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Review: Formed in the post-punk era of Manchester in 1978, The Durutti Column, led by guitarist Vini Reilly, has remained an enigmatic and influential force in the history of post-punk. Their 1989 release, aptly titled Vini Reilly, is a testament to Reilly's eclecticism and sonic experimentation. The album spans a vast musical landscape, encompassing elements of post-punk, rock, acoustic, avant-garde, jazz, classical, folk, pop, and electronica.The album's 35th anniversary reissue box set includes many great additions that allows listeners to appreciate the enduring impact of his artistry, as he continues to inspire and challenge music enthusiasts worldwide. Includes new essay by Durutti Column/Factory Records expert James Nice, liner notes by band member Bruce Mitchell, liner notes from Anthony Wilson, interview extracts with Vini Reilly and restored images and outtake images.

Review: Pearl Jam's Dark Matter sees the veteran rockers returning to their roots with a revitalised energy. Recorded in a rapid yet collaborative burst of creativity, the album captures a raw essence reminiscent of their early days. The band still delivers a potent rock-forward sound with muscular guitar leads and Vedder's iconic vocals. Tracks like 'Scared Of Fear' and 'Wreckage' showcase the band's trademark grandeur, while 'Setting Sun' serves as a raggedly majestic closer. Dark Matter proves to be very strong album which should excite longtime fans.

Review: Manchester mavericks A Certain Ratio have been on a rare run of form of late, with 2023's 1982 counting as one of their most vibrant and endlessly entertaining albums for decades. Of course, all their albums are of a consistent quality, but It All Comes Down To This genuinely crackles with energy. From the word go, the veteran band's inherent funkiness is present, but this time it comes cloaked in fuzzy funk-rock guitar riffs, acid-fried effects, and vocals that are amongst the most forthright they've committed to wax (or, in this case, CD). In many ways, it is - as the band and producer/Sopeedy Wunderground boss Dan Carey intended - a 'back to basics' sound that focuses on the key aspects of ACR's sound. When those 'basics' are so strong, it's no surprise that the results are this impressive.

Review: Pearl Jam's 12th album, Dark Matter, sees the veteran rockers returning to their roots with a renewed sense of vigor. Departing from the reflective tone of their previous release, Gigaton, the band opted for a more spontaneous approach to songwriting, gathering in a room to craft material that feels refreshingly loose and live. The album as a whole delivers some convincing arguments for a classic Pearl Jam collection. Tracks like "'Scared Of Fear,' 'Wreckage,' and 'Setting Sun' showcase the band's trademark grandeur, with muscular guitar leads, powerful drumming, and Eddie Vedder's unmistakable vocals leading the charge. Many long time fans will appreciate this album as a fiery rebirth after a series of more stilted releases. Ultimately, Dark Matter is a audio guidepost to Pearl Jam's enduring identity and their ability to deliver authentic rock music that resonates with both diehard fans and casual listeners alike.

Review: Claire Rousay's Sentiment album is a captivating exploration of poignant emotional landscapes, encompassing themes of loneliness, nostalgia, sentimentality, guilt, and sensuality. Through a blend of experimental and ambient music, Rousay deftly incorporates textural found sounds, sumptuous drones, and candid field recordings to create music that celebrates life's banalities with granular detail. Rousay's vocals and guitar take centre stage, conveying a powerful desire for connection amidst a backdrop of resignation. The album that balances vulnerability with innovation, delivering anthemic yet deeply personal songs that resonate with listeners on an emotional level. Sentiment is a blissfully melancholic and undeniably sensual listening experience.

Review: Mansun's The Dead Flowers Reject, originally conceived as an insurance policy against label rejection of their experimental album Six, emerges as a hidden gem in the band's discography. Recorded concurrently with Six, this album offers a slightly less eccentric selection of songs, showcasing a more conventional sequencing approach. Frontman Paul Draper describes it as possibly his favorite Mansun album, capturing the band's live essence. Fans will relish the opportunity to experience this essential piece of Mansun's legacy in its full glory. Mansun's influence on the late 90s British music scene is undeniable, and The Dead Flowers Reject adds another layer to their iconic status. With its newfound availability on vinyl, this album solidifies its place as a crucial component of Mansun's innovative journey.