ダンスミュージック検索結果

Review: EYA's sister label Lonewolf celebrates 2 years of activity with a 3x 12"! The VA explores a wide range of electronic music styles...from ambient to techno,breaks,electro,acid and more! 'The Wolfpack'will be a must in every record bag and vinyl collection!Music by Innershades,Es-Q,Matthew Dexter,Dom,Zolaa,Intareality,Tadan,Paradise City Breakers,NND,Cool and Frank,Patient Better Drivers.

Review: A repress for four prime slices of classic Baby Ford minimal tech gear, from the rhythm-centric drum machine fest 'Very', the resonant bleepy tones of 'Test', the sparse and spacious 'Down' and the subtle acid undertones of 'Percy'. Baby Ford is finally getting his props as one the UK acid and techno scene's true innovators and pioneers, and these four very mixable tracks are four more reasons why this is only right.

Review: Politics Of Dancing Records is an ever expanding and ever evolving and ever excellent label that has recently grown to include the P.O.D Cross sublabel. This next vital two tracker is a split with Politics of Dancing the artist on both sides, with a different producer on each. It is Djoko with whom he links first for a spaced out tech cut that spins you out into the cosmos on warm pads and metallic drums. On the flip is the more rubbery and bass driven dubbed out and deep offering from Politics Of Dancing x Lowris. Both sides bang.

Review: David Agrella returns to his Agrellomatica Records with the spacey house sounds of 'Flowing', featuring remixes from Ben Hauke & Mr Barcode. Hot on the heels of his recent 'Freedom Unfolding' release, praised by Raresh, Sasha, Laurent Garnier, Vladimir Ivkovic and Dorian Paic, Italian-born tastemaker David Agrella is back on his Agrellomatica imprint with more intergalactic fire. This time, the London-based selector serves up four groove-laden cuts across 'Flowing', including remixes from Woop Records' Ben Hauke and Into The Wizards' Sleeve Mr Barcode.
Title track 'Flowing' is a cosmic voyage peppered with glossy pads, eerie synths and sharp percussion, before Agrella's own 'Sabotage Mix' throws in deep, driving tones, subtle robotic vocals, and interstellar keys. On the flip, Ben Hauke delivers a dubbed-out reshape, harnessing fluttering echoes, emotive harmonies and deep basslines. To close, Mr Barcode provides a punchy electro remix, as warped samples and driving low-ends get down in this slice of dancefloor mania.

Review: There's been a deservedly renewed interest in the work of Brian Cavender aka Seafoam in recent times. The Denver-based producer was most active in the early noughties, with some now highly sought after releases on seminal imprints such as Los Angeles' Guidance Recordings and Straylight, as well as San Francisco's Lo-Rise Recordings. Several years back, Paris-based Rue De Plaisance began to reissue some of Cavander's work for a new generation of diggers. Now fellow Denverites Deep Club present brand new material by him on the Swing Set EP, with three deep, dubby and hypnotic minimal house cuts, all delivered in his idiosyncratic style. Absolutely perfect tackle for the afterhours, with a remix on the flip by Berlin-based Snad.

Review: Oliver Hess made his first appearance way back in 2006, producing alongside Harada on Pearldiver Records. We didn't hear any more from him for a fair while, but then in 2018 he resurfaced with some quality tech house gear via the Musik Is Egall label out of Cologne. Now Hess is back for a third instalment with 'Don't Be Anybody Else', a mid-tempo chugger with an acidic bite just crying out for a dark n' dirty basement. On the flip, the tempo ramps up considerably as Orlando Voorn takes the reins for a remix bristling with Detroit techno intensity.

Review: When it comes to excitable club fodder rooted in club sounds of the late 80s and 90s, the Tone Dropout crew consistently delivers the goods. They're at it again on their 11th multi-artist extravaganza, which giddily sprints between acid-fired breakbeat house with glassy-eyed melodic motifs and spacey bleeps (Sween and Alphonse hook-up 'Downfall'), trancey early progressive house revivalism ('Odyssey T3D' by XOTR), intergalactic electro-bleep fusion (the punchy, Kraftwerk-on-pills excellence of Samuel Padden's 'Teslas Still Alive') and classy bleep and breaks nostalgia (Kostas G's pleasingly sub-heavy, funk break-driven 'Spectrum').

Review: Malin Genie welcomes an extensive EP treat from Lava Lap, an emergent producer with an affinity for the kind of braindance that will have fans of Jodey Kendrick beating their drum machines with approval. The acid is slippery, the structures ever-shifting and a wealth of expression spills out of every bar. There are faster drum & bass paced bits, melancholy detuned electro and much more besides. Far from just being clever music though, it's also amazingly emotional and so impeccably produced. Any electronica head should be all over this.

Review: Hot on the heels of his inaugural release in January, Braiden introduces Slewis, a new producer on his emerging Off Out label. After years of honing his craft in the studio and playing in experimental bands, London born Slewis makes his mark on his debut with two equally bold dancefloor cuts. Group V opens with an extended twisting cacophony of synthesizers before breaking down into metallic driving machine funk. On the flip, Despot delves deeper down the rabbit hole as EBM influenced sounds and syncopated claps dance around a bed of paranoia, leading to a tense breakdown populated by a flurry of spasmodic drums.

Review: Ekkohaus is no stranger to the house scene!! You can hear his intelligent, funktifying rhythms and grooves on imprints like Morris Audio, 2020 Vision, Circus Company, Flumo, Eklo, Mule Electronique, Brut, Moon Harbour, Holic Trax, Claap, Gruuv, Hudd Traxx, Diaphan Music and now MixxRecords!! We welcome the Greek native with open arms...

This special 10" purple colored vinyl is most appropriate as for the entitled "A" side is called "Purple Divine" and divine it is!! Playful percussion and drum-work along with a simplistic, melodic bass groove keeps you in hypnosis just longing for more!

You'll find a more jacked-up and jazzed up pump on the "B" side with "Ordinary People". DEFINITELY a house banger!!

Review: Esteemed French producer Franck Roger lands on the Duck It label for the first time here. It is an imprint dear to him because of his Algerian originals and he cooks up a nice warm house vibe as a result. 'Pumpkin' is all balmy pads and trippy synth leads with a hint of Pepe Bradock. The tune is chunky and deep, with nice deft vocal sounds up top to bring the soul. RSlane remixes with a more contemporary and bumping tech house sound but still keeps plenty of the stylish cosmic melody in place. A tidy two tracker for sure.

Review: Weirdo minimal tech soul, anyone? Any takers should be directed towards this oddball release from Melchior Productions and Paul Walter. Two tracks of serious strangeness: timestretched vocals and repetitious yeahs blossom between the beat-thickets of Melchior's 'Yeah X 3', while many more percussive hits and cuts and clicks and pops and booms come courtesy of Walter's B-side, 'Xvive'. It's an impressive first foray for Maria Newyen's new imprint Scious; let's hope future 12"s stay just as weird.