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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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150/482(ページ1/10)の商品
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Cat: 601625 Rel: 19 Feb 16 • View all DJ用ヘッドホン
 
Professional closed, dynamic headphones with 1.5m steel cable
Notes: As close to an industry standard as you can get. The archetypal DJ headphones: punchy, comfortable and durable. Firm favourites of countless DJs, for good reason.

Supplier's notes:
The Sennheiser HD 25 Headphones have been redesigned, featuring the iconic split headband with a single-sided connection cable and a flip-away earcup for convenient single-sided listening.

With a frequency response of 16Hz to 22kHz, an impedance of 70 ohms and a maximum SPL of 120dB, the HD 25 headphones are ideal for any monitoring application; whether broadcasting, live recording, in the DJ booth or just travelling from venue to venue.
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MRP:$161.00 SAVE 30%
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quote 601625
FORTHCOMING
His Dark Materials
His Dark Materials (180 gram clear splattered vinyl 9xLP box set)
Cat: DEMRECBOX 47.
 
Library/Archive
coming soon $118.56
FORTHCOMING
The Limited Edition Vanity Records Box Set
VARIOUS
Cat: VOD 160.
 
Experimental/Electronic
Review: VOD160.1 Salaried Man Club 'Gray Cross' (originally released as VAT1 in 1981) 36:21
VOD160.2 Kiiro Radical 'Denki Noise Dance' (originally released as VAT2 in 1981) 43:35
VOD160.3 Den Sei Kwan ?'Pocket Planetaria' (originally released as VAT3 in 1981) 33:13
VOD160.4 Invivo "B.B.B.' (originally released as VAT4 in 1981) 48:51
VOD160.5 Wireless Sight 'Endless Dark Dream' (originally released as VAT5 in 1981)
VOD160.6 Nishimura Alimoti "Shibou' (originally released as VAT6 in 1981) 47:19
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coming soon $122.73
FORTHCOMING
Recording Is The Trip: The Karen Dalton Archives
Recording Is The Trip: The Karen Dalton Archives (limited clear vinyl 3xLP + 3xCD + t-shirt, large size + MP3 download code)
Cat: BOXMEGA 30.
 
Folk/Americana
  1. It's Alright
  2. Everytime I Think Of Freedom
  3. Cotton Eyed Joe
  4. Pastures Of Plenty
  5. One May Morning
  6. Red Are The Flowers
  7. Blues On The Ceiling
  8. Run Tell That Major
  9. Down & Out
  10. Fannin' Street
  11. In The Evening
  12. Old Hannah
  13. Pallett On Your Floor
  14. Prettiest Train
  15. Mole In The Ground
  16. Darlin' Corey
  17. It Hurts Me Too
  18. Katie Cruel
  19. Blackjack
  20. No More Taters
  21. Good Morning Blues
  22. Green Rocky Road
  23. Whopee Ki Yi O
  24. Ribbon Bow
  25. Katie Cruel
  26. Little Margret
  27. Red Rockin Chair
  28. Nottingham Town
  29. Skillet Good & Greasy
  30. In The Evening
  31. It's Alright
  32. Everytime I Think Of Freedom
  33. Cotton Eyed Joe
  34. Pastures Of Plenty
  35. One May Morning
  36. Red Are The Flowers
  37. Blues On The Ceiling
  38. Run Tell That Major
  39. Down & Out
  40. Fannin' Street
  41. In The Evening
  42. Old Hannah
  43. Pallett On Your Floor
  44. Prettiest Train
  45. Mole In The Ground
  46. Darlin' Corey
  47. It Hurts Me Too
  48. Katie Cruel
  49. Blackjack
  50. No More Taters
  51. Good Morning Blues
  52. Green Rocky Road
  53. Whopee Ki Yi O
  54. Ribbon Bow
  55. Katie Cruel 5
  56. Little Margret
  57. Red Rockin Chair
  58. Nottingham Town
  59. Skillet Good & Greasy
  60. In The Evening
  61. Green Rocky Road (alternate take)
  62. One May Morning (alternate take)
  63. God Bless The Child (alternate take)
  64. Crawdad (alternate take)
  65. Trouble In Mind (alternate take)
  66. Come On Down To My House (alternate take)
coming soon $118.56
Cat: 349677 Rel: 24 Sep 09 • View all DJ用ヘッドホン
 
RPDJ1200 black finished headphones featuring folding swivel arms for improved monitoring, extended frequency response, robust build quality, a straight cable and purple writing
Notes: The Technic RP-DJ1200 headphones are very high quality DJ headphones featuring folding swivel arms for monitoring; extended frequency response; robust build quality and a straight cable.
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 More than 10 in stock $122.03
Cat: 769782 Rel: 20 Mar 20 • View all Synth module accessories
 
eurorack enclosure case
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod34X is 34HP wide and has extra room to fit even the deepest modules (2.16" / 55mm of available module depth). The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

This Pod requires a power brick (not included).

Or, if you already have a Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain power supplies.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod typically will house one or two modules, but three or more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

34 HP Eurorack modular space
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:
34HP Pod, black anodized aluminum
Extra deep (2.16"/55mm) fits virtually every Eurorack module
Built-in power supply with four Eurorack power headers
M3 x 8mm pan-head screws, stainless steel (10)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:
Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.65A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 177.3mm (6.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 34HP
Weight:
0.3 kg = 10 oz
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MRP:$153.52 SAVE 13%
 2 in stock $133.13
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Korg Volca Drum Digital Percussion Synthesiser (drum machine/percussion synthesiser)
Cat: 715951 Rel: 21 Mar 19 • View all ドラムマシン
 
Drum machine with 16-step sequencer, 6 dual-layer drum parts, MIDI input & sync I/O
Notes: Welcome to an infinitely expanding world of sound-design. Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup. The volca series is all about unique sound. Whether it's analogue, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer. Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer.

Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions.

Digital percussion synth with a 6-part x 2-layer structure:

The term "digital" typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analogue modelling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums.

The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you've assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).

Distinctive sound from a newly developed DSP engine:

Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness.

Waveguide resonator adds rich resonances:

The effect section features a waveguide resonator that's based on physical modelling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: "tube" which adds the resonance of a cylindrical object such as a drum body or a long pipe, or "strings" which adds the metallic resonance of a string. The three knobs located in the centre of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behaviour. You can take advantage of these knobs not only for sound design but also in your live performances.

16-step sequencer with a wide range of parameter automation:

The 16-step sequencer is excellent for improvisation. You can easily create patterns using the 16 buttons, each corresponding to one of the 16 steps. In addition to step recording, the sequencer also supports realtime recording in which you can construct a pattern while looping the playback. The pattern chain function lets you play multiple sequence patterns successively, so you can successively play back desired patterns of consecutive numbers. Up to 16 sequences can be connected to construct patterns with 256 steps.
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MRP:$197.20 SAVE 33%
 2 in stock $132.09
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Cat: 569573 Rel: 23 Sep 15 • View all Synth modules
 
Liquid filter Eurorack synth module
Notes: Ripples delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments' lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.

3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.

Self-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from "loudness drop" when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH/Jupiter filters, with a very round and "liquid" resonance.

The 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good "final stage" module for an inexpensive/space-constrained subtractive synthesis synth voice.

*For audio samples, please visit - http://mutable-instruments.net/modules/ripples
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 5 in stock $148.72
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Cat: 691705 Rel: 25 Jun 18 • View all Effects pedals
 
Compact, affordable pedal packed with advanced functionality & eleven reverb styles
Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone
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MRP:$174.73 SAVE 31%
 3 in stock $120.65
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Cat: 648207 Rel: 10 May 17 • View all MIDIキーボード
 
32-note slim key USB keyboard with velocity & aftertouch
Notes: Black version of our favourite little creative mini-key controller, packed with polyphonic step sequencing options, arpeggiator and neat features like chord mode. A versatile option for hardware synths, software plugins or mobile apps.

Supplier's notes:
The industry standard mini-key sequencer is now available in a limited edition black finish. Play polyphonic arpeggios, sync with any source, and control your hardware synths in style.

The Arturia KeyStep is a dream come true for musicians looking to unite their hardware and software.

Small enough to fit into everyone's set-up, but powerful enough to revolutionize your workflow, KeyStep is ideal for performance as well as studio experimentation. Connect to practically any hardware or software thanks to its great MIDI, CV/Gate, and sync connectivity. KeyStep lets you create polyphonic sequences on a virtual instrument in your DAW, sync with a modular drum machine using its CV connectivity, and play a melody at the same time with through an outboard analog synth.

Available for a limited time in a striking black finish, it's time for you to see another side to this versatile controller.

The time has come for you to take full control of your studio. Whether vintage analog synths or tomorrow's virtual instruments, KeyStep Black Edition has the power to tame the beast.

Packed with features to inspire your creativity, KeyStep lets you create polyphonic, evolving sequences up to 8 notes deep and 64 steps long. Combined with its ability to connect to practically any electronic instrument, you'll be able to do things you never thought possible. Create thick, lush arpeggios, record a sequence in real-time, rewrite it, edit the swing, gate length, and play a melody simultaneously on its high quality 32-note keyboard.

KeyStep Black Edition also comes complete with 3 CV/Gate cables, letting you sync up and experiment with whatever synths, sound modules, or drum machines you already own as soon as you take it out of the box. Thanks to its great connectivity, KeyStep also makes a superb MIDI-to-CV interface.

Ableton Live Lite:

An introduction to one of the most the most intuitive, popular production platforms around.

New users and seasoned pros alike love working with Ableton Live Lite. Featuring an innovative twin workflow, time stretching and pitch shifting functions, as well as numerous studio quality effects, you'll be releasing professional quality tracks in no time.

Box contents:

- KeyStep Unit
- Quick Start
- Registration Card
- 3x CV cables
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 1 in stock $104.00
Cat: 519789 Rel: 10 Feb 14 • View all スタジオヘッドホン
 
Professional monitoring headphones with 45mm large aperture drivers and fully detachable cables
Notes: There are lots of good reasons why these are some of the most popular studio headphones on the market. Clear sound, comfortable and good isolation. Perennial favourites from Japanese headphone specialists Audio-Technica.

Supplier's notes:
This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year.

The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables.

From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.
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MRP:$149.77 SAVE 24%
 1 in stock $113.36
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Cat: 295021 Rel: 11 Dec 07 • View all DJ用ヘッドホン
 
RPDJ1210 black and silver headphones designed for professional DJ use
Notes: Classic Technics DJ headphones still going strong. Folding design with swivelling earcups for monitoring and a handy carry case to keep them safe in your bag.

Supplier notes:
Technics RP-DJ1210 headphones have the best possible frequency response and design, and have been created specifically for DJ use. This means that the headphones will stand-out against the most rigorous of audio and durability tests in today's club environment. Technics RP series professional DJ headphones have been built with pro club-use in mind.

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 8 in stock $122.03
Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 12 MIDI THRU sockets. These can then be connected to the MIDI IN of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.
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 2 in stock $108.17
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Cat: 602206 Rel: 04 Apr 16 • View all Synth modules
 
USB/DIN MIDI voice and clock interface in 1U rack size - 22HP wide
Notes: The uMIDI 1U provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, feature set, and compact size make the uMIDI 1U ideal for integrating your modular with the rest of your rig while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI 1U gives you everything you need to control a single voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

Future firmware updates over USB are made easy with the Firmware Updater software.

