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Cat: LCDSTUMM 98. Rel: 11 Apr 24
Indie/Alternative
Review: Mute's reissue of These Immortal Souls' sophomore album, I’m Never Gonna Die Again, is a long-awaited gem for fans of the band's dark and brooding sound. Remastered from the original tapes by Lindsay Gravina, along with original members Harry Howard and Genevieve McGuckin at Birdland Studio, this edition breathes new life into the haunting melodies and gritty textures of the album. Originally released in June 1992 after a hiatus due to Rowland S. Howard's writer's block, the album marked a triumphant return for These Immortal Souls. Lead single 'King of Kalifornia' set the tone with its gritty intensity, showcasing the band's evolution since their debut. Joined by Anthony Thistlethwaite on saxophone and slide mandolin, the band's lineup remained formidable, with Rowland S. Howard's distinctive vocals and guitar work leading the charge. Alongside Harry Howard, Epic Soundtracks, and Genevieve McGuckin, they crafted a sonic landscape that was both haunting and hypnotic. For fans of post-punk and dark wave, I’m Never Gonna Die Again remains a standout in These Immortal Souls' discography. With this reissue, Mute pays homage to the band's enduring legacy, ensuring that their music continues to gain new fans for years to come.
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Cat: LCDSTUMM 48. Rel: 11 Apr 24
Indie/Alternative
Review: Mute's re-release of These Immortal Souls' debut album, Get Lost (Don’t Lie!), marks a long-awaited moment for fans of post-punk excellence. Remastered from the original tapes by Lindsay Gravina, along with original band members Harry Howard and Genevieve McGuckin at Birdland Studio, this edition breathes new life into the iconic record. Originally unleashed in 1987 on the heels of their debut EP, Marry Me, the album encapsulates the band's raw energy and uncompromising vision. Led by the unmistakable vocals of Rowland S. Howard, renowned for his work with the Birthday Party, the band's lineup, including Harry Howard, Epic Soundtracks, and Genevieve McGuckin, solidifies their place in the annals of post-punk history. Clocking in at a concise 30 minutes, Get Lost (Don’t Lie!) remains a potent sonic statement, capturing the essence of These Immortal Souls' dark and brooding sound. From the haunting atmospheres to the frenetic rhythms, each track is a testament to the band's collective talent and creative chemistry. For both seasoned enthusiasts and newcomers to the These Immortal Souls saga, this reissue serves as a fitting tribute to a band whose influence reverberates through the underground music scene.
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Review: The latest offering from serial collaborator and cross-genre tastemaker Stephen O'Malley's Ideologic Organ imprint is a tender filigree bureau of acid folk sketches from Tokyo's Ai Aiso. Across seven tracks, she patiently meanders through broken and phased chord progressions, her simultaneously pure and wavering vocal lines forming elegant arcs over sparse beds of instrumentation and washes of room tone. Some tracks are bookended by applause, and it is this ostensibly 'indoorsy' atmosphere which lends the mini LP a great deal of charm; the delicate atmospherics seem to issue from an intimate and isolated space. Indeed, Bandcamp user Everyvillianislemons317 describes it as "The perfect album for a lonely night in the city." We're more than inclined to agree.
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Cat: 009362 4846017. Rel: 11 Apr 24
Metal
Review: It's been seven years since the tragic passing of Chester Bennington and the abrupt end of nu-metal legends Linkin Park, while their legacy remains praised and intact by avid fans. Papercuts offers up a career-spanning greatest hits collection, yet rather than sequencing each bundle of tracks chronologically in terms of specific album release, the cuts are mixed with the design of flowing as naturally as possible, with the anthemic 'Faint' from 2003's Meteora rubbing shoulders with their iconic Jay-Z Collision Course collab 'Numb/Encore'. Elsewhere, 'One Step Closer'; the breakout single from 2000's genre-defining debut LP Hybrid Theory is followed directly by 'New Divide', which served as the lead single from the Transformers: Revenge Of The Fallen soundtrack. From their rap-metal beginnings to their signature style of nu/alt-metal to the their calmer accessible later era, this compilation delivers a succinct yet sprawling distillation of Linkin Park's most vital contributions to the several dynamic scenes they helped to elevate.
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Review: Mute's latest offering, Extra, unveils a treasure trove of live recordings and remastered tracks from the enigmatic post-punk outfit These Immortal Souls. Led by the inimitable Rowland S. Howard, known for his pioneering work with the Birthday Party alongside Nick Cave, the band's Australian roots infuse their London-based sound with a unique edge. This album, accompanied by detailed sleeve notes by original member Harry Howard, serves as a companion piece to the 2024 remasters of their seminal debut Get Lost (Don’t Lie!) and sophomore effort I’m Never Gonna Die Again. The tracklist is a akin to the band's eclectic tastes, featuring visceral renditions of classics like Alice Cooper’s 'Luney Tune' and Iggy Pop & James Williamson's 'Open Up and Bleed.' With Rowland S. Howard's distinctive vocals leading the charge, complemented by the masterful musicianship of Harry Howard, drummer Epic Soundtracks, and keyboardist Genevieve McGuckin, These Immortal Souls deliver a sonic journey that transcends time and genre boundaries. Formed in 1987 after departing Crime & the City Solution, These Immortal Souls carved out their own sonic niche, blending raw energy with haunting melodies. Extra offers a glimpse into the world of one of post-punk's most underrated gems.
