Review: Despite some ill advised comments from Vondelpark stating their apparent lack of interest in current dance music trends, it's clear that the R&S signed troupe focus on a sound that makes them eminently remixable. Robag Wruhme is the latest producer to remould Vondelpark on this pair of remixes for DJ Koze's Pampa label, drawing on the sounds of "California Analog Dream" for inspiration. Kudos to Koze as the Kompakt mainstay is on sublime form here; the lead 'Moppa Habax NB' version retains certain elements of Vondelpark's original but weaves a loving ultra-violet sheen around them whilst laying down the kind of sumptuous house beat that makes you ponder the validity of Vondelpark's aforementioned comments. The accompanying 'Habay Latoff NB' version pulls the track deeper into DJ tool territory and feels like the sort of track Michael Mayer would drop deep into a set.
Review: Ex-resident Tresor DJ Dave DK and new name Ricoshei provide Pampa Recordings with their first release of the year. First up is the poppy "Perfect Like You", which would feel right at home on Kompakt thanks to its similarities to Superpitcher's "Joanna". On the B-side is the track "Woolloomooloo", which takes its name from a harbourside suburb in Sydney that's home to famous Australians like Russell Crowe and ex-Manchester United goal keeper Mark Bosnich. Nevertheless, the track itself is a moody and phosphorescent, almost ambient, excursion through synthy textures and uplifting vibes.
David Borden - "The Continuing Story Of Counterpoint" (part 9)
STL - "Dark Energy"
Percussions - "Percussions One"
C++ - "Angie's Fucked"
Burial - "Street Halo"
KMA - "Cape Fear"
WK7 - "Higher Power"
Ricardo Villalobos - "Sieso"
Four Tet - "Pyramid"
Red Rack'Em - "How I Program"
Active Minds - "Hobson's Choice (Tune For Da Man Dem)"
Armando Gallop & Steve Poindexter - "Blackholes"
Four Tet - "Locked"
Review: The Fabriclive series maintains its fine run of form with Four Tet's eagerly anticipated inclusion into the canon. Stitching together field recordings of the club itself, ambient tracks from Michel Redolfi and David Borden, a selection of lost, dusty UK garage from the likes of Persian and Crazy Bald Heads and recent productions from Burial and Floating Points, it's not so much a DJ set as an impressionistic rendition of Hebden's own memories of clubbing itself. Considering the fact that Hebden's own productions are usually so saturated in melody, it's a relatively dark mix, dominated by murky bass tones and sharp, brittle beats, with a constantly shifting sense of urgency that encourages rapt attention throughout. The stellar mix is capped off with two brand new Four Tet tracks, "Pyramid" and "Locked", which only seek to highlight his growing ability to produce devastating club tracks.
Review: Ilian Tape continues to be code for "absolutely killing it mate" with the Zenker brothers introducing us and you to the production talents of Sciahri with the Mysterious Love 12". Spend some time with the sound clips here and you'll be hard pushed to believe this is Sciahriar Tavakoli's debut 12" as Sciahri, such is the standard of productions. Tavakoli's stated interest in the loop techno pioneered in 90s era Birmingham is very much evident on a cut like "The Dream Is True" but there's some nice little touches slipped in that give it some true personality such as the spin back in the breakdown. The title cut is a stern faced dubby number that just tunnels and tunnels away, whilst there's a cheeky strut to the way Tavakoli implements the filters on "Mind". The final track "Emblema" is the kind of techno number you want to drop right when everyone has forgotten their names.
Review: London's Dark Sky trio have come a long way over the last three years, first appearing on the mighty 50 Weapons, then jumping on to Mister Saturday Night's catalogue, and now landing most vertically on Germany's Monkeytown - quite impressive if you ask us! The NTS Radio residents serve up "Voyages", a wonky techno side-stepper complete with tribal percussion and a distinct UK feel. Remix duties are taken care of by Francis Inferno Orchestra, who deliver a hypnotic and floor-ready version of the original, and techno God Reshape with his slithering, ultra-stripped back version. Another class act from Monkeytown camp.
Review: Back in October, Fabian Winkels donned the Ho Do Ri guise for the first time, delivering a fine minimal funk two-tracker. For this swift follow-up, he's returned to the INFUSE label he previously graced under the Fabe alias. Like its predecessor, Lost In Betty's Ford boasts swinging, funk-fuelled tech-house cuts driven forwards by rubbery rhythm tracks, jammed-out basslines, and glitchy, cut-up samples. While the two deep house-informed flipside cuts are rather good, the real heat is on the A-side. Choose between the subtle, garage-influenced shuffle of "Elotrans", and the elastic tech-funk of "High Level Booster". Both, though, are well worth heavy rotation.
