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Notes: ***B-STOCK: Box damaged, product in perfect working order***


Updated version of Korg's excellent Wavestate, drawing on the iconic Wavestation synth to create a modern take on wavetable synthesis, now with added polyphony.

Supplier's Notes:
Wavestate mkII

Extended polyphony. Extended possibilities.

Korg's legendary Wavestation introduced the world to wave sequencing, and the 37-key Wavestate mkII builds on that legacy with a reimagined, compact synth designed to satisfy today's demanding musicians and producers. MkII expands polyphony to 96 stereo voices and adds a fresh look. It's completely compatible with sounds and samples for the original Wavestate.

Overview

Korg's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS, Kronos and Nautilus keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, Korg is proud to present the new Wavestate mkII, with improved polyphony (96 stereo voices) and a fresh look. It's completely compatible with sounds and samples for both the original Wavestate, Wavestate SE and Wavestate Native software, including many excellent third-party libraries. Updated sounds and software keep it fresh and the compact form-factor, with 37 full-size keys, still transports easily and fits neatly into any stage, studio, or desktop setup.

Keyboard: 37-keys, velocity sensative
Sound generation: Wave Sequencing 2.0
Polyphony: 96 stereo voices
Configuration: Performance: 4 layers, reverb, EQ
Layers: Program, Arpeggiator, Key, and Velocity Zones
Programs: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Presets: 261 Performances,799 Programs, and 1042 Wave Sequences
Controllers: MOD wheel, PITCH wheel, Vector Joystick, 8 x program/Performance Mod knobs.
Effects: Pre FX x4, Mod FX x4, Delay x4, Reverb, Performance EQ

Inputs/outputs:

Audio Outputs L/MONO, R (6.3mm TRS phone jack, impedance balanced)
Headphones (6.3mm stereo phone jack)
Damper (6.3mm phone jack)
MIDI in,out
USB Type B

Power: AC adapter (DC12V, 2500mA)
Power consumption 5w
Dimensions: 565 W x 338 (D x 92 (H mm
Weight: 2.9kg

Notes: ***B-STOCK: Box opened, product in perfect working order***


Two-deck version of Denon's standalone controller, based on the Engine DJ OS, featuring WiFi streaming and Serato support. Built-in speakers allow quick and easy monitoring for live streaming or practice sessions.

*** Engine DJ 3.1 Performance Software for Hardware (OS) - Update June 2023 ***

New Features

Touch FX - Use the touchscreen to control and interact with FX in a whole new way. Touch FX bring powerful effect combinations to your fingertips. Swipe in any direction to instantly create build-ups, drops, and transitions. The added ability to latch Touch FX allows you to focus on other aspects of your mix while the effect remains active. Touch FX are available for all Engine DJ devices, including Media Players, however, the selection of available Touch FX will vary by the device.

New Touch FX include: Filter Echo, Filter Reverb, Filter Roll, LFO Echo, Filter Dub Echo, Filter Gate, Noise Gate, Flanger, LFO Filter, Filter

New Main FX - Denon DJ devices receive 26 new and updated Main FX. This suite of new dynamic effects provides DJs with easy-to-use tools to build energy, create drama, aid with transitions, and individualize their performances.

New Main FX include: Echo Out, Swell Verb, Hold Echo, Recycler, Stutter Out, Riser, Pitch Down, Scale Down, Reverb, LFO Verb, Reverb Drop, Reverse Reverb, Reverb Rise, Flanger (-), Beat Break, Backspin, Brake, Roll

All effects now offer a Frequency parameter, allowing you to apply the effect to a focused frequency range.

Sampler Updates

Sampler audio can be routed to any available channel or the Main output. To change the Sampler routing, open Settings and choose the Mixer tab.
The Sampler pad mode can now also be accessed by pressing the ROLL pad mode button twice without holding the Shift button. (Denon DJ hardware)
The sampler volume setting is now remembered between power cycles.
Added the ability to read Smartlists created in Engine DJ (Desktop).

Improvements and Fixes

Track Preview can now be routed directly to the headphones for instant track previews without setting the cue source in advance. (PRIME 4)
Reworded Effect parameter reset behavior setting to make it clearer.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where the internal SATA drive would not show up as a source immediately after updating.
Fixed an issue where a track remained in the Prepare list when loading to a deck in certain situations.
Improved peak hold behavior on all products that have peak hold VU meters.
Other various stability enhancements & improvements

Engine DJ Preparation Software (Desktop)

New Features

Smartlists - Automatically organize songs from all connected drives into playlists based on the criteria or rules that you specify. To create a Smartlist, click the Smartlist icon on the Collection folder or right-click on an existing Playlist and select 'Create Smartlist'. You can easily turn a Smartlist into a regular playlist by right-clicking the Smartlist and choosing 'Convert to Playlist'. This creates a Playlist with the same name & content as the Smartlist.

Improvements and Fixes

Fixed an issue that prevented the highlighted track from updating when bulk editing metadata.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where Serato beat grids were not imported correctly.
Other various stability enhancements & improvements

Supplier's Notes:
Denon DJ, the leader in standalone DJ products and innovation, introduces the SC LIVE 2, a 2-Deck Standalone DJ Controller with 7" touchscreen, built-in speakers, and Wi-Fi connectivity. This club-style, all-in-one device gives DJs ultimate creative freedom and offers the world's first DJ hardware integration with Amazon Music Unlimited.

World's First Amazon Music and Denon DJ Partnership

The Denon DJ SC LIVE DJ controllers were designed using an exclusive secure chipset to meet Amazon Music's streaming requirements, making them the world's first DJ hardware to support Amazon Music Unlimited. This integration with Amazon Music and other popular streaming services gives DJs instant access to over 90 million CD quality (aka "lossless") songs across all musical genres. With the SC LIVE 2's built-in Wi-Fi and lightning-fast onboard song analysis, DJs can now perform a full set without owning or preparing any music ahead of time.

Laptop-Free Performances with Engine DJ OS

The SC LIVE 2 is powered by Engine DJ, the same leading standalone DJ operating system that fuels laptop-free performances on the biggest stages and DJ booths across the globe. This seamless hardware and software integration intuitively places performance essentials in the perfect place for inspirational mixes and live shows.

Ultimate DJ Controller for Serato DJ and Virtual DJ

With "Computer Mode" enabled, the SC LIVE 2 can be used as a dedicated DJ software controller for Serato DJ Lite, Serato DJ Pro, and Virtual DJ. This 1:1 hardware to software integration displays moving waveforms and music library information on the HD touchscreen and provides full access to FX and other top features. This versatility gives DJs multiple options to perform however they prefer.

Designed for Creative Mixing

The SC LIVE 2 gives DJs the power to perform anywhere with 2-deck standalone freedom and wireless access to Amazon Music Unlimited. This combination of performance features and unprecedented musical access opens an exciting new realm of creative mixing possibilities for laptop-free DJ performances. Inheriting the professional club-standard layout, features, and intuitive workflows from Denon DJ's flagship SC6000 PRIME media players and club-style mixers, the SC LIVE 2 fuses the power of the club-ready modular setup into a compact & intuitive 2-deck standalone DJ controller. With its built-in Wi-Fi, 7" multi-gesture touchscreen, and 3 media slots, the SC LIVE 2 unleashes creative live performances using a combination of stored media and music streaming sources.

For on-the-fly creative mixing, the 4 Performance Pads on each deck can be used to control Hot Cue, Roll, Auto Loop, and Manual Loop modes. When the Bank button is pressed, the 4 Performance Pads access pad slots 5-8, allowing a total of 8 Performance Pads on each deck for each Pad Mode option. The onboard effects include 4 Sweep FX which utilize a dedicated knob on each channel to expressively control FX and Filter combinations. The 13 BPM FX options can be customized for extra sonic satisfaction using the FX control section that includes a Channel Assignment switch, Time/Parameter control, FX level encoder, and illuminated engagement button.

Immersive All-In-One Audio Experience

The powerful, built-in speakers offer the perfect sound solution for livestreaming, practicing, content creation, and personal monitoring during live shows. The dedicated volume knob and on/off switch offers full control to meet the needs of any gig, making it easy for DJs to bring the booth with them wherever their career takes them.

Dynamic Lighting Integration

For enhanced performance visuals, the onboard Engine DJ operating system is fully integrated with Engine Lighting. A quick button press allows DJs instant access to automatically beat-synced light shows for songs stored on saved media as well as for streaming tracks. Full parameter controls over color, intensity, strobe, and more can be adjusted on the fly for jaw-dropping light shows using Phillips Hue, Nanoleaf, and DMX lighting.

The fully loaded, fully capable SC LIVE 2 represents the next generation of standalone DJ controllers and is sure to inspire a new era of musical freedom and creativity.


Technical Specs

Audio
Frequency Range: 20-20,000 Hz
Sampling Rate: 44.1 kHz
D/A Converter: 24 bit

Physical Unit
Dimensions (W x D x H): 26.7 x 15.4 x 3.9 Inches
Weight: 10.14 lb

Compatibility

Software
Engine DJ OS
SoundSwitch
Virtual DJ
Serato DJ

Hardware
SoundSwitch Micro USB to DMX Interface
SoundSwitch Control One Professional Lighting Controller

Onboard Internet Services
Amazon Music Unlimited
Beatport
Beatsource
Dropbox
SoundCloud GO+
TIDAL

Included Contents
Quick Start Guide
DC Power Supply
USB Cable
Display Cleaning Cloth
Safety & Warranty Manual

FAQ's

Do other Engine DJ products work with Amazon Music Unlimited?

No. A hardware change was needed in order to support this technology.

Does the SC LIVE 2/4 work with an Amazon Music Free or Amazon Music Prime account?

No. The SC LIVE 2/4 only supports Amazon Music Unlimited.

Amazon Music Unlimited offers 75 million tracks in lossless High Definition (HD) and millions more in Ultra High Definition (Ultra HD). HD tracks are 16-bit audio, with a minimum sample rate of 44.1 kHz (16/44.1 is also referred to as CD-quality), and an average bitrate of 850 kbps. Ultra HD tracks have a bit depth of 24 bits, with sample rates ranging from 44.1 kHz up to 192 kHz, and an average bitrate of 3730 kbps.

How many Amazon Unlimited tracks can I stream simultaneously?

Amazon Unlimited allows for up to two tracks to be streamed simultaneously. That includes tracks loaded to decks or previewed from the library.

Notes: One of the most eagerly anticipated new releases in recent years, the T-1 is a powerful 16-track sequencer with countless features aiming to streamline creativity, from melody generation to Euclidean rhythms.

Supplier's Notes:
Not your average sequencer
A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument

This machine speaks music
Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly

It's your instrument
The T-1 can be customized to suit your music. In fact, it is many instruments in one: Each of the T-1's 16 tracks can be set up in one of three modes.
Note: Compose rhythms and melodies from scratch with creative musical algorithms, and tweak them to your desire with detailed step editing.
CC: Take absolute control over sound design with 16 CC knobs and add automation via random modulation and step editing
FX: Create real-time midi fx to expand and transform your musical ideas. Connect a midi keyboard for hands on live performance

Connect to everything
The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity. The T-1 solves this by communicating via MIDI, USB, analog CV and gates, Ableton Link and Wi-Fi connections with all of your gear.

Musical structure in a knob
Sculpt the timing, tonality and overall structure of your music in the same intuitive way you would a parameter on a synthesizer: By the twist of a knob. The T-1 lets you dial in any rhythm in a manner of seconds with euclidean rhythms.
Want to surprise your audience and even yourself? Add a bit of random modulation or change the probability of a step being played or not. Try the T-1 style looping random modulator

Tangible visuals
What you see is what you get: at every touch of a knob or push of a button, 16 RGB buttons show you the state of the instrument while offering up a quick way to jump to a new setting in real-time

Performing is composing
The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter.
Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music making process is a constantly evolving flow

Technical specifications

Sequencer
Euclidean rhythm generator (w. step editing)
Advanced note repeater / arpeggiator
Melody generator
7 musical scales + 1 user scale per track
Harmonic pitch control
Random modulation on every parameter

Tracks
16 tracks per pattern
16 MIDI channels
Polyphony on every track

Storage
Auto-save
16 patterns per bank
16 banks

User interface
18 endless rotary encoders with push
23 RGB backlit silicone keypads

Physical
Matte black aluminium casing
Dimensions: L:304, W:114, H:39mm ?(11.9", 4.5", 1.5")
Weight: 815g (1.8 lbs)

In the box
1 x T-1
1 x USB cable
1 x MIDI adapter (type A)

Connectivity
USB C (midi/power)
MIDI in / out / thru (TRS type A)
CV & gate i/o
Ableton Link (WiFi)

Notes: ***B-STOCK: Box opened, missing documentation, product in perfect working order.***


Hands-on controller for DJ software or to expand the power of your Denon players and controllers. Plug into an SC6000 player or similar to add dedicated controls for the second layer. Excellent value.

*** Introducing Engine DJ version 3.0 ***

This product is compatible with Engine DJ 3.0, visit enginedj.com for more info.

Comprising of Desktop and OS platforms, Engine DJ is the world's first, and most advanced, embedded creative platform for DJs.

Internet-ready music streaming

Access premier music streaming services directly on Engine DJ compatible devices via Wi-Fi or wired connection without the need of a computer. Log in to your favourite music streaming service and start playing. Set and recall hot cues and loops as you would with physical media.

Control and sync music with lights

Automatically sync your DJ set with DMX, Nanoleaf and Philips Hue Smart Lights. Simply raise the channel fader and press play to see the automatic and synchronized light show. Get creative by customizing the light show on-the-fly with a variety of touchscreen controls.


