Review: Hold tight for another dose of seriously sassy Italo brilliance lovingly reissued on Best. This time it's Plustwo and their outrageously fun "Melody" getting the treatment, with the A side given over to the catchy vocal version and the previously unreleased dub version. "Stop Fantasy" on the flip is another sugar-coated trip through poppy dancefloor perfection, with some cheeky acidic undertones for those listening with the right ears. You'll recognize this one as a crossover hit that's snuck up in deep digging sets - now you can get your mitts on it too.
Review: REPRESS ALERT! Best Record Italy take the time machine all the way back to 1979 to revisit the wonderful Italo-Disco delights of Adolf Stern, whose "More... I Like It" represents the strangest end of the genre as it was taking shape. With heavily processed vocals injecting some serious strangeness into the chirpy disco backdrop, it's the kind of track to turn heads without a doubt. "Twenty Seven" on the B-side is equally magical in its capturing of the era, with the more obvious surface elements underpinned by a truly intoxicating line in synth arpeggios. Once again Best comes up trumps refreshing the history of Italian music of all shapes and sizes.
Instant Funk - "I Got My Mind Made Up" (Late Nite Tuff Guy remix) (7:21)
Orlando Riva Sound - "Body To Body Boogie" (Late Nite Tuff Guy edit) (5:30)
The Salsoul Orchestra - "Ooh I Love It (Love Break)" (Late Nite Tuff Guy Muscle edit) (6:42)
Review: Salsoul has always been good at getting contemporary producers to reinterpret classics from its bulging catalogue, with recent years bringing fresh edits and reworks by The Reflex, Moplen, DJ Pope, Dimitri From Paris and Late Nite Tuff Guy. Here the latter returns with a second helping of tastefully tooled-up revisions. The Australian producer kicks things off with a warm and woozy hybrid disco/house take on Instant Funk's "I Got My Mind Made Up" that's quite a departure from the original mix. Over on side B, he turns in a languid and groovy, mid-tempo house version of Orlando Riva Sound's overlooked "Body To Body Boogie" before successfully revising Salsoul Orchestra's much-loved "Ooh, I Love It (Love Break)" whilst retaining most of the original vocals and instrumentation.
M&M Vs Andrei Swipe - "Analog Express" (Don Carlos remix) (7:29)
Review: There's an undeniable air of quality that lingers over the 12"s emerging on 14th Level Of Paradise, the mysterious label presenting originals, edits and repressed tracks for true house devotees. First up is a little known track from Sasha Makin and Suntetic, given a shimmering polish by Don Carlos and Steven Perri to become a heavy funking masterpiece, before Joe Claussell drops in a percussive dub delight on Monday Michiru's "Higher". On the flip, Vincent Inc and LA get things pumping with the slow but chunky, jazz-licked "Red Room", before Carlos returns for another deep house reverie as he remixes M&M and Andrei Swipe's "Analog Express".
Review: Glaswegian disco overlord Al Kent is particularly fond of dusty, hard-to-find records that combine great grooves with the kind of sugary, flowing orchestration that marks out some of the greatest late-'70s dancefloor records. It's these records that he tends to re-edit. He's at it again here on a surprise two-track GAMM outing. Check first A-side "The Light Of You", a peak-time ready Stevie cover version disco cut that adds a myriad of instrumental solos to a heavily orchestrated backing track originally recorded by latin disco soul outfit LaSo. It's rather good, all told, as is the wild flipside Latin jazz-funk workout "Sing A Song". It's pretty sweaty and even boasts some serious eyes-closed guitar solo action (along with tons of authentic South American percussion).
Review: You'd probably have to take out a loan to buy an original, second-hand copy of Master Force's sole single, 1979's "Hey Girl", so this dinky reissue is more than welcome. The title track is a dewy-eyed slice of two-step soul sweetness rich in Curtis Mayfield style lead vocals, glistening guitars and trumpet solos that sound like they've been lifted from an early Herb Alpert recording. Arguably better for dancefloor plays is "Don't Fight The Feeling", a Clavinet-heavy disco-funk affair that boasts some brilliant group backing vocals and heaps of authentic New York flavour.
