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Review: Wisdom Wita Z aka LaShonda Corder hooks up with Dark Entries for a rare Detroit-adroit arsenal of new 90s-style house bangers. 'It's Me' was produced by DJ Maestro and DJ 001, both influential figures in the Detroit techno scene. The B-side, meanwhile, hears a retake from the adjacent DJ Resurgence. An anthem for owning and loving oneself, direct comparisons could be made to the diva vibes of Crystal Waters or CeCe Peniston, but Wita Z brings an entirely new character to the genre, with the production bringing a moodiness to the sound and giving neat contrast to her up-front vocals.

Review: Veneno is the most beloved transgender TV star in Spain and now she arrives on the equally revered Dark Entries label as part of Madrid Pride on June 30th. Cristina Ortiz was a sex worker when she was discovered by the TV program "Este Noche Cruzamos el Mississippi." She became a regular on it with a great sense of wit and a unique way of relaying stories about her work on the streets. Her career in music started in 1996 and has seen her serve up big Eurobeat tunes like 'Veneno Pa Tu Piel' and house cuts such as 'El Rap De La Veneno'. Two mixes of both of those hit tunes are presented here and are enduring gay anthems that will light up any party.

Review: Detroit-based Code Industry, for those who know, were a highly regarded and influential EBM-techno outfit. The always reliable Dark Entries has been digging in their vaults to serve up this vital reissue of their Structure EP. The quartet of Rob Myers, E.N. Sevy, Kyl Crys, and William Keith formed in 1989 having previously worked as Code Assault and were rare black artists working in the world of EBM and industrial. They were socially and politically minded so issues of racism, the media, and the hypocrisy of patriotism all comes up in their music which is denied by taught synths and dark vocal whispers that echo the work of acts like Front 242 and Nitzer Ebb. Add in high tech grooves and you have s fantastic EP that was originally released in 1991 on the Antler-Subway label.

Review: Dark Entries label regulars De-Bons-en-Pierre are back with more of their scuzzy delights in the form of their Card Short of a Full Deck EP. It's drenched in textbook sludginess as is often the way with Beau Wanzer and Maoupa Mazzochetti ever since they came together in 2016. These tunes were all originally written back in 2019 for live performances and really find the pair pushing at the boundaries of accepted social norms. The absurd sounds pair skipping rhythms with dark and freaky basslines and plenty of eerie rave chords to make for an all-new kind of dance floor energy.

Review: The ever-popular and always innovative Dark Entries welcomes Lust Pattern for more deviant electro explorations here and i isn't the first time the artists has graced the label in such fashion: Ryan Armbridge has previously done so as Linea Aspera many times before, exploring coldwave revivalist sounds alongside Zoe Zanias. With this alias, though, he looks to post-punk and electro-funk for inspiration. Opener 'Forming Lines' is redolent of Drexciyan squelch with plenty of live drumming powering it on. 'Choreography' has a similarly aquatic feel but with faster drums and more urgent funk and 'It's Right There In Front Of You' then slows to a predatory and menacing crawl. 'No Floor' is a motorik workout with the squelchiest of mutant synth sounds and rickety rhythms.