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Haircut 100 Percent Live!: Hammersmith Odeon Spring 1982 (Record Store Day RSD 2023) (B-STOCK) (translucent red vinyl LP)
Cat: DEMREC 1095. Rel: 01 Jan 90
Indie/Alternative
in stock $22.69
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Campanita (B-STOCK) (limited neon pink vinyl LP + poster with obi-strip)
Cat: WAX 28CLR012. Rel: 04 Jan 90
Indie/Alternative
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When The Pawn (reissue) (B-STOCK) (180 gram vinyl LP)
Cat: 196588 30251. Rel: 01 Jan 90
Indie/Alternative
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Part of Sony's latest reissues motive for weirdo champer pop songstress Fiona Apple, When The Pawn... is said to have broken the record for longest-ever album title, a record we're sure has been broken more recently by a much more obscure netizen we're not particularly fain to track down. That being said, this opening gambit did do well to evoke what Apple was shooting for with her second album, which saw to the likes of 'Paper Bag' and 'Fast As You Can' - waltzing, ornamented songs, laying claim to a convincing development in Apple's sound.
… Read morePart of Sony's latest reissues motive for weirdo champer pop songstress Fiona Apple, When The Pawn... is said to have broken the record for longest-ever album title, a record we're sure has been broken more recently by a much more obscure netizen we're not particularly fain to track down. That being said, this opening gambit did do well to evoke what Apple was shooting for with her second album, which saw to the likes of 'Paper Bag' and 'Fast As You Can' - waltzing, ornamented songs, laying claim to a convincing development in Apple's sound.
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Pratts & Pain (limited translucent blue vinyl LP + insert)
Cat: OURLP 3003BLUE. Rel: 20 Mar 24
Indie/Alternative
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See Youse At The Barras: Greatest Hits Live In Concert (limited yellow vinyl LP)
Cat: SECLP 306Y. Rel: 22 Feb 24
Indie/Alternative
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Review: After a long emergence in and adjacent to the South London underground music scene, producer, singer, performer and outlandish mask donner Lynks returns to the fore with the announcement of their debut album, Abomination. Moving between the well-paired, current twinnings of post punk, art pop, and rubbery electronica, Lynks lays down a whopping debut full-length here, commenting on casual hookup culture and queer psychic contemporaneity amid a brash and ironically relentless weirdo rave faux-schlock.
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Review: Liverpool's Courting are a breath of fresh air, totally breaking from the received traditions of their home city with an overarchingly alt-rock album, New Last Name, with sounds distinctly informed by the emo and punk sounds known to have developed in the USA, though in reality it weaves between indie and dance-pop too. New Last Name is unabashed in its melodic sensibility and high-fantasmic references; unrestrained and chaotic, the album always meanders stylistically but always brings it together, largely by way of its notable use of autotune on every track on Sean Murphy O'Neill's vocals. An amazing sophomore record to complement 2022's Guitar Music.
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Review: French dream pop breakthrough Halo Maud follows up her debut record Je Suis Une Ile (I Am An Island) with her second ever LP, Celebrate, which lives up to its name in fantastic fashion. Evidently less introspective than her last, the sonic palette throughout this dozen sunbursts suggests Maud has found her inner John Donne; indeed, opener 'Terres Infinies' is a massive crasher of a three-pronged shoegaze, synthwave and art pop sensibility, and both sonically and titularly suggests a new, deterritorial antithesis to the first album's sense of introspection. Organic, well-rounded instrumentation hears Maud traverse infinite terrains of bright tambourines and detuned synths thereafter.
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Review: Jack Kenworthy's latest album under the longtime Moniker Colouring is a veritable headstand. Whereas his earlier projects dealt in made-up scenarios in the lyrics, Love To You Mate concerns the loss of his brother-in-law to bowel cancer and the subsequent coming-closer to his family, making this the first album to deal with a focussed, concretely personal subject matter. Continuing Colouring's post-Britpop slant, taking cues from Coldplay, Elbow and Keane through to the more electronic and contemporary influences in the genre such as James Blake and Radiohead, this is a deep-dive into a sorely-untrodden theme for indie singer-songwriter music; that of the family reuniting over the ties that truly bind.