Review: As the recent label compilation proved, Will Saul's Aus Music are dealing in strictly heavy hitters these days and they don't come much bigger than Paul Woolford do they? Heaven & Earth looks to be Woolford's latest concept-laden 12", arriving a few months after the Spesh Request man laid down the Mother & Child single for Hotflush. Split into two parts, "Heaven & Earth" finds Woolford channelling a rich brand of tech-laden house music and one that is adorned with swooping orchestral flourishes amidst the thick swathes of bass. The more pared-back part II just nudges it for us.
Review: Bringing that tough-edged Dutch bounce like only he can, Anil Aras returns to Slap Funk with another shipment of forthright deep house righteousness that packs in heads-down techy elements alongside the addictive shuffle of the drums. "Utr" is an unabashed tribute to Aras' hometown of Utrecht that rides high on a killer chord stab, while "Anbush 46" wriggles its way into more minimal territory without losing that hard-grooving spirit. Fellow label regular Malin Genie equally twists up that percussion into a bugging beatdown that harks back to the funkiest threads of the minimal era on his remix before "My Side Of The Street" diverts into sparse 2-step territory.
Review: Alex is a brand new alias from the artist regularly known as Baba Stiltz - a Swedish producer whose quirky, off-kilter house and techno releases are rarely less than brilliant. His first Trilogy Tapes outing is suitably impressive. The real killer is "Samba", an inspired nine minute workout in which he layers deep, woozy electric piano motifs, sun-kissed chords, child-like vocal samples and rich bass atop a swinging, samba fired techno beat. The deeper and more bass-heavy "Memo" is even more epic; a near 13-minute journey through sparse, crunchy, hypnotic and dubbed-out minimal house rhythms and exotic, snake charmer solos. In other words, it's another top-notch EP from a producer who genuinely can do no wrong.
Review: Blind Box heads Julien Sandre and Konstress know a thing or two about deep, undulating house grooves, and their continued exploration of immersive cuts for hidden corners of the dance yields further delights on this sixth instalment in the Blind Box series. The first side of this 12" finds the two label bosses twisting out immaculate jams shot through with playful sound design. "Would" locks into a subtle swing and revels in lopsided synth stabs, while "Hedone" plunges into a stunning intricate techno landscape peppered with glitchy tones. On the flip, Julian Alexander follows suit with the crisp, funky "Baku Man" and the more experimental tones of "Casserole".
Review: Jack's House is back with another wedge of crucial cuts from a spread of big hitters, kicking off with Alex Arnout and the tightly wound roller "Hypersomnia." Tuccillo is in a heads down mood on "Another Day," letting the drums and the bassline do the brunt of the work. Terry Francis favours a heavy, smoky sound palette that has a bassline that will do some serious damage on a decent system - "Jua" is easily the strongest track on the record. Killan Vega closes the record with a smart deep house jam peppered with crafty sound design elements that lift the track beyond the average chord-led workout.
Review: Brawther's Negentropy label has already carried gold star material from Ron Obvious and the man himself, and now it's the turn of debutant producer Zweizig to show off his wares. This assured 12" leads in with the ambient intro "Gewissen" before the crisp minimal funk of "Rhythm Tension" kicks in with its shimmering and shuddering sound design pinging around the dexterous beat. "Zephyr" is a smoky affair with a snappy broken beat and lots of subtle organic matter writhing in the middle distance. "Rehash Repeat" takes things deep and dubby to complete the set, all mellow hiccupping rhythm accents and hazy melodic phrases.
Review: For the fourth and final edition of Matthew Herbert's Parts series, we have four further reductions from the UK producer's back catalogue - all in his idiosyncratic style. Timeless minimal house that has truly stood the test of time and sounds as captivating as it did over 20 years ago. Part Four came out on Phono back in 1996 and is reissued here on Herbert's Accidental imprint. From the dubbed-out heroin house of "Pen", the crunchy robo-jack of "Pump", more blip, blurp and bleep on "Take Me Back" or his knack for simply straight-up and emotive deep house as heard on the utterly sublime "Resident". The tracks on here are still relevant in today's musical landscape and completely essential, in our humble opinion.
