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Review: Deeper States Volume 2 is another installment of fresh sounds from producers who have come through a competition that set them to making proper deep hose with a specified sample library. Across four sides of wax, there are some mighty fine cuts here such as the deep garage inflections of Enrico Dragoni, some Motor City vibes from Scott Andrews, the deepest of dub techno workouts from Montreal courtesy of Dealin', soul-drenched late-night cruisers from Khalid Ali on 'Elevate' and some nice bubbly vocal vibes from Dublin don Oscide with his 'Free Your Mind.' This is another hugely effective and stylish EP from the Interweaved community.

Review: The Milano Undiscovered series has been expertly overseen by Fred Ventura and now clocks up a third installment. It again delves into Milan's dynamic techno and house scene between the years of 1988 and 1992. Unveiling a trove of unreleased demos, it highlights the city's burgeoning underground culture during this period. Influenced by the pioneering sounds of Chicago, Detroit, London, and Sheffield, Milanese producers embarked on a creative journey, crafting their own distinct interpretations of electronic dance music. These demos offer a glimpse into the innovative spirit and diverse sonic landscape that defined Milan's contribution to the global dance music scene during this transformative era.

Review: Global Underground is one of the longest-running DJ mix series and it has always been one of the best. Plenty of big-names over the years have made their mark, often more than once, and now it is the turn of the famously long-playing New York titan Danny Tenaglia to show us what he's made of. He brings his signature grooves and a hint of Latin flavour to proceedings on this, a third and final installment of his trilogy for the series. It is mostly contemporary names serving up new school sounds but all delivered with Danny's cultured and old school DJ mentality.

Review: Johannes Kolter is Kolter, an artist formerly known as DJOKO, and now a hotly tipped breaks and garage head who has already got plenty of attention. Here though he makes a grand and widescreen statement with the first release on the all-new Pilot label. It is a stylish and adventurous record with plenty of killer cuts from the downbeat hip hop opener to the deep house delights of 'Journey' via the elastic and energetic future house kicks of 'Roboflow.' Showcasing both a knack for well craft synths and expert drum programming precisions, this record plays out like a mini DJ set with all the twists and turns you need to keep you on your toes and fully engaged.

Review: Accomplished Turkish label ISOLATE is marking five years in existence and over 30 odd releases with a new and bumper collection of sounds from all of its main players in remix mode. Isolate: Five Years unfolds over six, yes six, sides of wax and traverses all manner of fresh techno sound worlds. There are drawn-out synth and deep techno adventures from Aera, floating and dubby dream-house offerings from DJ Counselling, pulsating future tech from Hardt Anoine and roaming melodic tech house kickers from Gunce Aci amongst many more highlights.

Review: Detroit house hero Kyle Hall returns with his biggest project in some time in the form of Transmissions, a new double album on his own well-regarded Forget The Clock. All six tracks have enigmatic, functional titles and the music is as idiosyncratic as ever. Each one veers more towards techno than is Hall's usual style, with pulsating synth lines and tight, dusty drum tracks making for stripped-to-the-bones grooves. Later on, things grow ever more abstract with twisted acid lines screwing their way through the increasingly ragged and roughshod drums. These are perfectly imperfect jams from a master of the form.

Review: UK duo CamelPhat have gone from being popular underground DJs to globally recognised top-tier house stars. They have had several charting tunes and a Grammy nomination and now they come through with a long-awaited album, Spiritual Milk. It is a long one at 16 tracks but it is a great opportunity for the pair to show their breath, and they do that with aplomb. These are well-written songs that show evolution from their early hits like 'Cola' and prove the Pacha Ibiza residents are able to do it all from Afro to melodic, vocal to deep house. Expect to hear it everywhere throughout 2024.

Review: Designed with a dual purpose - setting the label's agenda for the year ahead and introducing new signings - Crosstown Rebels' SPIRITS series has long been a must-check source of dependable tech-house tracks. Naturally, there's plenty of highlights to be found across this sixth annual edition. Our current favourites including the throbbing, percussion-rich, big room tech-house excellence of 'The Vision' by Cameron Jack; the acid-fired heaviness of Lauren Lane's 'Fair Game', with its wobbly sub-bass and echoing Latin drum hits; the crackling, mind-mangling tech-house psychedelia of 'So Deep' by Cristina Lazic and Leia Contois; and the fiendishly bass-heavy tribal-tech wonder that is Inigo Vontier's accurately titled 'That Trippy Sound'.

