUR is the only 4-channel DJ controller built to RANE's rigorous standards. Solid, bulletproof construction, MAG-FOUR crossfader with curve adjustment and channel assignment switches, aluminium FX toggles, and industry-leading sound quality and connections ensure that the RANE FOUR will always perform like a champ, no matter what.

Technical Specifications

Digital Audio

Converters: Cirrus Logic, 24-bit PCM, 48 kHz
Digital Signal Processing: 32-bit, Floating Point, Double precision
Dynamic Range (A-weighted, unity gain): ADC: 113 dB DAC: 113 dB
CD Input to Analog Output: 110 dB
CD Input to USB Output: 113 dB
USB Input to Analog Output: 113 dB

Connections

(2) XLR / 1/4" (6.35 mm) TRS inputs (Mic 1-2)
(2) RCA stereo input pairs (Deck 3-4)
(2) XLR outputs (Main)
(2) 1/4" outputs (Booth)
(1) RCA stereo output pair (Main)
(1) 1/4" (6.35 mm) TRS output (Headphones)
(1) 1/8" (3.5 mm) TRS output (Headphones)
(2) USB Type-B ports
(2) USB Type-B ports

Audio Outputs

Main Outputs (XLR):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Main Outputs (RCA stereo pair):
Maximum Output: 4 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Booth Outputs (1/4"):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Headphone Outputs (1/4"/6.35 mm and 1/8"/3.5 mm TRS):
Maximum Output: 4 Vrms Voltage: (no load)
Output Power: 50 mW (50 ohms)
Dynamic Range (A-weighted): 108 dB

Audio Inputs

Microphone 1/2 (Combo XLR/1/4" [6.35 mm] TRS):
Analog Gain: 25 dB
Maximum Input: 110 mV
Gain Trim: Off to +26 dB (unity at center)
Tone Control: 2-band

Line/Phono Inputs 3/4 (RCA stereo pairs, switchable):

Line: Line
Maximum Input: 4 Vrms
Gain Trim: Off to +12 dB
Tone Control: 3-band, full-cut to +10 dB
THD+N (20 kHz BW @ 1 kHz: 0.004%

Phono: RIAA
RIAA Curve: +/-0.25 dB
Gain (@ 1 kHz): 31.5 dB
Maximum Input (@ 1 kHz): 106 mV
Dynamic Range (A-weighted): 102 dB

Pads: (16) on/off multi-colour back-lit pads (8 per deck, 9 modes each
Wheel Displays: (2) 320 x 240 Colour LCD's
Pad & FX Displays: (9) 128 x 32 Monochrome OLED's
Faders: (1) MAG FOUR tension-adjustable crossfader with contour, (4) Standard channel faders

Power:
Connection: IEC
Voltage: 100-240 V, 50/60 Hz
Consumption: 20 W

Dimensions (width x depth x height):
Dimensions (width x depth x height): 30.8" x 15.9" x 4.2" / 782.32 x 403.8 x 106.6 mm
Weight: 18.25 lbs./8.27 kg
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MRP:$1,577.75 SAVE 13%
 2 in stock $1,366.33
RME FireFace UFX III 188-Channel USB 3.0 MADI Interface RME FireFace UFX III 188-Channel USB 3.0 MADI Interface RME FireFace UFX III 188-Channel USB 3.0 MADI Interface
 
188-channel USB 3.0 MADI interface.
Notes: Ultra-high-quality audio interface with unbeatable versatility. Up to 94 channels I/O, 64 MADI channels, DSP and extensive digital options including two optical ADAT I/Os.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
RME Fireface UFX III: The Flagship Multi-channel Interface

The Fireface UFX III is a powerful all-in-one solution for modern recording studios, live audio playback systems and multi-channel location recording rigs, handling up to 188 channels (94 Inputs / 94 Outputs) with ease.

Unprecedented flexibility and compatibility combines with RME's famous low latency hardware and driver designs, guaranteeing flawless operation for any multi-channel recording application, whilst the inclusion of DURec (Direct USB Recording) provides extensive options for backup recordings and stand-alone operation.

