安全なお買い物

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

安全なお買い物

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

View:
Options
150/79(ページ1/2)の商品
1  2  »
Cat: DE 256. Rel: 06 Sep 19
Electro
  1. Au Velodrome 141 (5:17)
  2. Glasfabrik (4:41)
  3. Capataz (2:51)
Review: Dark Entries has been at the forefront of the coldwave and synth revival that has slowly taken hold over the last decade. Next up they turn their attention to a reissue of an out of print EP from 1988 by Jordi Guber and Krishna Goineau as Velodrome. Villalobos has been known to drop cuts from it, which should give you a good idea of its musical style: freaky 80s electro built on steppy drums, with taut and twanging synths reverberating around the mix, as exemplified by the opener. "Glasfabrik" is a hyper-speed cut with a tongue in cheek vocal, while "Capataz" is the most well-known joint with its acid bass and crashing hits.
Read more
Played by: Dmitry Distant
 in stock $11.98
Fantasy (12" + insert)
Cat: DE 225. Rel: 19 Jul 19
Coldwave/Synth
  1. Fantasy (4:01)
  2. Painted Love (3:48)
  3. I Gotta Little Love (6:42)
  4. Kites (bonus track) (3:56)
Review: Angela was the studio project of husband/wife duo Angela and Ingo Werner formed in 1981 in Russelsheim, Germany. Ingo had classical training in bassoon and piano at the Akademie fur Tonkunst in Darmstadt from 1966-70. He joined Krautrock band My Solid Ground in 1971 before going on to form his own project Baba Yaga in 1974. In the late 70s he formed the ensemble AIR with Armin Stowe and Reinhard Karwatky. The project debuted with a a concert at ARS Electronica Competition in Linz, Austria 1980, which they won. Klaus Schulze was on the jury with Wendy Carlos and Robert Moog - but more importantly, Angela was in the audience. Two days later, Ingo told the band he needed a singer, so they asked Angela, and recorded two albums for RCA between 1981-82 before being dropped. Ingo wanted to work on a new project that involved dancers and live video. They recruited American performance artist Jyl Porch, who was living in Munich, to assist with choreography with her friend Kirsten McKenley. Jyl ended up recording her own album first, which gained interest from Klaus Schulze, who helped them secure a deal with EMI in 1983. Later that year, the trio recorded 4 songs that would be released on Angela 'Fantasy' single on 7" and 12" formats in 1984.
The music on 'Fantasy' was completely created with computer software of Ingo's own design. The concept of a polyrhythmic, polyphonic, and polydynamic sequencer was realized by Ingo after a visit to Wolfgang Palm in Hamburg. He paired his sequencer with Palm's legendary PPG Wave Computer System, allowing for more dynamic and nuanced programming. Angela programmed the music, sang, and wrote the lyrics to "Painted Love", while Ingo arranged and played all electronics and keyboards. Jyl wrote the lyrics for "Fantasy" and the slow and sleazy, electronic disco B-side "I Gotta Little Love", where she also sings background vocals and the "hot little flame" rap. The original B-side to the 7" version was a cover of the 1967 Hal Hackady and Lee Pockriss song "Kites", made famous by Simon Dupree and the Big Sound. All songs have been remastered by George Horn at Fantasy Studios in Berkeley. The EP features the original 1984 cover artwork with a striking photo of Angela styled by Jyl in severe Neue Deutsche Welle fashion, and includes an insert with lyrics and and photos designed by Maycec..
Read more
 in stock $12.50
Hypnotic Tango (reissue) (12" + insert)
Cat: DE 238. Rel: 28 Nov 18
Disco/Nu-Disco
  1. Hypnotic Tango (original 12" version) (6:11)
  2. Hypnotic Tango (instrumental version) (5:24)
  3. Hypnotic Tango (1987 Powerhouse mix) (6:11)
  4. Hypnotic Tango (Hypnotic mix) (4:31)
Review: My Mine were an Italo disco outfit from Bologna, Italy active between 1983 and 1986. Composed of core members Carlo Malatesta and Danilo Rosati plus Stefano Micheli and Darren Hatch, they reformed in 2016 with Malatesta and Rosati together and new singer Ilaria Melis - releasing the new single "Like a Fool". Their catchy 1983 hit "Hypnotic Tango" is one of the essential underground anthems of the scene, so influential that it was remixed by Frankie Knuckles (his legendary 1987 Powerhouse mix is featured on this very edition) and sampled by Detroit innovator Carl Craig.
Read more
 in stock $12.50
Transdance (12" + inserts)
Cat: DE 150. Rel: 27 Feb 17
Coldwave/Synth
  1. Transdance (New York disco mix) (7:17)
  2. Transdance (GC1 version) (5:14)
  3. Transdance (Robot Rock) (UK club mix) (5:57)
  4. Transdance (UK disco mix) (5:35)
Review: A seminal 81/83 record that epitomised so many sounds and melting pots: synth wave, Italo, New Romantic, electro, proto house... The list of worlds this groundbreaking song traversed is remarkable. Here Dark Entries compile the four versions that were cut during its two key release phases on GC Recordings in 1981 and 1983 in all their remastered glory. Smouldering, moody and still relevant to so much going on musically, this is true piece of history.
Read more
 in stock $12.25
Bryllyant (12")
Cat: DE 101. Rel: 17 Jan 19
Coldwave/Synth
  1. Bryllyant (33 1/3 Plus 8 remix) (5:28)
  2. Trigger Track (1984 12" edit) (5:59)
  3. Bryllyant (US remix) (5:06)
  4. You (extended version) (7:12)
Review: As per usual, those fiendish folks over at Dark Entries have amazed us once again with yet another barrel of 1980s gold from the depths of the underground. This time it's German new wave band Boytronic who see a reissue, and the EP in question is 1988's "Byllyant", which features the magnificent Plus 8 mix - a shot to the head made up of warm bass tones and hard-hitting drum machine patterns - and also the US mix, which literally sounds like it was made yesterday; for being an '80s EP, Boytronic steered well clear of cheesy and to be honest, they give New Order a proper run for their money. The 1984 mix of "Trigger Track" is a wonderful electro stormer, stamping its fast beats over eerie pads and growling basslines. This would be silly not to recommend! For the diggers.