This module connects via ribbon cable to the uMidi JACKS 1U module or to the MIDI I/O jacks on the back of the 7U performance cases.
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 1 in stock $133.13
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Cat: 589506 Rel: 09 Dec 15 • View all Synth modules
 
Power solution for eurorack systems - 40W
Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 40 provides 40W of power, suited for up to two typical eurorack rows:

+12V @ 1.5A
-12V @ 1.3A
+5V @ 1.5A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).
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MRP:$177.23 SAVE 23%
 2 in stock $136.26
Cat: 748617 Rel: 01 Nov 19 • View all Effects pedals
 
Multi-effects processor featuring 55 high quality amp models
Notes: The MOOER GE150 is the newest entry in the GE line of multi-effects pedals from MOOER. The GE150 comes packed with 55 high-quality amp models and 151 different effects, a straight forward and intuitive UI, topped off with a fully-functioning expression pedal. With OTG capabilities, users can record directly into a compatible device from anywhere!

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 3 in stock $137.28
Cat: 624099 Rel: 19 Dec 16 • View all Audio patchbays
 
Fully balanced 48-point patchbay with 1/4" TRS connectors
Notes: The Samson S Patch Plus features high quality miniature toggle switches allowing each channel to be configured for either Normalled, Half-Normalled or Thru operation. The S-Patch Plus will provide reliable operation while maintaining a clean signal path with it's solid construction, 48 1/4" phone plugs on the front and 48 1/4" phone plugs on the rear.

You can instantly change any channels configuration without the need to remove the unit from the rack as the mini-toggle switches are conveniently located on the front panel. S-Patch Plus is one of the best entry level patch bays on the market. It helps you work cleaner and faster allowing you to focus on making a better production - a great value for money product for the small home studio owner.

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 3 in stock $119.61
AKG K702 Headphones (headphones)
AKG
Cat: 397325 Rel: 07 Jul 10 • View all スタジオヘッドホン
Notes: Hugely popular open-backed studio headphones for use when strict isolation isn't necessary, giving a more realistic impression of sound and making them ideal for critical listening and low-volume mixing.

Supplier's notes:
The K 702 headphones are the new reference for open-back dynamic AKG headphones. They combine an extremely accurate response with yet unseen agility and spaciousness. This is achieved by using revolutionary flat-wire voice coils and a patented Varimotion, 2-layer diaphragm. A totally open design and a high performance cable complete these reference headphones.

Their comfortable, specially shaped 3D-form ear pads and a padded genuine-leather headband ensure a perfect fit. They are individually tested and numbered.

The AKG K 702 let you experience pure perfection.
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MRP:$411.87 SAVE 73%
 2 in stock $110.87
MRP:$148.52 SAVE 17%
 5 in stock $123.77
Cat: 714704 Rel: 22 Jan 19 • View all Synth modules
 
Compact voltage-controlled four-channel audio mixer - 8HP
Notes: A-135-2 is a miniature version of the A-135-1. Behind a front panel with 8 HP only four linear VCAs (voltage controlled amplifiers) and a voltage controlled mixer based on the VCAs are available.

Controls, In/Outputs and Functions of each VCA:

- Level (manual control of the VCA amplification), small rubberized knob (L1...L4)
- Control voltage input with associated attenuator (CV1...CV4), for the full VCA control range about 0...+5V control voltage are required (attenuator fully clockwise), for higher control voltages the attenuator is used, the attenuators are without knobs, just plastic shafts with white marker
- Signal Input
- Signal Output
- All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. to control the level of LFOs or envelopes)
- The signal input is not equipped with an attenuator. But the VCAs can process all signals up to 15Vpp / -7.5...+7.5V without clipping. In case of higher levels an external attenuator is required (e.g. A-183-1).
- The available amplification range is 0...1, the maximal amplification is 1 (i.e. it "clips" and remains at 1 even if the control voltage goes beyond the value that corresponds to amplification 1)

Functions of the voltage controlled mixers:

- Two outputs ("Selected" and "All")
- Selected output: the ouput if a VCA is removed from this sum signal when a plug is inserted into the corresponding VCA output.
- All output: sum of all VCA outputs, regardless of inserted plugs into the VCA outputs
- The maximal amplification is about 0.6 to avoid clipping at the mixer outputs (otherwise the outputs may distort with 15Vpp signals at each signal input and full amplifications)

Special functions of the voltage controlled mixers (selectable by internal jumpers):

- Dual Stereo VCA: In this case the control unit of VCA1 (L1 + CV1) affects also VCA3 and the control unit of VCA2 (L2 + CV2) affects also VCA4, the control units of VCA2 and VCA4 are out of operation
- Quad VCA: In this case the control unit of VCA1 (L1 + CV1) affects all four VCAs. The control units of VCA2, VCA3 and VCA4 are out of operation. In this mode the module has the same function as module A-132-2. That's why module A-132-2 will be discontinued.
- Normalling of the signal inputs: by means of internal jumpers signal input 1 can be normalled to signal input 2, signal input 2 to signal input 3 and signal input 3 to signal input In 4. That way the same input signal can be distributed to four different channels by means of control voltages (e.g. quadrophonic distribution of audio signals). Suitable control voltage sources are e.g. A-144 (Morphing Controller) or A-143-9 (Quadrature LFO).
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 2 in stock $114.40
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Cat: 542409 Rel: 28 Aug 14 • View all スタジオモニタースピーカー
 
Multimedia monitors with professional sound quality and features in a compact design, acoustic pads and cables included!
Notes: Small but powerful desktop monitors from a trusted brand. Four-inch woofers and silk dome tweeters give a good, clear representation of your sound with decent low end for the size and price.

