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This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 26 Apr 24 $5.96
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Money & Vibes
Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $6.74
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $6.74
(No payment required now - pay when released)
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Review: Southern California's soul scene is dominated by Thee Sinseers. This leading outfit form a perfect link between the past, present and future of soul with their oh so sweet sounds and that's evident again on this new single. The band is lead by Joey QuiNones who is surely destined to go on to be an all time great and he produces, writes, and plays just about everything you can hear on all of this band's material. The a-side single 'What's His Name' is an unforgettable and instant classic with aching vocal harmonies and gently falling drums that tumble their way into your affections.
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Review: Kendrick Lamar's To Pimp a Butterfly, the Compton-based rapper's first album since 2012's major label debut, Good Kid, M.A.A.D City, has been receiving rave reviews. In truth, it's not hard to see why. Imaginative, soulful, and blessed with the looseness of live performance (a result of the use of jazz-minded live players as much as anything else), it sounds like the kind of album that may one day be hailed as a hip-hop classic. Sure, there are big name guests - Dre, Snoop, George Clinton and Thundercat included - but the focus remains on Lamar's distinctive flow and almost cinematic tales of life on L.A's streets. Given the quality of his lyrics, that's no bad thing.
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The Best Northern Soul Album In The World Ever! (unmixed 3xCD)
Cat: 539938 5. Rel: 28 Mar 24
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Cat: MEL 15. Rel: 15 Feb 19
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Review: During the various lockdowns of 2020 and '21, Crazy P delved deep into their vaults to see what unfinished songs were lurking in the dustier corners of the archive. These were then used as inspiration for new, finished and polished versions. This seven-inch contains two fine examples of this repurposing process. A-side 'If Life Could Be This Way' is suitably strong - a heart-aching, bittersweet chunk of laidback melancholia that sits somewhere between blue-eyed soul, Balearica and hazy West Coast jazz-rock. It's sure to be a fan favourite in years to come. 'How Could I Know' meanwhile is similarly horizontal, with tear-jerking (electronic) string sounds and a fine lead vocal from Danielle Moore clustering around a clicking, lo-fi drum machine beat
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Review: It's hard to keep up with the number of releases that Athens Of The North are putting out this month, but you really must try. This one is a gooey and loved up disco 12" from the dream team pairing of Tom Findlay from Groove Armada and James Alexander Bright. They hook up via mutual appreciation over Twitter and worked up a load of new material in the studio as Bright & Findlay. Their first offering 'Slow Dance' is perfection - lush 80s synths, slow-motion boogie beats and drum machines marbled with little guitar riffs and soulful vocals that ate you to a better place. Two further heart melters come on the flip side and we are already in love with this project.
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Review: Athens of the North boss Euan Fryer recently described Premonition as "the best obscure New York boogie act you've never heard of". He'll be releasing an entire album of their rare and unreleased material later in the year, but first he's treating us to a reissue of their best-known moment - impossible-to-find 1986 soulful boogie slammer "Don't Act Like A Fool". The track ticks all the right boxes -rubbery slap bass, mid-80s FM synth sounds, passionate male lead vocal, needless but delicious sax and electric guitar solos etc - and is little less than an overlooked dancefloor heater. On the flip you'll also find original B-side "In Love", which Fryer brilliantly (and accurately) describes as a "mid-tempo floater".
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Cat: TOWN 137. Rel: 29 Mar 10
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Review: It was back in 1986 when obscure UK electrofunk band Leval released their sole 7" - a sparkling slab of pop-boogie brilliance that has long been a secret weapon for dusty-fingered diggers and Brit-funk collectors. As this Athens of the North reissue proves, the record remains a brilliant Brit-boogie gem. Check first 'Our Love', a confirmed earworm that sees the band wrap duetting male/female vocals around a deliciously bustling blend of rubbery slap-bass, eyes-closed soft rock guitars, warm synthesizer chords and a dewy-eyed, jazz-funk style breakdown. Flipside 'It's Up To You' is a little more eccentric thanks to an unusual time signature and drum track, but boasts the same addictive blend of male and female lead vocals, slap bass and synths.
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Cat: DAP 1100. Rel: 08 Jul 19
Funk
Review: Soul and funk heads won't want to miss this very special seven-inch from the Daptone Records crew, and not just because it's the label's 100th "45". The A-side features an all-star '60s soul cover of the Frightnrs rock-steady cut featuring vocal contributions from Saun and Starr, James Hunter, Lee Fields, Naomi Shelton, Duke Amayo, the Frightnrs and two legends who are no longer with us: Charles Bradley and Sharon Jones. It's a one-off that won't be repeated for obvious reasons, but more importantly it's very, very good. Over on the flip main man Bosco Mann takes charge, conducting and producing "two opposing armies" of woodwind and horn players from the label's expansive musical roster. As you'd expect, it's something of an epic.