Supplier's Notes:
Expand your creativity

Inheriting the same DNA from the ultimate club experience SC6000 PRIME, the Denon DJ LC6000 Prime is the world's most versatile DJ controller. Bringing professional club style layout, design and control to both standalone and laptop-based DJ workflows.

With the same look, design, and feel, as the flagship SC6000 Media Player, the versatile LC6000 gives DJs a professional hardware control for the second dual-layer audio output, unlocking Engine OS powered Media Players' full potential when controlling the secondary layer. Showing its true versatility, the LC6000 Prime is the ultimate DJ Controller for compatible DJ applications, giving DJs professional hardware control in their setup.

The stunning full size 8.5" jog wheel, multi-function performance pads, 100mm dual-precision pitch fader, and navigation control grants the DJ more power and ease to be creative in the mix. Powered and activated with just a single USB connection, the LC6000 Prime gives 'plug and play' a whole new meaning in the DJ booth. Connect one or multiple units to customise your setup and expand your creativity.

Unique power of dual-layer

Denon DJ has the only media player on the market that offers dual-layer playback with independent outputs for each layer. The LC6000 Prime adds physical control over the second layer, making it easier than ever to perform using just one media player.

Professional DJ controller

The LC6000's plug and play connectivity with DJ software, provides the ultimate club experience over one or multiple software decks, further expanding creative possibilities for the professional DJ. Compatible with Virtual DJ, Algoriddim Djay Pro AI & Serato DJ Pro.

8.5" jog wheel

At the heart of the LC6000 Prime is a full size 8.5", capacitive touch jog wheel that features a high-definition central display. This colour display shows track artwork or a custom DJ logo, layered with play head position and other essential performance information.

Expand your creativity

Completing the creative toolset, the LC6000 Prime has 8 robust multi-function performance pads offering Hot Cue, Loop, Roll, and Slicer for enhanced creativity and remixing 'on-the-fly'. Alongside this, the LC6000 has a dedicated loop section and navigation control, giving DJs complete and confident control of their performance.

Technical Specifications:

Platters: 8.5" / 216mm (diameter)
Metal construction with display & capacitive touch
Platter Display: 3.5" / 89mm (diameter)
Full-colour LED-backlit display
Connections: (1) USB Type-B port (for computer/media player connection), (1) DC power adapter input
Power Adapter: 12.0V, 2.0A
Dimensions (width x depth x height): 14.2" x 12.6" x 4.7" / 36 x 32 x 12cm
Weight: 6.24 lbs/2.83kg

Notes: One of the most trustworthy brands in the industry delivers another winner. Proper high-end business, with 12 analogue inputs and 12 outputs, plus an extensive array of digital connections. Great value at this price point.

Supplier's Notes:
Next-gen 28 x 32 USB3 audio interface - Builds on 22 years of proven success as an industry-leading audio interface brand.

New 3.9-inch TFT display - The bright, 24-bit RGB LCD provides 480 x 128 pixel high-resolution metering for all analogue and digital I/O, plus detailed status info and access to hardware settings from a simple and convenient menu.

Superb analogue audio quality and high-end converters - Renowned ESS Sabre32 DAC technology delivers 125 dB dynamic range. Support for all standard sample rates up to 192 kHz.

Ultra-low latency and proven, high-performance MOTU drivers - Round-trip latency (RTL) performance as low as 2 ms at 96kHz with high-performance DAW hosts.

Universal connectivity - Connects to your computer with 5 Gbps USB3 (compatible with USB2) for up to 60 audio channels. Class-compliant firmware and industry standard drivers work with any audio apps. Connects to an iPad™ with USB-C or a Lightning adapter kit (sold separately).

60 simultaneous audio channels - 28 inputs and 32 outputs, including two combo XLR/TRS mic/line/hi-Z guitar inputs with send/return inserts, 8 TRS analogue (line-level) in/out, separate main outs on XLR jacks, two banks of 8-channel optical I/O, stereo RCA S/PDIF digital I/O, and two front-panel headphone outputs.

Advanced mic channels - Cutting-edge components deliver ultra-transparent sound with -114 dB THD+N, 118 dB dynamic range and -129 dBu EIN. Each mic channel provides individual controls for +74 dB of preamp gain, -20 dB pad, 48V phantom power, and phase invert. All settings can be controlled remotely from a computer or iOS device. Each mic channel includes a dedicated send/return insert for outboard gear processing.

Flexible insert returns - When nothing is connected to the front-panel mic inputs, the two rear-panel returns function as additional line inputs with identical signal path characteristics as the other eight line inputs.

DSP mixing and effects processing - Flexible 24-input digital mixer with 8 stereo busses and DSP effects, including reverb, 4-band EQ, gate and compression.

Wi-Fi control - If the 828 is connected to a computer on your Wi-Fi network, you can control everything wirelessly from the CueMix 5 app running on mobile devices or other computers on the same network - even multiple devices at the same time. Manage access to the 828 with network discovery and password protection.

Precision boost/trim for analogue I/O - Calibrate analogue input and output signals in precise 1 dB increments. Apply phase invert individually to analogue inputs.

Control room features - Control your sessions with front-panel "talk" button and "A/B" speaker select buttons to quickly compare your mixes on two sets of studio monitors.

Two flexible headphone outputs - With independent volume control, each headphone output can mirror each other, the Main Outs, any other analogue output pair, any CueMix bus, or any USB output channels. Or you can create a completely customized mix for each headphone that includes live 828 inputs and built-in reverb.

Two banks of optical I/O - Connect outboard digital processors, digital mixers or other gear with 16 channels of ADAT at 44.1/48 kHz or 8 channels of SMUX at 88.2/96 kHz. Bank A can optionally provide stereo TOSLink (optical S/PDIF) I/O up to 96 kHz.

Foot switch input - Connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.

MIDI in/out/thru - connect MIDI gear without the need for a separate MIDI interface.

Word clock in/out/thru - Supports all sample rates up to 192 kHz.

DC-coupled TRS outputs - Use the 828 to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.

Loopback for live streaming and podcasting - Easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the 828 in your host software for live streaming or podcasting.

Guitar re-amping - Connect your guitar to the front-panel input, use CueMix's near-zero latency to loop to any output (with a re-amp adapter, if needed), and record both the dry signal and your mic'd up amp simultaneously. Then re-amp the dry signal later with different amps and cabs - or amp modelling plug-ins - to experiment with different tones.

CueMix 5 app - Control mixing and settings from your Mac, PC or iOS device.

Performer Lite - Workstation software with over 100 included instruments, dozens of effects and 6 GB of included loops to make music right away. Also includes Ableton Live Lite.

Next-gen 28 x 32 USB3 audio interface with DSP, mixing and effects
New 3.9-inch 24-bit RGB LCD with precision metering for all I/O
Superb analogue audio performance driven by ESS Sabre32 Ultra™ DAC Technology
Ultra-low latency and proven, high-performance MOTU drivers (~2 ms RTL with a 32 sample buffer @ 96 kHz)
Universal connectivity with 5 Gbps USB

Technical Specifications
Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

Mic/line/instr inputs
2 x XLR/TRS "combo" jacks
Individual -20 dB pad and 48V phantom power
Preamp gain: +74 dB in 1 dB increments
1 MO impedance on the line/instr inputs
Independent balanced send/return inserts

Analogue inputs
8 x 1/4-inch TRS line in (balanced/unbalanced)
2 x 1/4-inch insert returns function as balanced TRS line inputs (with no mic inputs connected)
Max level: +21 dBu
+20 dB digital gain on each input

Analogue outputs
8 x 1/4-inch TRS line out (balanced, DC coupled)
2 x male XLR out
Max level: +21 dBu
2 x 1/4-inch TRS stereo headphone
2 x 1/4-inch TRS sends (balanced, pre-converter)

Digital I/O
2 banks (16 ch) of ADAT optical I/O at 1x sample rates
2 banks (8 ch) of S/MUX optical I/O at 2x sample rates
Bank A switchable to stereo TOSLink I/O (optical S/PDIF)
1 x stereo S/PDIF I/O on RCA (up to 96 kHz)

Computer I/O
1 x USB-C 3.2 Gen 1 (5 Gbps) Type C - USB2 compatible USB audio class compliant (no driver needed)
1 x IF-certified USB 3.2 Gen 1 Type C-to-C cable included
Compatible with USB Type A (with a C-to-A cable, sold separately)
Total USB audio channels: see "Total Audio I/O" below
Round Trip Latency (RTL): ~2 ms (32 sample buffer at 96K)

Total audio I/O
28 in / 32 out (60 total channels) at 1x sample rates
20 in / 24 out (44 total channels) at 2x sample rates
10 in / 14 out (24 total channels) at 4x sample rates

MIDI I/O
1 x MIDI In
1 x MIDI Out/Thru
16 MIDI channels to/from computer host

Headphone
2 x 1/4-inch TRS stereo headphones
Output impedance: <1O
Max output: 14.4 dBu

Phantom power: 2 x individual +48V

Foot Switch
1 x 1/4-inch foot switch input
Mapping: pedal up/down to any host keystrokes

Sync I/O
1 x BNC Word Clock In
1 x BNC Word Clock Out/Thru
Sample rates: all (from 44.1 to 192 kHz)

Front panel
2 x XLR/TRS combo inputs
2 x 1/4" TRS headphone outputs
2 x potentiometer - headphone volume
2 x potentiometer - mic/instr input gain
1 x potentiometer - menu navigation
1 x large potentiometer - main volume
12 x switches - (2) 48V, (2) pad, (6) control room, (2) nav
1 x 3.9-inch 480 x 128 pixel 24-bit RGB TFT display
1 x latching power button

Power
Internal 100-240V autoswitching supply
50-60 Hz - 0.5A max

Dimensions and weight
(width x depth x height, enclosure only)
19 x 12.25 x 1.75 inches / 48.26 x 31.1 x 4.44 cm
11 lbs / 5 kgs

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Akai's mid-range MPC features full-size pads plus a built-in rechargeable battery and speakers. Integrated phono stage makes it easy to sample from vinyl. A hugely capable studio centrepiece.

Supplier's Notes:
Meet MPC Live II, the full MPC experience in its most portable configuration yet. Everything you need to make music, anywhere, right at your fingertips.

There's no need to compromise for portability. MPC Live II is the complete MPC experience without missing a step. A rechargeable lithium-ion battery means you can work anywhere for hours. Full-size MPC pads give you the ultimate in drum performance and the expanded function buttons allow for quick editing on-the-fly so you never miss a beat.

For the first time ever, you now have studio-grade monitors built-in directly to your MPC. No need to waste precious time looking for your headphones, untangling cables or powering up external monitors. These full range stereo monitors deliver low end thump along with tight top end to make portable beat-making the sonic experience you need to feel your music.

MPC Live II integrates into your creative space with all the ports, jacks and connectivity you need. USB 3.0, 2x2 MIDI, CV/Gate, 3 stereo outs and more. WiFi and Bluetooth connectivity make for a completely wireless workflow. No matter the device, MPC Live II is ready to get connected!

MPC Live II will super charge your production. With MIDI performance to tap in to as many devices as you need, an intuitive and streamlined layout not to mention the MPC workflow features you need; 16 Levels, Note Repeat, Auto Sample, Chords & Notes More and so much more. Get ready to level up to the MPC Live II.

KEY SPECS:

Pads:
(16) velocity and pressure-sensitive pads, RGB-backlit
(8) banks accessible via Pad Bank buttons

Knobs:
(4) 360- touch-sensitive Q-Link Knobs
(4) Q-Link Knob columns accessible via Q-Link button
(1) 360- encoder for display navigation and selection via push

Buttons:
(27) dedicated function buttons; red, amber, or green backlit

Display:
6.9" / 176 mm (diagonal)
5.9" x 3.7" / 150 x 93 mm (width x height)
Full-color LED-backlit display with touch interface

CPU: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB, expandable via SATA connections

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(6) 1/4" (6.35 mm) TRS outputs (3 stereo pairs)
(1) 1/4" (6.35 mm) stereo headphone output
(2) RCA inputs (1 stereo pair)
(2) 5-pin MIDI inputs
(2) 5-pin MIDI outputs
(4) TRS CV/Gate jacks, 8 outputs total
(1) Ethernet link port
(2) USB Type-A ports
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Power:
Via power adapter: 19 V, 3.42 A, center-positive, included
Via battery: Up to 5 hours of battery life

Dimensions (width x depth x height):
16.2" x 9.6" x 1.8"
411.5 x 243.8 x 45.7 mm

Weight:7.45 lbs/3.38 kg

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


This long-awaited FM voice module from Jomox is a self-contained synth in Eurorack format, patchable and compatible with other modules but capable of creating eight-voice polyphonic patches all on its own. Vastly powerful.

Supplier's Notes:
The Mod FM is a completely self-contained 8 voice FM synth in eurorack format, which can create powerful sounds out of the box without lacking the commonly provided CV modulation possibilities.

It provides 4 Operators and 2 LFOs/VCOs per voice. Additionally it has 2 analogue filters and analogue VCAs per voice which apply analogue warmth and depth to the Mod FM, although the FM engine is digital of course.

Each voice has own CV/Gate inputs and an individual output. There is a mix output which separates even and odd voices. Here you can mix internal effects like delay and reverb to the stereo output signal.

Next to the CV/Gate control, the Mod FM has Midi in and out in TRS type A format and a USB C connector which handles Midi too.

Even without diving too much into complicated modular setups you can create extremely good sounding and metallic FM sounds, snappy bases but also soft and deep sounding analogue style sounds.

Furthermore, the Mod FM offers a variety of external cv modulations in order to e.g. modulate each operator individually or control the FM envelopes.

The Mod FM is fully multitimbral, i.e. each voice can play an own sound in Multi Mode which gets stored as a complete multi set (not only vectorized). That is, you can copy a single sound to the desired multi, but editings made on that particular multi get stored along with the multi set.

