Review: Proudly positioned as a label dedicated to showcasing emerging talent within the realms of dark and dubby minimal techno, FarFromNormal return with their second release of the year. This time they're providing a platform to Nice N Trick & Sacke, who make the most of the vinyl space with two long form tracks that demonstrate just how much talent they have to offer. "Senor Memories" is a tribally-inflected experience sprinkled with off-kilter samples atop a driving techy backbone, while "Viola Profonda" steers a more streamlined course through crisp drums and nerve-jangling violin on a one way trip into the heart of the night.
Review: London-based Italian duo Konstress are back with their third release on their self-titled imprint, and it once again shows the pair progressing with a dynamic, detailed and original approach to stripped down dance music. The first track pits a stuttering groove against blown out keys and a smorgasbord of errant synth noises, and those noises jump across to the second track to plot a course through a highly textured, ominous soundscape where the drums have been left behind. The B1 track sports a tough, crooked groove and warm, sci-fi synth tones while the B2 takes a more eerie direction into deep and dingy techno. A classy, highly developed record for adventurous souls.
Review: Galcher Lustwerk and Alvin Aronson turned many a head with the elegant sophistication of their collaborative album Scenes (2012-2015), which landed on Lustwerk's own label last year. Now the duo are back with more goodies from their Studio OST project, and once again the fusion between gossamer threads of melody and delicately crafted machine rhythms is evident throughout this 12". "Eventide" comes as a full blown track and a sumptuous beatless version, while "Ascension" has a dubby original and useful drums-only cut, making this record both functional and an absolute delight to listen to.
Review: After launching into Memory Box with aplomb on the deadly Acid Stomp 12", Robin Ball steps up on the London-based imprint once again with the saucy tones of his latest four track EP. "Drop It Down Low" and its accompanying dub mix are classy twists on the tech house formula that lean towards old-skool methods while keeping the sleaze factor ramped up high. "Remember" takes a more tripped out tribal approach, with the "Vibes mix" providing a more subtle twist to the warm, melodic undulations of the full fat version. It's an EP loaded with personality and flair for sophisticated dancefloors.
Review: Transmitting out of Birmingham and representing the cream of the sleek tech house crop, Adam Shelton's One Records continues to forge valuable connections with the global scene while staying true to the label's roots. Shaun Reeves and Tuccillo have been doing their thing for long enough to know how to throw down a surefooted deep groover, and that's just what you get with "Smile". Meanwhile The Mole does a sterling job of working some complex percussion into the bones of the track and creating a hypnotic, understated version that will appeal to the freakier end of the floor.
Review: Following choice wares from tape_hiss and Pascal Viscardi, Love Notes stride into winter with a fulsome offering from lesser-known artist Subtenant, who packs just the right balance of classic acid and modernist techno into the three original tracks on this 12". "Evergreen Soul" looks set to turn heads in the club with its playful organ flex hopping around the punchy 303 notes, while "Artisanal Acid" brings some homespun hardware handiwork to the table. "Know How It Feels" drops in at a slower tempo, but it's D'Marc Cantu who steals the show with a dynamic remix of the title track loaded with detail and shot through with dub.
Review: Mr Cloudy has a sizable back catalogue on labels like Entropy, Dubwax and Millions Of Moments, and now he's been snapped up by Local Traffic to impart his sumptuous dubby wares across four tracks. "Memoria I" and "Memoria II" let the A-side simmer in a bubbling broth of dub techno ambience, all shimmering chords undergoing heavyweight processing. "Sprayer I" is still immensely mellow, although a little rhythmic pulse creeps its way into earshot via the movement of the gravelly chords, and then "Sprayer II" rounds the EP off with something approaching a beat-oriented excursion through the same billowing clouds of dub techno finery.
Review: Long time minimal techno pusher Franklin De Costa steps up to Jersey City label Green Village to thrown down a ruckus with four serious cuts of advanced house and techno. "Derp Journal" may be flippant in name, but the bassline it packs is not to be trifled with, nor the edgy drums and lashings of reverb. "Bogart Space" is a more house-minded affair, but it's still reaching to a contemplative space using unfamiliar sounds. "Good Day Bad Day" gets into a cyclical, psychedelic mood thanks to a trippy synth circling overhead, but then the EP gets dealt a tough finishing blow by the cranked up hustle of "Flashmelo", coming on like a crunchy mid 00s minimal jam of the highest order.
Review: The Ti-Rex crew widens the net for their third release with the introduction of hitherto unknown producer Henrocic. The release begins with the ranging shuffle of "Al Chiaro Di Luna", a stripped down affair peppered with haunting flecks of jazz and a strung out late morning atmosphere. Label boss Ti Es then steps up with a remix of "Don't Stop" throwing down some tougher drum tones and working the reverb before the original version plunges down into an intimate space populated by natural grooves and strange sounds alike. "Pace Of The Are" then delivers a finishing blow with snaking percussion and gnarly bass tones.
Review: REPRESS: The second release from the Hlanganani label lives up to it's MO to provide a platform for talented producers from South Africa to shine, focusing here on Deep Sixty, aka young and fast-rising producer Johannesburg producer Thabiso Mamogwa. Back in 2010, the producer made it to London to take part in the Red Bull Music Academy, which is when the HLANG team first heard the tracks that make up the Mme Hayo EP whilst some studio time on the same trip with Todd 'Soundmurderer' Osborn resulted in the "Thursday Nights" track which Mamogwa previously self-released. In addition to Deep Sixty's own 'Deep Terror' mix of "Mme Hayo", the label have coaxed some fine remixes out of Esa and William Kouam Djoko.