Read more
 in stock $14.07
Cat: DE 066. Rel: 28 May 19
Disco/Nu-Disco
  1. Witch (vocal version) (7:02)
  2. Witch (instrumental version) (7:06)
  3. Zanzibar (original version) (5:56)
  4. Zanzibar (Afro mix) (5:46)
Review: Dark Entries' series of leftfield Italo-disco reissues continues with a double-header from prolific Italo disco session vocalist Helen (AKA Elena Ferretti), whose early excursions on obscure Italian labels Out Records and Discomagic have previously been the sole preserve of dusty-fingered crate-diggers. This EP brings together two of her finest EPs; 1983's scarce "Witch" - an exercise in bubbling, synth-pop inclined Italo-disco - and 1985's arguably better-known "Zanzibar". It's arguably the sparse, cowbell-laden "Afro Mix" - think Cosmic Club era Daniele Baldelli - of this track that steals the show, though all four tracks are shot through with that European strangeness that often marks out the best early Italo cuts.
Read more
 in stock $14.33
Courage (reissue) (12" + insert)
Cat: DE 229. Rel: 07 Sep 18
Coldwave/Synth
  1. Courage (7:53)
  2. Parasuicide (4:14)
  3. Descartes Lives (2:34)
  4. Lost In The 20th Century (3:16)
Review: We love Talking Drums. At the core, they are simply our type of band. An album, a few EPs, and then disappear before the scene kicks off and becomes commercialized. Boxes all well and truly ticked. The early 80s were a period of change what with punk music evolving into post-punk, and while the nu-romantic fashion that came to prominence in the mid 80s was a national movement, it was bands like Talking Drums which initiated it. Thanks to the ever-reliable Dark Entries, we now get to enjoy their best single, Courage, in all its glory - and it sounds like it's been pressed up properly, too! All you need to know at this point, if you haven't come across this already, is that it's one of the best disco-not-disco singles you'll ever cop...and we don't have a favourite tune...they're all equally raw, drum-heavy, house-envisioning, and utterly addictive. Hotly tipped!
Read more
 in stock $12.25
Cat: DE 259. Rel: 27 Aug 19
Coldwave/Synth
  1. Stop & Play (3:54)
  2. Beauty Of Language (4:24)
  3. Window (4:05)
  4. A Swan In The Ocean (6:11)
  5. Miss B (7:04)
Review: Despite being active for just seven years during the 1980s, Dutch new wave band Mekanik Kommando released a wealth of raw, off-kilter and intergalactic material. 1982's "Dancing Elephants" EP, which here gets the reissue treatment from Dark Entries, remains one of their finest moments, largely because it fuses crunchy, electro-influenced beats and Kraftwerk style computer bleeps with sassy new wave vocals, nods to synth-pop and the low-slung basslines and fuzzy guitars of post-punk rock. Our picks include the alien post-punk pop of "Beauty Of Language", the out-there, delay-laden, extra-terrestrial weirdness of "Miss B" and the new wave electro-pop perfection of "Stop & Play".
Read more
 in stock $12.50
Tam Tam Remixes (12" + insert)
Cat: DE 245. Rel: 11 Mar 19
Coldwave/Synth
  1. Tam Tam (Daniele Baldelli & Marco Dionigi remix A) (4:40)
  2. Tam Tam (Daniele Baldelli & Marco Dionigi remix B) (4:40)
  3. Tam Tam (Whatever/Whatever remix) (7:13)
  4. Tam Tam (Whatever/Whatever extended edit) (5:30)
Review: Many should already know Codek's "Tam Tam" (sometimes known as "Tim Toum"), a peerless Afro-cosmic classic from 1981 that fused minimalist tribal drums with spaced-out female vocals and sparse, intergalactic electronics. Here it gets the remix treatment for the very first time. Fittingly, it's cosmic disco stalwarts Daniele Baldelli and Marco Dionigi who kick things off with two tasty interpretations: a percussive and hypnotic take that successfully throws some acid-funk guitars into the mix ("Remix A"), and a more spacey, synth-laden affair rich in analogue electronics ("Remix B"). Over on side B, New York duo Whatever/Whatever re-imagine it as a fuzzy slab of coldwave/house fusion, before offering up an extended, club-ready re-edit of the original version.
Read more
$11.72 SAVE 25%
 in stock $8.79
Maritime Tatami (12" + lyric insert)
Cat: DE 055. Rel: 13 Jan 14
Coldwave/Synth
  1. Maritime Tatami
  2. A Game Of Despair
Review: Having released over fifty records since their foundation back in 2009, Dark Entries use the widened exposure afforded by that excellent Patrick Cowley compilation released in the last quarter of 2013 as a springboard to launch a new dedicated 12" series. Retaining their archival approach, the first release focuses on the short-lived Italian act Victrola; formed as a four piece combo in Messina, Victrola slimmed down to the synthesizer and guitar-based duo Antonio "Eze" Cuscina and Carlo Smeriglio and moved to the fertile music scene growing in early 80s Florence. In 1983, the pair issued their one record-shaped contribution to the early 80s Italian synth scene in the shape of Maritime Tatami, a two-track 12? issued on the Electric Eye label. Recorded using the Roland TR303 and TR606 at a time when these models had only been made available, so this reissue of Maritime Tatami from Dark Entries offers a chance for people to assess a slice of analogue experimentation at its most nascent.
Read more
 in stock $12.50
Cat: DE 247. Rel: 05 Apr 19
Coldwave/Synth
  1. Acetabularia (5:21)
  2. Acetatechno (4:39)
  3. Into The Desert (5:05)
  4. Gather Like Dust (4:34)
  5. Premonition (4:59)
  6. The Call (6:19)
Review: Lhasa is the brainchild of Alain Raes from Siegen, Germany. As a teenager he was inspired by Tubeway Army's "Are Friends Electric" and Art Of Noise's "Beatbox". In 1985 he began collecting analog equipment (Prophet-5; Oberheim OB-X; Linn LM-1) as digital synthesizers had started to become more popular. In 1986, New Beat was born in Belgium. Dancers tapped into the darker side of synth pop, and DJs would play 45 rpm records at 33 with the pitch control set to +8. Alain was playing in New Wave bands and had started production work and synth programming for other acts.