Hence, we have the biggest advantage of the hybrid approach:

Modular is great but can be very complex, and you might be trapped in a system where you never reach again the desired sound of the latest session. Storability certainly helps.

The different sections in more detail:

Matrix FM:

4 operators are arranged in a matrix, in which every operator (= sine oscillator) can be modulated by each one of the other three.

The 16 endless potentiometers of the matrix adjust the modulation amount (FM amt) and the base frequency of the operators.

For each operator you can change the base frequency by the diagonal knobs.

There are several overtone modes that determine if one operator is controlled by the keynote (or CV) = base operator, or if it's locked in as overtone (= overtone operator) to the assigned base operator. For the base operator, the number resembles xxx semitones added to the keynote.

For the overtone operator, the adjusted number is the xxx = Nth overtone or harmonics to the base operator frequency.

The locked overtone operator tracks the base operator and is still able to modulate and being modulated.

Each operator has an ADSR envelope. This envelope can also be used to frequency-modulate the operator.

Algorithm:

The algorithms from the known FM synthesis are actually special cases to the whole matrix.

Because it gets pretty quickly uncontrollable if you turn all the knobs because of the feedbacks, Jomox have decided to implement the algorithms. There are 26 algorithms, that are derived from the DX9 with its 4 operators.

At this menu it's even possible to change the frequency mode of each operator to a fixed frequency that is edited in single Hz and which does not follow the keynote, but only modulation. That makes sense for e.g. percussive sounds.

LFO/VCO:

Each voice has 2 LFOs which can modulate either the frequency (FM) or the amplitude (AM) of an operator. Every LFO addresses 64 different wave forms that are displayed in the right OLED display.

There is another feature: each LFO can be switched into a VCO that covers the whole audio range. You can even mix it into the signal chain and it tracks to the keynote. The former LFO rate parameter turns into a detune parameter. That is, you can create classic sounding rectangle/sawtooth analogue basses or string pads - and much more of course.

Filter:

Each voice contains an analogue filter which is build up with the chip SSI2140 from Sound Semiconductor, which is an improved modern version of the old SSM2040, designed by Dave Rossum, and which had been used in Oberheim synths and the early SCI Prophet-5.

The filter has a classic 24dB output and a 12dB state-variable multimode-filter. The three basic characteristic outputs LP/BP/HP can be cross-faded continuously with one parameter called shape.

Both filter outputs 24dB/12dB can be mixed independently.

The ADSR for the filter is fast and cuts in very quick and directly, the resonance is well adjustable.

The filter section contains an own LFO for the cutoff which is independent from the digital sound engine and has also 64 waveforms.

The VCA is a fast transistor-VCA which is important for snappy sounds. The same transistor-VCA is used in all Jomox drum products. Therefore the ModFM can be used as a rich source for technoid drums and percussions of any kind.

Notes: Serious depth in this superb effects processor. Stereo delay, filtering and reverb are the core options, with an emphasis on hands-on control and real-time tweaking with a dedicated knob for every parameter.

Supplier's Notes:
An incredibly powerful multiprocessor of effects with a strong ability to stimulate the user's creativity. Its sophisticated retro-futuristic soul and its powerful processor offer a completely revolutionary point of view on classic effects (Echo Space, Delay, Filters and Reverbs) with supreme audio quality.

Reminder revolutionizes the method of using audio effects allowing the user, professional or amateur, to break the creative boundaries of the instruments currently on the market. From the simple use to give color or modify the sounds, we move on to a real sound composition system based on the creativity that Reminde? can give back to the user thanks to the substantial rhythmic and harmonic increase it produces.

Smart design

Behind Reminder's smart and elegant design, it hides the essence of the meticulous study of the position of each individual knob and the relationship between the functions assigned to them. The contact with REmindE? will be remarkably surprising, and, since the first touch, you will see the simplicity of access to the desired function even when your gaze is turned to your synth in the studio, to the rest of your live set up or to the dance floor. The design is so incredibly intuitive that you can easily reach what you need at any time and place, making the perfomers bring out all their creativity.

Enjoy Electronics is a company made up of Djs, Live performers, sound designers and it is exactly for this reason that Enjoy have succeeded in creating a device that is unique in its kind, intuitive and stimulating.

Quadraphonic

Reminder is equipped with 4 output channels. In order to take advantage of all the quadraphonic possibilities, you can assign different effects to different output channels.

SPECS

Input Type: 1/4" Unbalanced TS
Input Impedance: 13,9KOhm
Max Input Level: 2.0 VRMS (+6dBu)
Output Type: 1/4" Unbalanced TS
Output Impedance: 336?
Latency (Audio in to Audio out) : 1,2 ms
Max Output Level: 2.5Vpp
Bit Depth : 24 bit
MIDI support: CC
Presets: User presets
Display: OLED

Dimensions:
Width 18.1 IN / 46 CM
Depth 6.2 IN / 15,8 CM
Height 2.2 IN / 5.6 CM

Notes: RITMOBOX - is a compact, analog drum synthesizer inspired by the drum machines / synthesizers of the 70s-80s with a built-in 8-step sequencer and MIDI.

It has 37 controls, 3 switches and 14 buttons with which you can have a wide control over the sound parameters, sequencer and MIDI. It has individual audio outputs for each of the five sounds and a mix output.

Each unit is carefully hand assembled in Moscow / Russia using discrete through-hole components and OTA chips.

Specifications

- Fully analogue, discreet components;
- 5 individual sound channels: CH, OH, 3 separate Generators (G1, G2, G3) each with its own oscillator, individual pulse ("kick", noise, LFO and other modulations;
- 37 knobs/controls for different sound shaping options;
- 8 step analogue sequencer with ability to program 16 steps;
- Up to 16 steps preset loading/saving slots;
- TAP and Mute/Unmute functions;
- MIDI In/MIDI Out;
- 3.5 mm individual outs;
- 6.3 mm output;
- 6.3 mm headphones output;
- Steel casing;
- Dimensions: L250xW220xH100 mm;
- Weight: 1,8 kg (without power supply);
- 12 VAC 220v or 110v power supply (included).

Notes: NOON is a passive analogue drum/synthesizer. Each of the eight channels uses a unique analogue circuit with its own characteristics. No power supply is needed. Each circuit is triggered and powered individually from incoming gates or control voltages provided by voltage sequencers or modular systems. By using this unique method, we can increase instability and magnify organic aspects of traditional analogue electronic instruments. The sound of analogue, at its core, is the sound of sculpted electricity. By removing the stabilizing elements of a constant power source, we can listen to the sound of electronic circuits loading and unloading, powering up and powering down, and we can increase the natural chaotic movement of electricity. The loading of circuits creates natural ways to access swing and groove or ways to deconstruct a programmed rhythm sequence to make surprisingly new ideas.
Each channel is represented by a tuning fork. Incoming voltage can be thought of as a way to "strike" each fork with momentary voltage. Between every channel there are Link buttons which allow voltage sharing between channels. Linking them provides a wide mix of results depending on incoming voltage, active or inactive channels, slider settings, gate lengths and multichannel linking. The results can be described as cross modulation, growth (creating a larger and more complex circuit), or processing (filtering, distortion). Due to the cycles of voltage and this inherent instability, a definition of what is actually occurring between channels can be hard to pin down. The eight Mod buttons, which are located at the bottom of each tuning fork, change the behaviour and sound of each circuit. The eight latching CV buttons along the top allow the "?" Even and "?" Odd CV modulation inputs to route to even and odd channels. When incoming CV is unmuted, a channel's behaviour can change drastically and this behaviour can change further when channels are linked. These CV inputs are a way to add microtonal pitch changes and/or large textural movement to voices. The Even and Odd CV inputs are summed to their respective channels to provide a rhythmic modulation reference between multiple channels.

Limitations & Recommendations

A voltage sequencer, modular system or some form of external control voltage is required for use. This is a powerless instrument which relies upon receiving voltage and control from external sources.
Using sequencers which have the ability to vary gate length is highly encouraged due to the increase in sound possibilities and rhythmic movement.
Each model of voltage sequencer can have slightly different effects on the tonality of the instrument due to variations between manufacturers and feature sets.
Given the passive design of the device the reaction of the touch plates will vary greatly based upon what voltages are being received in which channel, if channels in are being touched in tandem, skin moisture and gate lengths. Using only trig signals can significantly lessen the touch plate response.
Channels 7 & 8 (Larynx & Bacid) will give best results being fed gate and cv voltage simultaneously. Sending trigs instead of gates to these channels may have less interesting results than found in other channels.

Specifications

Dimensions: 32cm x 18cm x 2.5cm / 12.5" x 7" x 1"
Materials: Gold plated PCB (2mm fiberglass) / routed Birch plywood case with clear coat / metal shaft sliders with rubber caps / concave and dual LED latching push buttons
Weight: 0.9 kg. / 2 lbs.
CV Inputs: 10 x 3.5mm jacks
Audio Input: 1 x 3.5mm jack
Audio Outputs: 10 x 3.5mm jacks

Notes: The Synthesis Technology E352 combines the latest 200MHz 32-bit ARM DSP with SynthTech's Cloud and Morphing algorithms found in the legendary E340 Cloud Generator and the E350 Morphing Terrarium.

If you want the black panel version of the E352, you can order it directly using the BUY NOW button.

Some important features:

User-defined wavetables loaded via microSD card
Color 240 x 320 TFT LCD display
Grayhill mil-spec optical encoder for data entry
16-bit wavetables (versus 8-bit for the E350) for 5x lower noise & THD
Contains all 192 of the original E350 wavetables
LFO mode, variable Glitch Energy and other added features
VCO Architecture
The E352 has a single VCO, but 2 seperate audio outputs. The outputs are determined by the VCO Mode setting. They do not necessarily have to be the same pitch (Detuning Mode).

The VCO is based upon a unique implementation of wavetable synthesis using 256 fixed-sample-length tables of 16-bit values. Each bank in memory consists of 64 wavetables, in an 8x8 array (like a chessboard). Our proprietary DSP algorithms then allow either smooth or 'glitched' morphing between the wavetables in various ways. The E352 comes with 3 factory banks (192 total waves) and internal FLASH memory to hold 26 user-defined banks. This allows over 1,650 individual wavetables to be accessible. The free, cross-platform WaveEdit program is used to generate and import WAV files to user Banks.

Each VCO has 3 CV inputs (called Parameters or PARMs) which the VCO mode assigns to functions within that algorithm. In addition, there is a hard SYNC input, and the FM can be set to exponential or 3 ranges of TZFM (Thru-Zero FM).

Colour LCD/Navigation
Everyone hates 'menu-diving', us included. That's why we focused on making the most 'shallow' menu system possible. Everything is just 1 or 2 clicks away. No endless screens and pages to remember. The encoder is a mil-spec Grayhill optical encoder with a 25yr typical life. And if it ever needs replacing, it's on a easy to access cable assembly.

The colour LCD lets you customize the color scheme with 64 different colors to pick from.

There are several included 'visual aids' that can be displayed on the LCD:

Each of the VCO output waves/noise modes, updated 20FPS
Lissajous figures
Real-time FFT spectra of the audio output when in the 2-op FM mode
Graphical maps of the X and Y PARM CVs
Interesting 'Eye Candy' effects
User Wavetables and Patch Storage
You can load your own sets of wavetables using the uSD card interface. The uSD card is NOT REQUIRED to run the E352. It is also used for firmware updates. The free application WaveEdit is used to format the wave data and bank data into the proper format used inside the E352.

The E352 has internal non-volatile memory for storing both User wavetables/Banks and for Patches. A 'Patch' stores the menu settings. There are 8 Patches available, and a Patch can be quickly recalled for live performances.

VCO Modes
Although the E352 excels at smooth morphing between wavetables (first introduced in the E350 Morphing Terrarium in 2010), traditional VCO waves such as saws, pure sines, and filtered noise (using a 4-pole resonant lowpass ladder filter) can be selected. Thru-zero, linear FM (in 3 ranges) can be used on not just triangle waves (as in an analog VCO) but with ANY waveshape or any wavetable. Here are all the different modes.

Morphing - Use 3 CVs to select where in the 8x8 bank of wavetables the output is generated. This is the E350's mode.
Morph + Phase Shifting - used when mixing with another VCO (or driving laser galvos). Audio-rate modulation generates classic PM tones. Wavetable morphing plus a voltage-controlled phase shifter.
Morph + Wavefolder - can you wavefold a wavetable? Sure you can...now.
Cloud Generator - this is an improved E340 mode. Not just saws or sines, but can 'cloud' any wavetable. A 'cloud' is a set of detuned copies (the 'supersaw' effect)
Morphing Cloud Generator - combination of Cloud + Morph modes.
2op FM - 2 operator Yamaha FM. Not limited to just sine waves, you can use wavetables as well.
Noise - 6 types of noise plus a resonant, Moog-style ladder filter
Sample Player - a 'lo-fi' sample player that treats the selected Bank as 1 giant WAV sample, with separate Start and Length points under voltage control.

*** NEW: Firmware V1.6 (June 12th 2021) ***

This replaces the prior V1.5.

Changes from V1.5 are as follows:

Bugfixes

Fixed a case where Noise outputs were uncorrelated.

New Features:

16 Named patch locations (up from 8)
Morph + Chord mode
Morph + Blend Mode
Selectable HPF removes DC offsets in FM CV In
various UI improvements

Notes: The Synthesis Technology E352 combines the latest 200MHz 32-bit ARM DSP with SynthTech's Cloud and Morphing algorithms found in the legendary E340 Cloud Generator and the E350 Morphing Terrarium.