Review: Domenic Cappello is a long time legend of the scene who has been in the form of his life of late. As such he finally drops a much anticipated and long awaited debut album 'Basement Philosophy on Alien Communications that comes 20 years after he started making beats. Cappello's sound permeates the whole record as it traverses diverse sonic landscapes with captivating potency. Opening with 'Mushroom Waltz', dreamy pads and lively chords set the tone, leading into the soulful depths of 'Midnight with T'. 'Early Flight' builds cerebral atmospheres with characteristic snapping drums. 'Acid Rain' evokes nostalgia, while '3am Jamaica Street' pulsates with peak-time energy. 'Moon Jump' offers languid melodies reminiscent of classic Underground Resistance and electro-inspired 'Burning Past' and 'Not for Instagram DJs' conclude ta high class record in style.

Review: Norm Talley returns to his Upstairs Asylum label alongside fellow US house pioneer Delano Smith for Straight Up No Chaser, an eight-track opus featuring four solo cuts each. Talley's gritty, dubbed-out, low-rolling house style is present and correct throughout with the loopy chords of 'Blak Bottom' getting things going, 'The Flip' getting more cavernous and aqueous and 'ISO Vision' leaning into dub techno. 'Believe It' is a soulful deep house looper, while Smith gets bubbly with 'The Bassline', lays down thumping kicks on 'Travels 23' and his trademark synth smears on 'The Drive' while 'Remembrance' is a heady dub house cut that locks you into a state of perfect hypnosis.

Review: Marking over 16 years as an artist, Robert James unveils his debut album Battle of The Planets. A milestone in any musician's career, the LP illustrates the breadth of Rob's tastes and influences, exploring the rugged terrain of planet electronica. Ranging from breaks and electro to house and techno, Battle of The Planets was made during lockdown, a period of creativity and isolation for many artists around the world. Across 10 skillfully produced cuts Rob takes us on an intrepid adventure into the cosmos, where mysterious atmospheres and uplifting melodies sit side by side with captivating dance floor rhythms. Many shades of his personality come through on this album, all tied together by his unique sonic identity; informed by his years spent on the dance floor, behind the decks and in the studio. On Battle of The Planets Robert James presents a distillation of his extensive knowledge and experience into one succinct, highly engaging body of work.

Review: SIT, short for Sideways Invisibility Theory, is the collaborative project of Vlad Caia and Cristi Cons. As two scene leaders of the Romanian minimal phenomenon, both artists have proven over many years to have a unique vision for creativity and fresh approaches in what can be a homogenised scene. Of their many achievements, on their Amphia label as much as elsewhere, this album on Sushitech stands as one of their finest moments. As with all the best Romanian minimal, it's also still hotly in demand, making it a welcome addition to Sushitech's 15th anniversary pressing marathon. From dub tech laced rollers to gossamer-light trippers, this is the classiest end of the minimal tech house game from two artists with the vision to push things a little bit further.

Review: REPRESS ALERT!: Jade Seatle met Jane Fitz at tech-house haven Kerfuffle in Brixton around 2005 or 06 (they don't remember). They bonded that day over records, and a strange story about a pebble. Disillusioned with parties in London, rather than moan, Jade and Jane decided to make their own. Night Moves was born in 2012, after they visited Jenifa Mayanja in Connecticut in summer 2011 and promised her a party to play in London. What then evolved was a journey in music, gatherings and friendship - and a lesson in how a community can evolve from a dancefloor. Night Moves spawned Day Moves, Field Moves, a B2B partnership, and many ridiculous parties in a range of wonderful locations. The records on this release not only represent the sound of Night Moves - all are tried-and-tested NM greatest hits - but also the sound that brought Jade and Jane together, and informed what they do now, where they've been and where they are still to go. For Those That Knoe is proud to invite Jade Seatle and Jane Fitz to present the Sound of Night Moves - only available on vinyl!