In 1988 he self-released the debut Lhasa single 'Acetabularia' / 'Acetatechno', with help from Kris Tremmery on vocals and concept. The record combined the icy melodies of Gary Numan and John Foxx with with the mechanical rhythms of Detroit techno and EBM. Thematically, both tracks revolve around the end of life on Earth, and include samples from 'Dr. Strangelove'. For this first time reissue, we've added 4 bonus tracks rescued from a 1990 recording session DAT tape. These demos show further development of the Lhasa sound with updated instruments (Roland D-20, Yamaha TX16W, Korg 707), faster tempos, and menacing proto-rave energy. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. Each copy includes an 11x11 poster with photos and liner notes by Alain.
Read more
 in stock $12.25
Cat: DE 104. Rel: 06 Nov 15
Coldwave/Synth
  1. Lamborghini (Petrol 1982) (3:55)
  2. Petrol (live at Metro July 1982) (4:32)
  3. Petrol (Country & Western 1984) (4:53)
  4. Petrol (version 1985) (2:45)
Review: Aside from the wide spectrum of gorgeous post-punk and italo material that Dark Entries have been reissuing as of late, they've been earning some serious points from our end for their revival of so much material from Australia's Severed Heads. While the band are up there as one of our favorites from the 1980's, Dark Entries have picked exactly the right 12"s to reissue; "Lamborghini" is incredibly contemporary in sound, and it's subtle 4/4 kick allows its mild melodies and odd acoustics to fit above pretty much any house tune today. The same goes for "Petrol", a mild-tempered dance tune with minimal background vocals and a whole load of filter-attack quality. So recommended...
Read more
 in stock $12.25
Reality Check (reissue) (12" + insert)
Cat: DE 227. Rel: 07 Sep 18
Techno
  1. I've Seen The World (5:32)
  2. Is This The Life For Me (6:16)
  3. Dance, Shake, Swing (7:03)
  4. Dance, Shake, Swing (version 2) (6:12)
Review: Digging deep into the Chicago Rave vaults to re-issue the debut EP from Billy Nightmare aka "Mystic Bill" Torres. Growing up in Miami, Bill was involved in various parts of the music industry, from working at Flamingo Record Pool, to playing guitar for the band Life In Sodom (80's Synth/Goth band). His interest in both House & Industrial music inspired him to make his move to the Windy City. Bill quickly became involved in the night scene with residencies at clubs like Shelter, Crobar, & Smart Bar. His studio work began with a remix of Kay Ladrae's "Lack Of Love" with Vince Lawrence, followed by a string of releases, including an LP on Trax Records. He has recently relaunched two record labels and several releases and remixes out each year.

'Reality Check' was released in 1996 on Woody McBride's label Sounds. Originally the project was to be titled " Billy's Nightmare", but to avoid being jinxed for life, Torres decided to switch it to Billy Nightmare. He put the Mystic Bill alias aside, got a hair cut, changed his sound and became this new persona. 'Reality Check' consists of 4 tracks, recorded at Mirage Studios in Chicago in 1996. Two tracks on the A-side are dark thumpers and will haunt your head for days. Side B has 2 versions of the same song, lighter and funkier in mood both show the diversity Mystic Bill is capable of producing. All songs have been remastered by George Horn at Fantasy Studios. Each EP is housed in a custom designed jacket by Eloise Leigh featuring a 90s photo of Billy Nightmare staring into TV static and includes a postcard with notes.
Read more
 in stock $11.98
EP No 2 (12")
Cat: DE 237. Rel: 10 May 19
Electro
  1. His Name Is Fud (3:12)
  2. Frog Stoemp (3:06)
  3. Least Liked (3:31)
  4. Gras Sature (3:20)
  5. The Terrible Translation (3:41)
  6. Centipedes (3:37)
  7. Ebmeme (4:28)
Review: We are proud to present two new EPs from De Bons en Pierre, the duo of Beau Wanzer & Maoupa Mazzocchetti. Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrete, 80's tape scene and Birmingham school techno. After working together on the 'Crepes' EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we've split across 2 EPs with 6 tracks on 'EP No. 1' and 7 tracks on 'EP No. 2'. Beau says, "We hooked everything up and just pushed play. We didn't really discuss much about the process....it was very 'spur of the moment'." The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms. All songs are mastered by George Horn at Fantasy Studios in Berkeley. 'EP No. 1' is housed in a sewage green jacket featuring a monster mask duo and spiky motifs designed by Florent Mazzocchetti, and 'EP No. 2' is radioactive orange with a different pair of monster masks.
Read more
 in stock $10.41
Cat: DE 233. Rel: 21 Nov 18
Techno
  1. Regress To Nowhere (5:09)
  2. Into The Motion (5:15)
  3. Sewer Escape (6:03)
  4. Muscle Memory (5:30)
  5. Leaving (feat Ivy Barkakati) (5:37)
  6. Nambu Line Dub (5:14)
Review: Luis Garban aka Cardopusher's raw, electro-infused take on techno has earned him releases on labels like Boysnoize and Super Rhythm Trax whilst running his successful Classicworks imprint alongside co-founder Nehuen. His Muscle Memory EP for Bay Area retroverts Dark Entries sees him ride on the winning formula of raw and jacking house and techno grooves from yesteryear with a touch of modern flair. It's all aboard the acid express on high octane thrillers like "Regress To Nowhere" or "Into The Motion" which feature the signature glide and resonance of the Roland 303, to EBM-infused electro bangers (title track "Muscle Memory") and the deep down and dirty bump of "Nambu Line Dub".
