Review: Arapu is very much one of the key Romanian artists of the moment. Of course, like his revered countrymen, that means techno that is elegant, minimal, and delicately detailed. His own take on the style is often littered with curious little motifs and trippy loops that also characterise this new one on heavyweight vinyl for Liniar. "Over" is a brilliant opener with languid Balearic guitar riffs echoing over supple drum work which will hook you in and encourage your mind to wander, whereas "A Gain" is a more direct, driving minimal techno cut with warped synths peeling off an urgent groove. "I" closes out with a funky undercarriage and dub house overtones that will get any basement popping off.
Review: Bjarki's BBBBBB label has carved out its own unique niche in the techno world and next to occupy it is core label artist Stian "EOD" Gjevik. The former Rephlex artist shows off his magnificently complex and busy yet harmonic and melodic sound across five fantastically restless cuts that has lead synths taking you down a number of rabbit holes. Calming pads vie for your attention on "(Untitled) (W-R6)" while the acid laced "The Battery Poles (Are Conic!)" is so bright and shiny it'll have you reaching for your sunglasses. Few people speak so freely through their machines as this man right now.
Review: Helena Hauff returns to her own Return To Disorder label after last year's joyously received "Qualm" album on Ninja Tune. It's the first fully solo record Hauff has released herself, and it more than lives up to expectation. "Catso" is a wonderfully expressive slice of noirish electro draped in vintage synth arps and twinkling leads as enchanting as they are spooky. "Why Look At Animals" has a more low down funk, but once again sports the richly harmonic synth hooks to make this appeal right across the board. "The Brush" ups the tempo, but keeps things sparse and moody, while "Slim Filter" gets a touch more nasty and sounds utterly fantastic with it. Compared to her rabid DJ sets, these productions represent the more measured side of Hauff, but they're no less deadly.
Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Review: Fresh from delving into his ambient side on the pastorally-enhanced "Loom Dream" album for Whities, Leif revives his self-manned Tio Series with another double-shot of delicate but impactful cuts outside the conventional slipstream of modern techno. The rhythms fall crooked, the synths trickle, bubble and cascade around the groove and the atmosphere remains humid and heady, especially on ear-snagging B-side "Rumex". "Montpelier" sports more explicit dubby flourishes and a spread of sonic flora and fauna in the middle distance that truly brings the track to life.
Review: Under the Special Request alias, Paul Woolford has released some stellar music this year. Astonishingly, "Offworld" is his third album of 2019; it could well be the best, too. It explores different sonic territory too, drawing heavily on electro, futurist Detroit techno, Boards of Canada style IDM and the slick 1980s productions of Jam and Lewis. The result is a stunningly beautiful, spacey and far-sighted set that contains some of Woolford's most emotion-rich work to date - and that's saying something. It also finishes in stunning style with an impeccable remix/re-make of the Grid's "Floatation" that sounds like the best early 90s Orb remix you've never heard.
Review: Holden's 2006 debut album was an astonishing one that gets a timely reissue on double crystal-clear splatter vinyl. A high watermark for proudly synthetic and computer made music, it was the bold arrival of an artist who endures as an innovator to this day. "The Idiots Are Winning" is a masterclass in unhinged grooves, glitchy electronic sounds and mutant sounds that set a new benchmark in experimental textures, sound design and dance floor clout. "Idiot" is the standout banger, "Lump" is more trippy and heat workout, and "10101" is the twitchy and mesmeric workout you cannot escape. Music as idiosyncratic as this doesn't come along too often, and even 13 years left it still sounds fresh.
Review: Pretty much anything Call Super has touched in recent years has turned to gold. This new collaboration with Parris is no different: it is a self-released project with a fictional backstory involving an ageing writer called Mortise Koshimitsu who lived in a small apartment. The music itself is uptempo but deep, with shimmering wooden hits gliding on elastic drums as ambient synth beauty bleeds into the spaces left behind. "Majenta" is a more cavernous and dreamier track that is as good for home listening as it does for tasteful dancing.