The VCO is based upon a unique implementation of wavetable synthesis using 256 fixed-sample-length tables of 16-bit values. Each bank in memory consists of 64 wavetables, in an 8x8 array (like a chessboard). The proprietary DSP algorithms then allow either smooth or 'glitched' morphing between the wavetables in various ways. The E352 comes with 3 factory banks (192 total waves) and internal FLASH memory to hold 26 user-defined banks. This allows over 1,650 individual wavetables to be accessible. The free, cross-platform WaveEdit program is used to generate and import WAV files to user Banks.

Each VCO has 3 CV inputs (called Parameters or PARMs) which the VCO mode assigns to functions within that algorithm. In addition, there is a hard SYNC input, and the FM can be set to exponential or 3 ranges of TZFM (Thru-Zero FM).

Colour LCD/Navigation

Everyone hates 'menu-diving'. That's why Synthesis Technology focused on making the most 'shallow' menu system possible. Everything is just 1 or 2 clicks away. No endless screens and pages to remember. The encoder is a mil-spec Grayhill optical encoder with a 25yr typical life. And if it ever needs replacing, it's on a easy to access cable assembly.

The colour LCD lets you customize the colour scheme with 64 different colours to pick from.

There are several included 'visual aids' that can be displayed on the LCD:

Each of the VCO output waves/noise modes, updated 20FPS
Lissajous figures
Real-time FFT spectra of the audio output when in the 2-op FM mode
Graphical maps of the X and Y PARM CVs
Interesting 'Eye Candy' effects
User Wavetables and Patch Storage
You can load your own sets of wavetables using the uSD card interface. The uSD card is NOT REQUIRED to run the E352. It is also used for firmware updates. The free application WaveEdit is used to format the wave data and bank data into the proper format used inside the E352.

The E352 has internal non-volatile memory for storing both User wavetables/Banks and for Patches. A 'Patch' stores the menu settings. There are 8 Patches available, and a Patch can be quickly recalled for live performances.

VCO Modes

Although the E352 excels at smooth morphing between wavetables (first introduced in the E350 Morphing Terrarium in 2010), traditional VCO waves such as saws, pure sines, and filtered noise (using a 4-pole resonant lowpass ladder filter) can be selected. Thru-zero, linear FM (in 3 ranges) can be used on not just triangle waves (as in an analogue VCO) but with ANY waveshape or any wavetable. Here are all the different modes.

Morphing - Use 3 CVs to select where in the 8x8 bank of wavetables the output is generated. This is the E350's mode.
Morph + Phase Shifting - used when mixing with another VCO (or driving laser galvos). Audio-rate modulation generates classic PM tones. Wavetable morphing plus a voltage-controlled phase shifter.
Morph + Wavefolder - can you wavefold a wavetable? Sure you can...now.
Cloud Generator - this is an improved E340 mode. Not just saws or sines, but can 'cloud' any wavetable. A 'cloud' is a set of detuned copies (the 'supersaw' effect)
Morphing Cloud Generator - combination of Cloud + Morph modes.
2op FM - 2 operator Yamaha FM. Not limited to just sine waves, you can use wavetables as well.
Noise - 6 types of noise plus a resonant, Moog-style ladder filter
Sample Player - a 'lo-fi' sample player that treats the selected Bank as 1 giant WAV sample, with separate Start and Length points under voltage control.

Specs

Module width: 26HP
Depth behind panel (with power cable attached): 1.65in (41.9mm)
Power: +12V @65ma, -12V @24ma
CV In range: -5V to +5V, 12KHz
SYNC threshold: +0.65V nominal, positive-edge slope triggers
Wavetable format: 256 samples, 16-bit unsigned integer, .WAV
Audio output level: 10V pk-pk
Audio sample rate: 96KHz, 32-bit DSP engine, 16-bit output

Notes: One of the most powerful effects modules in Eurorack, offering full stereo processing with hands-on controls and CV modulation. Updated firmware includes Alesis MidiVerb algorithms and convolution reverb.

Supplier's Notes:
The E520 Hyperion is a mono/stereo in, stereo out effects module. It is 48HP wide, 35mm deep and uses less than 230ma of +12V and less than 50ma of -12V.

Powered by a 480MHz ARM Cortex M7 CPU, the E520 has 64MB on on-board SDRAM for recording up to 6min of stereo audio at 48KHz sample rate. The LCD screen and optical encoder navigation uses the same 'shallow' menu scheme of our E352 and E370 modules, with the addition of 4 'soft keys' for selecting options without having to leave the main page.

The E520 uses a premium audio path not usually found in Eurorack. Crystal Semi CODECs, TI OPA-series op amps (in the audio sections) are used along with low-noise, dedicated LDO voltage regulators for a clean, full soundstage. Audio conversion uses 48KHz sample rate, 24bit resolution with a line or synth level setting.

The Input and Output gains can be independently set for Line or Modular levels. This allows direct interfacing to DAWs/audio interfaces without a mixer or VCA stage.

The E520 is designed to fit into a 4ms 48HP powered PODX esktop case.

Currently, there are 26 different algorithms included with the E520, and more can be added in the future as internal memory allows. Each algorithm can have up to 4 PARAMETERS under voltage control. The initial value of a PARAMETER is set by a panel knob, and then external CVs of up to +-5V at 10KHz can be applied. In addition, most algorithms employ feedback which can be modulated by external CVs as well. Typical PARAMETERs are delay time, LFO speeds, pitch shift amount and many others.

The row of 'soft keys' are usually 1-3 for algorithm selections (such as range of Delay Time) while the 4th is a BYPASS function. Some algorithms use the TAP TEMPO button for tapping in Delay Time, LFO Speed or similar functions. Other algorithms repurpose the TAP TEMPO as a 'FREEZE' or 'HOLD' function. The SYNC IN jack can be used like the TAP TEMPO functions, but driven by a clock or Gate signal.

The E520 has a unique 'dual chained mono' mode, where either:

different algorithms cam be placed on Left and Right channels (for example Shimmer on Left and the Voder filter on Right). This can be thought of as 2 Mono Ins, and 2 Mono Outs.
2 algorithms can be 'chained' , where the Left algorithm internally feds the Right algorithm. This is a Mono In, Stereo Out signal chain (both Left Out and Right Out can be used).
Chaining of stereo effects is not possible due to limitations of internal memory and the DSP speed required to maintain the 48KHz sample rate.
Algorithms in the E520 fall into 3 catagories:

Time Domain Effects - delay, chorus, phase shifting/flanging, frequency shifting and others.
Frequency Domain (Spectral) Effects - Our unique Spectral Crusher, vocoder, time-stretching and others.
Utility - frequency and level measurements

Time-domain effects

Stereo Pattern Delay

The Stereo Pattern Delay is a stereo tapped delay line with CV-controlled tap patterns. Each channel (left / right) has its own separate delay line with two sets of taps: Primary and Secondary. The patterns are chosen from a set ov 64 and the length of the patterns can be adjusted via buttons. Mixing between Primary and Secondary, filtering and feedback all allow control over the complexity and dynamics of the output. Tap Tempo or external clocks can be used to set the base time rate and a selectable multiply/divide ratio can scale the rate.

Stereo Flanging Delay

The Stereo Flanger Delay is short delay which allows smooth control of the delay line length over intervals of 0-100ms which makes it particularly useful for Flanging and Karplus-Strong effects. This is a true stereo effect in that there are separate delay lines for Left and Right channels but they can be processed identically. The unique feature of this algorithm is the inclusion of an 8-stage allpass diffuser at the input with control over mix and length which can be used to thicken up the sound prior to flanging. Additional features are that the delay control can be done either in linear time or exponential frequency, and that the output can be set into flanger mode which makes comb-filter sounds easier to achieve.

Stereo Chorus

The Stereo Chorus is multi-tap chorus with selectable number phases and an integrated LFO with variable frequency and depth. It is a true stereo effect: the Left and Right channels are completely independent but can be processed with identical parameters. Variable feedback is available as well as selectable LFO waveform and optional phase offset between the Left and Right channels.

Dimensions
48 HP
35 mm deep

Current Draw
240 mA +12V
65 mA -12V
0 mA 5V

Notes: The E520 Hyperion is a mono/stereo in, stereo out effects module. It is 48HP wide, 35mm deep and uses less than 230ma of +12V and less than 50ma of -12V.

Powered by a 480MHz ARM Cortex M7 CPU, the E520 has 64MB on on-board SDRAM for recording up to 6min of stereo audio at 48KHz sample rate. The LCD screen and optical encoder navigation uses the same 'shallow' menu scheme of our E352 and E370 modules, with the addition of 4 'soft keys' for selecting options without having to leave the main page.

The E520 uses a premium audio path not usually found in Eurorack. Crystal Semi CODECs, TI OPA-series op amps (in the audio sections) are used along with low-noise, dedicated LDO voltage regulators for a clean, full soundstage. Audio conversion uses 48KHz sample rate, 24bit resolution with a line or synth level setting.

The Input and Output gains can be independently set for Line or Modular levels. This allows direct interfacing to DAWs/audio interfaces without a mixer or VCA stage. It also makes interfacing from your old keyboard synths/drum machines into your modular gear quck and easy.

The E520 is designed to fit into a 4ms 48HP powered PODX esktop case.

Basic features

Currently, there are 26 different algorithms included with the E520, and more can be added in the future as internal memory allows. Each algorithm can have up to 4 PARAMETERS under voltage control. The initial value of a PARAMETER is set by a panel knob, and then external CVs of up to +-5V at 10KHz can be applied. In addition, most algorithms employ feedback which can be modulated by external CVs as well. Typical PARAMETERs are delay time, LFO speeds, pitch shift amount and many others.

The row of 'soft keys' are usually 1-3 for algorithm selections (such as range of Delay Time) while the 4th is a BYPASS function. Some algorithms use the TAP TEMPO button for tapping in Delay Time, LFO Speed or similar functions. Other algorithms repurpose the TAP TEMPO as a 'FREEZE' or 'HOLD' function. The SYNC IN jack can be used like the TAP TEMPO functions, but driven by a clock or Gate signal.

The E520 has a unique 'dual chained mono' mode, where either:

different algorithms cam be placed on Left and Right channels (for example Shimmer on Left and the Voder filter on Right). This can be thought of as 2 Mono Ins, and 2 Mono Outs.
2 algorithms can be 'chained' , where the Left algorithm internally feds the Right algorithm. This is a Mono In, Stereo Out signal chain (both Left Out and Right Out can be used).
Chaining of stereo effects is not possible due to limitations of internal memory and the DSP speed required to maintain the 48KHz sample rate.
Algorithms in the E520 fall into 3 catagories:

Time Domain Effects - delay, chorus, phase shifting/flanging, frequency shifting and others.
Frequency Domain (Spectral) Effects - Our unique Spectral Crusher, vocoder, time-stretching and others.
Utility - frequency and level measurements

Time-domain effects

Stereo Pattern Delay

The Stereo Pattern Delay is a stereo tapped delay line with CV-controlled tap patterns. Each channel (left / right) has its own separate delay line with two sets of taps: Primary and Secondary. The patterns are chosen from a set ov 64 and the length of the patterns can be adjusted via buttons. Mixing between Primary and Secondary, filtering and feedback all allow control over the complexity and dynamics of the output. Tap Tempo or external clocks can be used to set the base time rate and a selectable multiply/divide ratio can scale the rate.

Stereo Flanging Delay

The Stereo Flanger Delay is short delay which allows smooth control of the delay line length over intervals of 0-100ms which makes it particularly useful for Flanging and Karplus-Strong effects. This is a true stereo effect in that there are separate delay lines for Left and Right channels but they can be processed identically. The unique feature of this algorithm is the inclusion of an 8-stage allpass diffuser at the input with control over mix and length which can be used to thicken up the sound prior to flanging. Additional features are that the delay control can be done either in linear time or exponential frequency, and that the output can be set into flanger mode which makes comb-filter sounds easier to achieve.

Stereo Chorus

The Stereo Chorus is multi-tap chorus with selectable number phases and an integrated LFO with variable frequency and depth. It is a true stereo effect: the Left and Right channels are completely independent but can be processed with identical parameters. Variable feedback is available as well as selectable LFO waveform and optional phase offset between the Left and Right channels.

Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.

Notes: Excellent value from Mixars's Serato-compatible battle mixer. Second generation model features Pro X Fade Galileo Essential crossfader plus eight RGB pads, loop and effects control, USB hub and 24-bit sound card.

Supplier's Notes:
DUO is the ultimate plug-and-play mixer for Serato DJ.

DUO has 8RGB backlit pads on board for triggering 8 cue points per deck or the SP6 sampler. The DUO built-in USB hub also provides 2 extra USB connections to allow integration to other USB devices such as MIDI controllers.

The integrated Mini-Innofader delivers super sharp scratch performance. Crossfader and line fader settings are easy to adjust on the DUO front panel.

The DUO Exclusive Sampler switch allows to recall Sampler Mode or Cue section Instantly. The MIXARS DUO is a solid mixer with phono/line inputs, mic input, XLR Output, Booth Output, USB 2.0 Hub, integrated 24-bit/48kHz audio sound card, analogue low/high-pass filter on each channel and many other controls.

Advanced users can custom map most mixer controls to many other third-party audio softwares.