Read more
Played by: Snuffo, Ali Renault
 in stock $12.25
Lost Tracks Vol 2 (12" + insert)
Cat: DE 216. Rel: 25 Jun 18
Electro
  1. Upstart (4:57)
  2. Love On 26 (5:20)
  3. Snuff Movies (2:19)
  4. The Building (6:28)
Review: Matt Cheon & Co. unearth yet more rare gems from old school electro fiends Caroline Herve & Michael Amato here, on the second volume of Lost Trax. As story has it, after the French duo met at a rave in their native Grenoble in the early '90s, they made music heavily influenced by 80s synth, post-punk and Italo disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. From the sexy, four-to-the-floor EBM of "Upstart", the Drexciyan style "Love On" with its aquatic bass assault, or the classic Miss Kittin & The Hacker sound of old on the monochromatic" The Building" featuring the former's trademark deadpan vocal delivery.
Read more
 in stock $12.77
Cat: DE 167. Rel: 27 Jul 17
Disco/Nu-Disco
  1. Qu'est-Ce Qu'il A (D'Plus Que Moi Ce Negro La?) (4:30)
  2. Whatazzy (5:16)
  3. Hot Voodoo Dub (7:45)
Review: Legendary musician, DJ and broadcaster Philippe Krootchey was a hugely influential creative whirlwind throughout the 70s and 80s in France. Founder of Love International, frequent Casablanca collaborator with the likes of Lizzy Mercier Descloux and Mathematiques Modernes and an active member of France's foremost gay rights groups, his political and creative messages were clear in every action he made. Originally released in 1984, "Qu'est Ce Qu'il" carries a strong anti-racial message with humour that worked so well he re-sang it English and it eventually became "Whatazzy". Flip for "Hot Voodoo Dub" to find his creative messages as a studiosmith were also very clear.
Read more
 in stock $12.25
Cat: DE 165. Rel: 27 Feb 18
Coldwave/Synth
  1. Closer (4:57)
  2. Tam Tam (3:55)
 in stock $11.72
Tarzan Loves The Summer Nights (12" + lyric insert)
Cat: DE 057. Rel: 13 Jan 14
Disco/Nu-Disco
  1. Tarzan Loves The Summer Nights
  2. Tarzan
Review: Stupendously rare Italo gem from the criminally under-prolific Trieste-based Big Ben Tribe, this quirky poplet first came our way in 1984 on Gong. Last spotted changing hands for hundreds on auction sites, Dark Entries have done the disco world a favour and licensed a reissue. Untouched and naked in all its 80s glory, the synth patterns, abstract lyrics and arrangement were way ahead of their time and clearly influenced many electronic pop and Balearic bands who followed. Vocals just a bit too much for you? No worries, just flip for the instrumental. Tarzan loves summer nights, and we love Dark Entries for unearthing this utter classic.
Read more
 in stock $12.77
Signals From Pier Thirteen (12" + lyric insert)
Cat: DE 059LP. Rel: 05 Mar 14
Electro
  1. Cardboard Lamb
  2. Crashing Song
  3. Flying Turns
  4. Factory Forehead
Review: After a fairly overwhelming 2013 of archival releases that was topped off with that excellent Patrick Cowley compilation, Dark Entries seemingly are maintaining that momentum this year with a clutch of new projects. The first is this reissue of the classic Signals From Pier Thirteen EP by Crash Course In Science, which is a name that should be instantly recognisable to fans of minimal wave thanks to "Flying Turns". The track featured on the Minimal Wave Tapes Vol. 1 compilation curated by Peanut Butter Wolf and Veronica Vasicka and has been reworked by Jamal Moss, J Rocc and Ricky Villalobos in recent years. "Flying Turns" of course features on this EP, and this Dark Entries issue is the first time Signals From Pier Thirteen has been reissued on vinyl since the early '80s and is a must for anyone who likes crude electronics and synthesised beats.
Read more
 in stock $16.41
Compulsion (12")
Cat: DE 089. Rel: 01 May 15
Coldwave/Synth
  1. Compulsion (5:13)
  2. Absent Friends (3:58)
  3. Funnt To You (2:49)
  4. Each To His Own (1:33)
  5. We Said We Wouldn't Look Back (4:24)
Review: The Dark Entries label continue their impressive run of form with another killer reissue LP, this time by The Prefects member Joe Crow. Compulsion was Crow's first solo work from the early '80s and has been a digger's favourite for a long time, its itchy drum machine beats and disjointed guitar riffs being utterly singular at the time of the album's initial release. "Compulsion" itself is a mid-tempo beat jam containing Crow's own dreary vocals and beautiful synthesized keys. "Absent Friends" is slower, full of languish and life at the same time, while on the B-side, "Each To His Own" is the winner thanks to its punky aesthetic surrounded by that early 80's electronic oddity. A masterclass piece of music and an essential collector's item.
Read more
 in stock $13.54
Cat: DE 098. Rel: 30 Jul 15
Electro
  1. Leather Forever (5:26)
  2. Nightlife (3:41)
  3. Miss Crazy Bullshit (4:47)
  4. Loving The Alien (4:19)
Review: It's been some six years since Caroline "Miss Kittin" Herve and Michel "The Hacker" Amato last delivered fresh material together. While we await further news of their long-mooted comeback, there's this tasty EP of previously unheard archive material to enjoy. Made up of tracks recorded between 1997 and '99 - when their production partnership was in its' infancy - The Lost Tracks Volume 1 contains a number of fuzzy, stylish, floor-friendly bangers, from the S&M-themed madness of opener "Leather Forever" and stripped-back electro gem "Nightlife" (a tribute to Berlin clubs of the period, apparently), to the high-tempo acid-loaded freakishness of "Loving The Alien". Top-notch sleaze.
Read more
 in stock $14.58
EP No 1 (12")
Cat: DE 236. Rel: 10 May 19
Electro
  1. Wrong Dose Nice Things (3:44)
  2. Pop Corn Sous Le Lit (4:48)
  3. Insect Repelent Company (3:34)
  4. No Cure For Cancer (4:26)
  5. A Very Bad Meal (4:16)
  6. The War Room (3:35)
Review: We are proud to present two new EPs from De Bons en Pierre, the duo of Beau Wanzer & Maoupa Mazzocchetti. Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrete, 80's tape scene and Birmingham school techno. After working together on the 'Crepes' EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we've split across 2 EPs with 6 tracks on 'EP No. 1' and 7 tracks on 'EP No. 2'. Beau says, "We hooked everything up and just pushed play. We didn't really discuss much about the process....it was very 'spur of the moment'." The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms. All songs are mastered by George Horn at Fantasy Studios in Berkeley. 'EP No. 1' is housed in a sewage green jacket featuring a monster mask duo and spiky motifs designed by Florent Mazzocchetti, and 'EP No. 2' is radioactive orange with a different pair of monster masks.