Review: Following fine releases on Shipwrec, Natural Sciences and Return To Disorder, masked electro/techno misfit Galaxian (real name Mark Kastner) makes his first appearance on Ilian Tape. The Glasgow-based producer starts in suitably big fashion via "External Observer", where what sounds like an orchestra of synthesizers gets to work over a skittish, bass-heavy electro beat, before exploring more dystopian dancefloor pastures on the moody, alien-sounding and otherworldly "Fuzzy Clouds Of Potential Existence". On side B he gives his out-there interpretation of early jungle ("Coming Up For Air"), batters a broken computer into submission and makes electro gold out of it (the slightly melancholic "Mechanistic Control Fantasies") and soundtracks the end of days (or possibly Brexit) on weirdo closing cut "Terminal Phase".
Review: The lads behind Albion Records know a thing or two about where to look for fresh steps forwards in the minimal, house and techno scenes. After last year's Gab Jr release, they're finally back to hit number 10 with a double pack compilation that sets in stone what the label is all about. There's a lot to dig into here, but some of the standouts include the sharp and sneaky "Forgot Your Name" by Henry Hyde, the Boogizm-goes-electro freakery of Christian Jay's "Restive" and the swinging jazz surrealism of Phil Evans' "Hazard". With more than a little garage shuffle hovering over this release, it's set to be another huge one in all corners of the minimal tech house scene.
Review: Russia's Gost Zvuk label has long been a firm favourite here in the Juno office. Their glitchy, mysterious, futuristic music always makes for intriguing listening and now they celebrate five fantastic years with a compilation featuring a host of closely associated talents old and new. The bumper triple vinyl collection features paranoid experimental ambient that draws to mind covert spying operations, mangled machine music like INFX's "Damaged +dn", haunting modulated synth soundscapes from OL and skeletal techno rhythms that rewire your brain like Erofeev's "11bng". It all makes for a genuinely fresh and original collection of hugely provocative music.
Review: Swiss producer Alci, also known as Shaolin Fantastic, landed with lauded releases on Robsoul before skipping to other labels like Apollonia and Meander. Following last year's excellent "Diversity" double pack, he lands on his own label Seeingsounds with this pitch perfect slice of dreamy minimal house. "Acid Drip" may be a misleading title - it's more of an unending groove draped in gorgeous, shimmering melodic finery. "Hiragana" takes things in a more twitchy direction, while "Apachi" brings another slant on reduced, oddball funk to get the up all night crowd loose and freaky in all the right ways.
Review: Michigan producer John Beltran is a master of atmosphere and emotion. His ambient has been used for countless seminal TV shows, he's been cited as an inspiration to Four Tet and has put out key albums on labels like Delsin and Peacefrog. Here he is in a distinctively club-focussed mood, but the synths still very much speak to your heart. "The Lake" is pure Motor City techno soul, and the ambient reprise allows you to wallow in his pads even more. "Twilight" then bustles with shimmering metal hits while pixelated keys drift about like a million fire flies in a warm night sky. Lush.
You Hung - "The Truth Was Different" (live) (5:04)
Fret - "Helicopter Rig" (4:51)
Concrete Fench - "Track 5" (2:46)
Simon Shreeve - "The Space Between Cultures" (4:50)
Obelus - "Scale Reference" (4:29)
Layne - "Raising Up, Removal" (4:22)
Khrone & Mjolsness - "5th Recording 7" (5:43)
DVA Damas - "People Say I'm Cool"
Review: This fine compilation from Regis' Downwards label has been trailed as a kind of "family portrait" of where the imprint stands in 2019, offering a slew of exclusive tracks including a heap of cross-generational collaborations. There is plenty to set the pulse racing throughout the collection. "EBM supergroup" You Hung impresses via the moody and clanking, mid-80s industrial vibes of "The Truth Was Different (Live)", while Obelus' "Scale Reference" sounds like Richard D James after a particularly potent bong hit. Simon Shreeve's "The Space Between Cultures" is a creepy slab of ambient/noise fusion, Layne's "Raising Up, Removal" is a delightfully out there journey into metallic electro headiness and DVA Damas' sub-heavy cut "People Say I'm Cool" is as stylish and, let's face it, cool as the title suggests.
Review: Edanticonf has been a mainstay of Silent Season for many years now, first delivering an album and EP to the Canadian label back in 2012. Since then he's travelled to labels such as M_REC, Wolfskuil, Phorma and Linear Movement, but he's back home to roost with this gorgeous four-tracker that plays on his trademark sound. Rich with melancholic synth work and moving with a purposeful but thoughtful pace, this is exactly the kind of evocative techno that makes Silent Season a buy on sight label. Every track tells its own story, but the starry twinkle of "The Metamorphosis Of Plants" is especially captivating.