Review: Following the excellent instalment from DJ Skull, Mentha continues to gather pace as a house and techno label of note with this sublime offering from Hakim Murphy. While the Chicago native may be known for some bruising hardware house and techno a lot of the time, he's showing his more sensitive side on this release with delicate tracks that head into deep techno waters. The title of the EP says it all, as nimble, expressive beats merge with soothing, aqueous pad tones for a most satisfying of listening experiences. Fans of early deep techno a la B12 and Stasis will find much to enjoy here.
Review: Following a strong cast including Myles Serge, John Barera, DJ Skull and Hakim Murphy, Mentha continues its strong run of form with a various artists 12" that broadens the horizons of the high-grade deep house label. Michael Lovatt keeps things groovy and understated on "Tides", while Kareen Ali gets into a slow and trippy mood on "Arnaldo Tamayo Mendez". Anaxander's "Unspoken" brings some neo-soul synth lines to the table, and Michael Zucker turns out a brooding, introspective workout. Each track may have its own traits, but the whole record hangs together as a fine next step for a promising label.
Review: A Theo Parrish track plus Carl Craig's massive remix and a brand new version by Chateau Flight out on Syncophone! Another chance to grab the original which appeared only on a Third Ear Ltd Compilation in 2002 of which only 500 units were pressed.
Review: After Hamid kicked off the H+ label last year he returns with an intriguing double pack that draws on a wide variety of collaborators to turn out some truly innovative leftfield house music sounds. There's an overarching theme of micro house hovering around Methods For The Madness Vol 1, but it's far from run of the mill stuff. The opening cut featuring Josh Tweek is a sparkling, swinging affair that piles on the funk and the delirious effects, while Jesse Morrison's own turn on the closing track winds up in a haunting, abstract slice of refined reduction.
Review: The last few years have seen Nathan Melja really hit his stride, landing on such esteemed labels as Mister Saturday Night, Black Opal and Technicolour with an addictively weird update of the classic boxjam format. Now he steps up to inaugurate Dream Real with three slices of upfront deviant business for all the sleazy dancers out there. There's no arguing with the rubbery bass tones and perfectly processed vocals on the original mix of "Jerky Teardrop", but there's also the more wave-minded delights of the "Blue Mix" version of the track to suit more reflective situations. By way of contrast, "Places We Belong To" smooths out the mood on the B-side with a low riding slice of boogie that sports just a whiff of indie thrown in for good measure.
Review: Itchy tech house label NCSS returns with a trio of new artists all weaving their way into the top charts, and if the material is sounding this good then we're pretty sure we'll be hearing a lot more from them soon! Newcomer Jhobei rolls through with "Do Milk", a creamy, synth-heavy house killer with a slap-up bass, followed by Casey Spillman's "Simply Focus", a freaky tech roller with all sorts of minimal nuances going off in its mix. On the flip, Jhobei returns with "Club Beige", an aqueous roller that sounds a little like the Cab Drivers, while Ben Balance's "Funk Tower" unleashes a dark, muddy bassline interlocked with subtle bursts of sc-fi goodness.
Review: DJ, producer, multi-instrumentalist, singer... Kalabrese's talents know no bounds. Naturally his range is equally bountiful, but nothing in his past discography matches the colour, warmth and scope of this extensive second album. Ranging from the WhoMadeWho style lollops of the title track to the ghostly Blakey echoes of "Das Haus Am Fluss", the Zurich-based artist has polished his technique with finesse. With a delivery that's not far off a young Byrne, and an ability to conjure up some very interesting studio sounds (case in point: the fluctuating bass on "Makossa"), Kalabrese has hit a rich vein of form. Available as a special gatefold vinyl and CD package, this is a very wise investment opportunity.
Review: German house abstractionist Isolee makes a welcome return, surfacing on Pampa with his first new material since dropping his album Well Spent Youth on Koze's label back in 2011. Creative batteries recharged, Isolee is in familiar form on the three track Allowance 12"; the title track adopts his trademark bare bone approach with soothing lines of melodic intoxicants gently pulsing with intent over the soft edged house groove. This hypnotic opener hogs the A Side, leaving the chiming minimalist rhythmics of "You Could Do Your Memories" to duel for your attentions with the far too playful "Wobble".