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Somebody New
Haunted World
Water Underground
Flowers
Interior
Freeze Brain
Say No More
Airdrop
Victoria
Market Street
You Are Here
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Review: The debut album from Amsterdam-based muso Donald 'Donny' Madjid (a member of The Mauskovic Dance Band) came after an unusual break in his often hectic touring cycle, largely thanks to the pandemic. Keeping himself sane with a plethora of vintage synths as well as a 60s era drum-machine, the resulting experiments gave way to 2021's retro-fitted disco meets new wave opus Pure Donzin. Now that tour-life has resumed and his schedule chock-a-block yet again, it's taken three years for another dose of pure Donny with the release of his follow up Zonder Pardon EP. Authentic swathes of machine-percussion, thick synth-lines and Madjid's own disarming croon (sung almost exclusively in his native tongue) channel the sonic iconography of Talking Heads or Roxy Music, yet transported by way of an Italo-Disco rave to the funkiest spots of inner-city Holland.
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Boundary Road Snacks & Drinks/Sweet Princess (translucent blue vinyl LP)
Cat: 4AD 0571LPE. Rel: 07 Mar 24
Indie/Alternative
Review: This brilliantly entitled Boundary Road Snacks & Drinks & Sweet Princess EP from 2019 marked another innovative release from 4AD courtesy of Dry Cleaning. It is a tantalising blend of sonic delight with Florence Shaw the fine vocalist of the post-punk quartet leading the way with tales about the absurdity of modern life. With its evocative title hinting at nostalgic indulgence and whimsical allure, listeners are treated to musical journey brimming with creativity and innovation as the band confront loneliness and desire through lists and nonsequiturs with commnets on things as random as duvet covers, an abandoned fridge, hot people and a banana. This is a vinyl reiusse though it also arrives on cassette and CD.
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Cat: CHL 6043961. Rel: 13 Mar 24
Progressive Rock
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Fabiana Palladino (limited translucent red vinyl LP + booklet (indie exclusive))
Cat: PAULINST 0023LPE. Rel: 28 Mar 24
Balearic/Downtempo
Review: Fabiana Palladino's long-awaited debut album brings plenty of smooth and high gloss sound back to the fore. Following the end of a significant relationship, Palladino uses the album to delve into themes of love, loneliness, and relationship norms and in the process crafts a ten-track album that superbly blends r&b, soul, pop, and disco influences from the 80s and 90s with a contemporary twist. Self-produced and featuring collaborations with notable musicians like Jai Paul, Pino Palladino, Rocco Palladino, Steve Ferrone, and Rob Moose, the album is a classy journey through shapeshifting sonics and intimate introspection, marking a significant milestone in Palladino's musical journey.
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Tales Of Innocence: The John Peel session & collected recordings 1984-2023 (marbled vinyl LP)
Cat: LNFG 139. Rel: 22 Feb 24
Indie/Alternative
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The Death Of Summer & Other Promises (limited clear vinyl LP)
Cat: 245828 192. Rel: 21 Mar 24
Indie/Alternative
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Overthinking Everything (limited clear purple vinyl LP + insert)
Cat: LPTE 206C. Rel: 14 Mar 24
Indie/Alternative
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How To Put Your Hat On (pink & white marbled vinyl LP)
Cat: LNFG 141. Rel: 21 Mar 24
Indie/Alternative
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Review: Waxahatchee is emerging, butterfly like, from a cocoon that has kept her safe for most of her career. There was nothing ugly or hidden about Katie Crutchfield's older output. But it was intimate, quiet, thoughtful, vulnerable and, at times, almost a little nervous. At least some of those adjectives became irrelevant with the last LP, Saint Cloud, and now she follows up that ten-foot-tall 2020 triumph with Tigers Blood, continuing in a similar vein. Having significantly increased the size of her audience with the preceding, infinitely rousing record, Crutchfield simultaneously looks to please those newcomers and win even more over here. The tracks are similarly open armed, proud and accessible, but the razor sharp songwriting - dealing with everything from trying to stay still without being bored, to self doubt - has lost none of its impact, and the instrumental arrangements have arguably never been stronger.