Technical details

General

Power source ac 1: 00~240v 50/60hz
Power consumption: 13 watts
Dimensions: 265mm (w) x 369mm (d) x 104.1mm (h)
Weight: 4.15kg

Input/output impedance & sensitivity (1khz input, mic/aux, trim, master at max.)
Input impedance and reference input level:
Line: 10k ohm /-14dbv(200mv)
Phono: 47k ohm /-50dbv(3.16mv)
Aux: 10k ohm /-14dbv(200mv)
Mic 5k ohm /-54dbv(1.99mv) (unbalance)
Usb: (n/a)/-3.4dbv(96k-782 tk.16/1khz -20db)

Frequency response (reference input level , mic/aux, trim, master at max.)
Line 20 - 20k hz - +1/-1.5db (nominal) - - +2/-3db - (limited)
Aux: 20 - 20k hz - +1/-1.5db (nominal) - +2/-3db (limited)
Phono: 20 - 20k hz +1/-2db (nominal) - +2/-3db (limited)
Record: 20 - 20k hz +1/-2db (nominal) +2/-3db (limited)

Maximum input: ( mic/aux, trim, master at 9 o'clock. Adjust input 1khz level tooutput level less than 1% t.h.d with a-w/20khz lpf)
Line: +15dbv (nominal) +14dbv (limited)
Aux: +15dbv (nominal) +14dbv (limited)
Phono: -21dbv (nominal) -22dbv (limited)
Mic: -21dbv (nominal) -26dbv (limited)

Maximum output: mic/aux, trim, master at max. Adjust input 1khz level to output level less than 1% t.h.d with a-w/20khz lpf )
Master unbalanced (nominal) +17 dbv +16dbv (limited)
Master balanced (nominal) +17 dbv +16dbv (limited)
Booth balanced(nominal) +17 dbv +16dbv (limited)
Phones (nominal) +5dbv +4dbv (limited)

S/N ratio: 1khz input , mic/aux, trim, master at 12 o'clock, with a-w/20khz lpf, input short when no signal )
Line 86db (nominal) 83db (limited) at 0db input
Phono: 86db (nominal) 83db (limited) at 0db input
Aux 86db (nominal) 83db (limited) at 0db input
Mic 79db (nominal) 83db (limited) at 0db input

Thd + n: 1khz input , mic/aux, trim, master at 12 o'clock, with a-w/20khz lpf)
Line: 0.01 % (nominal) 0.02 % (limited) at 0db input
Aux: 0.01 % (nominal) 0.02 % (limited) at 0db input
Phono: 0.02 % (nominal) 0.05 % (limited) at -36db input
Mic: 0.03 % (nominal) 0.06 % (limited) at -40db input

Crosstalk ( 1khz input , mic/aux, trim, master at 12 o'clock with a-w/ 20khz lpf, input short when no signal )
Line: 85db (nominal) 82db @each channel input at 0db input (limited)
Phono: 85db (nominal) 82db @each channel input at -36db input (limited)

L&R channel separation ( 1khz input , mic/aux, trim, master at 12 o'clock with a-w/20khz lpf, input short when no signal ):
Line: 85db (nominal) 82db @between l and r channel at 0db input (limited)
Phono: 85db (nominal) 82db @between l and r channel at -36db input (limited)

Audio card USB: 24 bit/48kHz

Notes: The more advanced counterpart to the Duo, Mixars's Quattro is a four-channel Serato mixer with extensive dedicated controls, including RGB performance pads and Sampler functions.

Supplier's Notes:
The QUATTRO is a Professional 4-channel mixer for a forthcoming release of SERATO DJ with dual USB audio connection, 16 RGB control pads and effect control section.

The Mixars QUATTRO is a full-feature mixer made to conquer the club scene with superior audio quality completely integrated withthe world-renowned software, SERATO DJ.

The QUATTRO achieves the best layout, control, and reliability thanks to its 16 RGB pads, four effects (Filter, Noise, Gate, Crush) for each channel, FX section with 14 additional effects, send/return, and dedicated sampler volume. The dual USB ports lets hook up two laptops for easy changeover.

It simultaneously supports control-signal and playback for four DVS decks in SERATO DJ.

Tehcnical details

Completely MIDI mappable
Microphone Input
Trim Output master volume
24-bit digital output
Rugged metal construction
Auto loop encoder
Sampler switch
Dedicated Sampler Volume
Effects send/return

Notes: ***B-STOCK: Box opened, product in perfect working order***


Users can adjust the crossover point to choose which frequency ranges of "LOW", "MID" and "HIGH" should be emphasized for their preferences and music genres.

Maximum Boost 12dB provides the users to be well aware of changes and is good for protection of speaker systems.

Volume curve is designed with insistence on quick attack and sharp response.

Its simplified design minimizing all possible sound degradation.

ARS MODEL-3500 provides superior controls for DJs to react to each different scenarios, giving more characteristics to their performance.

Supplied with UK 3 pin plug

Notes: To mark the 50 years anniversary of the SL-1200 series, this limited edition model is available in seven colours, inspired by the street culture created by DJs. Each colour features a gold tonearm along with a special badge inscribed with serial number.

SL-1200M7L comes with a limited edition Technics sticker, a control vinyl sticker the same colour as the turntable itself, and a slipmat featuring a gold Technics logo.

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1200M7L, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1200M7L. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1200M7L. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specs

Turntable section
Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N/m / 1.8 kg/cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section
Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2- 32' (at the outer groove of 30cm (12") record), Within 0- 32' (at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range (without auxiliary weight): 5.6 - 12.0 g, 14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug: 1.2 mm 4-pin terminal lug

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

General
Power Supply: AC 110 - 240 V, 50 / 60 Hz
Power Consumption: 8 W, Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Notes: To mark the 50 years anniversary of the SL-1200 series, this limited edition model is available in seven colours, inspired by the street culture created by DJs. Each colour features a gold tonearm along with a special badge inscribed with serial number.

SL-1200M7L comes with a limited edition Technics sticker, a control vinyl sticker the same colour as the turntable itself, and a slipmat featuring a gold Technics logo.

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1200M7L, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1200M7L. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1200M7L. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specs

Turntable section
Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N/m / 1.8 kg/cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section
Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2- 32' (at the outer groove of 30cm (12") record), Within 0- 32' (at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range (without auxiliary weight): 5.6 - 12.0 g, 14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug: 1.2 mm 4-pin terminal lug

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

General
Power Supply: AC 110 - 240 V, 50 / 60 Hz
Power Consumption: 8 W, Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Notes: To mark the 50 years anniversary of the SL-1200 series, this limited edition model is available in seven colours, inspired by the street culture created by DJs. Each colour features a gold tonearm along with a special badge inscribed with serial number.

SL-1200M7L comes with a limited edition Technics sticker, a control vinyl sticker the same colour as the turntable itself, and a slipmat featuring a gold Technics logo.

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1200M7L, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1200M7L. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1200M7L. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specs

Turntable section
Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N/m / 1.8 kg/cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section
Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2- 32' (at the outer groove of 30cm (12") record), Within 0- 32' (at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range (without auxiliary weight): 5.6 - 12.0 g, 14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug: 1.2 mm 4-pin terminal lug

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

General
Power Supply: AC 110 - 240 V, 50 / 60 Hz
Power Consumption: 8 W, Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Notes: To mark the 50 years anniversary of the SL-1200 series, this limited edition model is available in seven colours, inspired by the street culture created by DJs. Each colour features a gold tonearm along with a special badge inscribed with serial number.

SL-1200M7L comes with a limited edition Technics sticker, a control vinyl sticker the same colour as the turntable itself, and a slipmat featuring a gold Technics logo.

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1200M7L, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1200M7L. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1200M7L. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specs

Turntable section
Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N/m / 1.8 kg/cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section
Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2- 32' (at the outer groove of 30cm (12") record), Within 0- 32' (at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range (without auxiliary weight): 5.6 - 12.0 g, 14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug: 1.2 mm 4-pin terminal lug

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

General
Power Supply: AC 110 - 240 V, 50 / 60 Hz
Power Consumption: 8 W, Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Notes: To mark the 50 years anniversary of the SL-1200 series, this limited edition model is available in seven colours, inspired by the street culture created by DJs. Each colour features a gold tonearm along with a special badge inscribed with serial number.

SL-1200M7L comes with a limited edition Technics sticker, a control vinyl sticker the same colour as the turntable itself, and a slipmat featuring a gold Technics logo.

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1200M7L, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1200M7L. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1200M7L. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specs

Turntable section
Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N/m / 1.8 kg/cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section
Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2- 32' (at the outer groove of 30cm (12") record), Within 0- 32' (at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range (without auxiliary weight): 5.6 - 12.0 g, 14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug: 1.2 mm 4-pin terminal lug

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

General
Power Supply: AC 110 - 240 V, 50 / 60 Hz
Power Consumption: 8 W, Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Notes: To mark the 50 years anniversary of the SL-1200 series, this limited edition model is available in seven colours, inspired by the street culture created by DJs. Each colour features a gold tonearm along with a special badge inscribed with serial number.

SL-1200M7L comes with a limited edition Technics sticker, a control vinyl sticker the same colour as the turntable itself, and a slipmat featuring a gold Technics logo.

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1200M7L, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1200M7L. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The pitch control function allows fine adjustment of the rotation speed within i8% / i16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.

*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1200M7L. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Specs

Turntable section
Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N/m / 1.8 kg/cm
Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section
Type: Universal Static Balance
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Within 2- 32' (at the outer groove of 30cm (12") record), Within 0- 32' (at the inner groove of 30cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range (without auxiliary weight): 5.6 - 12.0 g, 14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug: 1.2 mm 4-pin terminal lug

Terminals

Audio Output: PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

General
Power Supply: AC 110 - 240 V, 50 / 60 Hz
Power Consumption: 8 W, Approx. 0.2 W (Standby)
Dimensions (W x H x D): 453 x 169 x 353 mm
Weight: Approx. 9.6 kg
Accessories: Turntable, Slipmat, Slipsheet, Dust cover, Technics sticker for limited edition, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Control vinyl stickers, Owner's Manual

Notes: The latest in a series of iconic instruments from Moog, the Etherwave Theremin harks back to the very start of Bob Moog's career but introduces modern touches and CV outputs to control modular gear.

Supplier's Notes:
Moog's Etherwave Standard and Etherwave Plus set the bar of performance theremin design over the last two decades. Now, the all-time highest selling theremin models get an update to become simply the Moog Etherwave Theremin.

Combining analogue playability with unprecedented performance potential, Moog's Etherwave Theremin provides an accurate five-octave pitch range and balanced spacing between notes for a highly sophisticated degree of playability.

Updated analogue electronics have been used to create Bob Moog's classic theremin circuit design while improving bass response in the lower registers.

The refined cabinet features hand-finished hardwood and two quickrelease plated-brass antennas. Additionally, rear-panel I/O connections and a detachable mic stand adapter ensure quick setup on the go.

Easily accessible front-panel controls allow for spontaneous changes in timbre, and the antennas' response can be adjusted to suit any player and their environment (advanced users can go a step further via the calibration access panel on top of the instrument).

A front panel headphone output-with dedicated volume control-pairs with the addition of a Mute button that silences the main audio output, while leaving the headphone output active for privately adjusting timbre and tuning. In addition, Etherwave Theremin can connect directly to-and control-your other modular, semi-modular, and Eurorack synthesizer systems via CV (Control Voltage).

Control your synthesizers or effects while playing the theremin by patching into Etherwave Theremin's 3.5mm Pitch CV, Volume CV, and Gate CV jacks for a completely new performance experience.

Technical specs:

Sound Source: Analogue Heterodyning Oscillator
Sound Modifier: Analogue VCA
Pitch Antenna: Performance control of the frequency range, from approximately 0 Hz to 4.2 kHz, based on hand proximity
Volume Antenna: Performance control of the dynamic range of over 70dB, based on hand proximity
Mute Button: On: Audio Out muted; Phones Out active
Off: All outputs active
Switch Jack: 1/4" jack for momentary footswitch (not included)
controls Mute function
Power: LED indicator (front panel); Button (rear panel)
Headphones: 1/4" output jack
Audio Out: 1/4" Audio output jack
CV Out: 3.5mm jacks for Volume CV Out, Pitch CV Out, Gate CV Out
Power Supply: Style: wall adapter; barrel connection; center-pin positive
Input: 100 - 240VAC; 50 Hz - 60 Hz
Output: +12VDC; 2A

In the box

Etherwave Theremin
Detachable Pitch Antennae
Detachable Volume Antennae
Calibration Tool
Power Supply
Quickstart Guide
User's Manual
Product Catalog ue
Registration Card

Weights & dimensions

Product only

Weight (lbs): 6.3 lbs
Weight (kg): 2.85 kg
Imperial (in) With Antennas: 18.73" H x 26.81" W x 6.59" D
Metric (cm) With Antennas: 47.58 cm H x 17.72 cm W x 16.74 cm D
Imperial (in) Without Antennas: 3.31" H x 17.72" W x 6.26" D
Metric (cm) Without Antennas: 8.4 cm H x 45 cm W x 15.9 cm D

Product in box
Weight (lbs): 9.6 lbs
Weight (kg): 4.35 kg
Imperial (in): 9.5" H x 21.25" W x 6.5" D
Metric (cm): 24.13 cm H x 53.97 cm W x 16.51 cm D

Notes: The ideal case for a first dip into Eurorack or creating a portable system. Integrated CV keyboard, power supply, clock generator and LFO make the NiftyKEYZ a versatile starting point for your modular setup.

Supplier's Notes:
NiftyKEYZ - keyboard & eurorack case!

Do you ever dream about building your perfect synth? You know, a synth that had just the right components and did exactly what you wanted it to do and as your needs changed, it could too... Well, you're in luck because that's exactly the path you've been sent on with NiftyKEYZ.
NiftyKEYZ is ridiculously packed with capabilities over and beyond being an awesome case with a keyboard on it.

Power & space - friends with benefits for your modules

More than just a full-sized 49 key keyboard (with aftertouch), NiftyKEYZ has a whole load of space for a pile of whatever eurorack format modules you want to toss into it. All told, NiftyKEYZ has 112hp of available module space and its newly designed power supply provides 1500mA +12v, 1000mA -12v, and 1000mA +5v power. Stuff NiftyKEYZ with modules and you'll have a franken-synth that's only limit is the bounds of your imagination.