Supplier's notes:
Built using only premium, high-performance components and featuring convenient front-panel controls, Mackie Creative Reference Multimedia Monitors deliver professional sound quality and features perfect for work, play and everything in between.

You might be creating professional multimedia one minute and streaming video the next. With Creative Reference Multimedia Monitors, you get the best of both worlds. Studio-quality design and performance in an extremely compact design with smart features perfect for creatives of any level.

Creative Reference monitors deliver a combination of high-quality components and professional build quality that is typically only found on more expensive studio monitors. From the studio-quality sound of the premium drivers to the rich, natural sound enhanced by the all-wood cabinet design, these monitors are professional in every way.

After all, when creating media, it's critical that your audio translate accurately across the myriad of speakers people will use to listen. Even if you don't create media, you want to hear exactly what the product intended. Hear every nuance and detail in a complete full-range experience that only studio monitors can provide.

Let's face it... a lot of workspaces are cramped. Maybe you work at home, maybe you like to work remotely or maybe you sit for hours a day in a tiny editing suite. Either way, great-sounding monitors that don't eat up a ton of desk space would be ideal. The extremely small footprint of Creative Reference monitors is perfect for the modern workspace. They are very compact, but they don't sacrifice a bit on performance.

There's nothing worse than getting some cool new gear only to realize you have to head back to the store to get the cables you need to make it all work. That's why Creative Reference monitors come with absolutely everything you need to get started working or playing right out of the box... and then some. Here's what's included:

- 1/8" to stereo RCA cable for connecting your computer's audio output directly to the monitors
- 1/8" to 1/8" cable for connecting your smartphone right into the front of the monitors
- 6' speaker-to-speaker cable to connect the left/right speakers together
- (2) Professional-grade isolation pads that minimize unwanted bass buildup and allow you to tilt the monitors up or down a bit for more focused listening

Unique to the line is a left/right speaker placement switch that lets you decide which side of your workspace has the volume control. Sometimes you just feel more comfortable reaching up to change the volume with a specific hand. Mackie is the first to solve this issue. Maybe it's because there are so many ambidextrous people here...something in the Seattle water.

It's also fantastic for home studios, where you can be forced to put the powered monitor on a particular side due to where the power outlet is. Either way, you don't want to sacrifice proper stereo imaging due to personal preferences or space limitations.

There are also some great front-panel features that make Creative Reference monitors ideal for creative professionals and media junkies.

The front panel volume knob also allows you to turn the monitors off, which is better than reaching around back each time you use them. There's even a lit power ring around the knob to let you know when the monitors are ready to rock (or jazz, or whatever it is you're into).

An auxiliary input is perfect for connecting your smartphone or other media device to audition previous mixes or other comparison media. Plus, if you want to quickly watch the latest video your friend shared on Twitter, you can just plug in and enjoy.

A dedicated headphone out provides the opportunity to quickly listen to a different source, which is great for any professional. Plugging in phones defeats the speakers for truly silent work and you can quickly adjust levels with the main volume knob.

***Now with Pro Tools First (including The Musician Collection) upon registration***
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 6 in stock $103.78
Notes: INCLUDES 500 POUNDS WORTH OF PLUG-INS AND CREATIVE SOFTWARE:

When you buy any Audient product you will also receive over 500 pounds worth of plug-ins and creative software with ARC - Audient's creative hub. Included in this offer is Eventide's Ultrachannel and Ultrareverb plugins (350 pounds), Steinberg's Cubase LE and Cubasis LE2 (for iOS), 10 free masters for automated mastering service LANDR (120 pounds) and 2 free courses and a 20 pounds voucher for online audio educators Producertech.

***OPEN TO NEW AND EXISTING CUSTOMERS***

***ALL YOU HAVE TO DO IS REGISTER YOUR PRODUCT AND TAKE ADVANTAGE OF THESE GREAT OFFERS FOR FREE!***

iD4 delivers the audio performance of a large format console in a portable desktop package enabling you to record your vocals and guitar simultaneously. Providing one renowned Audient console mic pre, class-leading converter technology, dual headphone outputs, console style monitor control, JFET D.I and our virtual scroll wheel technology 'ScrollControl', iD4 is a professional but affordable solution for your home studio or for when you're on the road.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD4, you're always guaranteed the same world class Audient sound.

Brilliance on the inside enables brilliance on the outside:
iD4 provides you with high performance AD-DA converters. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Simply scroll to control:
With a touch of a button iD4's volume encoder becomes a virtual scroll wheel, enabling you to adjust DAW hosts, plug-in parameters and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control! And when you're not using ScrollControl, pressing iD4's volume encoder activates DIM, enabling you to quickly reduce the playback volume.

Plug in and be inspired:
iD4 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly. Get professional quality recordings from the start and take your track to the next level.

Headphone mixes with Clarity:
Recording an acoustic guitar and vocal? iD4's Monitor Pan feature enables you to pan both the mic pre input and D.I input from left to right, making it easy for you to create a balanced headphone mix that suits you. Quickly plug in, set up a headphone mix and starting tracking instantly, perfect for singer songwriters & producers on the go!

Record with confidence:
iD4's Monitor Mix feature lets you monitor a blend of both iD4's inputs and your DAW playback, providing near zero latency monitoring while recording. Designed with creativity in mind, Monitor Mix allows you to quickly blend in your DAW playback and start recording along to your multitrack instantly, enabling you to focus on the music and lay down your track effortlessly.