Review: Amygdala, the forthcoming LP from DJ Koze holds the dual title of being one of this year's most keenly awaited long players as well as the album with the most bizarre cover art. Quite why the producer is riding a reindeer hasn't been made clear yet, but this two track 12" does clue us in to to the possibility the album will hold up to such high expectations. "La Duquesa" is one of the few tracks on Amygdala not to feature a collaborator and stripped bare of any outside distractions finds Koze on sublime form; equal parts tender, refined, casual, serious, deep and euphoric. When those strings hit is a joy to behold. In contrast "Burn With Me" is dark, druggy, delicious and decadent.
Ich Schreib' Dir Ein Buch 2013 (feat Hildegard Knef)
Review: Though his career has taken many turns over the last decade, DJ Koze has remained that most illusive of creatures: a minimal-minded producer with an ear for a melody. This fourth full-length, packed to the rafters with big-name collaborations (Apparat, Caribou, Ada and Matthew Dear all feature), continues his move towards the home-listening sphere. So, while many of the heady rhythms and shuffling grooves hark back to his stripped-back past, Amygdala impresses with its woozy songs, genre-straddling fusions (see the modern soul meets deep house of "Homesick" or the steppy, tropical vibes of "Marilyn Whirlwind") and homely atmosphere.
Review: Hamburger DJ Koze and his Pampa imprint never fails to impress. This time he recruits the legendary German producer Isolee to work his magic on this tremendous release. It's the quirkiest of minimal house that you'd expect on "Floripa" with its druggy and hypnotic style reminiscent of Perlon or Villalobos. On the flip is "Favouride" and undoubtedly one of the darkest tracks he's ever produced with its humming sub bass and creepy pygmy chants fading in and out of the mix over some seriously tight rhythm programming. It's just got to be heard. Tip!
Review: You could say Robag Wruhme has been around the block a few times, thanks to a storied career that's seen him release music with Sonar Kollektiv, Circus Company and the many extensions of the Kompakt family. This latest release for Pampa is his second appearance on DJ Koze's label and he delivers a varied EP of sounds, ranging from the sewer techno of "Cybekks" to the crackly, John Beltran-like ambience of "Anton I". "Volta Cobby" is a sizzling cut for the summer festival stage (good timing Pampa) while "Anton II" is another ambient session, this time a little more animated thanks to chimes similar to what's heard in Pantha Du Prince's music. A record for the festival or the chilled out lounge room.
Review: Having given keen listeners a healthy preview in his Fabric live mix last year, the artist formerly known as Stopmakingme delivers his full-length album for Erol Alkan's Phantasy Sound. It's a limber brew that channels a strong dose of analogue trickery through smart and snappy beat constructions, all bubbling, aquatic synths and troubled delays propelled by unfussy drum patterns so that the melodies can do the talking. Primarily this is a dancefloor album, moving from peppy breakbeat driven numbers to gently bumping house, but always the playful, ineffably warm synth work sets the tone, from "Naive Response"s robotic charm to "Drone Logic"s soaring grind. It's an album brimming in confidence and nailed with precision, and it's packed full of incredibly usable floor rockers to boot.
Review: Berlin minimal hero Germann Nguyen aka Binh returns to Perlon for a full length LP, following up highly lauded releases previously for the label, as well as putting out some impressive grooves as part of Treatment (with Oner Ozer), collaborating with DJ Masda on his Cabaret imprint and with his own brilliant Time Passages label. On the Noah's Day LP, Binh shows us that he's one of the best at merging classic electro sensibilities with minimal house; a current trend that's sweeping the Berlin underground at present. Fast tempo rhythm patterns reminiscent of early Detroit and UK techno come into the fold, as well as obvious nods to the classic reductionist sounds of DBX and Pantytec. This guy's one of the most exciting producers of the moment and this could well be one of the year's best releases.
Review: The SlapFunk crew have been enjoying plenty of attention lately, and quite rightly. Their pumped up house sound is hard to refute, taking the heads down trippiness of minimal house and beefing it up with classic jacking sounds for an infectious party mixture. Samuel Deep gets the message, bringing just the right kind of swing to "MOOV!" to get bodies popping all over the joint, while "Keek Iz" rides the same beat but in a lower register. "42915 Beatz" is just as drum led, but there's a little more fidgety sonic interplay popping off around the drums. Ingi Visions pops up on the B2 for the distinctly more eerie "Tekniq", placing an icy string synth refrain at the heart of the track with chilling results.