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Endless Space (Between You & I) (limited aqua blue vinyl LP)
Cat: BRN 274LPC2. Rel: 11 Apr 24
Indie/Alternative
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Review: Meril Wubslin's fourth album, Faire ca, is a daring musical odyssey that ventures into uncharted territories with fearless creativity. Recorded in Kwake Bass' South London studio, this nine-track masterpiece defies genre boundaries, seamlessly blending blues, folk, post-rock, and dub to create a unique sonic landscape. Collaborating with Kwake Bass, known for his groundbreaking work with Sampha and Kae Tempest, Meril Wubslin fearlessly explores unfamiliar soundscapes. From the intimate blues and folk-inspired 'Grands Espaces' to the experimental fusion of 'La Main' and the electro-blues percussion of 'Famille Phare,' each track showcases the band's innovative spirit and exceptional musicianship. With its bold experimentation and captivating melodies, 'Faire ca' promises enduring musical rewards for listeners and solidifies Meril Wubslin's position as pioneers in the realm of avant-garde music. This album is a must-listen for anyone seeking a fresh and exhilarating musical experience.
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Review: The upcoming collaborative studio album between Liam Gallagher and guitarist John Squire is set to shine a refreshed light on the current state of Britpop. Consisting almost entirely of round-bellied rock, leading the charge is the arresting 'Just Another Rainbow' - here the pair are heard in neat unison, painting a picture of unfazed Gallagher-esque nonchalance in the face of a promised utopia - and 'Mars To Liverpool' - concerning the experience of realising a relationship is over before it's too late. Squire and Gallagher make for an exciting pairing, their synergy fleshed out by the album's stellar, full-bodied mix.
… Read morePlayed by: Juno Recommends Rock/Indie
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Review: Given Tornado Wallace's impeccable Balearic credentials, you'd expect his new A.S.O project - a collaboration with Berlin-based singer-songwriter Alisia Seror O'Neill AKA Alias Error - to tend towards the dreamy, immersive and emotive. It does, of course, with the pair conjuring gorgeous slabs of downtempo leftfield pop variously influenced by the layered textures of shoegaze, the wide-eyed bliss of 80s dream pop (Seror O'Neill's vocal delivery is at times reminiscent of Cocteau Twins' Elizabeth Fraser), the blazed Bristol beats of Massive Attack, the flat-on-your-back day-break headiness of ambient, the hard-to-pigeonhole brilliance of the Duratti Column and the late-night-on-AM-radio atmosphere of Kelley Polar and Morgan Geist's similarly inspired Ai Suisse project.
… Read morePlayed by: Alexis Le-Tan, Your Name (Legalize Lambada)
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Review: Gomma played a vital role in the popularisation of the indie-dance explosion that happened some 20 years ago now. Best known for being spearheaded by US indie outfit LDC Sound system, it combined dance, disco, wave, post-punk and more into a party-ready sound that found favour with both ravers and guitar heads. This second collection from the German label highlights the best of music they put out back then with names like In Flagranti, label co-founder Munk, Nancy Whang & Bonar Bradberry and many more all present and correct.
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Review: Legendary musician, multi-disciplinary artist and former Sonic Youth fixture Kim Gordon returns with her second solo album, The Collective. The Collective follows Gordon's 2019 full-length debut No Home Record, and continues her collaboration with producer Justin Raisen, with additional production from Anthony Paul Lopez. An full-length exploration and lament, of today's paranoid climate of binge logic, anaesthetic short-term pleasure-seeking and post-truth thinking, The Collective is Gordon's self-described attempt at disruption; a following of the unknown, perhaps even with a view to fail. Whatever failure means to her, Gordon's sonic examination of topics such as masculinity and chaotic world orders is certainly disruptive, pairing wild rock and trap fusions with ironic analyses of the stereotypes surrounding both.
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