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Review: Young but already assured lamb Aurum rolls out more of its singular min ail sounds here with Swoy the one taking the mantle for the fourth EP. There is some tripped-out and abstract beauty to the opener 'Same Place' which is marbled with swirling pads and half-heard vocals as a silky tech groove is established down low. 'Road' pairs more balmy synths and spoken words with crispy beats and 'Metamorphosis' then layers up some lush melodies, bells and sonorous hits with rubbery bass. 'The Storm' closes down with a melancholy feel and a sombre bassline that pulls you in deep.
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Review: Following the Bowery EP from DubTape, Skip Audio returns to its various artists format with a tidy four-tracker taking an extended journey into the realms of psychedelic house music. Sublee leads the way with the smoky, subliminal sound of 'Shuffle Kings' before DubTape offers up a subtly crooked beat to carry the whispers of pad and errant machine bleeps of 'Ziggurat'. Cosmjn keeps things steady and seductive with the late night tones of 'Grun', and Andy Catana's 'Everybody Dance' toys with broken beats and acid tweaking to get limbs all juicy when you up to your neck in heady party people wanting to get deeper on the dancefloor.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: UK label After Hours looks across Europe to the talents of Romanian minimal man Vlad Arapasu. He serves up classic, turn of the millennium final where it is all abstract sounds, farting bass and weird modulations. 'I Figured Out A Way To Be Outside' is a prime example of that with its pinging kicks and soupy pads, whirring spacecraft sounds and bulbous synth droplets. 'Einatmen' is more busy but just as heady with warming sub bass holding together a scattered mix of dry hits and distant chimes, subtle melodies and delicate kicks. 'Piscot' rounds out with another loosely held together fusion of vocals, sine waves and crunchy drum work.
… Read morePlayed by: James Reid
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Review: Theo Parrish is one of those characters who manages to unite lovers of both house and techno, indeed producing offerings that seem to make the distinction utterly redundant. How does he doe it? Well, if this pair of new tracks are anything to go on, it's the simple trick of making tracks that combine the soufulness and rootsy earthiness of house with a trippy sense of the futuristic and psychedelic that elevates them out of the ordinary.
Take, for instance 'In Motion's simple piano stabs and the subsequent off kilter groove that builds up around them. Or, equally, the cheeky bass keyboard manoeuvres that form the backbone of 'Don't Play' featuring Ava, funky enough to be Stevie Wonder but then matched with caustic, scything hi-hats that have more than a hint of the surreal and robotic about them. Best of all, it doesn't feel like a compromise, it feels like a full on creation that acknowledges both traditions but refuses to follow either slavishly.
… Read moreTake, for instance 'In Motion's simple piano stabs and the subsequent off kilter groove that builds up around them. Or, equally, the cheeky bass keyboard manoeuvres that form the backbone of 'Don't Play' featuring Ava, funky enough to be Stevie Wonder but then matched with caustic, scything hi-hats that have more than a hint of the surreal and robotic about them. Best of all, it doesn't feel like a compromise, it feels like a full on creation that acknowledges both traditions but refuses to follow either slavishly.
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Review: Nick Curly has revived his Cecile label to great effect this year. There have been a slew of fresh sounds from the likes of the German boss himself as well as Steffen Deux, De La Swing and now this collaborative offering from Miguel Lobo and Cristian Merino. The sound is still rooted in the tech house the label lis known for - and Miguel was saving up last time he rebased here in 2021 - but with plenty of additional soul. 'Last Track At Sunrise' is perfectly titled - it's driving to keep you locked after a night of dancing but has a lush vocal to signify the bright new day ahead. 'Looking For U' is a warped, elastic groove to latch you on in the middle of the night and then it gets a great remix from Dennis Quin who bulks up the drums, adds a little rawness and dances off into the future.
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Review: Enigmatic producer Lost Desert has built has career on collaborative releases, so it's little surprise to see that his second Shanti Radio outing comprises three quietly impressive studio hook-ups. He first joins forces with Gorje Hewek and Izhevski on A-side cut "Yurta", a delightfully loose and rolling fusion of slipped tech-house grooves, meandering electronic motifs, Middle Eastern percussion and drifting Arabic vocals. Over on side B he reunites with regular studio partner Lee Burridge for some deep tech-house warmth influenced by the music of Turkey, before hooking up with Hermanez to wrap gentle, blissful melodies, dreamy chords and toasty bass around another sumptuous, Middle East influenced dancefloor groove.