Review: Bwana aka Nathan Micay has already seen a release on Will Saul's Aus Music and his fluid, freeform house music returns with "Tengo", a melodic progressive house nugget that's both spacey and fit for any dancefloor. The same goes for "Drop Mechanism", an ethereal house stepper, while "Due West" goes in a lot harder with a vicious bundle of Power House drums punching and kicking their way across its chords. Effective floor bombs.
Stabilize (Mark & Matt Thibideau Reconstruction) (7:21)
Review: The 'Reconstructed' series has featured reworks by legends such as Steve O'Sullivan, Thomas Melchior and Cobblestone Jazz, whose take on tracks from Paul St. Hilaire and Rhauder's debut LP Derdeoc was originally released in 2017. On the third and final edition in the series, the Berlin based duo's work gets remixed first by the Philpot affiliated Soulphiction who gives "Redeem" a truly fervent re-rub - this is utter dancefloor drama in the vein of Carl Craig. Argentinian veteran Leonel Castillo gets a slinky, bass-heavy groove on with his dub-laden rendition of "Stabilize" while the equally revered Thibideau brothers work their magic as always on their glacial re-rub of the track: where the Canadian twins take it into cavernous territory. They truly conjure those ghosts in the machines on this killer remix.
Review: Nestled comfortably on his constant home of Erased Tapes, Rival Consoles imparts another collection of plush forays into warm, melodic synthesis for those who like their instrumental electronic music scuffed with a little earthly charm. With the same starry-eyed innocence that bursts out of Nathan Fake's music, tracks like "Helios" leap with great strokes of synth and upsurging drums, carefully running threads of live instrumentation into the fold through some canny processing. The progression of each track is a beautifully crafted story with pleasant surprises aplenty but always reaching a logical resolution, making for a thoroughly rounded and satisfying listening experience without losing that all important bite of intrigue.
Review: Berlin's Cab Drivers are the real deal. If their extensive collection of classic Roland machines wasn't enough, they even sequence them all on an old Atari ST you don't get more purist than that. Paul and Augustowsky's new track "Correspondence" has all the hallmarks of their signature sound: bumpin', melodic, rolling and emotive. You know; the Cab Drivers sound! On the flip, fellow Berlin minimal techno legend Audio Werner steps up to deliver a more darker and emotive remix that strays on the dubbier side of things and we loved it: Tip!
Review: It's not often that you get to see Alan Oldham stepping out under his own name. The legendary Detroit artist is more commonly spotted as DJ T-1000 (or designing iconic artwork for techno labels) but this time around he's sharing some more house-minded delights for Finale Sessions. "Don't Take Me" is a haunting, mystical slice of deep house that fits into the Finale narrative perfectly, while "Wild" too offers up a distinctive approach that manages to be both refined and yet imbued with that Detroit roughness. "Breathe" may well be the best jam on the record, dealing in subtle threads of melody that conjure up the perfect dubby 4/4 confection.
Domenic Cappello - "Not A Festival Track" (Basement mix) (6:57)
Stojche - "Decipher Language" (5:41)
Gauss - "Aperture"
XDB - "Satimak"
Leonid - "Woodwalk"
Life Recorder - "True Moments"
Review: The Verdant stamp of quality is well established by now, but it presses even deeper with the release of this high-grade compilation from a rich cast of subterranean seafarers. Steve O'Sullivan dons his Bluetrain cape for the slow-chugging, appropriately dubbed out meditation of "Sleeping With The Enemy", while Domenic Cappello creates a swooning string-drenched masterpiece out of "Not A Festival Track". Stojche's "Decipher Language" is a snappier affair, while XDB crafts one of his sublime, leftfield techno variations brimming with imagination to match its functionality. At every turn this is a compilation of top-drawer techno crafter with passion and originality - grip it while you can!
Review: Artyom Ziobin's distinctive style of minimal house stands apart from the usual thoroughfare of moody, dubby shufflers. Instead the Russian producer reaches for a warm, disco-influenced sound palette which he then slices and dices into sleek, crafty party workouts with lashings of panache as well as studio ingenuity. Following appearances on Bump Foot and Grow Vinyl, the latest outing for Plantae comes via Elephant Moon, with lead track "Amber Light Of Ethereal Shadow" cutting a dashing figure across the soundscape with its busy but nimble mixture of synth splashes and stuttering drums.