Review: Ever the enthusiastic collaborator, Steve O'Sullivan follows up the first volume of his Dimensions series on Sushitech with another eight stunning partnerships which read like a who's who of contemporary techno. The artists invited span a fair range, from established legends like Mark Broom and Steve Rachmad to inspiring newer artists including Exos and Soela. The whole release hangs together naturally as O'Sullivan's signature dub techno touch slips in amongst the approaches of his chosen sparring partners. From nervy immersion heaters to starry-eyed reveries, this is sophisticated modern techno at its finest, with every track precision engineered to work in the club and take the crowd somewhere very special indeed.

Review: The first compilation on Koze's Pampa label is a lovingly curated affair. It starts with the left field house of Herbert's take on Lianne La Havas and Ada's r&b-infused "You & Me", as well as DJ Koze's own hymnal take on Roman Flugel's "9 Years". Other Pampa regulars like Axel Boman are well represented and he provides the ultra-mellow "In The Dust of This Planet". Equally though, Koze also provides a platform for newcomers to the fold. There's the utterly bizarre, glitch-hop of Nasrawi and Funskstorung's contributions, and at the other end of the spectrum, wide-eyed deep house from Mount Kimbie and Jamie xx & Kosi Kos' pumping indie-dance "Come We Go".

Review: California's Joe Babylon has been steering his own Roundabout Sounds through some lovely deep house waters over the last few years. Now the producer makes a big statement with his own debut album. He is something of a veteran having co-founded Plug Research back in 1994 and hosted underground events in Los Angeles during the mid '90s. Following on from outings alongside the likes of Rick Wilhite and Rondenion he now brings his own dusty, carefully disheveled house sounds to the fore. They have been crafted using an MPC which gives them their rough-edged appeal and they go from heads down back room joints to dubbed-out minimalism via dream late-night reveries. It makes for a fresh take on a tried and tested house template.

Review: Tresor is celebrating 30 years in the game with a series of special reissue projects. This one really goes way back to almost the start, when Juan Atkins was already defining the early techno sound. For this one he linked up with Moritz von Oswald and Thomas Fehlmann in 1992 for a second iteration of the 3 Men in Berlin project. The monumental results join the dots between Detroit and Berlin across a collection of timeless cuts that meld bassline funk, hypnotic minimalism and soulful machine sounds into propulsive, emotive dance floor joy. The unbridled energy and cosmic elegance of 'Jazz Is The Teacher' might just be the highlight.

Review: Given that they started their ascent to EDM superstardom over a decade ago and have already released a string of genuine crossover anthems, this debut album from Camelphat is undeniably overdue. So, was it worth waiting for? If you like their brand of festival-friendly dance music hedonism, then you will genuinely love it. The assembled 21 tracks scattered across three action-packed slabs of wax draw influence from many interconnected styles - mostly electro-house, tech-house and techno, but also indie-dance, synth-pop, nu-disco and more bass-heavy flavours - and repackage them as distinctively Camelphat style productions, complete with contributions from numerous collaborators and guest vocalists (Noel Gallagher, Skream, Jake Bugg, Yannis Foals, Jem Cooke and Christoph all feature).

Review: During the early-to-mid 1990s, Nurmad Jusat released a string of now sought-after singles on Likemind that showcased an emotive, far-sighted take on techno that still sounds timeless all these years on. This fine collection features various recordings he made - but never released - as Nuron and Fuge back in 1993 and '94. As inspired by the techno sounds of his native UK as the far-sighted brilliance of purist Detroit techno and the dreamy soundscapes of Larry Heard, it's a genuinely brilliant collection of long-lost gems. Our picks include the subtly clonk-influenced opener 'The Coded Message', the skewed deep electro shuffle of 'Another Way', the sci-fi techno brilliance of 'Contrapoin (First Version)' and the out-there ambient soundscape that is 'Dialectic Confusion'.

Review: 11 years on from DJ Koze's one and only commercial mix, 2004's All People Is My Friends for Kompakt, the Pampa boss lines the 50th DJ Kicks mix, following high profile contributions from Nina Kraviz and Actress. This vinyl edition offers the best of both worlds really, featuring some 17 highlights of Kozalla's selection in their original form spread across two slabs of vinyl whilst !K7 have also thrown in a CD copy of the mix so you can hear how it's all done Koze-style. As you'd expect Koze presents one of the more far-reaching selections in the series, with Madlib-produced Freddie Gibbs nestling up alongside William Shatner, Boards of Canada remixes, Broadcast whilst the likes of Marcel Fengler, Session Victim and Frank & Tony offer some deepness.