Review: It's hard to believe that Enzo Siragusa's Fuse label has now been carving out its own niche in the tech house world for a full decade. To mark the occasion, the label boss has pulled together more key tracks for his second volume of "A Decade of Rave". This compilation is another treasure trove of club cuts that feature the main man alongside some of his key associates, Rich NxT, Rossko, Archie Hamilton and Seb Zito. The tracks are unwaveringly dubbed out and driving, with weighted bottom ends that will get any moody dancer moving. From warms up to peak time to afterparties, these are hugely versatile tracks.
Review: Through a series of must-check releases on Nous'klaer Audio, Ruben Uvez AKA Konduku has proved to be one of the more thoughtful and inventive producers to emerge in recent times. While some of his previous releases have strayed away from the dancefloor, his first outing on Idle Hands is a wonderfully basement-bothering affair full of tracks tailor made for hazy, early morning sets. It boasts two suitably dark, dubby and clandestine cuts - the echoing dub techno pulse of "Lila" and the sub-heavy, Livity Sound style flex of "Bolu" - plus two more melodic outings. Of these, we're particularly enjoying "Caduata Di Massi", where deliciously dreamy chords ebb and flow around stabbing analogue bass and crunchy drums.
Review: Long-serving electro project Transparent Sound come back full throttle with this expansive album of masterful machine music. Opening track "Pretend Like You Care" is a startling opener that feels like a wormhole back to the Cologne laboratories of the kosmische movement. The beats kick in proper from that point, and in consummate noirish fashion, with "No Call From New York", and proceed to trip through all manner of nocturnal dreamscapes lit in sleazy neon strip lighting. It's a lurid, evocative sound world the veteran duo concoct, and one you'll find yourself returning to again and again.
Review: Tectonic bossman Pinch on Berceuse Heroique? Now this is a match made in boundary-breaking heaven. Not even the lead track "Border Control" can keep things confined as we're hurled into a swampy, heady, paranoid and relentless stampede which is just as much techno as it is 140. "Fortune Tellers" brings us back down to even woozier 125 as layers of off-kilter percussion scuffle up and down the mix in a blurry, sense-deceiving way before "Loose Cables" turns us inside out with its tripletty off-beat, subaquatic pressure. A one of a kind artist on a one of a kind label; there are no borders here.
Albert Luxus - "In Den Arm Bitte!" (Julian Stetter mix)
Tom Demac - "Serenade"
Jurgen Paape - "Abstrusia"
Reinhard Voigt - "Der Amnn, Der Nie Nach Deutz Kam"
Rex The Dog - "Vortex"
Justus Kohncke - "Mindless Sex Track"
Voigt & Voigt - "Der Schwarm"
Anii - "Ride The Tiger"
Clarian - "Early Life"
Extrawelt - "Pink Panzer"
DJ Balduin - "EWBA"
Anna - "Remembrance" (main mix)
Fahrland - "Yesterday" (Night version)
Patrice Baumel - "Grace"
La Fleur - "Tears"
John Monkman & James Monro - "Pesto Punk"
Blackrachas - "Rotary"
Raxon - "Dark Light"
Yotam Avni - "Track For Agoria"
Jonathan Kaspar - "Renard"
Gui Boratto - "618" (Kolsch mix)
Review: Cologne powerhouse Kompakt may not be talked about as much as it once was, but the label continues to put out high quality electronic music with its own distinctive vibe. For proof, check the 19th annual edition of their now legendary compilation series, "Total". There's much to set the pulse racing amongst the 25 tracks scattered across two CDs, from the shoegaze-influenced haziness of Weval's "Are You Even Real" and the picturesque, piano-sporting dancefloor deepness of Tom Demac's "Serenade", to the neo-trance throb of Rex The Dog, the twisted techno intensity of Voigt & Voigt, and the intergalactic electro/rave fusion of Raxon's strobe lit "Raxon".
Review: Almost thirty years after it was first released and spawned an entire new sub genre, "Acid Tracks" still bangs harder than 99% of new tunes. Here it gets remixed by a selection of seriously big names as well as hot newcomers and then pressed up to limited green vinyl. The big man Carl Cox goes first and is in no mood to muck about, layering in hammering kick drums and making the 303 even more wild and serrated. Swiss-Chilean minimalist Luciano distils it down to a more soft and supple acid track that works on the mind, while the flip side offerings serve up stomping warehouse techno, strobe-lit anthems and rubbery drum workouts.
