Review: EYA Records presents a double 12" of plush techno and house spanning styles, giving four producers the chance to showcase the breadth of their sound with two tracks each. Innershades brings emotive 90s swoon and peppy acid to the A side, before Two Phase U slips in a little uptempo robo-disco sauce and a feisty jack track. Otis takes things in the direction of wiggy proto-trance and bleep techno, and then Zots finishes up with freaky synth work dripping with mischievous personality. This is a set of tracks that demands to be noticed - don't sleep.
Jamie Jones & Darius Syrossian - "Rushing" (extended mix) (5:43)
Jamie Jones & Darius Syrossian - "Rushing" (Afterparty Basement mix) (5:36)
Darius Syrossian - "Come On Come On" (extended mix) (6:33)
Darius Syrossian - "Kouka" (Warehouse Basement mix) (6:17)
Review: Jamie Jones and Darius Syrossian are both house heavyweights, but with very different vibes. It's fascinating that they have come together on this EP then, with their collaborative "Rushing" opening the EP in steamy fashion. It features a well worn vocal repackaged on bulky, bass driven house drums that are designed to get the crowd pumping their fists. The "Afterparty Basement Mix" is even harder hitting with some chords layered in for extra fun, then Darius goes solo on the flip for "Come On Come On", which fits in with his rolling, well sampled house style and is a sure fire crowd pleaser. The more stripped back and hypotonic "Kouka" is perfect for big spaces and bringing crowds together to march to a beat.
Review: The Aesthetic label is steadily growing as yet another strong side to the Constant Sound empire, and they're sounding fit as a fiddle with this latest drop from Niko Maxen. "Aesthetic 04" leads in with "Calibans Dance", a swirling, dubbed out affair with intriguing percussive tones to add an intriguing edge to the stripped back house groove. "Lessons" has a heads down, twitchy demeanour it's impossible to resist, and then "Twelvty" summons up some elegant synth strokes that hover in between the shuffling beats. The latter provides more than enough inspiration for Kepler to deliver an astounding remix that plays around with bouncy arps and pointed house rhythms in his inimitable style.
Catch Me If You Can (Jorge Savoretti Ethereal dub) (7:08)
Review: Michael James' "Winds Of Change" EP was a big look for Constant Black, and now the eminent minimal house label draws on a hit list of sharp shooters to deliver some deadly remixes. Huerta is up first with an angular but rolling dub twist on "Catch Me If You Can", before Nick Beringer pings things in a wonderfully hazy direction with his "7am Dub" of "Stormy Skies". Pascal Benjamin gets into a tight, focused funk on his version of "Reservoir", and then Jorge Savoretti flies in an "Ethereal Dub" of "Catch Me If You Can".
Review: Jamie Jones has been busy in the studio after another busy summer lighting up Ibiza, because this is one of two new offerings this month. It finds the agenda-setting Welshman on his own Hot Creations and in collaboration with The Martinez Brothers. Between them this celebrated collective lay down "Bappi", all drilling bass and razor sharp hi hats that are deep but driving. Flip over for a "Warehouse Mix" which recalls old school Windy City basslines and pixelated chords lighting up the bare bones grooves.
Review: REPRESS ALERT: Thule are back on the Icelandic techno reissue trip, this time returning to a serious classic from Sanasol (Yagya & Thor) that originally came out in 1997. This particular, highly sought after, gem leads in with the majorly heady house throb of "Seveneleven (Original Mix)" which piles the dubby processing and lush melodics on heavy while still retaining a sense of airiness to uplift the soul. By contrast, the "Closedonsundays Mix" focuses on a tough but crooked beat and that undulating bassline for a completely different flavour. On the flip, the "Sanaramalonger Mix" returns to the mellower flow of the original but with a more submerged finish and some pronounced dub stabs. Then the "Ozzy Mix" finishes the package with a minimal take that prefigures the upsurge of dubby clicks n' cuts laptop beats that would explode in the years to come. Essential tackle for all deep techno explorers.
Review: J Room steps up with a contribution to the minimal tech house conversation that sees emergent artist Jale making a strong statement with three powerful original tracks and a remix from Cosmjn. Jale's style leans on Detroit string synths for a sense of melancholic grandeur, and densely packed rhythm sections that bump as much as they punch. "Orbital Dream" takes things in a dreamy after hours direction, and "Eclipse" works up some rugged synth trysts that snap around a subtly broken beat. Cosmjn's remix of "Orbital Dream" is not to be slept on either as it subtly adjusts the accent of the groove to make an immersive tech house roller par excellence.
Review: Holden's 2006 debut album was an astonishing one that gets a timely reissue on double crystal-clear splatter vinyl. A high watermark for proudly synthetic and computer made music, it was the bold arrival of an artist who endures as an innovator to this day. "The Idiots Are Winning" is a masterclass in unhinged grooves, glitchy electronic sounds and mutant sounds that set a new benchmark in experimental textures, sound design and dance floor clout. "Idiot" is the standout banger, "Lump" is more trippy and heat workout, and "10101" is the twitchy and mesmeric workout you cannot escape. Music as idiosyncratic as this doesn't come along too often, and even 13 years left it still sounds fresh.