Write, collaborate and create:
Featuring a dual headphone output, iD4 enables you to collaborate with your friends and other artists. Whether you're recording a guitar and a vocal, or just listening to music together, iD4 lets you plug in two sets of headphones, making it the perfect tool for jamming with your friends and capturing creativity as it happens. The dual headphone output also has both a jack and mini jack output, so no more need to carry around a pesky headphone adaptor!

Quality deserves protection:
iD4 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD4 will stand up to countless late nights in the studio and days on the road.
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 3 in stock $107.95
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Cat: 732455 Rel: 23 Sep 19 • View all シンセサイザー
 
Powerful bass synth with sound source based around a vacuum tube oscillator
Notes: Valves meet Volca. The original Volca Bass design gets twisted with the addition of Korg's Nutube technology for gritty saturation. 303-style acid with a filthy attitude.

Supplier notes:
Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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 More than 10 in stock $134.17
Cat: 643383 Rel: 27 Mar 17 • View all Synth modules
 
Utility module featuring Clock, Random Pulse, Analog Noise, Sample/Hold & Slew
Notes: Noise Random Tools comprises a collection of useful utility blocks that you could use in many of your patches - Clock, Random Pulse, Analog Noise, Sample and Hold, and Slew.

Features:

- Clock and Random pulse source with adjustable rate
- Analog pink and white noise source with very accurate spectrum
- Analog sample / track and hold with very low droop
- Analog slew with adjustable slew rate
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 2 in stock $109.20
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Cat: 254579 Rel: 28 Feb 07 • View all トロリー付きレコードバッグ
 
Strong Magma trolley wheel system holds 90 records
Notes: The original favourite and improved Magma classic. Now with loads more strength thanks to the new improved trolley-board system. Unbeatable for the DJ who is on the road a lot, the 100 trolley is a proven, practical and convenient transport solution.

The materials used, the design of the new reinforced fivefold glued bottom board and extra strong front stand, are all tested to ensure the highest strength possible and guarantee the best stability and a long life.
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 1 in stock $125.77
Cat: 734880 Rel: 10 Jul 19 • View all Synth modules
 
Envelope module with two ADSR voltage controlled enevelope generators - 8HP
Notes: The module contains two ADSR type voltage controlled envelope generators with exponential curve shapes (charge/discharge curves of a capacitor) behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V (10V = attack peak).

The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR.
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 3 in stock $131.04
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Cat: 471241 Rel: 12 Oct 12 • View all スタジオヘッドホン
 
DT 770 Pro headphones 32 Ohms edition
Notes: Modern classics, updated with a new low-impedance version for studio use. Closed back design with excellent isolation and sound quality. Hard to beat.

Supplier's notes:
Beyerdynamic have released a refined edition of the DT 770 PRO headphones. Its newly developed 32 Ohms drivers are based on Beyerdynamic's world-renowned 80 Ohms and 250 Ohms drivers.

While the new DT 770 PRO 32 Ohms edition satisfies even the highest studio requirements, it is also compatible with smartphones, MP3 players, tablets, laptops and PC soundcards.

This special 32 Ohms version is hand-made in Germany with utmost dedication to every detail. It comes with a black softskin headband and black softskin ear cushions, giving it a distinctive professional-look, which stands out from the crowd.
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 1 in stock $108.22
Cat: 560349 Rel: 04 Feb 15 • View all Effects pedals
 
Polyphonic pitch shifter effects pedal, transposes over a +/- three octave range
Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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 3 in stock $134.07
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Cat: 661191 Rel: 23 Aug 17 • View all Hi-fi styluses
 
Direct stylus replacement to fit the Goldring 1012GX phono cartridge or older models
Notes: Goldring D12GX stylus is designed to fit the current Goldring 1012GX phono cartridge or old model 1010 or 1012, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The Goldring 1012GX record cartridge uses the acclaimed Gyger-2 diamond stylus. This is a fine-line type which gives smooth extended high frequencies, low distortion and reproduces a highly detailed and dynamic sound. Advanced diamond tip polishing ensures excellent tracking ability and reduces record wear. The 1012GX represents outstanding value for money and has become one of Goldring's most popular cartridges.

Replacement stylus: 1012GX - D12GX
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 4 in stock $141.45
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Cat: 686670 Rel: 27 Apr 18 • View all Synth modules
 
8 great sounding custom stereo effects in just 3HP
Notes: Pico DSP is a small brother of the popular stereo effects processor Black Hole DSP. It contains eight algorithms, in detail four delays, two types of reverb, Leslie speaker emulation and an Overdrive/Bitcrusher. Each effect is editable in two parameters. One of them can be modulated using the CV input. Pico DSP features clear, high-resolution sound. Alongside the established standards, it is also possible to generate lots of freaky special effects.
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Notes: Really nice 6.5-inch monitors from the innovative Kali Audio. Classic two-way design with built-in waveguides and deep bass response. Designed and engineered in Southern California.