Review: New Interplanetary Melodies is a great name for a label and it also sums up the sounds of this new album from Sindaco. It's a beautiful mix of exploratory soundscapes, organic percussion and lush melody that unfolds in charming and captivating ways. Found sounds add more real world details to these tracks which range from lazy downbeat jaunts on a wide open savanna to more dynamic deep house trips through the cosmos. Worldly percussion, exotic melodies and unique instruments are all deployed to mark for multi-layered tracks that work equally on brain and body. It makes for a triumph of a record that is experimental yet aborsbing and packed with great detail.

Review: With a sound perfectly crafted for the emotive pop tones of Kompakt, Kolsch delivers the 1977 long player in a cascade of effervescent melody rendered through bold production. There are light, fluffy moments such as the hands-aloft opener "Oma" and the lamenting closer "Felix", while elsewhere you can find the German producer indulging a love of dub techno with the crafty delays of "Basshund". It's not all soft and sweet though, as the electro-house grind of "Eiswinter" attests as it works up a sweaty main room fervour. Likewise "Bappedeckel" has a stadium-sized approach to synths and track dynamics aimed squarely at getting huge crowds moving in unison.

Review: After a run of reissues and a boundary-blurring fusion of classical music and electronica (January 2021's Angel's Flight), Norwegian ambient veteran Geir Jennsen AKA Biosphere has gone back to basics on Shortwave Memories. Ditching software and computers for analogue synths, drum machines and effects units, Jennsen has delivered album that he claims was inspired by the post-punk era electronics of Daniel Miller and Matin Hannett, but instead sounds like a new, less dancefloor-conscious take on the hybrid ambient/techno sound he was famous for in the early 1990s. The results are uniformly brilliant, making this one of the Norwegian trailblazer's most alluring and sonically comforting albums for decades.

Review: Berlin-based DJ, producer and live-act Oliver Koletzki steps up to his own label Still Vor Talent with a tenth studio album. Its title Trip to Sanity is a reference to the classic German children's story 'Tabaluga' about a little dragon and is said to reflect the artist's own journey over the last 18 years in the scene. It's one riddled with a child-like curiosity for new sounds and it comes with plenty of collaborations as has always been the way with Oliver. There are jazzy downbeat cuts, party-starting house anthems and plenty of deeper moments that showcase fine craft and real musical artistry.

Review: Dana Kelley's archives continue to yield more incredible compilations from the Above Board-steered Guidance revival. Put together with the blessing and assistance of the late house producer's family, this second volume of Boston Boy goes even deeper into his archives, touching on the tough-as-you-like broken beat brilliance of 'Something About You', the sprightly, jazzy deep house of 'Trifling' and some heady unreleased DAT grabs which will have long-time devotees flipping out. Long may Kelley's incredible touch filter out into the global house music community.

Review: After being commissioned to produce several 'interlocking' ambient pieces for an art gallery piece in LA, Brian Foote and Sage Caswell decided to take the concept of 'audience crossfading' to the next level, creating an entire ambient album using a particular sonic technique. Over five long pieces from 'Waterwheel' to 'Smiley', their aim was to evoke the feeling of bodies moving in thoroughfares. The tracks are long-exposed movements captured in ambient space, blending rhythms and soundscapes for chillout rooms that exist only in memory now.

Review: LILA mainstay Ayaavaaki and ambient veteran Purl speak different languages but used a translator to convey ideas to one another as they made this record. And they very much foment their own unique musical language on Ancient Skies, an album that blends ambient, drone and space music into richly layered soundscapes that are constantly on the move. Each piece is meticulously crafted and suspense you up amongst the clouds, hazing on at the smeared pads and swirling solar winds that prop you up. It's a record that would work as well in the depths of winter as a bright spring day such is the cathartic effect of the sounds. Beautiful, thought-provoking and innovative, this is as good an ambient record as we have heard all year.