Four voices of CV + Gate

Polysynth, monosynth, or how about 4 mono synths? Or wait, want a mix of both? All is possible with NiftyKEYZ! You can split the keyboard into up to 4 zones and assign any combination of its 4 CV + gates to them. Play chords up high and bass down low, or whatever go for 2 duophonic zones, it's all doable and then some... Follow your imagination and make it happen.

Modes, modes, and more modes

So having 4 voices that you can assign willy nilly in your own Frankensynth is super cool, but NiftyKEYZ also has a multi-mode arpeggiator that syncs to an external clock as well as NiftyKEYZ's internal clock.
Speaking of clock, NiftyKEYZ can easily divide incoming clock to your heart's content, as well as generate its own kicking pulse. Perfect as the centre of your system or just being a part of it.
NiftyKEYZ's modwheel can send constant voltage, allowing you to modulate as you wish. Additionally, you can toggle the modwheel into LFO mode where now the modwheel will control the depth of clock-synced LFO with 5 fantastic user-selectable shapes.
NiftyKEYZ also boasts autochord, sequencing, expression I/O, velocity- and there's aftertouch too!

Mults and outs

With the two buffered mults that are in the top of the NiftyKEYZ, you can split whatever signal they put into them and send them wherever they want.
People will love the dedicated headphone outs with their own dedicated control. Plus, the main 2 pairs of 1/4" and 3.5 outs that multiple sources can be summed into and then attenuated will knock their socks off (or at least their shoes).

Did someone say MIDI?

Cre8audio are famous for being MIDI fanatics despite making voltage controllable stuff- therefore it was necessary for NiftyKEYZ to have deep MIDI implementation.
All of NiftyKEYZ's I/O can be controlled via external MIDI from either its 5 pin MIDI Din in and/or its USB MIDI class-compliant connection. No drivers are needed- feel free to connect NiftyKEYZ to your computer's DAW etc. or any external MIDI devices and go to town.
Additionally, NiftyKEYZ is a full-functioning MIDI controller for your computer and or other external MIDI devices. No need for additional MIDI controllers. Use NiftyKEYZ as the one controller to rule it all...

Notes: Silver version of the rebooted SL-1200, updated and refreshed in MK7 form. Still sounds great, still built like a tank and still the industry standard DJ deck.

Supplier's Notes:
Coreless Direct Drive Motor Achieving Stable Rotation

The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1200MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equalling that of the SL-1200MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The pitch control function allows fine adjustment of the rotation speed within i8 % / i16 %. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function

The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1200 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.
*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1200MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

Power / Phono Cable Terminals

The power and phono cable terminals allow detachment of the cables. The phono terminals are gold-plated to minimise sound quality degradation. Since the terminals allow disconnection of the cables, maintenance of the cables is easier.

High-rigidity Cabinet and High-damping Insulator

The chassis, an essential part for reducing external vibrations, inherits the audio quality enhancement technology fostered through the development of high-end turntables. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The combination of this special high-rigidity material and a metal chassis raised the rigidity and vibration-damping performance to higher levels, realising a robust cabinet for beautiful sound reproduction. The insulator is comprised of a spring and rubber to provide optimal frequency characteristics. This not only assures high sound quality and superb howling resistance, but also effectively shuts out external vibrations under high sound level conditions.

Specs:

Type: Direct Drive Manual Turntable
Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque: 0.18 N .m / 1.8 kg . cm
Build-up Characteristics : 0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter: 0.025 % W.R.M.S.
Turntable Platter: Aluminium diecast
Diameter: 332 mm (13-5/64 inch)
Weight: Approx. 1.8 kg (4.0 lbs) (including slipmat and slipsheet)

Tonearm
Type: Universal Static Balance
Effective Length: 230 mm (9-1/16")
Overhang: 15 mm (19/32")
Tracking Error Angle: Within 2- 32' (at the outer groove of 30 cm (12") record) - Within 0- 32' (at the inner groove of 30 cm (12") record)
Offset Angle: 22-
Arm-height Adjustment Range: 0 - 6 mm
Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
Head Shell Weight: Approx. 7.6 g
Applicable Cartridge Weight Range: (without auxiliary weight) 5.6 - 12.0 g, 14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug: 1.2 mmf 4-pin terminal lug

Notes: Hotly anticipated rotary goodness from Spanish pro audio specialists Ecler. Simple, pure two-channel design with three-band channel EQs, three-band isolator and quality sound.

Supplier's Notes:
Two-Channel Analogue Rotary Mixer

WARM2 is a professional two-channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona. Featuring two phono/line channels and a micro/line channel, classic sharp filters, a 4th order Isolator and a narrow portable format, it will deliver a warm and crystal clear analogue sound.

Audio Performances

Inputs Sensitivity nom/Impedance:

LINE : 0dBV/50kO
PHONO : -40dBV/50kO
MICRO : -50dBV/>1kO
FX RETURN : 0dBV/>6kO

Outputs Level/Minimum Load:

HOUSE (BAL) : 0dBV/600O 1V *(+12dB 4V)
HOUSE (UNBAL) : 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (UNBAL) : 0dBV/2.2kO 1V *(+12dB 4V)
REC : 0dBV/10kO
HEADPHONES : 200mO/200O THD 1%
FX SEND : 0dBV/2.2kO

Frequency Response:

LINE : 10Hz#30kHz -1dB
MICRO : 10Hz#25kHz -1dB
PHONO : RIAA i0.5dB
FX RETURN : 10Hz#50kHz -1dB

THD-N:

LINE : <0.006%
MICRO : <0.9%
PHONO : <0.08%
FX RETURN : <0.005%

CM MR:

MICRO: >70dB @ 1kHz

Signal Noise Ratio:

LINE: >99dB
MICRO: >85dB
PHONO: >98dB
FX RETURN: >100dB

Max Undistorted Output Level:

HOUSE (Electr.BAL): 21dBV (23dBu)
HOUSE (UNBAL): 21dBV (23dBu)
BOOTH (UNBAL): 21dBV (23dBu)

Trim control:

INPUTS 1-2: - 15dB
INPUT 3: - 20dB

Tone control Inputs 1-2:

BASS: +10/-30dB
MID: +10/-25dB
TREBLE: +10/-30dB


Tone control Isolator:

BASS: +12/-70dB
MID: +12/-40dB
TREBLE: +12/-70dB

Tone Filter cut frequency at -6dB (slope 12dB/oct):

BASS: 200Hz
MID: 200Hz#6.8kHz
TREBLE: 6.8kHz

Isolator cut frequency at -6dB (slope 24dB/oct):

BASS: 300Hz
MID: 300Hz#4kHz
TREBLE: 4kHz

Connectors

Inputs:

LINE 1-2-3: RCA STEREO
PHONO 1-2: RCA STEREO
MICRO 3: 6.3mm TRS BAL. JACK
FX RETURN: RCA STEREO

Outputs:

HOUSE (BAL): XLR STEREO
HOUSE (UNBAL): RCA STEREO
BOOTH: RCA STEREO
FX SEND: RCA STEREO
REC: RCA STEREO
HEADPHONES: 6.3mm/3.5mm STEREO JACK

Miscellaneous

Control Mode: Rotary with Alps Blue Velvet Potentiometers
Phantom Voltage: 18VDC/5mA Max (Default ON)
MIX and PFL VU-Meter: LED 12 segments (-30dBV # +20dBV)

Operation

Operation Temperature: -5-C - 45-C / 23-F - 113-F
Humidity: 20 - 90% RH (no condensation)

Supply

Mains voltage: 90-264VAC 47-63Hz
Rated power consumption: 30VA

Mechanical

Dimensions (without wooden sides): 400 x 185 x 100mm / 15.7" x 7.2" x 3.9"
Weight : 3.6Kg / 7.94 lbs

Notes: The ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-12FX is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

MUSIQ
ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a
higher input impedance.

Notes: One of our favourite small live/studio mixers, shown here in 16-channel form with built-in digital effects. Clean sound, decent three-band semi-parametric EQ and built-in audio interface. Very impressive.

Supplier notes:
The ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality effects unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on the ZED is super-flexible and super-easy: No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your Zed, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac.

The ZED-16FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ, with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, the ZED-16FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge, 69dB of range to be exact, and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

The ZED-16FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Allen & Heath's DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point, this quality and integration is only available from the ZED-FX. The ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing, in fact, it's just as easy as using effects pedals. To alter effects parameters, the Tap button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on Plate Reverb, or the depth on Chorus.

Based on the proven pre-amps from the hugely successful PA series, ZED-16FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: Live or in the studio, the ZED60-14FX is a compact, portable mixer that is ideal for small bands.

This mixer is a guitarist's dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.

The ZED60-14FX comes with a configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is also equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs and 16 stunning FX.

Most important of all, the ZED60-14FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)

2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)

3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)

2) To Stereo 2 channel (through jack socket break contacts)

ZED60-14FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED60-14FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED60-14FX's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 7 & 8 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.

Notes: Proper freaky digital Eurorack business. Based on the synth plugin of the same name, Waverazor is a bonkers aggro waveshaping oscillator. Ideal for filthy bass sounds and nasty leads.

Supplier notes:
The Waverazor Dual Oscillator is a result of a special collaboration between 1010music and MOK. It is the first hardware module to bring MOK's patented wave-slicing? oscillator design to Eurorack format. Waverazor's novel approach to synthesis splices waveforms into twisted and aggressive new timbres. Featuring fresh sound generation techniques like Multi-Sync and Mutant AM, the Waverazor oscillator is perfect for biting leads, glitched-out basses, cinematic drones and everything in between.

One Waverazor Eurorack oscillator can contain up to 8 wave slices, creating a multi-segment "Frankenstein" waveform that produces extended harmonic content beyond any single wave shape. Each individual slice has independent control over wave pitch, volume, phase and DC offset, allowing a single oscillator to contain a multitude of timbral colours. Even the "Razor" itself can be adjusted, with parameters for its own slice frequency, step size multiplier and duty cycle.

The Waverazor Dual Oscillator module provides a central waveform display that allows you to visualize the output. There's an audio input for slicing up any sound you like. Four endless knobs make it possible to morph multiple parameters at once, while the touch screen enables X/Y performance controllers that allow you to manipulate the sound with the swipe of your finger. Top it all off with 20 modulation CV inputs for complete sonic insanity!

What is included:

- Waverazor Dual Oscillator Eurorack module
- MicroSD card with Waverazor firmware and patch data loaded on it
- Eurorack power cable
- Waverazor Dual Oscillator Quick Start guide
- MIDI Adapter

Notes: The idea of the Polivoks Mini analogue synthesiser came into mind in 1990, as the junior version of its older brother well known Polivoks full synth. The aim was to develop a way simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flaws of the Polivoks full synth. As the result of this research a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality.

The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.

Notes: 22-channel version of Mackie's ProFX mixer range offers a huge amount of mixing power in a small, relatively affordable package. Great for hardware studio setups.

Supplier's notes:
The Mackie ProFX22 v3 22-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: The big boy of Mackie's updated ProFX mixer range, with a huge 30 inputs for live sound installations or studio use. A whole lot of mixing power for the money.

Supplier's notes:
The Mackie ProFX30 v3 30-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: Special edition celebrating the world's biggest breakdance competition, Red Bull BC One. Usual SL-1210 quality but with unique features including yellow gold tonearm and red headshell.

Supplier's Notes:
The Technics SL-1200 series has walked hand in hand with breakdance culture as an essential instrument for DJ music, starting from the birth of breakdance to its development as the largest dance category in the world today. Red Bull BC One is known internationally as the most glorious breakdance event. The limited-edition collaboration model, SL-1210MK7R, is designed exclusively as a homage to all breakdancers who aspire to rise to higher stages of dancing through the Red Bull BC One competition.

Notes: Deep, powerful bass effect no matter where you are

Gemini have put decades of experience in crafting this high-grade sub-woofer as a perfect complement to any speaker system. The sub-woofers are handcrafted by our engineers to optimize sound quality and with user-focused features, you will have limitless control over your sound. The high-excursion 15" driver with a 3" high-temperature voice coil complements for a quick and definite transient response for all your demanding performances. Its high-efficiency Class D amplifier generates an impressive 1,200 watts continuous output, you'll hear your music in a way you've never heard before.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A serious trigger sequencer for generating complex, multi-layered rhythms. Eight channels of Euclidean pattern generation meet probability, modulation and CV control for real depth and power.

Supplier's Notes:
Constellation is all about rhythm. It is an 8 channel pattern generator that works by combining multiple dense and sparse patterns to create long, complex and musically interesting trigger and gate rhythms. Constellation takes a "parametric" approach to rhythm - there is no explicit step sequencing on the module, rather the rhythms are defined by euclidean (and more) parameters that build the rhythm mathematically.

Constellation aims to evolve the concept of euclidean rhythms far beyond the useful but repetitive patterns we often think of when we hear the term "euclidean rhythm". This is accomplished by by combining up to 8 individual euclidean patterns of different lengths and density. Each pattern may provide only a small component of the final output, but together create immensely musical and varied rhythmic material over a very long time frame - up to 999 steps! If each of those steps are 1/16 note in length at 120 bpm, that's a full 2 minutes of explicitly defined, yet non repeating rhythmic material.

In addition, Constellation's parametric approach allows any of these parameters to be modulated with CV through one of 8 freely assignable CV inputs. CV modulation introduces further ability for Constellation's rhythmic output to vary over time. Paired with a Maestro or Navigators, hours of interesting morphing rhythms are possible without the need for tons of step programming or the uncontrollable chaos of a purely generative approach.

When writing music, rhythmic interest is often built through the combination of repeating and non repeating elements that work together to anchor the overall feel but also keep the ear free from boredom over the duration of the piece. Constellation provides a unique set of tools to accomplish this goal and achieve rhythms that are intentional, unexpected and exciting to use as the foundation of your compositions.

