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Review: The always adventurous Especial label is back on its world travels once more for another cultured EP, this time from Jonne Lyden aka 53X. This is a widescreen bass exploration with trance-tinged steppas looking firmly to the future from the Finnish-born artist. He has a background in punk bands but a trip to Berlin turned his ear and now he makes experimental fusions that draw on everything from industrial to Berghain to Detroit for inspiration. His tunes are mostly started out as live jams and then edited into what we have here - club-ready sounds, rich atmospherics, acid, breaks and hypnotic rhythms.
… Read more in stock $13.74
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Cat: EES 039B. Rel: 12 Jun 23
Deep House
Review: (Emotional) Especial and Giraffi Dog join forces once more to offer up the second installment of their concept EP series. It is focussed on live and studio collaborations and this one comes in two halves: the first half kicks off with '6th Chakra' (feat DJ Deflektorschild) - a fully live deep house and hi-tek soul exploration with mind-expanding synths and Detroit drum sounds. 'King OTN' is a jack dup acid cut ripped with cosmic synth details and 'DX Metero' has sheet metal synths lashing about next to ethereal synths and busted drum breaks. 'Starfather' is a star-facing closer with elegant piano notes dancing over serene grooves. A vital showcase of this essential live artist.
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Review: Eight-piece soul unit Stone Foundation have been turning out their own distinctive brand of soul for a full quarter of a century now. They have dropped plenty of albums in that time and have a new one to mark the occasion on the way - Standing In The Light: 25 Years Of Stone Foundation, which features all of their greatest tunes, including some originals such as this one, which is also getting its own limited purple vinyl 7" release. As always this is all new but with an authentic vintage aesthetic that makes it impossible to date. The noodling guitar work and funky bass is irresistible with fat synths up top and the playful vocals add further layers of funk.
… Read morePlayed by: Craig Charles Funk And Soul, Juno Recommends Soul
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Standing In The Light: 25 Years Of Stone Foundation (limited 2xCD)
Cat: 100CD 131. Rel: 29 Jun 23
Soul
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1010 Music Male 3.5mm TRS To Male 5 Pin DIN (Type B) MIDI Adapter Cable (1.42m) (MIDI adapter cable)
Cat: 970287 Rel: 27 Sep 23 • View all MIDIケーブル/アダプター
MIDI adapter cable: male 3.5mm TRS to Male 5 pin DIN (type B), 1.42m.
Notes: A 4 ft Type B MIDI Adapter
This cable enables you to connect MIDI devices that use standard MIDI cables to the stereo minijacks that use the Type B standard. The adapter cable has a male stereo minijack at one end, and a male 5 pin DIN MIDI connector on the other, and is 1.42 meters/4' 8" long. It is also useful as a converter for connecting to other MIDI devices that use a different mapping of MIDI signals to the stereo minijacks.
Early 1010music music products use the Type B mapping of MIDI signals to stereo minijacks. Bitbox mk2 and bitbox micro can use mini TRS Type A or Type B for MIDI inputs. Bitbox micro uses Type B for MIDI outputs.
The diagram to the right shows the numbering of the pins on a MIDI connector and the labels of the connection components of a stereo minijack. Type B products are compatible with cables that use the following mapping of MIDI signals between female MIDI connectors and stereo minijacks.
… Read moreThis cable enables you to connect MIDI devices that use standard MIDI cables to the stereo minijacks that use the Type B standard. The adapter cable has a male stereo minijack at one end, and a male 5 pin DIN MIDI connector on the other, and is 1.42 meters/4' 8" long. It is also useful as a converter for connecting to other MIDI devices that use a different mapping of MIDI signals to the stereo minijacks.
Early 1010music music products use the Type B mapping of MIDI signals to stereo minijacks. Bitbox mk2 and bitbox micro can use mini TRS Type A or Type B for MIDI inputs. Bitbox micro uses Type B for MIDI outputs.
The diagram to the right shows the numbering of the pins on a MIDI connector and the labels of the connection components of a stereo minijack. Type B products are compatible with cables that use the following mapping of MIDI signals between female MIDI connectors and stereo minijacks.
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Review: Will Samson returns with a new album Harp Swells after more than ten years of crafting delicate sounds that are often led by his own tender voice. Now back on Taylor Deupree's experimental label, he fully immerses himself in the ambient world he previously considered only a side project. Thse record is a real meditation that sees him move away from the melancholy of his past and towards more bright and optimistic melodies. His aim is to heal himself through music and this record has six movements, each of which is based around his use of a 70s portable reel-to-reel tape recorder known as the UHER 4200. It makes for a widescreen and mesmeric work that stretches out in all directions around you with glistening melodies and slowly shifting energies that truly uplift.