Review: Afrodesia may come on like another dusted down gem from those dedicated detectives at Best, but it is in fact a modern construction from the talented studio trysts of Mystic Jungle and Whodamanny from the Periodica camp. These Italian producers have more than proved their knack for crafting sublime, honey-smooth jams with a nod to the golden studio era of the 70s and 80s, and they're more than up to the task on this killer 12" of heavy funking jams with a dose of boogie and a nod to Ivory Coast disco. It's quite simply perfection, rendered with love and attention to detail, but utterly natural in its feel and flavour.
Review: The Fantastic Voyage label kicks off with a summery joint from RFX, otherwise known as Pharmacy Records mainstay Romain FX, straight out of Hong Kong. There's an undeniable African lilt to these tracks, shot through with a classic 90s house twist - just check the infectious bump of "Indaba Kabani". "Gambian Neptune" has a snappier feel, channeling the vibe of 80s extended dubs with its strident drum section and bombastic atmosphere. "Nigerian Charon" has an interesting mixture of vibes going on, part Art of Noise mash up and part peak time synth sizzler, while "Sudanese Xena" heads into the heat of night, conjuring up a seductive, swirling mood to get truly lost in.
Review: REPRESS ALERT!: Giorgio Gordano and Giorgio Dolce originally produced "KKK" back in 1983, and the track was taken into the hearts of the blossoming Balearic scene hovering around DJ Alfredo at Amnesia. It's as gentle and sweet natured as Italo disco can be, and of course it makes perfect sense that Best Records would dig it out of the archives and give it the shiny new reissue it deserves. The "Club Mix" of "KKK" is a feast of simple, charming programmed melodies and crisp drum machine rhythms with the innocence of the early 80s in its heart. The "Dub Mix" and "Bonus Beats" on the flip are handy for the technical DJs out there, but the "Club Mix" is where it's at for the lovers.
Never Gonna Let You Go (Theo Parrish Ugly edit) (10:04)
Never Gonna Let You Go (5:10)
Review: For the best part of 17 years, Theo Parrish's legendary re-edit of Made In USA's "Never Gonna Let You Go" was available only to those willing to pay serious sums for a copy of his first "Ugly Edits" release. Thankfully De-Lite has done the admirable thing and made it available to all via this essential new edition of the 1977 jam. It allows those who've never heard Made In USA's heartfelt and surprisingly laidback original to compare the two versions, which only highlights the brilliance of Parrish's re-edit. His ten-minute take speeds up the track, adding choppy edits effects to increase energy before rolling into the most righteous and celebratory bits of the original version. In our opinion, it's one of the greatest re-edits of all time.
Review: Disco Fruit come correct once again with that bright and bold house sound to get everybody shaking their thing. 84Bit's "Mamma Jamma" is an impossibly catchy, diva-led funky house jam with pristine production that harks back to the glory days of radio-friendly house music with more hooks than a fishing tackle shop. Hotmood keeps the vibe of the original intact but edges a little more club-ready bite into the mix, master editor Dr Packer takes a subtle approach that keeps the disco vibes front and centre, while Tonbe cools things down with a filter riding version.
Review: Dinky-Di is a modern disco ensemble conducted by Waq Takahashi with just a few key releases spread out across the past 15 years. Now Million Dollar Disco main man Al Kent has cherry picked one of the hottest jams from their oeuvre and given it a special rub down - the kind of treatment that warrants a single-sided 12" no less. In Al's hands, 2005 track "Gold Wave" becomes a sizzling party monster that romps along for more than 10 minutes. With scintillating peaks, heavyweight drum breakdowns and sumptuous musicianship throughout, this is how an epic disco bomb should sound in 2019.