Review: Ninja Tune off-shoot Technicolour has always dealt in interesting in-between sounds from the world of house and techno. Next to investigate that area is Amsterdam-based duo Weval aka Harm Coolen and Merijn Scholte Albers. Their new album finds them taking an expansive trip into high energy sounds that are tinged with nostalgia, rich in happy memories and laden with euphoric emotions that will take the dancefloor to a higher place. Part of that energy comes from tapping into the music of their collective youth and their various inspirations which lend this its widescreen sonic palette. Making this all the more appealing for fans is the inclusion of a tidy and autographed insert.

Review: Audiomatique are happy and proud to present "The Trentemoller Chronicles". This new double album is not a new studio album, but an overview of Trentemoller's impressive body of work. "The Trentemoller Chronicles" include Anders' personal selection of his best songs and remixes, which have only been available on vinyl or on compilations, as well as some new and exclusive songs. This is an essential piece of minimal/tech house.

Review: Swiss label Drumpoet has been one of those super reliable outlets that serves up good quality deep house. It has now been doing so for 15 years and marks the occasion with a bumper triple vinyl collection featuring 13 cuts from all the label's finest associates. There is brilliantly left-of-centre minimal from Roman Flugel and Frank Weidermann to kick off, then melody-rich deep house from Bubble Wrap, and an absolute classic from the one and only Herbert who supplies 'Air.' Plenty more lushness comes from the likes of Fred Everything and Ripperton to make this a fine collection.

Review: Tom Middleton and Mark Pritchard created a landmark of ambient music when they released 76:14 back in the 90s. Their Global Communication project was never just about ambient though, and it also coursed through deep house and more besides. In the spirit of progress, Middleton has returned to thinking about the project from a contemporary perspective, stepping forth as GCOM with the epic scope of E2 XO. From stirring orchestral suites to high octane DSP, it's an expansive listening experience that shows Middleton pushing himself into new terrain in the studio. Whether you tie it back to the prior material or not, it's a towering piece of work from an elder statesman of UK electronica.

Review: RECOMMENDED
The DJ Kicks series has managed to outlast the vast majority of other DJ mixes we can think of - the good, the bad, the populist, and the plain cash cow. Even the mighty fabric compilations have rebranded and rethought, bringing the original legacy, FABRICLIVE included, to a respectful end at 200 outings. Strange, then, to think, that !K7's mighty offering to the world of "What should we listen to at the afters?" has arguably managed to become more relevant as the years have flown by.

There was a time when the series existed at the lighter end of club fare, with some examples barely even matching that description. These days, though, there's often a dance floor heaviness central to the selections, with Jessy Lanza's broken, bass-driven set a case in point. Pointless attempts to describe the music, and lazy track list namedropping aside, this is energy-packed, heads down, futurist stuff packed with infectious percussion.

Review: Cult minimalist Fumiya Tanaka last released an album on Perlon in 2019. He now returns with a new collection of precision tool tracks hat have been made by sampling his own sounds from his own DAT tape archive from the 90s. Reconstructing those sounds today in news ways makes for a faultless blend of the old and the new. There are silky, dubby tech house tunes, rich melodic minimal work outs and deep house grooves along the way. This release is the first part of 'One More Thing' with the second part dude later in 2022 as a separate double pack.

Review: Norm Talley has put together a second volume of his Unity series on his own label Upstairs Asylum. It features his nearest and dearest from Chicago and Detroit, all of whom of course serve up perfectly smoky and stripped back deep house and techno grooves to make you move. Delano Smith's characteristic loops lock you in from the off on 'Big City Nights,' Norm himself pairs dub techno chords with suggestive techno stabs that keep you on edge and Brian Kage's 'Poly-Phonic Phonk' is heady, dreamy, richly melodic house bets listened to in a cosy back room at 4 am.

Review: Royksopp continue to serve up some rare b-sides, exclusive new tunes and previously unreleased tracks with their 'Lost Tapes' b-side series. This limited edition, hand numbered 2 x 12" is a very special affair indeed with drama and drifting electric landscapes and expansive cinematic grooves from front to back. Some tracks are more tense and textured, some brim with the sort of quiet artistry hat has made Royksopp such a revered act. Only the most subtle vocals drift in of occasion and overall this is a collection that is sure to be delight hardcore fans.

