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Review: The Too Slow To Disco compilation series and subsequent label is one of the best to emerge in recent years if you ask us. The latest in its cultured Edits series finds a brace of new hot takes from Dave Mathmos. First, he offers a Contemporary Soul remix of 'Your Love' and it is the sort of heart-warning sound that brings impossible fee good energy to a park. On the flip he offers an interpretation of 'You Abandoned Me' that has a fleshy and gurgling bassline topped with aching soul vocal hooks and lush, late-night piano chords. Gorgeous stuff.

Review: According to their website, Too Slow To Disco Edits' latest recruits, the Flying Mojito Brothers, are "two country-disco mescoleros pioneering the great electronic wilderness". The two reworks showcased on this rather charming red ten-inch are in some ways fully in-keeping with the more disco-fied end of their output, and a touch faster and more peak-time ready than some of Too Slow To Disco's output. The standout is undoubtedly A-side 'Good Feeling', a rolling and steadily building affair that stretches out a rubbery bassline propelled, soul-flecked disco groove before introducing the vocals and wider instrumentation from their (rather good) source material. Turn to the flip for 'Fadin' West', a sunset-ready revision of an AOR disco/swamp funk fave that chugs along at an attractively low tempo.

Review: Sunshine Sound is the NYC imprint that became recognised as the birthplace of the edit, through a series of genre defining releases. It is back with another golden oldie, re-spliced with paramount expertise and respect by the one and only Francois K. The multi-layered and utterly hypnotic "I Feel Love Medley" (Francois K edit) is a long sought after rework of the well known Donna Summer classic. Over on the flip, from the depths of the label's archive is another Donna Summer classic - the unique 'Faster & Faster Medley' edited by Canada's Jacques Lessard.

Review: Take a journey to the dawn of DJ culture with Sunshine Sound, the NY imprint that became recognised as the 'Birthplace of the Edit'. The Francois K and Walter Gibbons resplices here of 'Happy Song' is their first vinyl release, known as the original DJ tool (and the original bonus beat) which has been the source of countless samples and imitations since it first appeared in 1977. Kevorkian's version on the A side is the most commonly known one, with its upbeat infectious rhythm, while Gibbons' take over on the flip has more stomp and was very much streamlined for his legendary DJ sets at Galaxy 21.

Review: Expansion's offshoot label is back with a second release and for the occasion have put together a special eco vinyl 10" here that is strictly limited to just 100 copies and is fully deserving of that treatment: Tom Browne Feat. Carol Woods combined to great effect in the 80s on this soul classic that now gets a first-ever single release. It's the sort of immediately heartwarming tune that draws from soul, jazz funk, disco and more to cook up a steamy and excellent groove. On the flip is Diplomats Of Soul with their own super cover of 'Brighter Tomorrow' featuring Brit funk and acid jazz greats Incognito & Imaani.

Review: Baz Bradley and A Girl Called Kate team up to make Orbs Of Light, cementing their decades-long collaborative synergy with a slice of contemporary Balearic beat. 'Billion Days' hears Kate loll through a resolute vocal line, as its production opens up an ever-expansive beach-bound vista, whether by sequenced steel pans or synths. The 10" also includes remixes by 40 Thieves and Mind Fair, who add their own twists to the original.

Review: Roy Ayers staked a bold claim by flaunting the fact that he had 'Reach[ed] The Highest Pleasure' back in June '77. Unfortunately for us back then, this lifetime hedonistic milestone - documented in instrumental funk form - was shelved for reasons unknown beyond simple artistic oversight. As said, this slick solo instrumental for drums, bass and vibraphone is a perfect soul-jazz, chillout trifecta, one for the rarities collectors.

Review: This hand-stamped white label 12" from the Pulp Corn crew is the 10th such offering and still, they are cooking up irresistible house fusions that do plenty of good things. 'Track 1' here takes a classic vocal sample from the Pulp Fiction movie and layers it into a freewheeling disco house sound that is cosmic, funky and retro-future by design. After that loopy workout comes the more freewheeling broken beats and Latin-inspired sounds of 'Track 2' which again has a classic movie sample as the centrepiece while the drums evolve all around. Playful and fun for sure.