… Read more in stock $14.51
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Review: 1432 R US could as well be called Tech R US in a nod to the great toy shop as it is known as one of the key labels in the sub-genre. Sami is the artist behind this latest slab having previously appeared on the likes of Random Mind State and World Building. He gets mad busy on the opener, with wires synths, bleeping machines, smeared dub chords and jostling drums all layered up to competing rhythmic effect. 'Way Up' has a darker vibe with heavier drums and more edgy synths. 'Twin' is a percussive jumble that is loose but will lock you in with its freaky vocals and 'Deep Blue' is a stripped-back and more serene deep tech trip that encourages daydreaming.
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Review: The Beatles' EP From Us To You #3 captures a 1964 BBC session that encapsulates the band's early charm and infectious energy. Featuring a whopping ten tracks, it was recorded in the BBC's Paris Studios in Regent Street, London and fact fans will note that 'Honey Don't which was later included on the album Beatles For Sale and sung by Ringo, here features John on the vocals. Elsewhere the EP captures the band's irresistible melodies and tight harmonies with three of the tunes originally penned by the band's favourite rockabilly star Carl Perkins. Each song is a testament to The Beatles' enduring influence on popular music and overall serves as a timeless reminder of the band's unmatched creativity which continues to this day with new AI-produced singles that the much talked about one earlier in the year.
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Review: Luther Vine's Fragments Of Reality and its various artists series have been a real doozy for 20/20 but now the sub-label offers up a first solo EP. It is Snad who gets the gig and he is a house producer from Berlin making big waves right now. This one follows outings on Chicago's Kimochi Records, Chez Damier's Courtesy of Balance and the Dungeon Meat label and is another raw, stripped-back offering of tough house. 'Bootlickerz' is a bristling cut ready for the peak time, 'Goobernatorial Candidacy' has a more stripped-back but just as compelling groove and 'Per Savour' goes deep into late-night goodness before closer 'Butt Heads' picks up the pace once more.
… Read morePlayed by: Juno Recommends Deep House
in stock $13.23
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Review: Contemporary broken beat great Kaidi Tatham treads new ground as Shokazulu, a new alias. Tatham's M.O. is to add extra verve and groove to the often rigid broken beat sound, a trend that shouldn't have proliferated, given the ostensible rooting in ideas of freedom that jazz should have. 'Uniquely Fresh' sums this up to a T, mixing in all-live-performed funky basslines, jazz chords, intricate drum patterns and augmented melodic ornaments, while getting at something extra-transcendent and space-age. The slap-funk of 'Earth Is Not For Humans' is our highlight here.
… Read more in stock $14.26
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Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Kaidi Tatham back on 2000BLACK needs little explanation really, does it? Anyone who takes broken beat and neo soul seriously should already be slipping this on in their cart, but for the uninitiated this is one of the grandmasters of the sound in full flight. 'Galaxy' is a beautiful, uplifting soul-boogie jam with a stunning vocal turn from Lola Violet, and it comes in two different twists depending on the energy you need to bring to your set - for us the 'Uptempo Mix' is a perfect shot of joy in the arm. 'A Message From Above' cools things down with gorgeous keys, a characteristically snagging beat and sultry horns, and 'Ergonomic Structures' slinks into the sweetest of downtempo funks that'll have you head nodding hard and keeping you chill all in the same beat.
… Read moreKaidi Tatham back on 2000BLACK needs little explanation really, does it? Anyone who takes broken beat and neo soul seriously should already be slipping this on in their cart, but for the uninitiated this is one of the grandmasters of the sound in full flight. 'Galaxy' is a beautiful, uplifting soul-boogie jam with a stunning vocal turn from Lola Violet, and it comes in two different twists depending on the energy you need to bring to your set - for us the 'Uptempo Mix' is a perfect shot of joy in the arm. 'A Message From Above' cools things down with gorgeous keys, a characteristically snagging beat and sultry horns, and 'Ergonomic Structures' slinks into the sweetest of downtempo funks that'll have you head nodding hard and keeping you chill all in the same beat.