Supplier's notes:
Kali Audio's Lone Pine Series studio monitors are designed to allow you to hear every detail that's happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
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 2 in stock $141.51
Herstory Vol 1 (8x7" box)
UMC
Cat: B 002996121. Rel: 16 Dec 19
Hip Hop/R&B
  1. You Remind Me (4:14)
  2. You Remind Me (Bentley mix) (4:42)
  3. Real Love (4:31)
  4. Real Love (feat Notorious BIG - Hip Hop mix) (5:02)
  5. Reminisce (Bad Boy remix) (5:06)
  6. Love No Limit (Puff Daddy mix) (3:46)
  7. You Don't Have To Worry (album radio remix) (4:04)
  8. You Don't Have To Worry (with clean Rap - remix) (4:38)
  9. What's The 411 (Puba mix) (4:09)
  10. What's The 411 (album remix) (4:41)
  11. Be Happy (LP version) (4:58)
  12. Be Happy (Bad Boy Butter mix) (4:42)
  13. Mary Jane (All Night Long) (album version) (4:34)
  14. I Love You (remix) (4:59)
  15. You Bring Me Joy (LP version) (4:14)
  16. I'll Be There For You/You're All I Need To Get By (feat Method Man - Puff Daddy mix) (5:05)
 in stock $117.52
No Other: Deluxe Edition (limited LP box set + 7" + 3xSACD + blu-ray + book)
4AD
Cat: 4 AD0071MXX. Rel: 08 Nov 19
Folk/Americana
  1. Life's Greatest Fool
  2. Silver Raven
  3. No Other
  4. Strength Of Strings
  5. From A Silver Phial
  6. Some Misunderstanding
  7. The True One
  8. Lady Of The North
  9. Life's Greatest Fool (single version) (3:11)
  10. Train Leaves Here This Morning (version 2)
  11. Life's Greatest Fool
  12. Silver Raven
  13. No Other
  14. Strength Of Strings
  15. From A Silver Phial
  16. Some Misunderstanding
  17. The True One
  18. Lady Of The North
  19. From A Silver Phial (version 4 - No Other Sessions 1)
  20. Silver Raven (version 2)
  21. Some Misunderstanding (version 3)
  22. Life's Greatest Fool (version 2)
  23. Train Leaves Here This Morning (version 2)
  24. Lady Of The North (version 2)
  25. The True One (version 2)
  26. Strength Of Strings (version 2)
  27. No Other (version 2)
  28. From A Silver Phial (version 1 - No Other Sessions 2)
  29. Life's Greatest Fool (version 1)
  30. No Other (version 1)
  31. Lady Of The North (version 1)
  32. Some Misunderstanding (version 1)
  33. Silver Raven (version 1)
  34. Train Leaves Here This Morning (version 1)
  35. The True One (version 1)
  36. Strength Of Strings (version 1)
  37. Life's Greatest Fool (single version)
  38. Silver Raven (single edit)
  39. No Other (Blu-Ray)
 in stock $139.36
Mellon Collie & The Infinite Sadness (deluxe 180 gram vinyl 4xLP box + 2 books)
EMI
Cat: SPLP 4. Rel: 29 Nov 12
Rock
  1. Mellon Collie & The Infinite Sadness
  2. Tonight, Tonight
  3. Jellybelly
  4. Zero
  5. Here Is No Why
  6. Bullet With Butterfly Wings
  7. To Forgive
  8. An Ode To No One
  9. Love
  10. Cupid De Locke
  11. Galapogos
  12. Muzzle
  13. Porcelina Of The Vast Oceans
  14. Take Me Down
  15. Where Boys Fear To Tread
  16. Bodies
  17. Thirty-Three
  18. In The Arms Of Sleep
  19. 1979
  20. Tales Of A Scorched Earth
  21. Thru The Eyes Of Ruby
  22. Stumbleine
  23. XYU
  24. We Only Come Out At Night
  25. Beautiful
  26. Lily (My One & Only)
  27. By Starlight
  28. Farewell & Goodnight
 in stock $116.49
Cat: 716898 Rel: 30 Jan 19 • View all Synth modules
 
2-channel Eurorack oscilloscope - 16HP
Notes: Sometimes your ears are not enough and you really need to see the sounds and control voltages you are generating. Zeroscope's two channel design lets you display and compare both control voltages and audio. It's a good old fashioned sci-fi light show!

The Zeroscope 1U is an adaptation of the excellent 3U Zeroscope by VPME.DE.

Three Modes Packed Into 1U:

- Scope: Standard graphical display, with time displayed on the X-axis and voltage displayed on the Y-axis.
- X-Y: Alternate graphical display with CH 1 driving the X-axis and CH 2 driving the Y-axis.
- Tune: Alphanumerical tuning display, which you can configure to show either Hz values or note names.

The Scope displays have adjustable display offset for each channel and an adjustable trigger threshold, while the tuner has options for reference pitch and average update speed.
Ins & Outs

The inputs are DC coupled and accept signals between -10V and +10V. The Signal on the input is normalled to the output below; this allows you to monitor or tune a signal without a mult or re-patching.
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 2 in stock $128.97
Cat: 616166 Rel: 09 Jun 16 • View all Synth modules
 
Quad VCA & mixer synth module - 12HP wide
Notes: VCAs are the cornerstones of modular patches: shaping the amplitude or timbre of a tone with an envelope, animating a mixture of several oscillators, controlling the amount of filter modulation with a random source or a touch controller, applying an envelope on the linear FM signal hitting an oscillator... are all possible uses of these super versatile building blocks. That's why you never have enough of them.

What about four more?
Veils provides four VCAs with an adjustable response curve. Veils' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.
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 8 in stock $149.76
Cat: 675871 Rel: 26 Mar 18 • View all Live mixers
 
Compact multi-function four-channel mixer
Notes: The Volca Mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple Volca units.

Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all Volcas, there are also DC output connectors that can supply power for up to three Volca units. Numerous functions to facilitate your on-stage Volca performances have been packed into a high-quality aluminium-panelled body, reminiscent of a high-end DJ mixer. The Volca Mix will unlock the maximum potential of the Volca series.

An analog mixer for performance:

The Volca Mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three Volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each Volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.

Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability:

The output section provides RCA stereo line outputs to ensure stable connection. There's a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous Volca units.

Powerful master chain:

The Volca Mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there's a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that's indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the Volca.

Connect an external effect unit for further variety:

The Volca Mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini Kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth Volca unit, an iOS app, or any other gadget, instrument, or device.