The ultimate professional tool for multi-track recording, mixing and mastering, the RME Fireface UFX III is packed with professional features including:

USB 3.0 (full 94 channel I/O Class Compliant; USB-C compatible)
SteadyClock FS
Powerful integrated DSP
TotalMix FX
TotalMix Remote
DURec (Direct USB Recording)
MADI I/O (64 channels)
And support for the Advanced Remote Control USB (sold separately)

Powerful USB 3 Performance

The front panel of the Fireface UFX III provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I/O, and a USB port.

In combination with the DURec function (Direct USB Recording), the USB port allows independent recording of selected input and output signals (up to 80 channels) to a connected USB storage medium.

The rear panel reveals the full connectivity of the Fireface UFX III. Besides another MIDI I/O, the two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analogue outputs with line level (including XLR stereo monitor outputs) are available.

With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Furthermore, the Fireface UFX III offers an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connectors (BNC) work as additional coaxial MADI input and output if required.

Comprehensive MADI Connectivity

The Fireface UFX III opens the doors to a host of RME and 3rd party digital and analogue I/O solutions.

Expanding your analogue channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.

To further enhance MADI flexibility, the Fireface UFX III boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analogue plus 16 ADAT plus AES), the MADI I/O is still available via RME's integrated hardware mixer TotalMix FX.

Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial.

SteadyClock FS - FemtoSecond Clocking Technology

The RME Fireface UFX III also features RME's latest digital clocking and jitter rejection technology, 'SteadyClock FS'.

Originally developed for RME's award-winning ADI-2 Pro FS range of high-end converters, SteadyClock FS reduces intrinsic jitter to a new all-time low, when converting to and from analogue over all digital formats.

All clock modes provide excellent performance and astonishingly high-quality analogue conversion, allowing you to hear your mix exactly as it is.

What's more, RME's digital format conversion occurs without any loss to the signal, and SteadyClock FS ensures your sonic image will never experience any kind of degradation, ensuring the soundstage is replicated to the fullest depth and clarity.

Powerful Applications for Mixing, Monitoring and Measurement included

The Fireface UFX III comes with the TotalMix FX DSP mixer, offering comprehensive routing and monitoring options for all analogue and digital audio channels, as well as the DIGICheck Analyzer, which allows users to measure and analyze digital audio data feeds (in both directions) with maximum precision.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, including main monitors, submixes, and headphone mixes for musicians.

A free companion app, TotalMix Remote is a network-controllable remote for TotalMix FX, enabling control over interface's hardware mixer and effects from another Mac, PC or iPad, including wirelessly over Wi-Fi.

TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real time.

DC-Coupled Outputs - CV/Gate Voltage Control

Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.

Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.

All of the Fireface UFX III's line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware.

USB 3 Class Compliant Audio

The Fireface UFX III operates in two different modes: driver-based and Class Compliant.

Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions, allowing for Plug 'n' Play operation of the Fireface UFX III. No proprietary drivers are required, the device will be directly recognised when the CC firmware is loaded.

The Fireface UFX III is RME's first audio interface with full USB 3.0 support in Class Compliant Mode. This makes all channels available in driverless operation for Linux, Mac and iPadOS.

An iPad Pro with USB-C can manage up to 94 channels for recording and playback in TotalMix FX for iPad and on system level.

ARC USB Remote Control (sold separately)

The ARC USB is an optional remote control for the Fireface UFX III, along with all other RME devices that use TotalMix FX.

15 user-assignable illuminated buttons, one encoder wheel, and a TS jack (for connecting a foot switch) provide access to all of the most used functions of TotalMix FX.

The ARC USB can be connected directly to the Fireface UFX III via the second USB port on the back of the interface, or directly to a USB port on a Mac or PC.

Operating as a UAC 1 class device, the RME ARC USB is natively compatible with Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX III.

DURec (Direct USB Recording)

DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX III records on USB thumb drives or hard drives with up to 2 TB capacity.

The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks.

Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software.