Read more
 in stock $10.41
Cockerill-Sombre EP (12" + insert)
Cat: DE 148. Rel: 06 Feb 17
Coldwave/Synth
  1. Please Release Me, Let Me Go-Go (4:34)
  2. Too Cold To Breathe (4:03)
  3. The Fashion Party (5:16)
  4. 1 Jump Ahead (3:11)
Review: Nitzer Ebb and Mute aside, if you're looking for some high-class EBM-style music then The Neon Judment should be your first port of call. Davo Da Davo and TB Frank made some utterly timeless music back in the 80s and early 90s, but what we really love about their style is that they effortlessly glided between synth-pop and odd, inimitably obscure strains of industrial tones. Cockerill-Sombre was originally released in 1983 and, of course, Dark Entries are here to reissue the gem in the finest of styles. The opener "Please Release Me, Let Me Go-Go" is the best post-punk nugget that's been reissued thus far in 2017; the tune is a bizarre blend of hip-hop vocalism rapped through a fuzzy, electro-like filter that has been playing on our turntable since Monday morning, while "Too Cold To Breathe" sprays a shuddery sequence of vocals over a nervy techno, 4/4 drum machine. "The Fashion Party" bubbles its wavy bassline over incessant analogue drums, and makes for a fine proto-techno joint, leaving "1 Jump Ahead" to provide us with a fast, tribal post-punk bullet that leaves us yearning for more TNJ material.
Read more
 in stock $13.81
Tonight (12" + postcard)
Cat: DE 162. Rel: 08 May 17
Disco/Nu-Disco
  1. Tonight (vocal version) (6:56)
  2. Tonight (dub version) (5:14)
Review: Classic Italo one-hit mystery, Tony More (or Tony Moore as he's often credited) gave the world this lavish futurist Marzio Benelli-written pop odyssey in 1985 before promptly disappearing. With original pressings fetching over L200, Dark Entries have democratised it for all to enjoy. And there's plenty to enjoy... A restrained by hooky riff, sparse but delicate and vulnerable vocals and a chugging synth groove that cuts with a heavy cinematic feel that's succinctly of its time. Complete with an instrumental for full mix creativity.
Read more
Played by: Tagwell Woods
 in stock $12.50
Cat: DE 065. Rel: 02 Jul 14
Disco/Nu-Disco
  1. Dark Silence (long version)
  2. Dark Silence (Art Fine version)
Review: San Francisco's Dark Entries label does a good line in reissuing obscure, long forgotten, left-of-centre gems (their excellent collection of Patrick Cowley's little known soundtrack work for gay porn films, School Daze, was arguably one of the compilations of 2013). Here, they've unearthed another overlooked gem - Art Fine's previously rare-as-hen's-teeth dark Italo-disco gem "Dark Silence" (L200-plus for an original 1985 copy, should you be feeling flush). It's pretty much a straight copy of the New Wave-inclined original, with the sparser, looser "Long Version" (in which producer Fabrice Belli gives the synth melodies a little more room to express themselves) joining the dense "Art Fine Version".
Read more
 in stock $12.50
Cat: DE 072. Rel: 16 Jul 14
Coldwave/Synth
  1. Going Around
  2. Moscovite Musquito
  3. Strange 9 To 9
  4. Call It Weird
  5. Abysmal Thoughts
Review: The original pressing of Subsequent Pleasures, the self-financed and ludicrously limited debut EP from Dutch darkwave pioneers Xymox (later to rename themselves Clan of Xymox), is notoriously hard to get hold of. Props, then, to reissue specialists Dark Entries for making it available again on vinyl for the first time since 1983. While this version doesn't include all of the tracks featured on the original, it does contain all the killers, including the electro-goth wooziness of "Going Around", the Joy Division-ish "Strange 9 To 9" and the superb synth workout "Call It Weird". It's one of those releases that should be an essential purchase for anyone with even the remotest interest in darkwave.
Read more
 in stock $16.66
Cat: DE 102. Rel: 11 Jan 16
Electro
  1. Jump Over Barrels (3:32)
  2. Jump Over Barrels (1981 demo) (3:32)
  3. Jump Over Barrels (Charles Manier remix) (3:33)
  4. Jump Over Barrels (early rehearsal version) (3:07)
Review: Post-punk aficionados may already by familiar with Crash Course In Science, a Philadelphia-based band who released two acclaimed singles between 1979 and '81, before going their separate ways. Here, one of the band's previously unheard 1981 demos gets mixed and released for the first time. "Jump Over Barrels" is a song about overcoming adversity, and in newly mixed form sounds like a lost post-punk classic. It's accompanied by a couple of demos - their initial 1981 recording, and an earlier, deliciously skeletal and heavy rehearsal version - and a fresh remix from Tadd Mullinix under his now familiar Charles Manier alias. The Ann Arbor-based producer does a good job of toughening up the track for modern dancefloors, whilst retaining the free-spirited essence of Crash Course In Science's original.