As the master of your Volca live setup:

The Volca Mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the Volca Mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your Volca units in even more ingenious ways.
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Cat: 715950 Rel: 18 Feb 19 • View all シンセサイザー
 
Compact patch-based synth, ideal for beginners
Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.
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 1 in stock $148.55
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Cat: 667070 Rel: 22 Nov 17 • View all DJ equipment backpacks
 
High quality, versatile, lightweight DJ gig bag - black
Notes: The DIGI DJ-Stashpack XL Plus is a versatile and lightweight gig bag that and was designed to be flexible in order to accommodate a variety of equipment. It features a practical, height-adjustable Rolltop opening to easily stash a battle-mixer, records, production gear or a DJ-controller. With its durable material, solid processing and a unique design, the new DIGI DJ-Stashpack XL Plus is perhaps the most versatile gear bag in the market.

Fits: Pioneer DDJ-SR2, Pioneer DDJ-RR, Pioneer DJS-1000, Numark NS6II, Numark NV2, Numark Mixtrack Pro 3, NI Kontrol S5, NI Kontrol S4, NI Kontrol S2, Reloop Terminal Mix 4, Roland DJ-202, Pioneer DDJ-SB2, Pioneer DDJ-RB, Numark Mixtrack Pro 2, Denon MC-4000, Vestax VCI-400, Vestax VCI-380, Akai MPK-25, Akai MPC Renaissance, Rane Seventy-Two, Rane Sixty-Two, Rane Sixty-Eigth, Pioneer DJM-S9, Pioneer DJM-900 SRT/NXT, NI Kontrol Z2, Laptop up to 17", 12" Vinyl, Accessories
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 2 in stock $142.48
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quote 667070
Cat: 684450 Rel: 18 Jul 18 • View all Synth modules
 
Dual ADSR envelope generator - 8HP
Notes: Module A-140-2 contains two ADSR type envelope generators behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V. The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR. Changing the positions of the mentioned jumpers allows to modify the factory settings.
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 8 in stock $121.68
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quote 684450
2hp
Cat: 686021 Rel: 04 May 18 • View all Synth modules
 
Flexible kick drum synthesiser
Notes: Kick is a bass drum synthesizer with a dramatic timbral range. Its flexible synthesis engine ranges from 808 to IDM with its punchy kicks and smooth distorted tones. 1V/Octave tracking across five octaves allows for tonal sequencing of the entire frequency range. Drop a beat with Kick.
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MRP:$148.52 SAVE 24%
 2 in stock $113.36
Cat: 692512 Rel: 18 Jun 18 • View all Synth modules
 
Basic voltage-controlled oscillator for the A-100 modular system
Notes: Module A-110-2 is a low-cost voltage-controlled oscillator. It's a slightly reduced version of the standard VCO A-110-1. Compared to the A-110-1, the A-110-2 has no sine output and the (expensive) octave rotary switch is replaced by a 3-position toggle switch. In return, the A-110-2 is equipped with an additional linear FM input and a soft sync input. A jumper is used to select the range of the tune control between about 1/2 octave and about 4 octaves. The width of the module is only 8 HP compared to the 10 HP of the A-110-1.

All other features are essentially the same as for the A-110-1.

Explanation of the jumpers and trimming potentiometers:

- JP2: CV connection to A-100 bus
- JP3: range of Tune control (installed = about 4 octaves, not installed = about 1/2 octave)
- JP4: AC/DC coupling of the linear FM input (installed = DC coupling, not installed = AC coupling)
- P5: 1V/Oct scale
- P6: frequency offset
- P7: high-end trim
- P8: adjustment +1 Oct. range switch
- P9: adjustment -1 Oct. range switch
- P10: temperature VCO heater

The core of the A-110-2 is - like the A-110-1 - a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinitely fast but takes a little bit of time the triangle is not perfect! At the bottom of the waveform it has a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converter. If a perfect triangle is required, the A-111-1 is recommended.

The sawtooth output of the A-110-21 has a falling (or negative) slope. The front panel shows erroneously a rising (or positive) slope. This has no influence on the sound but becomes important when the module is used as an LFO or is mixed with the sawtooth output of another VCO.

The control voltage applied to the socket 1V/Oct is added to the control voltage coming from the bus (interruptible by removing the jumper JP2). Connecting a cable to the socket 1V/Oct does not interrupt the bus CV connection!
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 1 in stock $113.36
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quote 692512
Cat: 577748 Rel: 15 Aug 18 • View all Synth modules
 
Reverb effects module with spring reverb tank - 8HP
Notes: Module A-199 is a spring reverb module. The reverb effect is electronically simulated by means of 3 spiral springs. Spring reverb systems have a very characteristic sound that is based on the (insufficient) mechanical properties of the springs like signal delays, audio resonances, limited frequency range, acoustic feedback behaviour, sensitivity to mechanical shocks and others.

The 3-spring system used in the A-199 ensures a "dense" reverb because of the different properties of the three springs.

The A-199 implies some special features that are not self-evident for spring reverb units:

The reverb signal can be fed back to the input using the Feedback control. Even self-oscillation of the springs similar to the self-oscillation of filters is available. The feedback loop can lead even via external modules like VCA, VCF, phaser, frequency shifter, vocoder, distortion/waveshaper, ring modulator and others. In this case the reverb output of the A-199 is connected to the input of the external module(s) and the output of the external module(s) is fed back to the Ext. Feedback In socket of the A-199. This socket contains a switch that interrupts the internal feedback loop as soon as a plug is inserted.

Another feature is the Emphasis control. This enables the adjustment of the accentuation of middle frequencies (around ~ 2kHz).

With the Mix control the relation between original and reverb signal appearing at the mix output is adjusted.