Review: REPRESS ALERT: relik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.
Review: The latest drop on Mr KS & Friends comes from Sylan 101, an artist making a truly accomplished debut brimming with musicality and fresh beat constructions compatible with, but not beholden to a deep house vibe. "Nostalgia (Healing Of Time)" is a smoky broken beat groove with gentle piano chords and muted trumpet, while "Brief Encounters" draws on subtle guitar licks and harmonious pads for decoration over snaking drums. "Been There Once" heads in a more mysterious direction, throwing some spoken word refrains into the mix and keeping the instrumentation more subtle and atmospheric.
Review: "Supernature" is Escape Artist's sophomore EP on Salt Mines and is another stylish intersection between breaks, electro, techno and ambient. The music here is crisp and clean, with sleek lines and sharp edges making it all the more pure and serene sounding. "Carpentaria" is a scene-setting opener that builds on smeared pads without ever fully taking off, and "The Earth" repeats the trick but with more bubbling and organic percussion. "Silicone Valium" is a brilliantly trippy electro cut on fat and heavy kicks and the title track marks full lift off with a surging future-techno groove detailed with some old school breaks.
Review: Classy Italian label Where We Met unveil a new signing on their seventh release, which also marks the mysterious ReKaB's debut. His skills belie that newbie status, because this is atmospheric techno with emotional and musical depth. "2019" is a real highlight with its twitchy synths and breezy electro grooves making for a pensive vibe before things cut loose on warm and rubbery house jam "The Hassle". The ambient synths that colour these tracks is what make them standout, and closer "Self-Destruct" is a prime example of that. "Music Makes It Better" is a title we can all relate to, and in the case of this track, it sure is a beautiful place to be.
Review: Given the label's soulful roots, it's perhaps a little surprising to find Eglo championing a wild, wonky, machine-made EP full of angular electro, IDM, house and techno fusions from debutant Destiny71z. It's apparently the first of three EPs from the little-known producer, who used modular kit and dusty analogue gear to create his unpredictable but undoubtedly brilliant electronic workouts. We're particularly enjoying the zany Autechre-does-two-step-garage flex of "Softbeta" and the weighty, bass-powered crankiness of the artist's self-titled track ("Destiny71z"), but the jazzy, sun-bright breeziness of "Foodprogramvoltage" is also superb, and arguably more in keeping with Eglo's eclectic-but-soulful ethos. Either way, an eye-opening EP that's well worth checking.
Felix Da Housecat - "Temptation" (Color mix) (5:54)
China White - "Theme From The Underground" (5:53)
The Operator - "The Mind Strike" (7:18)
Steve Poindexter - "Body Jam" (14:19)
Mike Dearborn - "Deviant Behaviour" (instrumental mix) (5:39)
DJ Skull - "Don't Stop The Beat" (6:04)
Review: In case you didn't know, leading Dutch crew Dekmantel have taken it upon themselves to shine a light on the vital work of the Djax Up label. It was one that joined the dots between US and European scenes back in the nineties and this second volume features eight cult 90s cuts from some foundational names. Highlights are plentiful throughout, but our picks have got to be Glenn Underground's "Real Space"; a jacking Chicago jam with cosmic bass that still bangs and DJ Skull's hi-tek soul on "Don't Stop The Beat" that well and truly defies its age amongst a release that is full of golden oldies.
Review: FunkinEven's Apron label rarely, if ever, puts a foot wrong, whether putting out ragged techno, raw hip hop or whatever in between. It is Molinaro who steps up now after first landing on the label back in December 2017. The NTS host has long been a firm part of the London underground and has a lo-fi, frazzled sound that blurs the lines between a number of different genres. Here he offers spaced out and grizzled drum tracks, unsettling machine-made ambience and rough and ready beatdown that Theo Parrish would admire. It's been a long wait since his last release, but this EP was well worth it.