Review: Roving Romanians Khidja take us on a trip of a lifetime with "Impossible Holiday"... We take off with the stately, cavernous and slightly fuzzy "Die Wilde Spirale" and land in our improbable destination to the spiked out synth washes and dubby bass palpitations of "Pinnacles". We enjoy all sorts of unperceivable activities to the bouncy, analogue bed and fluttering, head-soothing arpeggios of "Haetrin" then fly home to our comparably dismal existences on the droning, groaning and ever-morphing "Kraftfield". Happy travels.
Review: What a collaboration this is! Two of the modern masters of hypnotic techno (and dynamic live acts alike) team up for some elaborate, melodic and and truly entrancing auditory journeys for Hypercolour. Mathew Jonson should need no introduction: the Canadian producer bursting onto the scene in the mid noughties with releases on itiswhatitis and his own Wagon Repair imprint. Sebastian Mullaert also has a long history in electronic music; at one time part of duo Minilogue in addition to recording for Kontra Musik and m_nus more recently and running his great WaWuWe label. Strap yourself in for an epic journey across all its 12 minutes of glory on St "Pollen 4 Life (main mix)" where a medley of dreamy and gliding arpeggios dance away over subtle and minimal elements; a trademark of both respective producers. The dub version on the flip is much tougher and darker; aimed squarely at the dancefloor to get into some of those more tunnelling, vortex like moments.
Review: Since the first pressing of Binh's Ship of Imagination double-pack sold out at the tail end of 2016, demand for the record has rocketed online. Happily, My Own Jupiter owners Edume and Nicolas Lutz has bowed to demand and quickly sorted out this re-press. It's a fine record, with the producer effortlessly blending elements of Detroit techno, electro and chunky deep house rhythms with the kind of spacey synthesizer sounds and razor-sharp TB-303 lines most commonly found in early '90s British "intelligent techno" records. In other words, it's sounds like the kind of set that could have been released around 1994 by one of the greats of our scene.
Review: Last spotted on Vakant, Detroit's man of mystery returns to D'Julz' Bass Culture after four years with three more rough, warm Motor City jams. "Castaway" takes off without so much as a compass. Heading towards the light with every added rhythmic element and cascading arpeggio, it drives into the horizon with equal measure of focus and looseness. "Doin It To Ya Baby" takes a subaquatic disco approach - the wide beats are wrapped in subtle slapbass twangs and dubby overlays while "Wara Coco" is a trippier twist into the shadows as raindrop textures trickle over a low and slow groove and incessant humanised loops. Remix-wise Orlando Voorn peppers the lead track with a little analogue funk and mild acid tweaking. After this castaway you'll never want to come home...
Review: Jan Jelinek has made many fine albums over the years, under both his given name and a handful of occasional aliases. One such pseudonym was Gramm, a handle he plucked out of thin air for the release of the now celebrated 1999 full-length "Personal Rock". Here that set is given a deserved 20th anniversary vinyl reissue, allowing a whole new generation to investigate the dusty nooks and crannies of one of the producer's most techno-centric releases. It is every bit as sample-heavy, glitchy and crackling as his other work, whereas other outings explored skewed hip-hop beats and downtempo grooves, "Personal Rock" was more informed by the steady pulse of dub techno, the deep space fluidity of ambient techno and the locked-in hypnotism of original era minimal techno. The results are out of this world.
Review: Surfacing from somewhere in the Russian Federation, Gost Zvuk Records live up to their name's rough translation of Ghost Sounds on the basis of this debut release from newcomer Aleksei Nikitin. There's versatility to Nikitin's productions here that will serve him well, with the taut, subtle groove and programming on opening track "Tevi" giving the producer the space to lay down some impressively emotive melodic arrangements. The opening bars to "Tebe Nujno Vernutsya" hint that the production is heading for a weird place, yet there's a smart switch up that takes proceedings into bumping raw house with some smart vocal edits. Face down "Inache" finds Nikitin indulging in some gritty dub house whilst "Ostavim" comes from the Gerry Read school of thumping house tools.
Thank You/Dream State Of A Bellmaker/Big Sur (14:00)
Review: A mere four years after making his 12" debut on Fathers & Sons Productions, Samuel Andre Madsen delivers his debut album on Delaphine, the label he set up to release his music back in 2013. There's much to admire about Dream State of A Bellmaker, which attractively drifts between undulating ambient bliss, deep and melodious techno shufflers, evocative electronica, becalmed drone explorations, and atmospheric compositions that define easy categorization (see the electronic jazz/ambient/dream house fusion of "Better To Have Loved"). It's a hugely enjoyable and entertaining set, full of intricately programmed and life-affirming music.