General Specifications

Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts
Idle power consumption: 19 Watts
Typical power consumption: 22-25 Watts
Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5")
Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
Total depth: 240 mm (9.4")
Weight: 3 kg ( 6.6 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing

Included Accessories:

Cable USB 3.0, 1.8 m (6 ft), USB-A/B
Cable USB 3.0, 1.8 m (6 ft), USB-C/B
Optical cable
4 rubber feet, self-adhesive
Power cable
Printed Manual
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MRP:$2,734.77 SAVE 11%
 1 in stock $2,438.15
Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer With Crossfader Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer With Crossfader Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer With Crossfader
Cat: 936504 Rel: 03 Apr 23 • View all DJミキサー
 
Rackmount 4-channel rotary DJ mixer wth crossfader.
Notes: The successor to the outstanding Model 4100, this updated four-channel, rack-mounted design offers exceptional audiophile sound quality. Hand built in Japan.

Supplier's Notes:
ARS MODEL 4200 DJ Mixer is a Japanese made, All hand-crafted DJ mixer.
It is the result of a pursuit for pure sound quality.
It is designed with purist ideals with only essential features.
It gives a focus on the role of DJ mixers as the "music mixing tool".

Avoiding all other features that are the source of sound deterioration.
On the rotary faders, Alpha Recording System selected original custom curve to deliver smooth and intricate mixes between 4 Channel - 3 Phono, 5 CD/Line, inputs.
Strikingly smooth operation feel.
Offering thick punchy bass and fine high-frequency sound, an overall sound character of MODEL 4200 is warm and deep.
Simple design, with front panel offered in 2 colours; Silver and Black.

* No power switch avoiding accidentally turning power off while playing.
* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm

Headphone Monitor Switch: Cue-Mix/Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: Front Panel 2U (W)482.6x(H)88x(D)200 mm
Front Panel Colour: Black
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MRP:$3,539.42 SAVE 20%
 1 in stock $2,838.90
Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser
Cat: 945441 Rel: 23 May 23 • View all シンセサイザー
 
Bitmask synthesiser.
Notes: Unique digital instrument based on bitmask synthesis and resonant filters. Raw and distinctive tones, with notes interacting in unorthodox ways.

Supplier's Notes:
Expressive & Characterful

The Kodamo MASK1 is a musical instrument focused on the interaction between the player and the keyboard. With its exclusive Bitmask engine combined with resonant filters, the MASK1 makes raw, gritty and ethereal sounds that respond in incredible ways to your playing style.

It's not just the notes

Most synths just play the notes you press. Kodamo went a bit further, by looking at how the notes interact with each other. Only by playing the keyboard, you can control when the attacks are triggered, how notes are tied or separated from each other, or if they should keep resonating or stop each other like if they were played on the same string on a stringed instrument. You will discover new ways of playing the keyboard.

Built with love

The MASK1 uses a high quality, 5-octave Fatar keyboard with velocity and aftertouch. It's fully made of painted metal, with two ALPS knobs and 23 KAILH mechanical switches. Everything is assembled in France with high attention to detail. A lot of time was spent on selecting parts and suppliers to balance price and work ethics, while always aiming for the highest quality.

For live and studio players

With its compact size and light weight, the MASK1 will easily fit in your studio and is ideal for gigs. It remembers settings between sessions. With its unique sound, premium keyboard and MIDI connectivity, it can become the main keyboard of your setup.

Explore the sounds

The MASK1 invites you into a zen and relaxed sound exploration. Press a button, turn the knob and listen how the sound changes. The MASK1 is designed to have very few parameters, but well-thought ones. The Bitmask synthesis engine makes rich and warm sounds ranging from classic analogue tones to voice-like formants, glitchy 8-bit noises and ethereal pads. Sounds are fully editable and can be stored in one of the 400 user memory slots. They can be transferred to your computer and shared with other people.

What is Bitmask synthesis?

Bitmask synthesis is the method the MASK1 uses to generate its sound. Internally, oscillators do only have one waveform. Various tones are created by applying what is called a bitmask. This is a technique inherited from computing, which alters a number by masking some of its digits. Here, this technique was adapted to make sound. Bit-masking creates complex wave shapes that are full of harmonics and give the MASK1 its sonic character.