Review: Essential repress! Tomas Bangalter's stone cold classic Roule 12" Trax On Da Rocks makes a return. The five tracks on offer - "On Da Rocks", "Roule Boule", "What To Do", "Outrun" and "Ventura" - have acquired legendary status, standing as sublime examples of the rough, raw end of the filter-soaked French house sound. Some 17 years since they were first released, these tracks have lost none of their madcap brilliance; if this isn't already a cherished part of your record collection, here's your chance.
Review: Copenhagen-based producer Rune Bagge (Northern Electronics/Ectotherm) presents the third installment on Courtesy's Kulor imprint. "Ingen Tak Til Systemet" (English translation: No Gratitude Towards The System) is a four track exercise in pure unadulterated sonic ultraviolence - if we've ever heard such a thing. From the pummeling and strobe-lit warehouse onslaught of opener "Secret Solutions", to the guttural and contorted noise terror of "Repulsion" followed by the frantic peak time mentalism of "I Am The Solution" which then gives way to the hyperspeed IDM of "Coup D'Etat" - there's truly no rest for the wicked on this one!
Cult Hero (Do You Wanna Touch Me) (with Simon Topping
Sly Is Watching
(Vi-Vi) Vicious Games (with Josh Caffe
Review: When it comes to jackin' Chicago style acid house revivalism, few can hold a candle to Paranoid London. As this long-awaited second album proves, the duo is the undisputed masters of sweaty, TB-303 driven jack-tracks and - as recent single "(Vi-Vi) Vicious Games" and LP opener "Starting Fights" prove - classic-sounding vocal cuts that recall the glory years of Fingers, Inc in the mid-to-late 1980s. Interestingly, "PL" boasts far more collaborations than we've seen from Paranoid London before, including a string of ragged club cuts blessed with evocative spoken word vocals, a thrusting acid throb-job with lead vocals by Simon Topping and a suitably twisted, machine-driven hook up with Arthur Baker and Alan Vega (the raw and weighty "Angel Of Hell").
Review: Three years in, Blackhall & Bookless' Jaunt label is becoming a serious force for forward thinking, fractured techno exploration. On this split EP with Chad, the duo take the A-side and present two different versions of "Links". The "Battle rework" is a tense and dramatic tumble through dub techno soundscapes, while the "Bleak remix" pares the elements down to a more focused, minimalist thrum. Chad presents a wholly different vibe on the flip, using rich, warm synthesiser tones to draw you in to "Afters", and then Scenery regular ASOK takes up remix duties on the track with an immersive version that borders on breakbeat.
Review: Originally prolific in the late 90s and back with a renewed sense of vigour in the past few years, Dan Piu's classic, widescreen vision of hardware techno captures the verve of the original Detroit blueprint while bringing a fresh, welcome energy to the genre. This drop on Common Dreams brims with the same head-swirling magic, especially on vividly rendered lead track "Halo City". "Falling Framework" has a more mellow veneer, but there's still so much playful detail bringing the track to life. "Akira 2171" has an old-skool sci fi quality balanced out by its linear sense of progression, and "Ilipsyon" takes things deeper into a wistful jack reminiscent of the spookiest Trax output.
Review: Nebraska's Friends & Relations series continues to serve up the finest disco-sprinkled house delights, following on from the previous installment of Disco Dubs with another on point reduction of dusty grooves through the mixing desk. These jams are stripped back and oh so heavy, with FX flaring in all the right places to give an eerie, trippy tint to the jams. It's like walking into the deep end of the session where Walter Gibbons jams with King Tubby uptown, and you'd be right in thinking that's a match made in far-out disco heaven.
Review: Back in April, Blawan and Pariah rebooted their hardware-based Karenn project after a five-year hiatus via a rugged EP on their freshly minted Voam imprint. Here the pair inaugurates a new series, Voam Club Archive, in which they'll offer up tracks recorded during live performances. For fans of raging, hard-wired club techno, there's much to enjoy, from the intoxicating, acid-fired stomp of "Berlin - Live Cut 1" and the redlined intensity of the dark and distorted "Berlin - Live Cut 2", to the Sheffield style bleep melodies, wild electronics and Lory D style grooves of "Rome - Live Cut 1". Arguably best of all, though, is the metallic, forthright insanity of closing track "Amsterdam - Live Cut 1".