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Lifeblood (20th Anniversary Edition) (3xCD in hard-back book sleeve)
Cat: 196588 43902. Rel: 12 Apr 24
Indie/Alternative
in stock $29.30
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Cat: PMRCD 22001. Rel: 11 Apr 24
Indie/Alternative
in stock $15.30
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Cat: CL 94243. Rel: 01 Feb 24
Indie/Alternative
in stock $14.51
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Cat: TR 554. Rel: 08 Apr 24
Indie/Alternative
in stock $16.08
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Cat: EARS 194CD. Rel: 28 Mar 24
Indie/Alternative
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Review: Texas-based trio Khruangbin returns with their highly anticipated album, A La Sala, blending Thai funk, psychedelic rock and world music influences. Laura Lee's funky basslines, Mark Speer's intricate guitar work, and Donald "DJ" Johnson's precise drumming define each hypnotic groove. Tracks like 'Farolim De Felgueiras' and 'A Love International' emit a laid-back aura, ideal for lazy summer days, while 'Juegos Y Nubes' adds Latin rhythms with a psychedelic twist. 'A La Sala' offers a rich journey through diverse musical landscapes, solidifying Khruangbin's mastery of genre fusion and their ability to create sonic euphoria.
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CD1: Switched On
CD2: Refried Ectoplasm (Switched On Vol 2)
CD3: Aluminum Tunes (Switched On Vol 3)
CD4: Aluminum Tunes (Switched On Vol 3)
CD5: Electrically Possessed (Switched On Vol 4)
CD6: Electrically Possessed (Switched On Vol 4)
CD7: Pulse Of The Early Brain (Switched On Vol 5)
CD8: Pulse Of The Early Brain (Switched On Vol 5)
Review: This massive anthology box set compiles all five volumes of the Stereolab Switched On series: 94 non-album tracks and sought after deep cuts by the group. Beginning with the original Switched On compilation LP from 1992, the series that ensued - though entirely comprised of deep cuts - still makes for a comprehensive jaunt through the Anglo-French auteurs' oeuvre, which never once lets up on quality. Every track here could've appeared on a full-length, so it's a testament to the band's work ethic that they simply had this much material to follow up with. Warp's comprehensive new 8xCD includes experimental highlights such as the original weirdo-chanson 'Plastic Mile', an Autechre remix of 'Refractions In The Plastic Pulse' and the stripped back 'XXXOOO', among many other gemstones.
… Read more in stock $48.49
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Review: Twenty years ago it sounded like an oddly poignant evocation of pre-millennial tension. Two decades later it stands as an eerily prescient glimpe into the technological alienation and dislocation of of a new era. Yet more importantly, OK Computer is no more or less than a sparkling, dramatic and moving collection of songs that haven't lost any of their impact in the interim. The sound of a band stubbornly refusing to follow up the stadium-strafing stylings of its predecessor The Bends - and instead bursting headlong into experimentation and wild creativity -is portrayed in still more vivid colours by the alarmingly strong collection of out-takes and B-sides collected herein, Yet there's no getting away from the chill and spark that marked out OK Computer from everything surrounding it in the post-Britpop malaise, and continues to do so in the pre-Brexit counterpart.
… Read more in stock $10.12
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Review: Jane Weaver describes her 11th solo album, Love In Constant Spectacle, as her most 'open hearted, direct and intimate' exploration of 'the British musical landscape'. It's certainly an impressive album, with the former Laura Kills vocalist fusing a wide range of nostalgic, pastoral, and analogue rich sounds, from Stereolab-esque krautrock revivalism, ;ate '60s dream pop, turn-of-the-90s indie-pop and crackly, organ-sporting folk-rock. Highlights include the deep and drowsy 'The Axis and the Seed', the fuzzy 'Is Metal', the head-in-the-clouds dreaminess of 'Romantic Worlds' and the hazy but picturesque headiness of 'Family Of The Sun'.