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Review: It's taken a while, but finally Knxwledge has delivered the follow-up to his "official" debut album, 2015's "Hud Dreems". A concept album of sorts - the tall tale behind it being that the beats were created in 1988 by an infant version of our musical hero after he climbed inside an SP-12 sampler and mastered the machine - the set sees Knxwledge sprint through a beat-tape style assortment of short, sweet and often sublime instrumentals that make use of a variety of period samples. Given his track record, it's an impressive album, regardless whether the beats were genuinely made when he was in "Nike diapers" (as the press release amusingly claims) or not.
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Review: Following the excellent excavation of the Miami band's unreleased album Best Kept Secret, AOTN's Fryer treats us to his two favourite cuts on a 500-only never-to-be-repressed 45. Seeped in powerful vocal harmonies, "Let Go" is rare groove gold with smooth sax and a dynamic that keeps on surprising while "Will You Be There" is an end of night soul shakedown with a tenderness that's tangible in every element. Don't sleep on this... Or the album. One of AOTN's most exciting releases this year.
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Cat: TR 718. Rel: 08 Feb 18
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Review: Since making his debut back in the early 1990s, Carlton Jumel Smith has periodically popped up on a variety of soulful house and modern soul releases. Here the little-known vocalist takes a different approach, re-casting himself as a throaty, James Brown influenced '70s soul singer. He's at his heartfelt, full-throttle best on "Can't Love You Any More", a deliciously heavy and authentic chunk of Southern-fried deep soul complete with additional falsetto parts from fellow singer Pratt. The key to the track's success is the fantastic backing provided by Cold Diamond & Mink. Proof is provided on the flip via the band's effortlessly good instrumental take.
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Review: Colemine step up with another sure shot of impeccable modern soul, this time coming from Australian outfit Dojo Cuts. 'Here We Are' is a slow jam with sadness in its heart, but it hits hard. That's in no small part down to the impassioned vocal turn from Carlton Jumel Smith, who gets his message across with conviction on this classically styled ballad. One for rainy days and poignant moments, with the instrumental on the flip when you want the music to carry you away.
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Review: Hip-hop heads love nothing more than classic Blue Note material getting a modern fix up. And that's what we have here as Kay Young and Venna and Marco Bernardis join forces to work their magic on Marlena Shaw's 'Feel Like Making Love' and Donald Byrd's 'Where Are We Going?' This limited 7" is a taster from the 16-track compilation Blue Note: Reimagined II. It's packed with the neo-soul, r&B and hip hop scenes finest contemporary talents adding new magic to the still standout original source material. Like volume one, it's an absolute must-have, as is this 45rpm.
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Review: Hip-hop supergroup Run The Jewels have looked back on their Run the Jewels 14 album and reworked it through a squarely Latin American lens. They have called upon artists from across the diaspora and in doing so spotlight a real wealth of talent for another superb album in this feel-good band's impeccable run. Oscar-winning Broadway megastar Lin-Manuel Miranda is one of the standouts in an album full of wild different and expressive sounds. This is certainly a collaborative free-for-all that is well worth hearing.
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Cat: BWOOD 305CD. Rel: 20 Jul 23
Broken Beat/Nu Jazz/Nu Soul
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Review: The Sextones are a four-piece soul band from Reno, Nevada, who blend elements of rock, pop, and funk with a deep and mournful soul primacy. Fitting squarely into that oeuvre is their latest 'Beck & Call', which recalls their dearest inspirations - the likes of The Moments, Baby Huey and Curtis Mayfield - for two equally powerful falsetto'ing slow jams. The title track is the more emotive standout, channelling a hefty drum forward plod, lilting strings, soul-foundational bass, and lyrics dealing with letting go of a lost cause. 'Daydreaming', meanwhile, is more of a haze, and notably utilises electronic drums and a prominent sitar.
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The Best R&B Classics Album In The World Ever! (limited unmixed 3xCD)
Cat: 539935 7. Rel: 08 Feb 24
Hip Hop/R&B
Review: Stretched across three discs, this deliberately classics-heavy compilation does a decent job in joining the dots between r&b in the modern sense of the term (I.E smooth and soulful vocal workouts underpinned by hip-hop style beats) with the original American definition (music of black origin). In practice, that means hits by Fugees, Usher, Toni Braxton, Brandi & Monica and En Vogue sitting side by side with Chaka Khan, Whitney Houston, the formative house brilliance of Ten City, the UKG-adjacent exploits of Craig David and Blazin' Squad, the pop-tastic songs of Pussycat Dolls, Cleopatra and Britney Spears, the street soul of Soul II Soul, and the tear-jerking reggae brilliance of Dawn Penn.
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