Review: After years spent offering up impressive blends of ambient, drone, electronica and experimental drum and bass as ASC, James Clements has decided to commit more time to Comit (sorry), an alternative project which first surfaced via a debut single in 2016. Here the San Diego-based Brit delivers a first full-length excursion under the alias. There's plenty to soothe and seduce on the eight tracks stretched across two slabs of wax, from the undulating, occasionally skittish beats and sweeping chord sequences of opener "Behind Dulled Eyes" and the icy, doom-laden electronic melancholy of "Reverie", to the early Black Dog Productions flex of "Clouded Over" and the dubbed-out, slow motion bliss of "Soft Focus".
Cult Hero (Do You Wanna Touch Me) (album edit) (6:45)
Cult Hero (Do You Wanna Touch Me) (club mix) (5:47)
Cult Hero (Do You Wanna Touch Me) (Slow) (7:29)
Review: House and techno badboys Paranoid London are proceeding the release of their second album with a bunch of singles from it. First up is "Cult Hero" featuring Simon Topping - one of many guest vocalists on the full length. It's a bristling acid house cut with tight, corrugated drums and relentless 303 mania ripping up the groove. Topping's deadpan vocals are layered over the top and bring to mind the more anthemic work of Depeche Mode. "Club Mix" is even more caustic and kinetic, while closer "Slow Mix" strips back everything but for the lunching drums and demonic vocals of Topping.
Cafe Del Mar (Tale Of Us Renaissance remix) (8:18)
Cafe Del Mar (Nalin & Kane remix) (9:46)
Review: Energy 52 aka Paul Schmitz-Moormann and Harald Bluechel inaugurated the semail Frankfurt trance label Eye Q with the anthem "Cafe Del Mar" in 1993, named after the long running Ibiza bar and institution. It was the soundtrack to the rave culture movie Human Traffic in 1999 and later went on to be voted #1 in Mixmag's 2001 '500 Best Tracks Ever' list. Here, Renaissance recruit Tale of Us for the second edition of their quarterly-century celebrations. The modern experts in dancefloor drama were sure to deliver a stunning remix, that works the truly evocative qualities of the original into a shape for modern dancefloors - and it further enhances the levels of tension and suspense. Next up on the flip, German legends Nalin & Kane's remix from 1998 appears, delivering a zeitgeist from trance music's heyday.
Review: Last year Brazilian DJ/producer Ana Miranda joined Kompakt Extra following years spent building her reputation via fine releases on such labels as Novamute, Twin Turbo, Yoshitoshi and Terminal M. For her third release on the long-serving German label she's joined forces with another scene queen, the incomparable Miss Kittin. The pair has produced a raw, driving dancefloor beast that's bigger than Donald Trump's ego and infinitely more alluring. "Forever Ravers" is heavy, intense and forthright, with stylized vocal snippets and razor sharp electronic motifs surging above a thumping groove. Miranda offers a different take on the track on side B, opting for bleeping and panicked electronics and spacey bleep melodies.
Review: Midnight Shift continues its fine run of form via a mini-album of bleak intensity from renowned modular electro/analogue rave fusionist Umwelt, an artist whose distinctive releases are always worth a listen. The French producer sets his stall out via title track "Superior Life Forms", an undeniably heavy and distinctively dystopian chunk of broken electro fuzziness, before reaching for even grimier electronics and gut-punching bass on "Computer Controlled". "Latent Existence" is a moody, beat-free soundtrack for urban decay, "Fragment" and closer "The Windfall" are teak-tough industrial techno stompers, while "Shadow Entity" is a suitably psychedelic slab of trippy acid electro. Not for those of a fragile disposition, but impressively intense and forthright nonetheless.
Review: Proudly positioned as a label dedicated to showcasing emerging talent within the realms of dark and dubby minimal techno, FarFromNormal return with their second release of the year. This time they're providing a platform to Nice N Trick & Sacke, who make the most of the vinyl space with two long form tracks that demonstrate just how much talent they have to offer. "Senor Memories" is a tribally-inflected experience sprinkled with off-kilter samples atop a driving techy backbone, while "Viola Profonda" steers a more streamlined course through crisp drums and nerve-jangling violin on a one way trip into the heart of the night.