Aurra - "Such A Feeling" (Dr Packer rework) (6:56)
Salsoul Orchestra - "Take Some Time Out" (Dr Packer rework) (6:43)
The Jammers - "Be Mine Tonight" (Dr Packer rework) (5:50)
Review: Barely a fortnight has passed since Salsoul offered up a double-pack of Dr Packer reworks of classic tracks, but the Australian producer is already onto his next batch of vintage disco and boogie remixes. He begins by subtly beefing up Loleatta Holloway's orchestrated disco classic "Hit & Run", wisely emphasizing a relaxed but bouncy disco-house groove and dubbed-out vocal section, before going dub disco crazy on a suitably spacey, low-slung take on Aurra's boogie-era jam "Such A Feeling". Record two sees him charging towards peak-time floors via fine multi-track edit of Salsoul Orchestra's "Take Some Time Out", before delivering a fine, light touch revision of the Jammers' superb, synth-heavy electrofunk classic "Be Mine Tonight".
Review: Once again here edit king Mr. K turns his attention to one of the many hits penned by New Orleans legend Allen Toussaint. This time it's a 1978 tune from The Pointer Sisters that they still use as a concert opener whenever they play, despite the fact it didn't chart that well on release. That didn't stop it becoming a dance floor hit though, here the synths are polished up and drawn out with an added acappella and the whole thing dazzles. On the flip is an excellent edit of Gene Harris' cover of Stevie Wonder's transcendent "As", fine-tuned for 2019 and beyond with emphasized percussion and a sinewy extension that cuts the bulk of the lyrical intro and lets Harris's electric piano and the all-star choir shine.
Barely Breaking Even (Louie Vega Boogie mix - radio edit) (3:33)
Barely Breaking Even (Louie Vega Boogie instrumental mix - radio edit) (3:31)
Review: Here's something to set the pulse racing: an all-star re-recording of Universal Robot Band's boogie classic "Barely Breaking Even" that brings together Masters At Work man Louie Vega, original vocalist and arranger Leroy Burgess, iconic disco producer Patrick Adams and an impressive backing band of hired musicians including Michael Kelley (better known in electronic music circles as Metro Area collaborator Kelley Polar). While there are plenty of audible nods towards the early '80s original - extensive use of cowbells, that oh-so familiar synth sound - the re-recording is altogether warmer, fuller and a more contemporary sounding affair rich in sweeping orchestration and tactile synth bass. Both the edited vocal and instrumental versions are superb.
Review: This is a big reissue of some disco-not-disco weirdness as cut up and chopped, skewed and made to dazzle by the Bastedos camp. "Keep Me On Fire" is a chugging pumper with fat drums and noodling riffs that sets the groove train in motion and keeps it running. "I Tried To Help It" is even more wild and impassioned thanks to the unabashed vocal that cries in soulful falsettos while Chic-style riffs power it along. "Termination" ends in a freaky but funky fashion with twisted vocals and gauzy guitar chords layering up into a marching wall of sound that's laden with effects.
Review: The My Rules crew is back with its first release of 2019 and doesn't disappoint: this time they've come up with a much fawned over cosmic disco classic from Belgian outfit Candy Darling & The Viscounts. The original "Movin'" is a previously Japan only 12" promo mix of a disco cover of a Lee Hazelwood surf song that has edgy stabs and a squelchy bassline to die for. The flip side houses a special rework by Mt Rules label boss Justin Van Der Volgen. He tweaks the inner workings of the tune to draw out the key bits for utter dance floor destruction. Form the bar to the cub to the afters, this one is primed and ready to detonate.
Review: A while back, Africaine 808's DJ Nomad contacted Favorite Recordings' chief Pascal Rioux about a killer track he'd been given some years back - an obscure, previously CD-R only fusion of modern Gwo-ka and Zouk by Esnard Boisdur entitled "Mizik Bel". Rioux was excited by what he heard and agreed that the track should come out on vinyl, accompanied by a fresh rework by Nomad and Dirk Leyers as Africaine 808. Boisdur's original version (side A) is rhythmically dense but also cheery and life affirming, with celebratory chorus vocals and 80s zouk style synth lines subtly rising above a busy, all-action groove. Arguably even better is the sub-heavy Africaine 808 mix, which brilliantly re-imagines the track as a tasty chunk of tropical house/disco-zouk fusion.