Review: Viken Arman is Alone Together on his superb new album for the French label Denature. The artist himself is obsessed with freedom and his sound sits somewhere in a nether region between house, jazz, hip-hop and minimal. Carefully layered and precisely structured as it takes listens on a colourful and kalaedescopic journey through different moods and grooves with plenty of worldly influences, it's the sort of deftly designed album that works both at home and in the club and packs in plenty of profound moments of emotion.

Review: A reissue that minimal house fans will have been waiting for - an expanded version of Baby Ford & The Ifach Collective's Sacred Machine album. Released in 2001, it's genreally accepted to be the high weatermark for minimal, and here's it's been lovingly remastered by Dubplates & Mastering and comes blessed with two unheard-til-now corkers from the same sessions - Mark Broom's mix of 'RTDC' and 'In The Bag'. What are you waiting for?!

Review: Bushwacka! deserves any plaudits that come his way. He was there at the birth of acid house and went on to foment his own take on tech house. He held a legendary residency at the End in London and of course dropped countless seminal tunes alongside Layo, not least their epic 'Love Story' mash-up. Now the acclaimed but still relevant UK veteran dives back into his roots to serve up the sounds that came before tech house with highlights that would have been heard at the time at parties like Heart & Soul, Release, The Drop, Vapour Space, and at venues like Heaven and The End. Skippy, dubbed garage and driving house all feature in a fine collection.

Review: It has been 11 years since Solomun's last album, and few could have predicted the career arc he has enjoyed since. The big man started out as an underground favourite. His Diynamic label was famous for bringing colour back to dance music after the bleak minimal years. He made 'fairground tech house' as it was called. He then became a huge draw at Ibiza's premium VIP clubs and appeared in Grand Theft Auto. This album takes him to major label Sony and features Hollywood names like Jamie Foxx. It is melodic, accessible house from one of electronic music's most famous names.

Review: The 'Warp20 Box Set' comes beautifully packaged in a 10 inch square slipcase wrapped in charcoal Buckram embossed paper with tipped-on gloss-laminated cover photograph, designed by YES, photographed by Dan Holdsworth.

Includes:

- Warp20 (1989-2009) The Complete Catalogue: 192 page book:
10" square, 192 page full-colour, perfect-bound book. The complete-ist's dream - a catalogue of artwork of every Warp release from its inception in 1989 to August 2009. Includes artwork from over 400 sleeves including work by the Designers Republic, Julian House, Build, Universal Everything and Kim Hiorthøy amongst others. Forward by Warp co-founder Steve Beckett. Black un-coated board cover with debossed and foiled typography.

- Warp20 (Chosen): Double CD album:
The definitive best of Warp on 2 x CDs. Ten songs chosen by you (Warp20.net), ten songs chosen by Warp co-founder Steve Beckett. Packaged in deluxe case-bound 10" folder, exclusive to this box set. Your personal messages and memories from Warp20.net featured on pullout poster.

- Warp20 (Recreated): Double CD album:
2 x CDs featuring twenty brand new cover versions of Warp songs by Warp artists past and present; including tracks by Autechre, Harmonic 313, Jamie Lidell, Plaid, Clark, Maximo Park, Seefeel, Luke Vibert and more... Packaged in deluxe case-bound 10" folder exclusive to this box set.

- Warp20 (Unheard): Triple 10" Vinyl:
Secret treasures newly rediscovered from the Warp vaults. Completely unheard tracks by Boards of Canada, Autechre, Broadcast, Elektroids and others cut to 3 x 10" vinyl. Housed in uncoated card sleeves with debossed typography. Vinyl exclusive to Warp20 (Box Set).

- Warp20 (Elemental): CD album:
Specially-commissioned hour long piece by re-edit master Osymyso, made from sections, samples, and fragments of Warp music from the last 20 years. Exclusive to Warp20 (Box Set) and packaged in deluxe case bound 10" folder.

- Warp20 (Infinite): Double 10" Vinyl:
2 x 10" vinyl cuts of hand-picked locked-groove loops from Warp tracks. Four sides of loops for mixing fun. Exclusive to Warp20 (Box Set) and housed in uncoated card sleeves with debossed covers.