Specifications

Synthesis type: Bitmask, subtractive
Polyphony: 10 voices with optimized allocation
Multitimbrality: 4 parts (5 in layered/split mode)
Oscillators: 2 bitmask per voice with 256 masks each, transpose and detune
Noise: 1 per voice with programmable sample-and-hold frequency
Filter: 1 per voice, two poles (12dB/oct) state variable, self-resonant with pitch tracking and 4 modes (low, high, band pass, notch)
Envelopes: 4 loopable ADSR per voice (osc1, osc2, noise, filter), 3 delta-decay (osc1 mask, osc2 mask, pitch)
LFO: 2 per part with 7 waveforms and noise, delay, decay and 16 destinations
Arpeggiator: 26 patterns with adaptive or fixed chords, latchable, retrig or pitch change modes. Arp do send note events to MIDI out.
Looper: Up to 10000 events, unlimited duration, single track. Records notes, pitch bend, mod wheel, aftertouch and sustain pedal.
Effects: Two stereo effects in series. First effect: chorus, phaser, distortion, bitcrusher, tremolo and ring mod (64 types). Second effect: delay, comb filter, reverb, room simulations and distortion (48 types)
Modulations: Velocity (6 destinations), modulation wheel (16 destinations), aftertouch (16 destinations), LFO1 and LFO2 (16 destinations each)
Play modes: Polyphonic, monophonic, slurred, mono portamento on legato, paraphonic, hybrid poly-mono on legato, slurred paraphonic, mono retrigger, poly retrigger
Split: Configurable split point, balance between voices, transpose, panning and tuning
Layer: Configurable balance between voices, transpose, panning and tuning
Misc: Voice pan spread, polyphonic portamento, keyboard envelope rate scaling
Memory: 120 factory presets, 400 user voices. EEPROM-based (no battery required)
Audio outputs: 2 balanced 1/4" TRS jack, pro audio level with +/-12V internal power supply, 1/4" jack headphones
MIDI: 2 DIN (in, out), class-compliant USB type B, SysEx voice transmit/receive, CC-mapped voice parameters
Keyboard: 61 full-size keys, weighted Fatar action with 6 velocity curves and 6 aftertouch curves
Controls: 23 buttons, 2 rotary encoders, pitch bend wheel, modulation wheel
Display: 4-digit red display
Pedal input: Sustain, 1/4" TS jack, adaptive polarity
Tuning: 400-470Hz. 6 temperaments including arabic tuning.
Size: 89 x 26 x 8cm including knobs and feet.
Weight: 7.5kg
Power: External 12V DC adapter, AC 100-240V in
Chassis: Powder-coated, screenprinted steel. Light grey (RAL 9002) colour
Sides: Black ABS
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 1 in stock $2,067.90
Click for better price!
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quote 945441
RME FireFace 802 FS 60-Channel 192 kHz High-End USB 2.0 Audio Interface RME FireFace 802 FS 60-Channel 192 kHz High-End USB 2.0 Audio Interface RME FireFace 802 FS 60-Channel 192 kHz High-End USB 2.0 Audio Interface
 
60-channel 192 kHz high-end USB 2.0 audio interface
Notes: Upgraded FS version of the Fireface 802 features improved digital connectivity and DC-coupled analogue outputs. Same TotalMix DSP, high-end pre-amps and low-latency conversion as the original version.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, designed for users who require stability and ultra-low latency operation, as well as an unrivalled professional feature set.

Alongside 60 channels (30 inputs / 30 outputs) of analogue and digital I/O, the Fireface 802 FS benefits from newly developed analogue and digital circuitry with improved performance, as well as a host of professional features.

Like all RME audio interfaces, the Fireface 802 FS benefits from TotalMix FX, RME's digital high-end mixer and signal router. Driven by powerful DSP with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller, TotalMix FX offers powerful, flexible control of all audio channels.

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 FS from the iPad, without any computer. The easy-to-use app includes metering for all 60 channels plus effects bus, different setup screens, and complete control of all features.
A high-end recording, mixing and mastering solution, the RME Fireface 802 FS is packed with professional features including:

DC-Coupled Outputs
SteadyClock FS
Class Compliant Operation
Powerful integrated DSP
TotalMix FX
TotalMix Remote
Support for the Advanced Remote Control USB (sold separately)

Enhance Your Recording Setup - Discover Unmatched Flexibility

The Fireface 802 FS benefits from ultra-low latency operation thanks to RME's renowned USB driver technology and driver stability. SteadyClock FS jitter suppression, individually switchable reference levels for all inputs and outputs and identical operation on Windows PC and Mac completes the package.