I Want To Thank You (KON Shine Your Light remix) (7:54)
I Want To Thank You (KON dub) (7:49)
Review: Having previously breathed new life into classic cuts from L.T.D, George Duke and Sylvester, Kon has now turned his attention to another all-time favourite: Alicia Myers' 1981 stunner "I Want To Thank You", a disco-era gospel-soul favourite that remains one of the era's most timeless club records. Working from the multi-track tapes, Kon teases out Myers' killer vocal - drenched in just the right amount of reverb and delay - atop a slightly stripped-back groove before giving it the full kitchen sink treatment. Just as good is the flipside Dub, which flits between beat-free sections and the track's killer groove in the manner of disco dubs from the early 1980s. The song itself may not have needed tampering with, but Kon's versions are genuinely superb.
Review: Many disco-era modern soul collectors regard, Larom Baker's "You're The Best", which initially appeared in 1978 on an impossible to find, single-sided 7" single, as one of the style's genuine "Holy Grail" records. It's good news, then, that Athens Of The North has secured the rights to reissue it, releasing the full studio version (rather than the shorter edit that was released all those years ago) for the very first time. It's a genuine gem, with Baker's deliciously breezy West Coast soul vocal seemingly floating over a killer backing track rich in hazy horns, bustling slap bass and crunchy Clavinet lines. Turn to the flipside for the more disco-minded "Train Of Thought", one of a string of recently discovered Baker recordings that form the basis of a forthcoming album of previously unreleased tracks.
Review: REPRESS ALERT!: Roberto Lodola has a rich legacy in Italian music, not least as a DJ and at the helm of early 90s outfit Rhythm Factory. Recognising the cult status of his first single, the 1986 12" Marimba Do Mar, Best Records have done the right thing in remastering this sun soaked classic with both original mixes and two previously unheard studio outtakes. The "Fusion Version" of the title track is a rich, sensual jam festooned with cascading pianos and tumbling percussion, while the "Vocal Version" brings a beautiful female vocal front and centre in the mix. "Feeling Of The Sun" is a delightfully spaced out lo-fi take on the original, and then "Hey George!" strips the music away and leaves you with a gorgeous beat track perfect for extended mixing potential.
Review: Following his recent strong turn on Cocktail D'Amore, Jules Etienne makes a trip back to Apersonal Music with more of that island groove for the smoothest slack-wearers in town. "Free As A Man" is a beautifully laid back but funky offering that speaks to all kinds of good times. Jex Opolis turns in a remix of the track that has a little more bite to suit the later demands of the dancefloor. "Don't Wanna Talk About It" sees Etienne linking up with Disco D and winding all kinds of slick strutting business into his sound, and then "Rhythm For The Garden" heads off into wonderful tribal percussion that serves as a handy tool for DJs who want to get some rich drum sounds into their set.
Review: Best just keep coming with the Italo heat, once again tapping into that golden year of 1984. Funky Family was a one-shot studio project that left a much-vaunted record in its wake. The visionary nature of "Funk Is On" is impossible to ignore - from the noirish mood to the physical thrust of the arpeggios, the diva vocals and tough 4/4 groove, this is house music in all but name. Whether you want the vocal cut or the instrumental, Best have you covered - either is going to set the dancefloor alight.
Review: Surprisingly, Don Blackman originally wrote and recorded "Just Can't Stay Away" to play as the recorded message on his girlfriend's answering machine. He later included it - tweaked and turned into a mid-80s style boogie banger reminiscent of his work during that decade - on his second and final album, 2002's CD-only "Listen". Here it finally gets a vinyl release thanks to reissue specialists Melodies International. If you're a fan of boogie, electrofunk and synth-soul it should be an essential purchase, not least because it's every bit as good as more celebrated Blackman productions made earlier in his career. There are "Stereo" and "Mono" mixes to enjoy, with the former naturally offering a more refined and intoxicating listening experience.
Review: There's not a lot of info about this one other than it's a "mysterious" re-edit that's been setting alight the DJ sets of some serious selectors on the European electronic disco underground. Whoever is behind it, and whatever the original source material may be - we've not got a clue - "Koy Jaye" is astonishingly good: a throbbing chunk of glassy-eyed, shirts-off Italo-disco/Bollywood fusion that layers exotic Indian vocals and snaking horn lines over druggy arpeggio style bass and a stomping drum machine rhythm. It's the kind of thing capable of sending dancefloors crazy at four in the morning, and there's always room in the record bag for jams like that.