- Warp20 (Chosen) CD1:
(As chosen by fans on Warp20.net)

- Warp20 (Chosen) CD2
(As chosen by Warp co-founder Steve Beckett)

- Warp20 (Recreated) CD1

- Warp20 (Recreated) CD2

- Warp20 (Unheard) 3 x 10"

Review: James T. Cotton (known also as JTC, Dabrye and his real name, Tadd Mullinix) has been an integral part of the Spectral family since its origins, and after a string of successful releases on the Creme, Nation and UDEK labels, we
are proud to unveil his new album, the fittingly titled, 'Like No One'. Cotton returns with his confident new album, taking his dark techno paranoia into new realms and this time he's brought a posse. 2004's 'The Dancing Box LP' was a
powerful look into the mind of this creative producer, tracks like 'Press Your Body' and 'The Drain' suggested a dystopian landscape, marrying Belgian new beat and acid into a classic melange. As part of a new wave of
producers exploring the "Jakbeat" sound, Cotton provides a re-understanding of classic house and techno rhythms, which steers clear of retro cheekiness. Cotton has paired up with scene luminary Traxx (as Saturn V) for the
bouncing 'Come Into My Life' and with his 2AM/FM counterpart, D'Marc Cantu, for the ecstatic 'Sensational Rhythm'. Cotton's solo ventures like 'The Boxx' and 'Got To Let You Know' are proof that 'Like No One' plays as a
document of the dance music moment, where genre falls away, and true energy and prowess thrives.

Review: Antonelli's 6th album 'Soulkiller' is now available on 8 track double vinyl.

Antonelli aka Stefan Schwander from Dusseldorf, has been one of the undisputed pioneers of German electronic minimal music for over a decade and stands alongside such great names as The Modernist, Wolfgang Voigt or Thomas Brinkmann. With many pseudonyms such as A Rocket In Dub, Repeat Orchestra, Rhythm Maker, Pop, Swimmingpool or Antonelli, he continues to inspire whole generations of producers as well as DJs. Since the mid 90s, Antonelli has been making cutting edge electronic music. His clear affinity for disco is reflected in flawless propulsive dance grooves and the occasional anthemic refrain. Like the best tracks of Giorgio Moroder, his basslines bubble below a straight ahead beat, and the melody brings the whole affair into ecstasy.

Most of his releases also reflect a bit of Antonelli's experimental side. Though these are for the most part straight dance cuts, there are also nods to the production styles dub and modern abstract electronic music, where sound manipulation produces unexpected tones and surprising rhythmic complexities. His tracks are elaborate and detailed works of charming minimalism ranging from dance floor hits (albums: "Me, The Disco Machine" and 12"s: The Vogue feat. Miss Kittin, Mean Machine) to the soft beautiful ambient arrangements on his latest album 'The Blackout Quintet' released on Italic.

Antonelli however is his major project, and Schwander has spent a lot of time over last few years taking it live to cities as far afield as Tokyo, Barcelona, Madrid, Paris, Moscow, London and Copenhagen. Beside his live activities he is also very active on the remix front, and has cooperated with Michael Mayer, Freestyle Man, Farben, Lawrence, Steve Bug, Ego Express, Elektro Musik Department, Oliver Hacke, Error Error and Mondo Grosso to name but a few.

Review: Connaisseur proudly presents the second edition of the annual label compilation 'Grand Cru'. This year's vintage, 'Grand Cru 2008: The Second Annual Edition', captivates not only with subtle, deep and more complex flavours but also shows the whole bandwidth of the connaisseur family's taste in music. Last year's compilation was a pleasurable success which was proven by being ranked as 11th best compilation of the year 2007 in the German Groove magazine. Along with this the Grand Cru Tour stopped in the best European clubs like the Watergate (Berlin), Loft (Barcelona), Propaganda (Moscow), Doornroosje (Nijmegen), and Club Q (Zurich), always sporting a wonderful audience and excessive vibes. 'Grand Cru 2008' offers a brilliant melange of known artists from our roster like Patrick Chardronnet Ripperton, Kollektiv Turmstrasse, Daso, Sebastian Roya and the two wonderful ladies from the Netherlands: Estroe and ZoeXenia. Apart from that Connaisseur presents new outstanding talents like Art Bleek, Andres Garcia, Wareika and Federleicht. Since Grand Cru stands for a marriage of the finest grapes, the 2008 vintage again captivates with a great variety of exquisite electronic music, which has been compiled not only for the dancefloor.