Review: Hoarder continues to impress here with another classy collection of serious club heat. It comes from Italian born, New York based artist Fr!sky Buziness and marks his best work to date. All four tracks deal in proper, original tech house with a superbly smooth and seductive sense of late night funk. "Grey Goo Romance" has a gooey groove with sci-fi motifs that race along, while "Bananafish" channels early Terry Francis with its clipped and slick drums and swirling cosmic pads. "Skyhook" is awash with alien lifeforms and brain cleansing synth tones that are shiny and reflective, then finally "Aurora" pumps the party with perfectly pressurised drum loops and a whole ecosystem of spaced out sound effects. This is high grade dance floor weaponry from start to finish.
Review: Butter Sessions latest must-check release comes courtesy of Melbourne-based rising star Furious Frank, whose recent EP on Paper-Cuts was particularly impressive. "Ahora Si" is similarly inspired, with the young Australian producer placing Ivy Barkakati's "Sueno Latino" style whispered vocal over a bold, alluring blend of jangling dream house pianos, rugged acid lines, sunrise-ready chords and loose-limbed analogue beats. He provides his own dream house style interpretation (the brilliant "Frank's Sunrise Mix") before inviting Ivan to give his take on the track. He adds some tribal percussion whilst retaining the cut's inherent dreaminess before Canadian producer D. Tiffany re-imagines "Ahora Si" as a bass-heavy chunk of UKG/breakbeat house fusion.
Review: Chicago's Jon Hester spent years as a dancer before he even touched the decks and that shows in his floor facing cuts for Transmat, which follows other high grade outings on taste-making techno labels Dystopian, Deeply Rooted and Rekids. Infectious rhythm is at the core of Hester's work and all the tracks here: "Dimension Seven" is epic techno that surges to the cosmos on warm solar synths and chattery percussion from the Windy City. "Return" is deeper and infused with a warm sense of machine soul then "Onward" has some fantastic drum programming and pinging kick drums that sweep you up and along for a most thrilling ride.
Following the successful reception of klodio's debut EP, the Tokyo-based producer spent the year playing shows in Japan with various upcoming artists like Fulbert and label co-founder Alixkun, and taking part in disruptive events such as Pow Wow School of Music.
When klodio decided it was time to start recording his second EP, he took a slightly different direction, going from Techno-influenced Detroit House to House-influenced Detroit Techno. "Shinagawa Sunrise" is a fast-paced retro-futuristic Jazz jam which climaxes on a fantastic sax solo by the young and talented Ilia Skibinsky. Daiba goes a step further in this Techno journey, flowing from glowing, light, syncopated chords to a dark and aggressive atmosphere, and back again to the relaxing chords.
More polished, singular, deep, and yet aggressive than "Toktroit", "Rainbow Bridge EP" brings another stone in the Asia-infused universe that the French producer is bringing to the world of electronic music.
Review: After a quiet 2016 thus far Och's Autoreply label is finally back in action with a frankly fantastic selection of workouts from Mark Broom. In keeping with the style Broom has been exercising in new Perbec jams with Baby Ford, this is more restrained than the muscular techno Broom can also be known for. Instead, you get expressive, satisfying house tracks such as "18.2" and the neatly pumping "10" with its killer array of synths to satisfy the dancefloor and the mind in equal measure. Avoiding unnecessary fireworks in favour of perfectly chosen and shaped elements, this is a glittering demonstration of Broom's cool-headed approach in the studio.
Review: London-based Italian duo Konstress are back with their third release on their self-titled imprint, and it once again shows the pair progressing with a dynamic, detailed and original approach to stripped down dance music. The first track pits a stuttering groove against blown out keys and a smorgasbord of errant synth noises, and those noises jump across to the second track to plot a course through a highly textured, ominous soundscape where the drums have been left behind. The B1 track sports a tough, crooked groove and warm, sci-fi synth tones while the B2 takes a more eerie direction into deep and dingy techno. A classy, highly developed record for adventurous souls.
Review: Having built his reputation via a regular series of self-released 12" singles, East End Dubs is now beginning to make guest appearances on selected labels. Here he pops up on the long established, vinyl-only INFUSE imprint with a trio of club-ready concoctions. On the A-side you'll find "Gradual Steps", a rolling and attractive fusion of bouncy deep house drums, spacey, Motor City chord, thickset bass and glitchy tech-house flourishes. As usual, there's a wonderful swing to his drums and the stretched-out chords are hazy and evocative. You'll find more of these sumptuous pads and chord progressions on similarly-minded flipside cut "Mind Traps", while closer "Enhance" is another deep house/tech-house hybrid blessed with a notably epic breakdown.