28hp, 25mm deep
75mA +12, 18mA -12

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Ground Control is a powerful performance sequencer for CV/Gate signals, drum triggers as well as MIDI and USB-MIDI devices.

It features X0X, 101, step editing and live play approaches for sequencing and recording. That empowers you to create grooves on the fly with fast polymetric input so you can concentrate on the score without menu diving.

Eurorack modular polymetric and polyrhythmic performance CV/MIDI/USB-MIDI sequencer / workstation for drums and melodies

4 tracks: drum track with 8 triggers and modulation and 3 melodic CV/Gate tracks. Velocity and CC is recorded from external MIDI

2 octave keyboard (no velocity or pressure action), play sequences and grooves on the fly or use external USB/MIDI gear or DAW integration or control external MIDI gear

Arbitrary, up to 64 steps per pattern, 24 patterns per track, 24 projects

Various record modes: 101-style step input with step editing, live recording and step editor with x0x-style drum editing

Dedicated mute/solo bus with momentary mute or quantized to pattern length action

Works also as a power supply for your modular system (same as Shuttle Control) or can be powered by a buss board like any other module

Arpeggiator, roller, patterns queue, slides, ties/rests, ratchets, transpose

Music scales easily editable via highlighted keys: chromatic, minor, major, pentatonic etc.

External CV modulation matrix: control various sequencer parameters under CV: pattern shift, semitone and octaves offset, shuffle, ratchets, slide, gate length, CV to CC values or pattern change.

Dimensions: 42 HP
25 mm deep
Current Draw: 420 mA +12V

Notes: ***B-STOCK: Box opened, product in perfect working order***


Serious depth in this superb effects processor. Stereo delay, filtering and reverb are the core options, with an emphasis on hands-on control and real-time tweaking with a dedicated knob for every parameter.

Supplier's Notes:
An incredibly powerful multiprocessor of effects with a strong ability to stimulate the user's creativity. Its sophisticated retro-futuristic soul and its powerful processor offer a completely revolutionary point of view on classic effects (Echo Space, Delay, Filters and Reverbs) with supreme audio quality.

Reminder revolutionizes the method of using audio effects allowing the user, professional or amateur, to break the creative boundaries of the instruments currently on the market. From the simple use to give color or modify the sounds, we move on to a real sound composition system based on the creativity that Reminde? can give back to the user thanks to the substantial rhythmic and harmonic increase it produces.

Smart design

Behind Reminder's smart and elegant design, it hides the essence of the meticulous study of the position of each individual knob and the relationship between the functions assigned to them. The contact with REmindE? will be remarkably surprising, and, since the first touch, you will see the simplicity of access to the desired function even when your gaze is turned to your synth in the studio, to the rest of your live set up or to the dance floor. The design is so incredibly intuitive that you can easily reach what you need at any time and place, making the perfomers bring out all their creativity.

Enjoy Electronics is a company made up of Djs, Live performers, sound designers and it is exactly for this reason that Enjoy have succeeded in creating a device that is unique in its kind, intuitive and stimulating.

Quadraphonic

Reminder is equipped with 4 output channels. In order to take advantage of all the quadraphonic possibilities, you can assign different effects to different output channels.

SPECS

Input Type: 1/4" Unbalanced TS
Input Impedance: 13,9KOhm
Max Input Level: 2.0 VRMS (+6dBu)
Output Type: 1/4" Unbalanced TS
Output Impedance: 336?
Latency (Audio in to Audio out) : 1,2 ms
Max Output Level: 2.5Vpp
Bit Depth : 24 bit
MIDI support: CC
Presets: User presets
Display: OLED

Dimensions:
Width 18.1 IN / 46 CM
Depth 6.2 IN / 15,8 CM
Height 2.2 IN / 5.6 CM

Notes: ***B-STOCK: Box opened, product in perfect working order***


Complete starter setup of Tangible's AE system, designed as an affordable way into Eurorack modular. Everything you need to get started, including oscillators, filters and much more.

Supplier's notes:
A complete AE modular system in a two-row Rack (32 AE module units in complete); containing the following modules:

- MASTER
- 2OSC/D
- VCO
- NOISE
- 2 x LFO
- FILTER (Wasp type)
- SVFILTER
- 2ENV
- 2VCA
- LOGIC
- SAMPLE&HOLD
- BEATDIVIDER
- SEQ8
- 2ATT/CV
- MIXER
- DELAY

The case is extendable; via a joint kit (not included) another case of this type can be attached at a free angle; the bus is connected via a short connector cable.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.

Notes: ***B-STOCK: Slight surface marks ***


Long-anticipated dual-deck standalone DJ player from Gemini, featuring four-channel mixer with support for up to six external devices, large colour display and performance pads.

Supplier's Notes:
This sophisticated one-stop DJ solution eliminates any need to bring your computer to a performance. Gemini have drawn on years of experience in building media players for DJs to create the SDJ-4000. The SDJ-4000 is capable of phrase and beat syncing music, visualizing playback on a beautiful 7" display and beat synchronized effects.

Connect up to 6 External Devices And 2 Mics includes One Button Mix Recording to Attached USB Drive

16 RGB Performance Pad Section with Large, High Resolution Platters and Pitch Faders

Supports Media Player, AAC, WAV, AND AIFF Formats

7" TFT Display Shows All Other Necessary Info

4-channel mixer, central color display, dual USB ports, and a totally embedded system with no computer or DJ software required.

With 8 multicolor performance pads on each side of the deck, the SDJ-4000 has more potential than ever to rock your crowd

Connect with up to 2 additional media players and use Link mode to share USB libraries and even sync external players.

Play pre-prepared V-CASE library with your SDJ-4000.

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Compact but premium 2x4 audio interface from one of the best brands in the business. Superb sound quality with built-in hardware DSP.

Supplier's Notes:
Legendary Sound Quality, Total Portability and Hardware DSP all Come Together in a Beautiful New Design

In 2007, the original Apogee Duet shattered the expectations of what a home studio interface could be. Professional, personal and portable, Duet revolutionised independent recording and empowered musicians, producers and engineers with legendary Apogee sound quality, elegant design and effortless ease of use. Now, the all-new Duet 3 brings next-generation Apogee performance and features to a beautiful ultra-low profile scratch resistant glass and aluminium case.

Duet 3 includes on-board hardware DSP that works with the Symphony ECS Channel Strip* for zero-latency recording with FX. Tuned by Bob Clearmountain, the ECS Channel Strip includes presets custom crafted by the legendary mixer so you can dial in a pro recording sound instantly. Ideal for music creation, voice recording, streaming and even gaming, you can use Duet 3 with your Mac or Windows workstation in your studio or on the go. Take your Duet 3 to the next level with the sleek Duet Dock* accessory for the ultimate ergonomic desktop experience.

Achieving superior sound quality in a digital audio interface requires experienced engineering that artfully orchestrates AD/DA converters, digital clocking, analog circuitry and power management technology to achieve a harmonious blend of carefully selected components and thoughtful design. Duet is the result of decades of innovation and expertise and delivers sound quality unmatched in its class.

Legendary AD/DA Converters

With two inputs and four outputs of legendary Apogee AD/DA conversion, plus two world-class preamps, Duet is the perfect partner for your home and mobile studio. Connect microphones, guitars, keyboard and line level devices to capture every detail. Monitor and mix with the full depth and dimension of your sound through two truly-balanced, line-level analog outputs for speakers. And, power your headphones with a zero-ohm headphone output for a dedicated headphone mix.

World Class Preamps

One of the most critical components for high quality recording is your preamp and the pres in Apogee Duet are world-class. With up to 60dB of gain and 48v phantom power, you can cleanly and precisely capture any audio source with even the most demanding microphones. Meticulous Apogee engineering, keeps noise and distortion down, even as you crank up the gain.

Plug-in to On-board DSP

To capture your best performance, you need to dial in an inspiring sound quickly and easily. And few things are more distracting than latency when trying to record. Duet gives you on-board hardware DSP for FX processing with the Symphony ECS Channel Strip (sold separately) to precisely shape your tone on input and give you great sounding tracks, all while eliminating the delay that can occur while recording. The Symphony ECS Channel Strip, tuned by legendary mixer Bob Clearmountain, includes EQ, Compression and Saturation controls that let you create the optimal blend of channel FX for tracking vocals or acoustic instruments. Choose from multiple hand crafted Clearmountain presets and record with zero latency through Duet's on-board hardware DSP.

Receive 50% off the Symphony ECS Channel Strip from your Apogee dealer when you purchase Duet 3 or when you register on the Apogee website.

The all new Apogee Control 2 software gives you complete control of all Duet functions and features including the Symphony ECS Channel Strip FX running on Duet's hardware DSP. Apogee Control 2 is shared across all current and select previous generation Apogee products and will enable Apogee support and engineering to quickly react to future macOS and Windows OS updates helping to ensure Duet 3 compatibility for your workstation.

Sound quality comes first, but elegant design is a close second. After all, you're always hands-on, controlling listening level and mic pre gain, so why shouldn't the centerpiece of your studio have a high-end look and feel? The Duet multi-function digital controller knob delivers a luxurious-feel for dialing in monitor levels and mic pre gain, while also giving the desktop interface style accents backlit with purple LEDs. Perfectly contoured for ergonomic control on your desktop, the low profile body is topped with scratch-resistant cover glass for a modern look and solid feel.

Duet Dock

Duet set the standard for making music and recording on the go with its small footprint and flexible breakout cable. But when working in your studio, the best way to use Duet 3 is with the all-new Duet Dock*. The Dock positions Duet at the ideal angle for quick adjustments and meter and function visibility. The rear panel connectors on Duet Dock make it easier to organize and connect your cables to Duet too.

*Sold Separately

Notes: ***B-STOCK: Box opened, product in perfect working order***


Flagship instrument based on NI's excellent Maschine software but presented here in standalone format as an all-in-one groovebox, capable of creating everything from beats to synths and samples.

Supplier's Notes:
MASCHINE+ is a sampler, a drum machine, a synth, and an on-stage superpower. In short, it's whatever you make it. Leave the laptop behind, jam with your other gear, and create beats in minutes with a wealth of on-board sounds, instruments, and effects.

It's the iconic MASCHINE workflow, with fewer strings attached.

Standalone means more focus, more freedom, and more music making. Plug in, power up, and get creating straight away in the embedded MASCHINE+ production environment - from first ideas to finished tracks. Dial in effects to tweak your sounds, or sample audio and make it your own with an intuitive interface designed to keep the creative juices flowing. And if you want to bring your ideas into a DAW, copy them over, and boot up the MASCHINE software on your computer to pick up where you left off.

As well as its classic groovebox workflow, MASCHINE+ includes MASCHINE+ Selection: A dedicated package of nine synths and sampled instruments, 35 effects, and seven Expansions (including two of your own choosing) that work seamlessly in standalone mode. It includes heavy-hitters like MASSIVE, FM8, MONARK, PRISM, the MASCHINE Factory Selection, RAUM, and PHASIS. That means its 16 pads can sound like a dusty vintage drumkit, a warped wavetable lead, or an organic modal synth - pretty much anything you can think of if you flex your sound design skills.

Whether you're digging records or ripping radio edits, record any sound into MASCHINE+ and quickly chop and stretch the results into your own custom kits. Or transform and twist them in real-time with the Audio plug-in. The same goes for guitars, vocals, drums, and anything else - more sounds means more creative ways to make music.

Bring real expression to live performances with intuitive control over your music - tap out beats, run arpeggiators, or tweak synth melodies in real time. MASCHINE+ is an intuitive live sequencer, a fully-fledged groovebox, and a powerful performance synthesizer rolled into one.

Clips let you arrange your ideas with even more freedom. Create transitions across scenes, add unique variation to patterns, record MIDI directly into the full arrangement, and freely add audio wherever you need it. Once you've fleshed out your ideas, you can use MASCHINE+ as a powerful tool to push tracks past the finish line.

Play and sequence outboard gear and capture the results, or manipulate external audio in real time with effects. MASCHINE+ can control, mix, and manipulate the rest of your setup with MIDI, line, and mic inputs to bring everything together instantly. And if you want to work with a computer, it doubles up as a classic MASCHINE controller too.

MASCHINE+ is Wi-Fi enabled, which means you can install new sounds, instruments, and effects at the touch of a button, without a computer in sight. When it comes to jamming with others or playing out live, keep in sync with other music apps, DAWs, and compatible gear with Ableton Link.

Need more sounds? Expansions are great for giving MASCHINE+ some sonic love, with presets for its synths, one-shot samples, loops, and kits.

AUDIO INTERFACE SPECIFICATIONS

Line-In
Full Scale Level: +18,6 dBu
Dynamic Range: 100 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.1 dB
Crosstalk L/R: -96 dB

Mic Input (max gain)
Full Scale Level: -32 dBu
Dynamic Range: 90 dB
THD+N: 0.01 %
Frequency Response:: 20Hz-20kHz +/- 0.4 dB

Mic Input (min gain)
Full Scale Level: -3.4 dBu
Dynamic Range: 102 dB
THD+N: 0.004 %
Frequency Response:: 20Hz-20kHz +/- 0.15 dB

Line Out
Maximum Output Level: +18.0 dB
Dynamic Range: 102 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.5 dB
Crosstalk L/R: -100 dB

Headphone Out:
Maximum Output Level: 29.4 mW @ 33 Ohm load
Dynamic Range: 102 dB
THD+N: 0.007 %
Frequency Response:: 20Hz-20kHz +/- 0.35 dB
Crosstalk L/R: -60 dB

Dimensions: 322 x 301 x 51 mm / 12.68'' x 11.85'' x 2.01''

Weight: 2.50 kg / 5.51 lbs

Notes: Huge power in this smartly designed interface from the experienced minds at Avid. A grand total of 21 inputs and 22 outputs over a range of analogue and digital connections, coupled with excellent monitoring control and top-quality sound.