Review: Hot on the heels of a re-work of Bobby Caldwell, edit stylist Caserta is back with another golden nugget. This time he turns his attention to the one and only Luther Vandross and serves up two equally essential but very different tunes that pay homage to his unique voice. The King Street Mix is all hip swinging claps and nodding bass riffs that are organic and heartfelt, whereas the Henry Street Mix nods to the '90s heyday of New York. With warm neon organ stabs that will get any floor pumping, both interpretations have Luther's soulful voice front and centre.
Review: REPRESS ALERT: As far as collaborative delights go, this really takes the cake. Miami boogie wildcard Noel Williams, aka King Sporty, throwing it down heavy with legendary Jamaican reggae axe man Ernest Ranglin - as you might expect, the results are incendiary. "Soft Touch" has a hint of the cosmic about it as it romps through insanely catchy chorus chants, stirring brass stabs and Ranglin's sweet licks. "Keep On Dancing" has a more uptempo feel, "In The Rain" slips into a laid back reggae skank and "Be What You Want To Be" turns the vintage disco heat back up. Throughout this wonderful mini LP, the duo switch between each other's strengths and bring out the best in each other, like all good collaborations should.
Review: If you're looking for a great selection of house and disco club cuts, you can't beat Z Records "Attack The Dancefloor" Series. The latest volume begins with the revivalist disco brilliance of label founder Dave Lee AKA Joey Negro's remix of Delia Renee's "You're Gonna Want Me Back", before moving on to the slightly more house-centric modern disco vibes of Dr Packer's superb revision of vintage Dave Lee production (as Foreal People) "Shake". Over on side B, Grant Nelson offers up a filter-sporting disco-house revision of Z Factor classic "Gotta Keep Pushin", before Lee dons the Joey Negro alias one more time to wrap ear-catching church organ solos around a gospel-influenced house groove on an excellent remix of Four80East and CeCe Peniston's "Are You Ready?".
Pamela Nivens - "It's You I Love" (instrumental mix) (4:07)
Hugh Mane - "Real Sucker For Your Love" (6:36)
Switchdance - "Arabian Ride" (6:11)
Mr Marvin - "Entity" (Jazzy mix) (4:22)
Review: Almost two years on from the release of his brilliant "The Sound of Mercury Rising" compilation, DJ Harvey returns with another brilliant selection of tracks he's championed at Pikes in Ibiza. As with its predecessor, volume two offers a giddy skip through the dustier corners of his notoriously eclectic and off-kilter record selection. Along the way, he offers up chiming, synth-heavy Balearic classics (Mandy Smith, Hugh Mane), weirdo European disco (Marta Acuna), evocative electronic soundscapes (System Olympia), blue-eyed synth-pop (Pamela Nivens), drum machine-powered Middle Eastern madness (Switchdance's sublime "Arabian Ride") and a swathe of tasty contemporary cuts (the jaunty jazz-funk of Midlife, Das Komplex's ace "Slap", Nu Guinea's splendid "Je Vulesse" and Peaking Lights remix of Land of Light being the highlights).
Review: Sartorial and Moodena's Tropical Disco imprint has become a go-to label for discerning house and disco lovers around the world to devour. On their label's 12th edition, main man Sartorial kicks things off with the thumping, Latin-inflected summer scorcher "Fat Freddy's Party", co-head Moodena takes charge of the second track, bringing a softer sound palette full of '80s energy, blessed keys, signature feisty horns and nifty filter sweeps on "No More Sushi". The enigmatic Phazed Groove takes over the B side with stylish night moves, dishing up a respectful edit of a timeless classic on "Sweet Talker" and some sultry deepness on the familiar deep house groove of "Sunshine".