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Review: Given their Radiohead connections Thom Yorke and Jonny Greenwood make up two thirds of the band), there's always been an enormous amount of interest in The Smile - a lockdown-born project that has plenty of potential. Wall of Eyes, the trio's second album, is certainly impressive. For proof, check the moody, suspenseful and slowly unfurling title track (all pulsing, low-slung semi-acoustic grooves, eyes-closed vocals, dense electronic textures and soundtrack strings), the heady, subtly jazz-flecked wall of sound that is 'Friend of a Friend' (listen out for the music concrete-style sound collage sitting in the background of the White Album era Beatles-esque 'Friend of a Friend'), and the lo-fi, string-laden headiness of the largely beat-free 'Bending Heretic', whose cut-glass horror strings and Nine Inch Nails style guitars are impressively intense at times.
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Cat: CL 94106. Rel: 04 Jan 24
Indie/Alternative
Review: Much loved emo post-punk outfit The Cure not only released several superb albums but were also a brilliant band to catch live. Over their career, they played many a seminal live show for radio or TV broadcast and now the best of them has been picked apart and collated on this new five-CD box set. The Broadcast Collection spans 1979 to 1996 and includes all your favourites like 'Killing An Arab', 'Boys Don't Cry' and 'Just Like Heaven' (in fact more than one version of some of those make the cut) next to plenty of lesser-known but no less good jams.
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Review: The last ten years have seen no shortage of bands with their delay pedals set to stun intent on capturing an aura of dreamlike radiance. Yet Texas 'pop-noir' troupe Cigarettes After Sex are no ordinary shoegazers, for a variety of reasons - frontman Greg Gonzalez' androgynous and dulcet tones may be part of the appeal, yet moreover it's the quality of the songwriting here, which never falls prey to the style-over-substance traps of their peers. Indeed, this debut is more than enough to justify the considerable hype around this outfit, being a collection of ditties as sultry as they are atmopsheric.
… Read more in stock $8.81
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Cat: DUHFCD 45. Rel: 28 Mar 24
Indie/Alternative
in stock $7.26
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Cat: TRNHC 013CD. Rel: 05 Apr 24
Folk/Americana
Review: Build Something Better by Grace Petrie, produced by Frank Turner, is a powerful statement on contemporary societal inequalities and injustices. With a blend of punk-folk elements, Grace's acoustic guitar and vocals shine, supported by Ben Moss' captivating fiddle playing and Stuart Proven's excellent drumming. The album tackles themes of alienation, political disillusionment, and the struggle for truth in a post-truth world. Tracks like 'The House Always Wins' and 'Meanwhile In Texas' confront hard-hitting issues with poignant lyrics and infectious musical patterns. Grace's songwriting ability shines through in tracks like 'King And Country' and 'Earthwire,' where personal relationships intertwine with broader social commentary. The album culminates in the title track, 'Fixer Upper,' offering hope amidst the existential threat of global crises. Overall, Build Something Better is a musically rich and lyrically profound album.
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Review: 40 years after the band's formation, The Jesus & Mary Chain have delivered their eighth studio album, their first full length release of new material for seven years. Admirably, the Reid brothers have refused to rest on their laurels and offer-up something undeniably nostalgic - catnip for long term fans if you will - but instead have fused elements of their familiar sound and style with plenty of fresh ideas. There are audible nods to Suicide, Kraftwerk and the improvisational practices of jazz, but also tons of fuzz, feedback and aural chaos. It's an invigorating mixture that's best exemplified by 'Jamcod', where the pair's red-raw guitars, low-slung bass and acid-fried vocals rise above a skittish electro beat, the slipped shoegaze-goes-dreampop flex of 'Chemical Animal', and the pleasingly spiky and punchy 'Girl 71'.
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Review: My Bloody Valentine frontman Kevin Shields has talked a lot about the stress of making Loveless, the band's now iconic 1991 sophomore album. It took over two years (and trips to 20 recording studios) to make, such was Shields sharply focused desire to capture a very specific sound. As this reissue proves, his attention to detail genuinely resulted in what many critics cite as their best album - a wonderfully immersive, wide-eyed and enveloping set that fuses their fuzzy alt-rock guitars with gaseous musical textures, dreamy aural colours and painstakingly layered musical soundscapes that sound as gloriously intense and druggy as they did way back in 1991. It's an album that everyone should own - or at least all those who doubt the sonic potential of primarily guitar-based music.
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Review: During The Black Keys surprise revival of recent years, much of their music has been produced by Dangermouse. While he played no role on the duo's new album, Ohio Players - their 12th in total - his influence remains in the inventiveness of the production. The pair's new-found love of collaboration remains too, with Beck credited as co-writer on roughly half of the album's tracks. His influence is obvious in the funkiness and fuzz-fuelled psychedelia of 'This Is Nowhere' and 'Don't Let Me Go', as well as the quirky, horn-sporting cheeriness of 'Beautiful People (Stay High)' and the low-slung, effortlessly funky indie-rap hedonism of 'Paper Crown' (where he appears on vocals alongside Juicy J. The band's wholehearted love of hip-hop is also explored on the excellent Lil Noid collaboration 'Candy & Her Friends'.
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