Review: Four years ago, Vincent Lemieux + Guillaume & The Coutu Dumont made their collaborative debut as Flabbergast via a fine EP on Circus Company. They've been silent since, meaning that this belated sequel on Yoyaku feels like a big release. "Enweye" operates towards the deeper end of the stripped-back tech-house spectrum, with the duo wrapping intergalactic synthesizer melodies around rock solid kick drums, crashing cymbals and fluid tribal percussion on impeccable opener "Nowel". "Jowanne" is arguably even deeper, with cascading ambient lead lines tumbling down over a shuffling rhythm track and more tropical drum hits. Over on side B, Varhat offers his interpretation of "Nowel", in the process delivering a loose-limbed tech-house percussion jam with hazy, sun-kissed melodies occasionally rising above the sweat-soaked beats.
Review: Alex Pervukhin has enjoyed a productive 2019. This rock solid four-tracker on Colours Of Crocus marks the Ukrainian producer's fourth single of the year, following similarly impressive outings on Recordeep, Hubble Recordings and his own Laconica imprint. It's an attractive and warming affair, with Pervukhin effortlessly fusing elements of late '90s UK tech-house and the dreamy, spacey end of the deep house spectrum. Opener "Late Run", whose melodic flourishes, tactile synth bass and intergalactic electronics are wonderfully immersive, is the benchmark, with Kirik's flipside remix offering a tougher and more hypnotic take on the same seductive elements. Elsewhere, "909's Dreams" is more driving but no less atmospheric and melodious, while "Next Week" is a fine chunk of drowsy late night hypnotism.
Review: Adeen Records with another spectacular release. This time, they're offering up a double lp re-release of remixed classics of the imperial Lee "Scratch" Perry 1997dub techno infused album "TECHNOMAJIKAL. With stellar remixes from Camille and DJ Boring giving it an updated futuristic sound while keeping it still techno at heart.
Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Review: Edanticonf has been a mainstay of Silent Season for many years now, first delivering an album and EP to the Canadian label back in 2012. Since then he's travelled to labels such as M_REC, Wolfskuil, Phorma and Linear Movement, but he's back home to roost with this gorgeous four-tracker that plays on his trademark sound. Rich with melancholic synth work and moving with a purposeful but thoughtful pace, this is exactly the kind of evocative techno that makes Silent Season a buy on sight label. Every track tells its own story, but the starry twinkle of "The Metamorphosis Of Plants" is especially captivating.
Review: Sushitech's sub label Pariter has already released timeless records from the likes of Delano Smith, Steve O'Sullivan, Baby Ford and Norm Talley to name a few and this new release of the Romanian group Lisiere Collectif is no exception!
Unknown Credentials is a project of 5 tracks released on 2 single records. A sides on both parts are absolutely massive, acid lines and hypnotic chords peak time tracks that will shake any proper sound system with some serious bass extension! B sides are deeper and have more modern, fresh electroish vibe that we love!
Fans of Ricardo Villalobos & Craig Richards b2b sets are going to find it gold! Don't sleep!!
Review: Arapu is very much one of the key Romanian artists of the moment. Of course, like his revered countrymen, that means techno that is elegant, minimal, and delicately detailed. His own take on the style is often littered with curious little motifs and trippy loops that also characterise this new one on heavyweight vinyl for Liniar. "Over" is a brilliant opener with languid Balearic guitar riffs echoing over supple drum work which will hook you in and encourage your mind to wander, whereas "A Gain" is a more direct, driving minimal techno cut with warped synths peeling off an urgent groove. "I" closes out with a funky undercarriage and dub house overtones that will get any basement popping off.
Review: By his usual prolific standards, Romanian producer Barac Nicolae has been rather quiet this year. "The Real You Is Not You", a double-pack of varied dancefloor cuts in his trademark minimal style, is only his second outing of the year. It's rather good, though, with sparse but groovy rhythm tracks providing the backing for all manner of ear-pleasing musical touches and mind-altering electronic effects. Our picks of the bunch are the funky, dreamy and sun-kissed hypnotism of "A Story Behind Everything" and the tipsy wonkiness of the title track, where trippy vocal samples and blissful synth riffs rise above an undulating, off-kilter groove.
Review: UK dub techno maestro Steve O'Sullivan is back with another payload of deep immersion heaters under his Bluetrain guise, this time on the Future Primitive label. There's a deadly restraint at work on "Congo Shuffle", where the elements get reduced to needlepoint precision and the low end rhythm section stalks with purpose. "Invisible Guest" takes things in an explicitly dubwise direction, channelling serious Rhythm & Sound vibes for an immaculate head-nodder, before "Paralyzed Dub" slows down further into an end of the line skank for the weary to find solace in - masterful movements in the echo chamber from start to finish.