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Mahogany - "Ride On The Rhythm" (Michael Gray remix) (7:05)
Raw Silk - "Just In Time" (Michael Gray remix) (6:25)
Review: Full Intention man Michael Gray is the latest contemporary house producer to get his hands on the parts to classic cuts from the bulging West End Records catalogue. He has opted to rework two slightly deeper early '80s jams, starting with Mahogany's 1982 boogie cut "Ride On The Rhythm". His version is warm, sparkling and bass-heavy, offering the right balance between modern production techniques and the kind of effects utilized by the track's original producers. It's really good, keeping the spirit of the original track while dragging it into the 21st century. The same could be said of his boogie-house take on Raw Silk's "Just In Time", which boasts a similar balance of tidy new drums, spruced-up synths and swirling effects.
Review: In 1996, Dreamscape's Ed Marshall donned a new alias, Aplomb, and delivered the first fruits of his new project to New Age House Records. Only one track was ever released on a limited label promo, "Wondering". World Building's Ari Goldman, who previously put out a compilation of Marshall's work as Dreamscape, is a fan and has decided to rescue it from obscurity via this single-sided 12". The track itself is hard to accurately pigeonhole, combining as it does dense, carnival style drums, female scat vocals, warm bass, dreamy deep house chords and synthesizer flourishes reminiscent of early '80s jazz-funk. Either way, it's a sunny and groovy chunk of obscure house positivity that's well worth a place in your collection.
Review: Having previously persuaded some of the re-edit scene's biggest names to contribute reworks, Razor-N-Tape has now recruited the Grand-daddy of the scalpel scene: 1970s disco original Danny Krivit AKA Mr K. He begins with "Stuff", a deliciously epic revision of an atmospheric and joyous disco cut rich in snaking synth solos, evocative instrumentation and glassy-eyed vocals. Krivit teases the tune in slowly, eventually cutting loose as the nine-minute edit reaches its final few minutes. Side B is all about "The Story", a jaunty and musically complex instrumental disco number that contains some fantastic orchestration, spacey 1970s synthesizer flourishes and heady female backing vocals.
Review: Not An Animal regulars Ess O Ess are back with an effervescent 12" that spans starry-eyed electro and pastoral electronica. "Voice Inside" comes in French and English versions, depending on what flavour you want from the sultry spoken word turn on the top of the plush harmonics of the production. As well as the killer original track, there's choice remixes on offer too from The Backwoods and Craig Richards. The former takes a cosmic, trippy approach to the track, but keeps the focus sharp thanks to a snapping 4/4 beat. Craig Richards meanwhile takes things far away from the original with a brilliant slice of discordant electro weirdness for the after hours crowd.
Review: Cannon & Mirrorball may not be the disco edit scene's answer to moustache-sporting 1970s/80s comedy heroes Cannon and Ball, but they certainly serve up tracks that will put a big goofy smile on your face. Their latest Disco Bits adventure begins via "Black Rhythm Rap", a chunky, hip-hop friendly rework of an obscure, late 1970s disco-rap bomb rich in funky guitar licks, cut-glass strings and party-starting MC flows. On the flip they get even cheekier, placing Loleatta Holloway's incredible "Love Sensation" vocal over a stomping, Blaxploitation-era disco-funk backing track and all manner of familiar soul and funk samples. Purists will no doubt sneer, but they really shouldn't: this is tastefully produced disco heat of the highest order.
Review: Cellophane was a cult project from Alessandro Novaga, an Italo producer who created tracks with a huge influence on the development of Chicago house. Besides his other production credits, Cellophane is an especially visionary venture that favours expansive, psychedelic suites of electronic disco over traditional song structures - just the kind of rare, oddball curiosity Best do such a good job of reissuing. While the A side is excellent in its own right, "Music Colours (Part 3)" on the B-side is the bomb here. Stomping, trippy and utterly addictive - from the Music Box to your record bag this kind of music just doesn't age.