… Read morePlayed by: Tomi Chair
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Played by: Juno Recommends Minimal Tech
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Review: Mulen main man IO has been surprisingly quiet this year following a stellar 2019 in which he released a quintet of must-check EPs. The good news is that the Meuse EP was worth waiting for. The A-side title track is a terrific example of the more robust, peak-time-friendly end of his style, with addictive riffs, spacey electronics and ricocheting percussion hits riding a storming, beefed-up tech-house groove. He begins the B-side with a deeper, loopier and hazier (but not less rhythmically driving) excursion - the disco-tech jack of 'Flirt', before reaching for swinging drums, alien-sounding motifs and warming chords on hypnotic closing cut 'Response Profonde'.
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Review: The second Off Topic release is another various artist affair from this promising Lisbon-based label. Pir returns with two tracks on the A-side, our favourite being the quirky minimal tech funk of 'Amiddle', while over on the flip it's all about label head Antonio Nunes with the contemplative afterhours redux of 'Creme' and the emotive late night deepness of 'Tony Transmitters' in collaboration with Luhk & Pir. Tip!
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Review: Representing the newer generation of the Mannheim sound, esteemed DJ/producer Fabian Winkels makes a worthy addition to legendary local label Cecille with the Sober Up EP. Fabe's particular brand of minimal house is on display once again, yet more optmised for main room dancefloors this time around. We particularly enjoyed the trippy and swing-fueled minimal funk of opening cut 'Solid & Straight', as well as the rolling, vocal-led tech house of 'At The Bar' or 'Frozen Cake' which are sure to rock dancefloors on The White Isle as much as they will in Berlin, while the deep and emotive B-side cut is aimed squarely at the afterhours dancefloor.
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Review: If there is one thing we deal a lot in, it is stripped-back tech house. And this final drop of the year from Skip Audio on New Year's Eve is right up there with the sort of quality tackle we love. It fits a sweet spot between synthetic sound design, cerebral abstraction and machine soul. 'Mex' is a busy groover that roams around quite a bit under the similarly freeform synths. 'Freeform' comes on with a bit of extra punch and bite, the drums powering on the dusty hi-hats and bursts of radiant synth warmth. 'Trigger' comes as a glitchy and reverberating original and a gritty Silat Beksi remix.
… Read more! low stock $14.79
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Review: Big up to the Orson label for hitting a quarter of a century of releases. Malata based artists Neil Hales aka Acidulant gets the nod and shows of his love of direct acid sounds. He has done similar on the likes of DJ Pierre's labels Jack Trax Records and Afro Acid but really hits the next level here with hard hitting and turbocharged bangers like 'Heavy Max' next to slower, more spaced out and melancholic jams like 'Butify'. The flipside starts off deep and atmospheric with 'Forget Your Imagination' and that pensive vibe continue through 'Nuhamba' before dramatic closer 'When The Sun Meets The Acid.'
… Read morePlayed by: Juno Recommends Electro, Rave Energy
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Review: Jay Tripwire and Christi Cons is a mouthwatering partnership for minimal fans. Both have mastered their own distinctive take on stripped-back tech sounds and here they pool their skills for two new cuts on the fledgling Witching Hour label. 'Boundaries' is a perfect cosmic excursion, with gurgling bass and twinkling synths building a vibe that eventually takes flight on a floaty groove. 'Phantom Zone' is a more tripped-out cut with plugging bass, ambient pads spiraling round the groove and molten acid. The stylish dub techno remix from Steve O'Sullivan closes out a top-draw EP.
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Review: Atlanta's leading purveyor of dusty, jazz-flecked deep house pops up on Clone's Jack For Daze offshoot with an expansive mini-album of raw, drum machine-driven workouts that sound like they started life as hardware improvisations (though they may not be). There's plenty of sonic gold to be found amongst the six tracks on show, with our current favourites including the sweat-soaked beat tool 'Kimora (Dub)' - basically jacking drums to get sweaty in the mix - the dubby, squelchy bass-propelled dancefloor psychedelia of 'BLACK (featuring Brandon Banks)', and the ultra-dreamy, late 80s Chicago deep house flex of 'Mr JX 8P'. 'Ancestors', a tougher and darker workout blessed with bags of percussive energy, is also superb.
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Review: Portland-based Aaron Carlson is AC$ and this is his third outing on the cult Sakskobing label. Once again he comes at house music from a unique vantage point and mixes up the rawness of Motor City hero Omar-S with the disco dalliances of Metro Area and the deep house of Berlin. His tunes are packed with character as well as funky drum patterns such as on the seductive lo-fi house of 'Patio Protocol'. 'No Jello' is a bumping Chicago house cut with nice frayed edges and 'The Big Black Slot' is cosmic tech house with soulful heart. EPs this fresh and classy don't come along often.