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Review: Marthial is the working name for Alessandro Vaccari's adventures in techno, most frequently found on his own 24/H label. On this latest 12" Parallel Aspect - his first for a couple of years in fact - there's plenty to latch onto as 'Cremino' flips between spoken word samples and hard-thumping techno. 'Observando-o' is a dub techno-tinted workout, but the atmospherics are managed with precision to ensure the track has maximum effectiveness on the floor. 'Parallel Aspect' takes things deeper, smoothing the edges of the rhythm section and letting the melodic content take a more prominent role. Throughout this EP, the balance between atmosphere and dancefloor intensity is explored with poise, making for a more memorable kind of peak time techno.
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Review: The propulsive, tectonic Force of Electro is embodied in the eponymous moniker, returning for their its release since 1997 (notable indeed, that the multi-moniker artist should return to this one only now). Six masterclassics in the mode of acid electro beckon us into alternate frenzies, highlights among these experiences being the central banger 'Beyond After Dark' and the lesser-spottable ambi-acid closer, 'Beyond The Beats'.
… Read morePlayed by: Juno Recommends Electro
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Review: Coco Bryce deserves any and all of the plaudits that continually come his way. The Dutchman is a drum & bass mainstay with a distinctive sound that is rooted very much in the future. It's 3am Eternal where he lands to kick off his 20204 and as always he comes through with plenty of irresistible goods. 'One Hundred' nods to the old school with its nimble piano vamps darting about the mix over captivating amen breaks. 'Saliva' is a more deep, zoned-out sound that gets your mind lost amongst the stars thanks to its interplanetary synth work.
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Review: Malian singer, songwriter and instrumentalist Fatoumata Diawara has enjoyed a highly successful career, not just as a musician but also as an actor. Even so, it has taken a string of collaborations - including an appearance on Gorillaz album Song Machine, Season One: Strange Timez - to bring her to a wider audience. London Ko, officially her third solo album, successfully highlights the open-minded, internationalist nature of her work, offering superb, immaculately produced songs that blend her Malian vocals, instrumentation and jangly guitar playing with nods to synth-pop, deep house, electronica, r&b and downtempo beats. Naturally, the album boasts several notable collaborations, with Damon Albarn guesting on 'Nesra', New York hip-hop-turned-soul queen Angie Stone lighting up 'Somaw', and Alberto Fomesca enhancing CD highlight 'Massa Den'.
… Read morePlayed by: AfroBase (Radio Chart)
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Review: The dynamic duo Octave One starts off 2024 with a new EP that features new versions of two of their own classics and a brand new song. 'Price We Pay' has two remixes featured here, with the both being massive main stage crowd pleasers. 'Mirror Image' is a slick downtempo track that shows the pair's creativity for making great dance music. Last, the new version of 'A Better Tomorrow' is updated to be more futuristic and spacey. Messages From The Mothership Volume 1 are a great sign of things to come as Octave One explores more of their long and impressive discography.
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Cat: 4AD 0571CD. Rel: 07 Mar 24
Indie/Alternative
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Cat: 4AD 0621CDE. Rel: 08 Feb 24
Indie/Alternative
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Sweet Justice (gatefold translucent orange & red splattered vinyl LP)
Cat: 4AD 0629LPE. Rel: 01 Jan 90
Hip Hop/R&B
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Cat: 4AD 0621CD. Rel: 25 Jan 24
Indie/Alternative
Review: Four years on from the release of sixth studio album As Long As You Are, American synth-pop/alt-rock fusionists Future Islands return with full-length number seven. People Who Aren't There Any More sees them reunite with regular collaborator Steve Wright and mixer Chris Coady, whose production on 2014's Singles - the band's most polished and arguably greatest album - was widely praised. Lyrically focused on being lovestruck and feeling lovelorn - wearily but forcefully delivered by frontman Samuel T Herring - the songs are strong and memorable. Musically, the sound worlds created - think stylish synths, immersive electronic textures, low-slung basslines and indie-rock guitars - match the disillusioned and emotionally fragile words, giving the set a coherent theme and sonic vision..
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Review: Two years on from the release of their debut mini-album, Scar, Lush headed into the studio to record their first full-length proper, the critically acclaimed Spooky. One of the all-time great shoegaze-meets-dream-pop sets, it was notable not only for the immersive nature of the sound and the meditative effect of its hazy, layered guitars and vocals, but also the fact that it was produced by Robin Guthrie of the Cocteau Twins. This reissue, which forms part of a series inaugurated by the band and remastering engineer Kevin Vanberger, offers a neat reminder of the album's timeless qualities, alongside a freshly cleaned and spruced-up sound that allows every single sonic element to shine.
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