Review: If you're in the mood for some cosmic grooves, wayward disco and pagan psychedelia, Multi-Culti's Cult Edits series is always worth checking. The imprint's latest offering is packed to the rafters with mind-altering goodness. Inigo Voltier sets the tone with "Ti Amo", a Fairlight-powered bounce through post-Italo oddball electro territory with added mix-80s power-pop guitars, before Angelina Amor reworks a sludgy slab of European industrial/new wave fusion. Youkounkoun's throbbing "Cosmic Yoyo" sounds like post-apocalyptic Italo-disco after a fist full of downers, while Asa Moto's "When The Funk Is On" is a funky but undeniably weird electro-industrial cut rich in delay-laden vocal snippets and metallic percussion hits.
Skyy - "Here's To You" (Moplen Boogie Down mix) (8:37)
Skyy - "Here's To You" (Moplen Boogie Down dub) (7:53)
The Salsoul Orchestra - "Ohh I Love It (Love Break)" (Moplen remix) (7:44)
Review: Plenty of the old classics can benefit from a little modern touch up, and that's the story on this latest offering from Salsoul, who once again open their vaults. Italian maestro Moplen is given free rein and turns his hand to Skyy - "Here's To You", firstly with a boogie driven rework that is all about an irresistibly knotted bassline. The dub version places even more focus on it, and on the flip The Salsoul Orchestra - "Ohh I Love It (Love Break)" gets teased out to perfection. The classic vocal is left in place while the sensuous bass, gliding hits and rousing strings will make their way deep into your affections.
Review: More bone-shaking sounds from the mysterious edit crew as they hit their sixth EP. As always, it's a full flavour fusion laced with stacks of spice. From the desert striding twangs and percussive rattles of EP opener "Yearning To Fly" right through to the final Roland rollicking of the vibrantly trippy new wave slap-bass popping sheller "For Pete's Sake", it's another deeply dug set rife in references and plastered in psychedelic flourishes.
You Make Me Feel (Mighty Real) (Michael Gray remix) (7:33)
You Make Me Feel (Mighty Real) (Michael Gray dub mix) (7:38)
Review: What more needs to be said about this timeless disco hit? A staple of DJ sets by everyone from Derrick May and Laurent Garnier to James Murphy, this Harvey Fuqua and Patrick Cowley production from 1979 is a truly timeless classic whose spirit still lives to this day on modern dancefloors. Here we are treated to a rework by Britain's undisputed king of funky house Michael Gray (Full Intention) on his Sultra label. With full respect to the original, Gray's rework injects some dancefloor dynamics for the modern sound system. You even get a bonus instrumental "Dub Mix" on the flip!
Review: Defected offshoot Glitterbox is a label that embodies the old school spirit of early house and disco - polysexual, positive and hugely expressive. The latest single is another testament to that with majestic producer Qwestlife serving up a perfect fusion of disco lushness, house groove and funk bass on "Fever". Add in hip swinging claps, Grammy winner Siedah Garrett's vocals, a sprinkling of Sugarhill Gang and Grandmaster Melle Mel and you have a real bobby dazzler. Deep digging disco don Kon serves up a joyous remix as well as a beatless reprise for DJ trickery.
Review: The Dessert Island Discs series continues with yet more arch remixes from across the disco and boogie spectrum. Bubbles The Pimp kicks off the A side with a tasteful treatment of Gil Scott Heron's "Winter In America," which gets rustled up into a sweet and sassy house number with a cheeky acid b-line underneath. Nelly Wilson whips up a storm on the tightly clipped, peak time-oriented "Trapped & Confused". Pierre Pressure's "Love & Beyond" takes it easy on the B side with plenty of fluttering synth wobbles to offset the choppy funk of the guitar - it's a cosmically enhanced floor burner to get you all astral under the collar.
Review: Dutch producer Larry De Kat has been spotted delivering an album to Lazare Hoche and sliding his wares onto SlapFunk and Dungeon Meat alike, but his Katnip label it the one to watch for some of his most personal wares. This new release finds him purring his way through downtempo, soul-inflected selections that open out a whole new dimension to this talented, versatile producer. Juno's vocals are the icing on a particularly funky cake on "Do For Love", while "So Damn Fine" is an instrumental beat worthy of D'Angelo (sadly not included). The jazzy licks pour out of this release like honey - Larry De Kat just upped his game yet again and we strongly advise you to take heed.