Supplier's Notes:
Professional gets personal

Bring professional recording power to your personal studio. Powered by Pro Tools Studio, the MBOX Studio USB audio interface provides everything you need to make music and more. From finding inspiration and composing ideas to recording, monitoring, and mixing the next big hit, its intuitive design puts pure creative power at your fingertips, reducing your time to fun.

Sound incredible with a powerful USB audio interface

MBOX Studio is designed with only the highest quality components, preamps, and audio converters in its class, enabling you to capture and mix up to 24-bit, 192 kHz audio from input to output. Variable Z opens up a whole range of tonal options. And with built-in real-time EQ, delay, and reverb, plus independent cue mixing, you can deliver your best performances with low-latency tracking.

Quickly bring your ideas to life

Easily create, record, edit, and mix music, plus podcast and live stream, without technology getting in the way.

Everything you need to make music

Plug in and play right away with Pro Tools Studio, MBOX Ignition Pack, and more. Whether making beats and parts with virtual instruments or connecting real ones to your computer for recording, you have a massive collection of tools, plugins, instruments, loops, and samples ready for you to explore, get inspired, and keep you in your creative zone.

Create GRAMMY-level productions

When you need to sound your best, nothing delivers like Pro Tools. Pro Tools Studio makes music production fast and easy, enabling you to work with audio, MIDI, notation, and 4K video all in one application.

Elevate your sound with world-class processing

Shape and enhance tracks with over 130 studio-coveted pluginsifrom authentic emulations of classic compressors, EQs, and other outboard gear to innovative instruments, reverbs, filters, and other sound-processing plugins.

Get unmatched monitoring flexibility

Track and monitor performances like a commercial studio with outputs for two headphones, two stereo sets of speakers, and Bluetooth, plus cue mixing and a built-in talkback mic. No other audio interface in its class provides as many options.

Expand and accelerate your workflow

Write music and score films and TV shows with Sibelius Artist. Manipulate pitch and time with Melodyne 5 essential. Automate your workflow with SoundFlow Cloud Avid Edition. And get Inner Circle rewards worth over $2K for free.

A guitar player's dream

With Variable Z on instrument inputs, you can change up the tone of your guitar when recording direct to complement your effects chain. Play through the world's greatest amps with Eleven MK II, bx_rockrack, tons of emulated stompbox effects, and more included. Integrate your own outboard effects. Reamplify tracks. And stay pitch-perfect with the built-in tuner.

Endless creative possibilities

MBOX Studio is more than the simple USB audio interface of years past; it expands and accelerates your workflow. Map its buttons to access your favorite functions fast. Jam with your iPhone over Bluetooth. Record voiceovers and design sound for picture. Podcast and live stream with Loopback mixing. Even use it as a standalone monitor controller.

Perform actions at the press of a button

Along with dedicated switches and encoders to control a variety of functions, you can perform frequently used actions fast using four assignable user buttons. Even customize the button colors to fit your design aesthetic or mood.

Work with your favorite DAWs and apps

Get the freedom to create with what you want. You can use MBOX Studio with Pro Tools and all other popular DAWs, content creation, and media streaming applications.

Produce professional podcasts and livestreams

Record yourself and your guests, optimize each mic tone, and add real-time EQ and effects. And with Loopback enabled, you can capture your dialogue along with audio played from another application, ideal for podcasting.

Specifications

System requirements

Computer: Avid-qualified USB-equipped Mac or Windows-based computer

General

Simultaneous I/O: 21 x 22
Audio resolution: 24-bit, 44.1/48 kHz 21 x 22; 24-bit, 88.2/96 kHz 17 x 18; 24-bit, 176.4/192 kHz 8 x 10
Built-in DSP: Avid FX-EQ, Delay, Reverb, Tuner
Mic preamps: 4
Phantom power: +48V switch
Form factor: Desktop interface
Dimensions (H x W x D): 4.1 x 11.3 x 8.9 inches (105.2 x 288 x 225.3 mm)
Weight: 6.1 lbs (2.8 kg)
Computer connectivity: USB-C 2.0 (includes USB-A adapter)

Inputs and outputs

Analogue inputs: 2 combo mic/line/instrument inputs with Variable Z (impedance) on the front panel (inputs 1-2)
2 combo mic/line inputs with Variable Z on the back panel (inputs 3-4)
4 line inputs (inputs 7-8 shared with FX Returns)

Analogue outputs
2 stereo monitor outputs (Main and Alt)
2 headphone outputs
1 Hi-Z switchable FX Loops Sends
1 Hi-Z out to amp (mirrors FX Send 2)

Digital inputs: 1 Optical input (8 channels of ADAT or 2 channels S/PDIF), 1 coaxial S/PDIF input

Digital outputs: 1 Optical output (8 channels of ADAT or 2 channels S/PDIF), 1 coaxial S/PDIF output

Other I/O: MIDI I/O, 2 footswitch/expression pedal inputs

A/D conversion
Mic preamps
Max Input Level: 14 dBu
Gain Range: 60 dB
Dynamic Range: 112 dB
THD+N: 0.001%
EIN: -129 dB (A-weighted)
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB

Line inputs

Max Input Level: 14 dBu
Gain Range: 60 dB
Dynamic Range: 112 dB
THD+N: 0.001%
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB

Instrument inputs

Max Input Level: 14 dBu
Gain Range: 60 dB
Dynamic Range: 108 dB
THD+N: 0.004%
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB

D/A conversion

Line outputs

Max Output: 19 dBu
Dynamic Range: 110 dB
THD+N: 0.002%
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB
Monitor outputs

Max Output: 19 dBu
Dynamic Range: 110 dB
THD+N: 0.0012%
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB

Headphone outputs

Dynamic Range: 102 dB
Frequency Response: 20 Hz-20 kHz, +/-0.2 dB
Output Power: 120 mW > 32 Ohm

Hi-Z output (reamp)

Dynamic Range: 103 dB
THD+N: 0.002%
Frequency Response: 20 Hz-20 kHz, +/-0.3 dB

Included hardware and accessories

MBOX Studio USB interface

USB-C cable
USB-C female to USB-A male adapter
Power adapter
Registration card

Included software

Pro Tools Studio 1-year subscription
Sibelius Artist 1-year subscription (desktop and mobile app)
MBOX Control
Celemony Melodyne 5 essential (part of the Pro Tools Studio bundle)
SoundFlow Cloud Avid Edition (part of the Pro Tools Studio bundle)

Included plugins and sounds

All plugins included with Pro Tools Studio
MBOX Ignition Pack
Baby Audio Vibe Box-exclusive plugin only available with MBOX Studio
BPM Create-MBOX Producer Toolkit with sounds and samples
Brainworx A/DA Flanger-A/DA Flanger stompbox emulation
Brainworx Ampeg SVT-VR Classic-Ampeg bass amp emulation
Brainworx bx_bluechorus2-Boss CE-2 Chorus stompbox emulation
Brainworx bx_console N-Neve VXS console channel strip emulation
Brainworx bx_greenscreamer-Ibanez TS 808 Tube Screamer emulation
Brainworx bx_megadual-Mesa Boogie Dual Rectifier emulation
Brainworx bx_opto compressor-all-around compressor emulation
Gauge LUSH VOX-parallel compression + processor for vocals
Avid Loopmasters Sample Pack (part of the Pro Tools Studio bundle)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Modular reinterpretation of a voice from Black Corporation's astonishingly powerful Deckard's Dream polysynth, inspired by the legendary Yamaha CS80. Pure analogue goodness.

Supplier's Notes:
Black Corporation Deckard's Voice eurorack module is an entry level semi-modular synth for eurorack systems. Sharing the same paradigm and circuit as its bigger brother Deckard's Dream, trimmed down for eurorack and supplemented with the flexibility available only in a modular format.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Modular reinterpretation of a voice from Black Corporation's astonishingly powerful Deckard's Dream polysynth, inspired by the legendary Yamaha CS80. Pure analogue goodness.

Supplier's Notes:
Black Corporation Deckard's Voice eurorack module is an entry level semi-modular synth for eurorack systems. Sharing the same paradigm and circuit as its bigger brother Deckard's Dream, trimmed down for eurorack and supplemented with the flexibility available only in a modular format.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. service@pittsburghmodular.com***

Structure EP-208 Eurorack Enclosure -

Maximum Power for a New Generation



Beautifully stained hardwood double row, 208hp powered eurorack travel case with lid. Includes professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:

With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.




Features:

Structure EP-208 Power:
4 Amps of Clean +12v Power

3 Amps of Clean -12v Power

2 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 30 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere



Structure EP-208 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Dual 104hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

20 Smooth Sliding Square Nuts Per Rail (Holds up to 40 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set


Structure EP-208

Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 12 1/4"
External Width: 22"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"

Notes: ***B-STOCK: Box opened, product in perfect working order***


The MPC One gets a retro look with this limited edition model, based on the classic MPCs of the 1980s. Same functionality as the standard version, with full standalone operation and legendary MPC workflow.

Supplier's Notes:
Step Up to Standalone- Experience the same standalone performance power of the legendary MPC in a smaller footprint.

Looking for that classic, retro vibe, but demand all the power of a modern MPC? Look no further than the new Limited Edition MPC One Retro. Combining the full multi-core powered modern MPC workflow with the throwback colour layout of the iconic MPC 60, MPC 3000 and MPC 2000. Experience the legendary look while enjoying the powerful, standalone workflow you've come to count on for next-generation beat making and music production.

From rich melodics and hard-hitting drums to the most infectious grooves, if you expect to get real professional production results you need next-generation tools that act as a natural extension of your creativity. Enter the MPC One Retro, a Music Production Centre engineered to enrich your workflow and create the ultimate standalone production experience. Spend less time hitting roadblocks and take command of your production with our latest addition to the MPC family.

Don't let the size fool you. The MPC One Retro packs a lot of features and workflow tools into ONE powerful punch, like beat programming, editing, mixing FX and instruments and so much more. This is truly an uncompromised creative experience. The heart and soul of the MPC One Retro is the same multi-core processor as the MPC X, skillfully combined into a compact standalone desktop unit that easily handles the most demanding tasks. MPC One Retro delivers a truly empowering hands-on experience, ready for any music production task. Edit and chop samples with hand gestures on the bright 7-inch touch screen colour display. Express your ideas effortlessly and directly with the dedicated knobs and touch keys that eliminate cumbersome drop-down menus.

Everything you expect from a Standalone MPC is here, without compromise. With the MPC One Retro, all MPC functionality you expect is here, perfectly positioned with two goals clearly in mind - ease of use and no-nonsense workflow enhancement. Four touch sensitive controls and a large data encoder seamlessly map to critical parameters. Sixteen velocity- and pressure-sensitive RBG pads deliver perfect response for full expressive range. MPC mainstays including Note Repeat, Full Level, 16 Levels and dedicated Transport Controls complete the MPC One Retro's arsenal of control options, providing complete production capability.

MPC One Retro integrates into your creative space with all the connectivity you demand. The MPC One Retro is ready to work with your current studio environment and will grow with you as your needs expand. Connect your USB controller or line-level 1/4-inch instruments. Control your MIDI devices and your CV/ Gate modules & racks. And there's no need to worry about interconnectivity, since MPC One Retro is ready to work right alongside professional music production gear.

Discover your creative workspace with our ground-breaking MPC Software. Akai Professional's reimagined MPC 2 Software drives MPC One Retro in both standalone and controller modes. This is a cutting-edge production suite combining 128-track sequencing capability, real-time time stretching, clip-launch functionality, advanced MIDI editing capability, VST compatibility in controller mode, operation as a standalone application on Mac & PC, advanced sampling & audio editing/recording functionality, seamless DAW integration, a redesigned GUI and much more. Whether you're seeking freedom from computer- based music production or searching for the perfect controller for DAW-centric creative exploration, MPC 2 Software delivers the ultimate in adaptive creative versatility.

Technical Specifications

Pads:
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via Pad Bank buttons

Knobs:
(4) 360- touch-sensitive Q-Link Knobs
(4) Q-Link Knob columns accessible via Q-Link button
(1) 360- encoder for display navigation and selection via push
Buttons:
(31) dedicated function buttons; red-, amber-, or green-backlit

Display:
7.0" / 177mm (diagonal)
5.9" x 3.7" / 151 x 94mm (width x height)
Full-colour LED-backlit display with touch interface

CPU
Processor: Quad-core ARMr processor
RAM: 2GB
Storage: 2GB user storage, 2GB pre-installed content

Connections (2) 1/4" (6.35mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI outputs
(4) CV/Gate outputs
(1) USB Type-A port
(1) USB Type-B port
(1) SD card slot
(1) power adapter input

Power:
via power adapter: 19V, 3.42A, centre-positive, included

Dimensions:
(length x width x height) 10.7" x 10.7" x 2.1"/272 x 272 x 53mm
Weight: 4.7 lbs./2.1kg

Notes: ***B-STOCK: Case slightly cracked, product in perfect working order***


Complete starter setup of Tangible's AE system, designed as an affordable way into Eurorack modular. Everything you need to get started, including oscillators, filters and much more.

Supplier's notes:
A complete AE modular system in a two-row Rack (32 AE module units in complete); containing the following modules:

- MASTER
- 2OSC/D
- VCO
- NOISE
- 2 x LFO
- FILTER (Wasp type)
- SVFILTER
- 2ENV
- 2VCA
- LOGIC
- SAMPLE&HOLD
- BEATDIVIDER
- SEQ8
- 2ATT/CV
- MIXER
- DELAY

The case is extendable; via a joint kit (not included) another case of this type can be attached at a free angle; the bus is connected via a short connector cable.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.