Using all these features very extreme and unusual effects can be generated with the A-199.
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 2 in stock $101.92
Cat: 738619 Rel: 09 Jul 19 • View all Synth modules
 
Voltage controlled envelope generator, standard edition - 14HP
Notes: The A-141-2 module is an ADSR envelope generator with voltage controlled attack, decay, sustain and release parameters. Other features include LFO functionality as well as digital end-of-attack and end-of-release outputs. Besides positive and inverted outputs there is an output with voltage controlled amplitude available.

Attack, Decay, Sustain and Release parameters of the A-141-2 can be adjusted manually as well as via control voltages. The CV inputs come equipped with attenuators. In addition, a Comm-CV socket was implemented. Control voltages fed to this input influence all time parameters (A, D and R) simultaneously. Thus, it is possible to make high pitched notes shorter and more percussive. - Just like the behaviour of many acoustic instruments. The time range of the envelope goes from 50 microseconds to six seconds. Using a toggle switch, it is possible to increase these values by a factor of ten (500 us to 60 s) or a factor of hundred (5 ms to 10 min). To activate the envelope, there are gate and retrigger inputs.

The A-141-2 is equipped with a normal and an inverted output. Both connectors work with a fixed level. Furthermore, there is a third, variable output. Here, before reaching the out socket, the envelope signal is fed to a voltage controlled VCA. - Perfect for velocity CV signals. A jumper on the circuit board allows you to choose between a unipolar and a bipolar mode of operation. Other jumpers make it possible to normalize the CV inputs.

Last but not least, there are two digital outputs called EOA and EOR, which emit a gate signal after the attack respectively release phase. This is useful for delayed triggering of other envelopes. By connecting EOA or EOR output to the gate input, you can make the A-141-2 oscillate like a LFO. Adjustments to the envelope times change the frequency and waveform. If you connect the Attack CV input to the inverted output or the Decay respectively Release CV input to the normal output, you can alter the curve characteristics.
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 2 in stock $122.73
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quote 738619
Cat: 738636 Rel: 09 Jul 19 • View all Synth modules
 
Simplistic quad LFO module with intuitive front panel - 14HP
Notes: Module A-143-3 is a low-cost four-fold modulation oscillator, often called LFO (low frequency oscillator). Like the other modules of the A-143 series (A-143-1 and A-143-2) not a very "exciting" module, just a bread-and-butter device and a simple demon for work. The module contains four simple LFOs. Each LFO is equipped with three waveform outputs: triangle, rectangle and rising sawtooth. The frequency of the sawtooth output is twice the frequency of the other outputs. A three-way switch is used to select one of three frequency ranges mid-low-high, spanning from about two cycles per minute at the lowest, to moderate audio frequency at the highest (about 5 kHz).

If other waveforms or additional LFO features are required (e.g. reset input, adjustable waveform, voltage controlled frequency) the LFO modules A-145, A-146 and A-147 are available.
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 3 in stock $112.32
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quote 738636
2hp
Cat: 652192 Rel: 06 Jun 17 • View all Synth modules
 
Looper module for Eurorack synthesisers - 2HP
Notes: Freez is a voltage controlled locked looper. It captures moments of audio in buffers, where they can be minced and mangled beyond recognition. Once frozen, adjusting size will cause pitch and timbre changes to the locked audio.

Adjusting the sample rate control will distort and decimate the incoming audio as well as warp the time domain of the currently locked buffer. From beat repeat to granular audio buffer, Freez will create new sounds and textures out of any input signal.
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MRP:$148.52 SAVE 26%
 2 in stock $109.21
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quote 652192
Cat: 725502 Rel: 12 Apr 19 • View all Synth module accessories
 
Portable, compact enclosure that turns Eurorack modules into table-top instruments
Notes: The Pod40X is 40HP with 2.00" (51mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod40 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
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MRP:$166.00 SAVE 18%
 4 in stock $136.26
Cat: 560388 Rel: 02 Feb 15 • View all Effects pedals
 
Distortion sustainer effects pedal with true bypass for maximum signal path integrity
Notes: Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, we've added some extras for those who crave more sound shaping control. Introducing the Deluxe Big Muff Pi. It delivers all the classic sounds of the original NYC Big Muff Pi, plus more.
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MRP:$147.28 SAVE 30%
 1 in stock $102.97
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quote 560388
Cat: 719370 Rel: 18 Feb 19 • View all Effects pedals
 
Guitar synthesiser effects pedal with 11 monophonic synth sounds
Notes: The EHX Mono Synth transforms your guitar into eleven great sounding synthesizers... from vintage synth emulations to fat, stacked voices to soaring lead sounds and more.

The Mono Synth was designed to work on guitar without any modifications, special pickups or MIDI implementation. Its intuitive layout makes it easy to use and easy to dial in cool sounds quickly. The pedal's DRY dial adjusts the dry guitar volume at the Synth Output while SYNTH controls the volume of the synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how playing dynamics trigger the synthesizer and allows you to fine-tune the pedal's response to your guitar and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides extra tweakability for customizing your sound. There's also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From string-like synths, to aggressive resonant sounds and deep drones and bell-like tones, the Mono Synth puts a collection of hot synthesizers at your fingertips.
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MRP:$143.53 SAVE 24%
 1 in stock $109.20
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quote 719370
Cat: 716763 Rel: 14 Feb 19 • View all Synth modules
 
Stereo mixer - 6HP
Notes: Stmix is a compact 4 channel stereo mixer with an Auxilliar input. This input will allow us to chain a few of them or to insert an extra fifth input.

This module is compatible with our Hexmix system, and can be internally connected to hexmix module to add the output of STMIX to your main mix.
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MRP:$168.49 SAVE 25%
 4 in stock $126.88
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quote 716763
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