Read more
 in stock $12.50
Cat: DE 226. Rel: 21 Nov 18
Techno
  1. Body Mechanics (5:58)
  2. Befallen (5:44)
  3. Velvet Dream (7:36)
  4. Roses & Thorns (6:07)
  5. Frantik (6:40)
  6. 303 Diaries (6:47)
Played by: Derek Carr
 in stock $11.98
Sun Masks Remixes (12" + postcard)
Cat: DE 163. Rel: 10 Jul 17
Techno
  1. Lego (Avalon Emerson version) (7:32)
  2. Lego (Lena Willikens remix) (5:20)
  3. Hoping By Shopping (Kim Ann Foxman remix) (6:01)
  4. Wrong Love (Borusiade remix) (6:47)
 in stock $12.25
A Blind Sign (reissue) (12" + insert)
Cat: DE 164. Rel: 10 Jul 17
Coldwave/Synth
  1. A Blind Sign (6:19)
  2. Sargasso Sea (7:24)
  3. On Reflexion (6:10)
  4. Sargasso Sea (1981 demo) (7:58)
Review: Amongst minimal wave and alternative synth-pop enthusiasts, short-lived London band Shoc Corridor has an excellent reputation. Although they released a pair of albums and a gaggle of singles in 1983 and '84, it is '82 debut single A Blind Sign that gets collectors drooling. On this Dark Entries reissue, it's easy to see why. Flipside cut "Sargasso Sea", a fantastically spaced-out combination of heavily dub influenced post-punk bass, minimalist drum machine hits and liquid electronics, is particularly special, while "On Reflection" is a fine slab of swooning, near Balearic electronica. The title track, a Gary Numan-esque chunk of mutant synth-pop that bizarrely includes some jangly acoustic guitars amongst the arpeggio bass and twittering synthesizer melodies, is also inspired.
Read more
 in stock $12.25
Cat: DE 166. Rel: 27 Feb 18
Techno
  1. New Beats The House (5:14)
  2. New Beats The House (remix) (5:07)
  3. New Beats The House (Jared Wilson remix) (5:10)
  4. Move You're Assit (Acid version) (7:15)
 in stock $12.25
Cat: DE 141. Rel: 21 Nov 16
Techno
  1. Rhythm Crash (7:31)
  2. The Home Circus (4:19)
  3. Motor Hum (4:02)
  4. Hard Wired (7:42)
Review: By the time they released the cheekily titled Deep House Anthems in 1991, Chris Shepard and Mike Mangino had been releasing thrillingly odd cassettes as Smersh for eight years. Despite the title, it's typical of their work, focusing as it does on a bombastic fusion of industrial attitude, EBM style vocals, ragged acid lines and obvious electro influences. Here, four tracks from that cassette appear on vinyl for the first time, thanks to the efforts of San Fran crate diggers Dark Entries. The quartet of cuts is as bombastic and full throttle as you'd expect, with acid-fuelled opener "Rhythm Crash" and techno slammer "Hard Wired" being our pick of the bunch.
Read more
 in stock $11.72
Cat: DE 119. Rel: 14 Apr 16
Coldwave/Synth
  1. Eagles In The Night (8:21)
  2. Eagles In The Night (instrumental) (6:23)
Review: Dario Dell'aere cut his teeth in obscure Italian synth-pop outfits Ice Eyes and Fockewulf 90, before attempting to launch a solo career in 1985. While that didn't go all that swimmingly, his lone solo single, Eagles In The Night, has long been considered a hard-to-find Italo-disco classic. Here, it gets the re-issue treatment from Dark Entries, who as usual replicate the original track listing and artwork. Slower and more atmospheric than many Italo-disco tracks of the time, Eagles In The Night draws influence from eyeliner-clad new wave pop of the period, with Dell'aere's unusual English vocals stretching out over chiming melodies, bubbling synth lines and dreamy chords. The potency of the original production is confirmed by the superior Instrumental version lurking on the flip.
Read more
 in stock $12.25
Cat: DE 116. Rel: 14 Apr 16
Coldwave/Synth
  1. I'm Looking For You (6:30)
  2. I'm Looking For You (instrumental) (5:29)
Review: Dark Entries has always been rather canny when it comes to their Italo-disco reissues, often unearthing obscurities from one-shot artists who disappeared just as quickly as they arrived. Ghibli was one such artist. He only ever released one single, I'm Looking For You, back in 1985. That it still sounds fresh, despite its' obvious period features - bubbling, Bobby Orlando style synthesizer sequences, bold chords and a heavily accented Italian vocals - is testament to the skill of the record's original producer, Alfredo Baraldi. As with the original pressing, this Dark Entries edition comes back with the superior Instrumental version.
Read more
 in stock $12.25
Lepidoptera Remixes (12" + insert)
Cat: DE 244. Rel: 11 Mar 19
Coldwave/Synth
  1. Cyaniris (Anatolian Weapons 6 AM Eternal) (6:39)
  2. Araschnia Levana (Pasiphae remix) (6:08)
  3. Cyaniris (June remix) (5:33)
  4. Aporia Maturna (Morah remix) (7:42)
Review: Last year, Dark Entries reissued Lena Platonos' 1986 album "Lepidoptera", a beautiful, minimalistic set forged out of picturesque piano motifs and the composer's own surrealist Greek poetry. Now the lauded San Francisco label presents a quartet of new reworks of tracks from that album. There's a more dancefloor-centric feel throughout, with the standout revisions - in our eyes at least - coming from Anatolian Weapons, whose take on "Cyaniris" is a throbbing, dark synth-pop treat, and Pasiphae. Her version of "Araschnia Levana" brilliantly re-casts the track as a heavy, all-action dark electro workout tailor made for dark basements in The Hague.
Read more
 in stock $12.25
Over & Over (reissue) (12" + insert)
Cat: DE 204. Rel: 12 Feb 18
Disco/Nu-Disco
  1. Over & Over (5:55)
  2. Over & Over (dub version) (4:28)
Review: There was a time when original copies of Fantasy Life's sought-after 1985 Italo-disco gem "Over & Over" were changing hands for several hundred pounds online. While prices have come down a bit over the years, it remains a rare and hard-to-find delight. Happily, Dark Entries has saved us all a few bob by serving up this licensed reissue. The original version really captures the charming essence of Italo disco, matching chugging, motorized arpeggio synth-bass with cheery (some would say cheesy) synth-pop melodies and a catchy, impassioned vocal. Turn to the flipside for the dub style instrumental, which reminded us a little of some of Bobby O's early productions for the Pet Shop Boys (who were, fittingly, huge Italo-disco fans at the time).