The Fireface 802 FS is based on a newly developed analogue and digital board. While the analogue board offers DC-coupled analogue outputs as well as new AD and DA converters, the digital board also enables interesting new features thanks to updated high-tech components.

The front panel of the Fireface 802 FS provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals and two stereo headphone jacks with +17 dBu output level, to provide high volumes even with hi-impedance headphones.

The rear panel reveals the full connectivity of the Fireface 802 FS. As well as MIDI and Word Clock I/O, the Fireface 802 FS is equipped with two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analogue line-level inputs and outputs.

With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Users will also find a USB A port for connecting directly the optional ARC USB, offering tactile control of TotalMix FX.

Professional High-Transparency Preamps

The Fireface 802 FS features four crystal-clear preamps with ultra-low latency converters, using the classic technology of the OctaMic II, a high-end preamp providing supreme sonic quality.

All four preamps deliver extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response, providing a premium solution for transmitting and amplifying any audio input exactly as it is heard, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.

The four inputs on the front use balanced XLR/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required. Each channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.

The Fireface 802 FS continues RME's tradition of designing full-featured, flexible and expandable audio systems. Adding additional preamplifiers or more analogue inputs is easily done via the dual ADAT optical I/Os on the rear.

SteadyClock FS - FemtoSecond Clocking Technology

The RME Fireface 802 FS also features RME's latest digital clocking and jitter rejection technology, 'SteadyClock FS'.

Originally developed for RME's award-winning ADI-2 Pro FS range of high-end converters, SteadyClock FS reduces intrinsic jitter to a new all-time low, when converting to and from analogue over all digital formats.

All clock modes provide excellent performance and astonishingly high-quality analogue conversion, allowing you to hear your mix exactly as it is.

What's more, RME's digital format conversion occurs without any loss to the signal, and SteadyClock FS ensures your sonic image will never experience any kind of degradation, ensuring the soundstage is replicated to the fullest depth and clarity.

Powerful Applications for Mixing, Monitoring and Measurement included

The Fireface 802 FS comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DigiCheck Analyzer allowing to measure and analyse the digital data feed in both directions with maximum precision.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.

General Specifications

Power supply: Internal switching PSU, 100 - 240 V AC, 30 Watt
Idle power consumption: 15 Watts
Typical power consumption: 22 Watts
Dimensions including rack ears (WxHxD): 483 x 44 x 242 mm (19" x 1.73" x 9.5")
Dimensions without rack ears (WxHxD): 440 x 44 x 235 mm (17.3" x 1.73" x 9.3")
Weight: 2.8 kg ( 6.2 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing
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MRP:$1,893.30 SAVE 11%
 2 in stock $1,681.09
Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances
Cat: 951248 Rel: 28 Jun 23 • View all DJコントローラ
 
4-deck standalone DJ controller For computer-free DJ performances
Notes: High-end standalone system from Denon. Four-deck design with 10.1-inch touchscreen, Serato and Virtual DJ support and top-quality sound. All powered by Denon's excellent Engine DJ OS.

Update September 2023: Serato is introducing plug-and-play support from Serato DJ Pro for the Denon DJ PRIME 4+. Along with the update, excitingly, customers get to unlock this subscription for free; no cost involved!

Supplier's Notes:
Prime 4+

The world's most advanced DJ system just got even better

*** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements


Proven performance, elevated

The PRIME 4+ brings a fresh new look and next-level features to the legendary proven performance power of the PRIME 4. The world's most powerful, advanced standalone DJ system is now better than ever with a new refined look, unrivalled streaming music accessibility, new dynamic FX options, 10% larger jog wheel surface, and the ever-expanding performance features of Engine DJ including the industry's first standalone Stem separation (Stems beta starts summer 2023).

Designed for the working DJ

Made by working DJs, for working DJs. The PRIME 4 + combines the powerful creative possibilities of 4 standalone decks with unmatched professional features and rugged build quality to ensure solid DJ performances night after night and gig after gig. The 2 independent microphone mixer sections ensure that you and your MC or guests always sound their absolute best, thanks to dedicated EQ, volume, and FX controls and automatic talkover options. While commanding the main dancefloor, you can also send a secondary mix or playlist to a separate lounge or cocktail area using the Independent Zone Output, upping your flexibility and value as a working professional DJ.