Review: The likes of Steve O'Sullivan, Baby Ford and Norm Talley have appeared on the somewhat overlooked Sushitech sub-label Pariter since 2006. Its latest release comes from Romanian trio Lisiere Collectif, who bring the techno sound of Bucharest to you on the first installment of Unknown Credentials. Member Andu Simion is well known for his rolling and glacial grooves, and in conjunction with Bogdan Ardeleanu and Dan Gheorghe they serve up two emotive and soulful excursions. The untitled A side offering is a driving, hypnotic and overall evocative journey with an undeniable nod to the Motor City sound that you could imagine Delano Smith pumping out in the AM hours. On the B side it is a more parochial affair, yet well worthy - a bumping and funky groove that's right in line with their hometown's renowned sound.
Bongneck - "The Robber's Daughter" (Ghiz Retouch) (6:06)
Makebo - "Unknown Beauty" (9:09)
Review: Moscow's Shanti Radio imprint has been on fine form of late, offering up must-check 12s from DSF, Lost Desert, Volen Sentir and many more. Here they offer up their first multi-artist EP of 2019, an undeniably attractive and ear-pleasing affair that effortlessly joins the dots between deep house, tech-house and more percussive tribal flavours. Highlights are plentiful throughout, with our picks including the string-drenched, bittersweet brilliance of Makebo's "Unknown Beauty", the sub-heavy throb of Ghiz's tasty rework of Bongbeck's "The Robber's Daughter" - all rolling hand percussion, insanely weighty bass and picturesque melodic flourishes - and the sunset-ready dancefloor bliss of Cornucopia's impeccable "Nature Boy".
Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: The high grade, leftfield approach to house music Lyssna have set out as their MO continues in fine style on this new Colours series, starting with the Yellow EP and a strong cast of characters from the outer reaches. Riciar Ghir opens up proceedings with the tumbling deep house of "Cargo", making the keys dance with distinction and injection a subby rumble where it counts. Minimal Afrika follow that up with a percussive tryst entitled "Drakma Queen" that blossoms into a sumptuous ambient excursion. Robotalco takes a very different approach with some classically pumping sample-powered house music to shake feel-good fists to, and then Klubbhuset finishes up with an impassioned romp through peak time disco licks for the peak of the night.
Review: When Cristi Cons and Vlad Caia launched the Amphia label way back in 2011, they talked about creating "a world with no boundaries" and "an infinite ocean of musical shapes and ideas". It's the sort of wide-ranging, open-ended remit that seems tailor made for Amorf, an "experimental live techno" trio whose fluid and otherworldly tracks are deliciously hard to pigeonhole. For proof, check "Recall", the A-side to their second Amphia outing. Built on loose and languid tech-house drums and a similarly undulating bassline, the cut bobs and weaves through waves of restless piano motifs, deep space chords and out-there electronics. Further evidence of the threesome's hybrid style arrives via "Momentum", where poignant electric piano motifs and melancholic deep house chords envelop a crunchy, minimalist rhythm track.
Review: Stephen Laubner never fails to deliver the goods, whether on his own label Something or elsewhere. Having recently popped up on The Untold Stories, this time around he's dropping his uniquely crusty compositions on Synthetic Gold. After a quietly disconcerting ambient opening, the leftfield grind of "The Taphead" pushes an uncompromising agenda of ragged bass and an unrelenting groove. "October Sunrise" by way of contrast is a more intimate, sweet natured affair. "Syntax Error" too taps into the softer side of Laubner's craft in a most mesmerizing of ways, but for the die hard fans fear not, there's also plenty of locked groove loops included to keep you tripping into infinity.
Review: Swiss producer Alci, also known as Shaolin Fantastic, landed with lauded releases on Robsoul before skipping to other labels like Apollonia and Meander. Following last year's excellent "Diversity" double pack, he lands on his own label Seeingsounds with this pitch perfect slice of dreamy minimal house. "Acid Drip" may be a misleading title - it's more of an unending groove draped in gorgeous, shimmering melodic finery. "Hiragana" takes things in a more twitchy direction, while "Apachi" brings another slant on reduced, oddball funk to get the up all night crowd loose and freaky in all the right ways.
Review: The singles accompanying Mr C's celebrated return to the album format keep on coming, this time drafting in some noted names to deliver remixes of "Ripple Effect". First up is Marc Houle who employs some of his trademark creepy bass tones to underpin a purposeful, driving slice of darkside party music. Noel Jackson is equally on edge with his version, although it's a more stripped down and sped up affair that borders on electro in its sense of tightly wound urgency. Chloe gets the run of the B-side to lay down a more varied remix that uses some punchy disco elements to create a more light hearted outlook on Mr C's original jam.