Read more
 in stock $12.50
Cat: DE 026. Rel: 01 Jan 90
Coldwave/Synth
  1. What Happens Now?
  2. Radio
  3. Mindanao
  4. Amor De Robot
Played by: EOD
 in stock $11.72
Nous Savons Tout (12" + insert)
Cat: DE 124. Rel: 23 Jun 16
Coldwave/Synth
  1. Nous Savons Tout (5:36)
  2. Melodie Moderne (5:45)
Review: Those in the know regard Space Art as one of French electronic music's most under-appreciated acts. Active between 1978 and '81, Synthesizer obsessive Dominique Perrier and drummer Roger Rizzitelli were famed for releasing killer chunks of "cosmic pop", before performing them live wearing specially made silver space suits. "Nous Savons Tout", which was recorded and released in 1981, remains one of their most potent singles. Creepy, strange, hypnotic and undeniably cosmic, Perrier's trippy synth parts seemingly rise and fall over Rizzitelli's metronomic, proto-techno drums. Flipside "Melodie Moderne" has an altogether different feel, coming on like a pitched-down, cosmic disco take on the artier side of 1970s progressive rock.
Read more
 in stock $11.45
Cat: DE 130. Rel: 22 Aug 16
Coldwave/Synth
  1. Dance It Down (4:18)
  2. Dance In Dub (4:14)
  3. Dance It Down (European remix) (7:42)
  4. Jamaica Running (5:34)
  5. Jamaica Resting (3:24)
  6. Jamaica Running (European remix) (5:00)
Review: Patrick Keel started his career as a drummer with various unsuccessful bands, before buying a synthesizer in 1980 and forming "one-man-band" The Pool. While he released numerous albums and singles over a five-year period, it's 1983 single "Dance It Down" that has stood the test of time. This Dark Entries reissue features the punchy, electro-influenced new-wave original and spacey Dub from the U.S 12", plus the lesser-known European Mix (closer in style to Italo-disco, though actually made by a Belgian). Arguably even better is flipside "Jamaica Running", where glistening melodies cluster themselves around a proto-dancehall rhythm, and its' stoned, pitched-down alternative mix, "Jamaica Resting".
Read more
 in stock $12.25
The Man From Colours (12" + insert)
Cat: DE 132. Rel: 22 Aug 16
Disco/Nu-Disco
  1. The Man From Colours (6:42)
  2. The Man From Colours (instrumental version) (6:43)
Review: This timeless and utterly singular slice of italo disco magic was bootlegged a little over a year ago, but Dark Entries have decided to reissue it properly, with a remastered set of tunes for maximum playback effect. The 1982 bombshell, originally out on Discomagic Records, goes by the name of "The Man From Colours", and it is a special track indeed, one that's full of romantic charm, mystery and plenty of proto-house vibes. Its vocals will be embedded in your mind forever upon first listen, and you get an instrumental cut on the flip, too. Highly recommended - DO NOT SLEEP.
Read more
 in stock $11.72
Cat: DE 088. Rel: 01 May 15
Coldwave/Synth
  1. Private Plane (3:58)
  2. International (4:02)
  3. King Of Sham (3:56)
  4. Saving Grace (5:26)
Review: Damn! Dark Entries are on a roll! Their latest reissue is of Scotland's Thomas Leer, an early 80's independent artist who recorded "Private Plane" in his bedroom using an extremely limited set-up...the prototypical '80s experimental kid! The tune is dreary, funky and on the abstract side all at the same time, but our favourite is actually "International" thanks to its wonky groove, driving percussion stabs and bursts of distorted jazz flute. On the B-side there's also "Saving Grace", a more poppy affair in that inimitable 80's Karate Kid flair...highly recommended, a 12" worthy of a reissue.
Read more
 in stock $14.07
Cat: DE 074. Rel: 08 Sep 14
Coldwave/Synth
  1. Holland Tunnel Dive
  2. On B'Way
Review: Ah, a real gem of the NYC No Wave era is the focus of Dark Entries attentions here as the stunning Holland Tunnel Dive by ImpLOG is given a more than timely reissue. For the uninitiated out there, ImpLOG were formed by The Contortions band members Don Christensen and Jody Harris under the name ImpLOG, after the former left the iconic No Wave act in 1979, and released just the two records together. The story goes that Christensen's recorded experiments with found sounds, and an array of instruments such as a Univox drum machine and Casio keyboards impressed Lust/Unlust Records founder Charles Ball sufficiently enough to issue two tracks from the submitted demo tape as the Holland Tunnel Dive 12? in 1980. It's remained a highly prized record ever since and this lovingly recreated edition from Dark Entries is a must!
Read more
 in stock $12.25
Hulled (12" + insert)
Cat: DE 222. Rel: 07 Sep 18
Techno
  1. Landing (4:57)
  2. Beneath The Ice (6:30)
  3. Endless Tide (6:46)
  4. Station Life (6:29)
Review: We are pleased to present a 4-track EP from Austin, Texas analogue hardware enthusiast Bill Converse. Immersed in the early days of the 90s midwest rave scene, Bill began DJing at a young age in Lansing, Michigan. Luminaries such as Claude Young, Traxx, and Derrick May were key early influences. Techno, noise, ambient and tape processing are all part of his uncanny sound palette. His debut album 'Meditations/Industry' was released on cassette in 2013 and edited for a vinyl release on Dark Entries in 2016 followed by two 12" singles 'Warehouse Invocation' and '7 of 9' the same year. In 2017 Converse released his second album 'The Shape Of Things To Come' followed by the double EP 'Salt Of Mars'.

'Hulled' is a 25 minute journey spread across 4 tracks of glacial abandon. All tracks were recorded directly to tape with no overdubs, made at Converse's home studio. Bill says these tracks represent "ocean waves in stormy conditions, dark grey blue water, or more generally speaking something ominous and beautiful." The songs on this album reveal a sublime influence from Detroit techno, IDM, and Acid. Built around vintage synthesizer lines and gritty drum machine percussion, the tracks ebb and flow like the effect of sun shimmering on water, woozy, gauzy and ephemeral. All songs were mastered for vinyl by George Horn at Fantasy Studios in Berkeley. Each EP is housed in a die-cute jacket designed by Eloise Leigh with peachy pink patterns landing on an alien water planet and seeing mysterious playing forms under the turquoise water. and the. Each copy includes a postcard featuring photo of Bill with notes.