Here Comes The Warrior (Super short Version) (15:00)
Discotico Sinetico (8:25)
Life Is Strange, Life Is Hard, Life Is Great (5:39)
Spacer Rainbow Woman (8:11)
Fears Come True (5:44)
A Numb Gas To The Future (6:53)
Pow Pow (6:39)
Discotico Estatico (8:14)
Dance Warrior Dance (10:37)
Here Comes The Worrior (Super short album version)
Life Is Strange, Life Is Hard, Life Is Great
Spacer Rainbow Woman
Fears Come True
A Numb Gas To The Future
Dance Warrior Dance
Review: Mexico's Rebolledo has played an important part in Comeme's development over the years, and his nutty strain of electronic dance music fit perfectly in line with the label's tone of voice. Never straight enough to be categorised as house but always too structured to be labelled simply as ambient, Rebolledo is one of the few artist's truly making 'outsider' music these days. This latest album, Mondo Alterado, is perfect for anyone wanting something deep and mystical but that still carries enough weight and shape to be played to other human beings. In fact, a big part of the tunes on this LP verge onto the 'dance' side of things, but the producer has a distinct knack for making that sound constantly surprising, a sort of perennial sonic morphing that steers clear of any concrete genres. TIP!
Review: Swiss master of all things deep, Bastian Volker is back for the eighth release on his always impressive Office imprint. Not just content with creating some lush music under the Baaz alias or redefining the dub techno sound as Eric Miller (like on his recent album Silhouettes for Sushitech this year), could he be delving into the world of hypnotic techno now also? Brilliant opener "Kraut House" starts the EP off in great form and is reminiscent of the tribal trance sounds of Refracted or Tozzy. On the flip, "Modual" is more like the Baaz we know; deep, dubby and emotive with a bumping baseline, smoky drum patterns and pitch shifted druggy vocals for added effect. Finally "Simple E" adds yet more variety to the release with this dusty and bittersweet slow burner that's perfect for drifting.
Review: "The Einhorn EP" with Dario Zenker marks the come back of Bruno Pronsato on Telegraph. The release includes 2 marathon tracks between live and production. After living in Wasserburg, Dario Zenker comes back to Munich. He began his DJ career at the Ultraschall club alongside the likes of Acid Mario or Vitalic vs The Hacker & Hometrainer. 2006 is the year of his first productions on Balcon, Num and Telegraph. Bruno Pronsato (aka Steven Ford) has been subverting expectations within techno's upper echelons since 2003 but the Seattle producer took a circuitous path to reach his current lofty status. After his acclaimed releases on Orac, Musique Risquée, Milnormodern and Telegraph, 2006 would be the year of his consecration!
Review: Made up of tech house trippers par excellence Tomoki Tamura and Tuccillo, Doublet have been steadily issuing forth their wares with aplomb since starting out back in 2013. Most of this material has been on their own label, and so it is on this fifth installment that finds them in especially fine form with the shimmering delights of A side track "Beautyfull". "Mush" is no slouch in the attractive stakes either with its sultry chords and slinky grooves, while "Robin & Maikel" takes a more esoteric route through tech house on the B side. It's a superbly produced EP full of imaginative ideas to match the proficiency of the beats.
Review: Subtil is run by Nils Weimann and Martin Glowacz. The latter teams up with label stalwart Martin Glowacz for the Berlin label's twelfth release, following up some great ones by Romanian tech house heroes Piktor and Vlad Arapasu. The A side features the slinky and hypnotic groove of "Frankonia", followed by the rolling and esoteric sorcery of "Lower". The flip belongs to an epic 13 minute long remix of "Frankonia" by Paul Agripa - of the trio Sahau with Dan Andrei and Serban Goanta. The Bucharest based producer's trippy daydream of a rendition is pure magic and exactly the kind of thing we could have imagined the crowd at Sunwaves 23 trancing out to last week.
Review: From Body Parts and Sleep Is Commercial through to Suruba and Uzvar, Ludovic Vendi has proven himself to be a leading light in the experimental corners of the minimal techno scene. He steps up to London label Hoxton with a diverse three-tracker that takes in atmospheric downtempo sound design on "Horizons" before heading into more propulsive broken beat territory on "Lost In Sequences". On the B side "Chymere" strikes a more familiar shuffling 4/4 note as it winds through all manner of tripped out sound effects, providing the most dancefloor friendly jam on the record.