Easily handle any request

Confidently approach any event or gig knowing that you are 100% prepared to tackle any guest request. With support for more music streaming partners than anyone else on the market, including Amazon Music Unlimited, the PRIME 4+ allows instant access to over 100 million tracks across all genres. The lightning-fast on-board analysis buffers streaming tracks into internal memory, ensuring uninterrupted playback of streaming tracks from any Wi-Fi source or cell phone hotspot.

Enhanced dynamic FX suite

The PRIME 4+ boasts over 25 fully customizable Main FX and 4 dynamic, knob-controlled Sweep FX so that you can unleash your full creative mixing potential. The 2 dedicated Main FX sections feature dedicated OLED displays, knobs, and buttons to dial in and manipulate the frequency, parameters, beat divisions, and wet/dry mix of the selected FX. To add even more drama and excitement to your sound, the 4 Sweep FX can be automatically engaged by turning the Sweep FX knob on each channel and can even be layered with the Main FX for endless immersive FX combinations. The expressive Touch FX transforms the 10.1" touchscreen into an XY controller that puts live FX manipulation literally at your fingertips!

Unparalleled integrated lighting control

Confusing DMX lighting programming and cumbersome controls are now a thing of the past. The Prime 4+ makes it easy to set up and execute an immersive, impressive lighting experience for any event or gig. With the on-board power of Engine Lighting, you have full access to customized or automatic light shows for saved or streaming tracks. Plus, you'll have full control over colour, dimming, chase sequence, moving head position, strobe, blackout, and even on/off control over cold spark fountains, dry ice machines, and haze or fog.

First ever standalone Stems integration

The original PRIME 4 made creative laptop-free DJing a reality. Now, the PRIME 4+ brings the insane creative power of Stems to a standalone DJ controller for the first time ever! Exclusive to the PRIME 4+, the brand-new Stems separation allows you to isolate the vocals or instrumental with the tap of a finger. The power of the multi-core processor of the PRIME 4+ combined with the formidable Engine DJ OS finally makes laptop free on-board Stems analysis a reality! (Stems beta starts summer 2023)

Technical specifications

Connections

Audio Outputs

(2) XLR outputs (master left/right, balanced)
(1) RCA output pair (master left/right, unbalanced)
(2) XLR outputs (booth left/right, balanced)
(2) XLR outputs (zone left/right, balanced)
(1) 1/4" (6.35mm) stereo output (headphones)
(1) 1/8" (3.5mm) stereo output (headphones)

Audio Inputs

(2) RCA input pairs (line-level, unbalanced)
(2) RCA input pairs (phono- or line-level, unbalanced)
(2) XLR+1/4" (6.35mm) input

Other

(4) USB ports (for USB drives, 5V, 1A)
(1) USB port (to computer)
(1) Ethernet port
(1) IEC power cable input

Audio Main Outputs

Frequency Response: 20 Hz - 20 kHz +/- 1 dB
Dynamic Range: > 117 dB (A-weighted)
Signal-to-Noise Ratio: > 93 dB (A-weighted)

Headroom

Line Input: > 15 dB
Mic Inputs: > 20bB
Outputs: > 20 dB
Channel Separation: < -90 dB (1 kHz, unity)

T.H.D.

Line/Phono: < 0.01% (1 kHz, unity)
Microphone: < 0.02% (1 kHz, unity)

Analogue Input

Microphone: -40 dBu (unity) / -60 dBu (minimum)
Line: +15dBV (minimum) / 0dBV (maximum)

Analogue Output

Main, Balanced: +20 dBu (maximum) / +4 dBu (unity)
Main, Unbalanced: +20 dBu (maximum) / 0 dBu (unity)
Zone, Balanced: +24 dBu (maximum) / +4 dBu (unity)
Booth: +24 dBu (maximum) / +4 dBu (unity)
Headphone Output: < 150 mW

Power

Connection: IEC
Voltage: 100-240VAC, 50/60Hz
Consumption: 38W~39W

Dimensions (width x depth x height)

Width x Depth x Height: 28.68 x 19.56 x 4.08" / 5728.47 x 496.82 x 103.63mm

Weight

21.34 lb./ 9.7kg
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