Read more
Played by: Denny Trajkov
 in stock $11.45
Crepes EP (12" + insert)
Cat: DE 139. Rel: 06 Feb 17
Coldwave/Synth
  1. Seul Comme Sombre (3:44)
  2. Whole Body Irradiator (3:01)
  3. The Mud Man Is Coming (4:20)
  4. Francine (4:00)
  5. The Eyebrows Salesgirl (4:51)
  6. Demissionne En Tuant Ton Patron (4:03)
Review: Dark Entries has truly become a sensational imprint over the last few years, and they are showing no signs of stopping. In fact, they've just gotten better and better with each new release. We have a special one on our hands this time and, although the label have reissued a whole heap of glorious material, this is NEW music from the very best out there. Chicago industrial-tech-goth Beau Wanzer teams up with Unknown Precept's Maoupa Mazzocchetti, and the dup get on like a house on fire under their new De-Bons-En-Pierre moniker. Crepes is a gnarly little EP, blurring the lines between techno, EBM and industrial, but doing so in a way that makes the three genres sound like they should never ever be apart from one another. "Whole Body Irradiator", for instance, has all the beat elements of techno and yet the sounds are drenched in a punky, fuck-you kinda style that would make the Berghain faithful run for their lives, while we could easily imagine the torn, glitchy beats of "Francine" residing on some long-lost post-punk 7 inch from the likes of Pete Shelley. This is some mad gear - don't miss it.
Read more
 in stock $13.81
Cat: DE 93. Rel: 29 Jun 15
Disco/Nu-Disco
  1. I Wanna Fly Away (vocal) (5:59)
  2. I Wanna Fly Away (instrumental) (5:46)
Review: San Francisco's Dark Entries has a rising reputation for the quality of their Italo-disco reissues. Certainly, many of the tracks they select for re-release are undeniably obscure and in-demand. Blue Russell's "I Wanna Fly Away", originally released in 1984 on leading Italo-disco imprint Discomagic Records, definitely falls into this category (an original copy will set you back well over L100, should you find one). It's a typically fruity concoction, with bold synthesizer lines and Europop-influenced melodies riding a chugging groove. Just like the hard-to-find original pressing, Dark Entries' reissue boasts both the delightfully camp vocal version, and a chunkier instrumental.
Read more
 in stock $12.50
New Dream (12")
Cat: DE 94. Rel: 29 Jun 15
Disco/Nu-Disco
  1. New Dream (vocal) (6:20)
  2. New Dream (instrumental) (6:28)
Review: As obscure Italo-disco producers go, Clay Pedrini must be up there. During the early 1980s, he released just one single, but it was a biggie. "New Dream", here re-issued for the first time on vinyl by San Francisco's Dark Entries, was a massive club hit around Europe in the summer of 1984. Ever since, it has been one of the most in-demand Italo-disco 12" singles around (for proof, check the shockingly high price original copies sell for online). It has aged rather well, with arpeggio-heavy bottom end, cheery chords and insatiable synthesizer melody still capable of causing commotion on dancefloors. The flipside original version - effectively a dub, with significant re-arrangement - is, if anything, even better.
Read more
 in stock $11.72
Cat: DE 95. Rel: 03 Jul 15
Disco/Nu-Disco
  1. Orient Express (vocal) (7:05)
  2. Orient Express (instrumental) (5:51)
  3. Last Summer (vocal version) (6:51)
  4. Last Summer (instrumental version) (4:28)
  5. Last Summer (Go Go version) (4:04)
Review: Unlike some of Dark Entries' Italo-disco reissues, Wish Key's "Orient Express" is fairly easy to come across on the second hand market. It is, though, no less alluring for that, and is most certainly worthy of the deluxe repress treatment. The Instrumental version, in particular - all relentless train noises, delay-laden drum machine solos and sparkling synthesizers - is absolutely killer. Wisely, Dark Entries has chosen to back it with three versions of Wish Key's 1986 single "Last Summer", an almost Balearic chunk of mid-tempo Italo-disco/synth-pop fusion. That, too, boasts a brilliant instrumental version - this time with a pleasingly glassy-eyed ambient build- up and a surprising Go Go Mix.
Read more
 in stock $14.33
Cat: DE 092. Rel: 05 Jun 15
Coldwave/Synth
  1. Nothing Is True; Everything Is Permitted (instrumental) (4:54)
  2. Breakin' Indistortion (instrumental) (4:16)
  3. A Dirty Song (instrumental) (5:05)
  4. Et (4:10)
Review: Dark Entries know their stuff when it comes to '80s synth pop reissues, and this latest reissue of Carlos Peron's Dirty Songs single is a sign of just how deep into the crates these guys get. Originally out over thirty years ago, these instrumentals are still total killers and will go down a storm in most DJ sets which venture out of the 4/4 formula. "Nothing Is True; Everything Is Permitted" and "Breakin' Indistortion" are particularly fresh and must have truly cut the edge back then: metallic drum machine beats and sparse melodies ring away into the cavernous ambience created by Peron. Wonderful and highly recommended.
Read more
 in stock $13.81
Evolution 5 Technology (12" + insert)
Cat: DE 126. Rel: 23 Jun 16
Electro
  1. Evolution 5 Technology (7" vocal) (4:37)
  2. Evolution 5 Technology (dub mix) (6:01)
  3. Evolution 5 Technology (JTC remix) (7:00)
Review: It would be fair to say that Series-A's Evolution Technology is something of a long-lost electro classic. Written and produced by Detroit friends DJ Maestro and Kid Fresh in 1987, 50 promo copies of the record were pressed before the label they'd signed to, California's Satellite Records, went bankrupt. This was always a shame, as "Evolution Technology" is something of a killer: a spellbinding chunk of futurist electro that updated the Cybotron blueprint for the emerging Motor City techno generation. As well as the original 7" and Dub versions, this first "proper" release also features a brand new rework from Tad Mullinix (under the JTC pseudonym), which appropriately re-casts the track as a spacey Detroit techno shuffler.
Read more
 in stock $12.50
150/79(ページ1/2)の商品
1  2  »

Filter

Saved Searches
Save current search
Release Date
Close