… Read morePlayed by: Marcelo Tavares(Deep Space Podcast)
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Review: Second-guessing Eversines (real name Remco Hazewinkel) has always been tricky, with the Dutch producer's releases frequently blurring the boundaries between club-focused techno, electro, IDM, ambient and more experimental flavours. For his Slow Life debut, the Amsterdam-based artist has decided to focus on peak-time floors, opening proceedings with the hybrid Detroit techno/acid/piano-house shimmer of 'First Rays' - a gorgeous, sunrise-read slab of emotive dancefloor brilliance. The rest of the EP is similarly positive, with highlights including the subtle LFO influences, psychedelic TB-303 motifs and bustling techno-electro beats of 'Simple Honesty', and the alien-sounding, sub-heavy, bleep-influenced techno shuffle of 'Youth'. An impressively strong EP all told.
… Read morePlayed by: DJ Mau Mau
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Review: The second vinyl release on Midnight Social comes from Adam Collins, one half of iconic US tech house duo Omni A.M. and an all-round seasoned pro in the field of stripped-back, headsy club gear. If you can't get enough of that sound then you're going to be all over this record, which reaches from the strict rhythmic workout of 'Kyiv' to the cheeky chord stabs of 'Three White Doves', the deep blue waters of 'Cyprus Falls' and on to Grant Dell's 'Tribulation' remix of 'Kyiv' which reaches into boxy, trip-out territory for the blurry end of the dance.
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Review: NND takes us deep into the heart of a warehouse party after dark with this powerful new EP for Extrude. He hails from Italy and is part of the new school with an equal mix of retro sounds and future ideals. This is a third solo EP from the artist and it kicks off with the acid lashings of 'Prototype', a slick tech cut with neon chords and bumpy bass. 'Nightmare Voyage' is a more cosmic trip with darker energy and heads-down dancing vibes and then 'Plutone' cuts loose with wild synth lens spraying about over raw drum work. 'Terrorist' shuts down with a haunting late-night vibe.
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Review: Highway Stories is an all-new label that quickly finds top gear as it heads out on a smooth house cruise courtesy of pilot Tommaso Pizzelli. He is someone with a fine grasp of groove and a real penchant for spaced out sounds on this evidence. 'Diver' is a cool and classy opener for the early evening hours - the seductive drums drawing you into a world of warped synth-funk. 'Change The World' is similar but faster, with more urgency to the drum work as you hit top speed. 'Rub Dub' has a more fleshy low end and nice elastic bass and 'Stripped' then gets nice and trippy to close out a timeless EP.
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Played by: DJ Mau Mau, Ney Faustini
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Review: Simoncino is a link to house music's past - he makes tunes that are coated in that same dustiness that we all love so much about the OGs. And he does it well, whether going deep, dreamy, tribal, vocal or piano. Here he links with another original great in the form of heroic vocalist Robert Owens. and they cook up a two-part track that is steeped in mystic magic and driven by perfect deep house drums. Simoncino also adds three further solo cuts that all sink you into a world of cuddly, thoughtful house perfection. A Riviera Ambient Mix adds a nice blissed-out vibe to finish.
… Read morePlayed by: Mental Vibe Construction, Nick Anthony Simoncino
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Review: Maimi troupe Imbue continue their free-spirited sonic spree, this time on Re:Face. As always, it's a very fluid affair; washing our souls with their delicate fusion of live instrumentation, analogue wizardry and hypnotic groovemanship. Over four tracks we explore their full palette. Electro feels inform the opening track 'Boy With Apple' while the title track 'Overlook' bumps with more of an essence of funky house. Meanwhile on the B it's all-out funk affair. 'Model 29' is a party waiting to happen while 'Dawn' shrouds us in a big old cosmic cloak. Bottoms up.
… Read morePlayed by: Juno Recommends Breakbeat
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Review: .Zurich has a small but well formed scene that now bears fruit in the form of this new label, alt?r:alt?r. Zefzeed takes the reins of the first sonic statement with four tracks of sophisticated and deep house and tech. 'A Well Watered Fern' is brain cleansingly smooth with buffed metal synths and liquid grooves. There is a darker minimal march to 'Save The Day' that reminds of Melchior and a sweaty pump to 'Farm That Face' that makes it a standout. 'Fishbed Touring' swings low with tripped-out designs and melted synths.
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Burn Frequency EP (feat Bluespirit dub) (heavywight vinyl 12")
Cat: MOSAIC VS01. Rel: 09 Oct 23
Minimal/Tech House
Review: We're always glad to hear new material from undisputed dub techno don Steve O'Sullivan. This new one on his own Mosiac label finds him facing off with Paul Simmons on a pair of deliciously deep cuts. 'Inner Glow' is given the whole of the A-side to make its mark and it does - with a slightly more soulful sound than you might expect. Rather than pure heads down underwater deepness, it's got a heart warming vocals hook and brighter chord vamps over the signature drum smoothness. 'Still Burnin''is a quicker cut with more radiant chords and a soulful spirit, then a Bluespirit dub of the a-side zones things out nicely.
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