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1010 Music Blackbox Portable Sampler & Groovebox With Sequencing & Effects 1010 Music Blackbox Portable Sampler & Groovebox With Sequencing & Effects 1010 Music Blackbox Portable Sampler & Groovebox With Sequencing & Effects
Cat: 731197 Rel: 24 Jun 19 • View all Samplers
 
Compact sampling studio
Notes: Innovative little sampler groovebox. Works as a standalone unit or as a sequencer for other gear. A nice left-field alternative to the usual MPCs and Electribes.

Supplier's notes:
Blackbox is a portable sampler and groovebox that lets you record, save/load, apply effects and edit one-shot samples and beat-sliced loops. Create sequences with samples by tapping on pads, playing a virtual keyboard, using external MIDI controllers or by drawing-in notes using a standard Piano Roll editor on a fast touchscreen interface. Sequences can be played back to create song sections and entire compositions. Finish your song by mixing it, adding stereo effects and by saving it as a Preset for fast and easy recall.

Perform songs live and trigger samples on the fly. Blackbox makes it easy to create and perform music anywhere thanks to its compact and rock-solid hardware design. Just throw it in a backpack and hit the club.

Record hours of song ideas, jam sessions, and performances thanks to a microSD slot that enables you to expand internal memory.

Blackbox comes with gigabytes of premium samples and loops by SoundTrack Loops and Loopmasters to let you start making beats right out of the box.

Blackbox - your own personal sampler.

What Is Included:

- Blackbox compact sampling studio
- MicroSD card with blackbox firmware, about 60 presets and approximately 900 WAV files
- USB power cable and USB wall wart with 3 international adapters
- 2 MIDI Adapters - Male 3.5mm TRS to Female 5 pin DIN, MIDI Class B standard
- Quick Start guide to get you playing right away
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 More than 10 in stock $595.62
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Korg Wavestate Wave Sequencing Digital Synthesiser Korg Wavestate Wave Sequencing Digital Synthesiser Korg Wavestate Wave Sequencing Digital Synthesiser Korg Wavestate Wave Sequencing Digital Synthesiser
Cat: 761104 Rel: 16 Apr 20 • View all シンセサイザー
 
digital synthesiser
Notes: Loosely inspired by the brand's classic Wavestation synth, the Wavestate updates the sound with a new approach to Wave Sequencing. Classy sound, powerful modulation and good hands-on performance options.

Supplier's notes:

KORG's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.

With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns-but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a "Lane," and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters.

Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics-filter, envelopes, LFOs, effects-are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you'll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Looking for even more inspiration? A dedicated front-panel button, marked by a "dice" icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.

The wavestate's superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
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MRP:$910.03 SAVE 33%
 4 in stock $606.46
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Moog DFAM Semi Modular Analogue Percussion Synthesizer Moog DFAM Semi Modular Analogue Percussion Synthesizer Moog DFAM Semi Modular Analogue Percussion Synthesizer Moog DFAM Semi Modular Analogue Percussion Synthesizer Moog DFAM Semi Modular Analogue Percussion Synthesizer
Moog DFAM Semi Modular Analogue Percussion Synthesizer (percussion synthesizer/drum machine)
Cat: 675126 Rel: 09 Mar 18 • View all ドラムマシン
 
Semi-modular analogue drum machine
Notes: The Drummer From Another Mother is Moog's take on a drum machine. Essentially a semi-modular synth with a built-in sequencer, all designed to create unique percussion sounds. Hugely creative

Supplier's notes:
DFAM is the first addition to the Mother ecosystem of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.

Activated by an easy-to-use analog sequencer, DFAM's emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM's distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangourous accentuations.

DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and sonic chaos can be created or subdued at the turn of a knob.

Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviours, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment.

Through exploration and experimentation, the vast potential of this expressive analog instrument is realized.
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MRP:$844.93 SAVE 28%
 5 in stock $605.06
Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface
Notes: PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.
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 6 in stock $506.66
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Erica Synths Bassline DB01 Desktop Synthesiser & Sequencer
Cat: 753844 Rel: 17 Apr 20 • View all シンセサイザー
 
desktop synthesiser & sequencer
Notes: No prizes for guessing that the legendary TB-303 might have been a reference point here but Erica's take on the bassline synth is definitely not just another clone. Huge synth sound and a powerful built-in sequencer.

Supplier notes:
From basslines and rave sounds to massive drones and drums - the Erica Synths Bassline DB-01 synthesizer lets you explore new territories of sound and performance techniques and go from a melody to noise and back in no time. The DB-01 packs analogue Erica Synths signature sound engine with an advanced sequencer on top of it.

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 4 in stock $514.24
Korg Minilogue XD 4 Voice Polyphonic Analogue Desktop Synthesiser Module Korg Minilogue XD 4 Voice Polyphonic Analogue Desktop Synthesiser Module Korg Minilogue XD 4 Voice Polyphonic Analogue Desktop Synthesiser Module Korg Minilogue XD 4 Voice Polyphonic Analogue Desktop Synthesiser Module
Cat: 732457 Rel: 28 Aug 19 • View all シンセサイザー
 
Desktop module version of the now classic synth
Notes: A whooooole lot of synth power for the money, building on the original Minilogue's analogue platform with a load of added digital features. Hard to think of many more versatile synth modules.

Supplier notes:
Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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MRP:$768.12 SAVE 32%
 3 in stock $520.76
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Moog Mother 32 Semi Modular Analog Synthesizer Moog Mother 32 Semi Modular Analog Synthesizer Moog Mother 32 Semi Modular Analog Synthesizer
Cat: 590202 Rel: 18 Dec 15 • View all シンセサイザー
 
Moog's first ever tabletop semi-modular synthesiser with voltage controlled 32 step sequencer with 64 sequence locations
Notes: The Moog Mother-32 is the first table-top semi-modular synthesizer from Moog. It is a distinctive analog instrument that adds raw analog sound, sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive new live performance and production instrument is handcrafted in Asheville, NC and has been meticulously designed to provide musicians with a diverse array of creative tools to inspire new music, unique sound and endless sonic exploration.

Mother-32 comes secured in a rugged extruded aluminium enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patch-bay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources.

*For sound demos, please visit - http://www.moogmusic.com/products/semi-modular/mother-32#sound-tab
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MRP:$870.97 SAVE 32%
 4 in stock $592.64
Rode RodeCaster Pro Integrated Podcast Production Console Rode RodeCaster Pro Integrated Podcast Production Console Rode RodeCaster Pro Integrated Podcast Production Console Rode RodeCaster Pro Integrated Podcast Production Console Rode RodeCaster Pro Integrated Podcast Production Console Rode RodeCaster Pro Integrated Podcast Production Console Rode RodeCaster Pro Integrated Podcast Production Console Rode RodeCaster Pro Integrated Podcast Production Console
Cat: 711949 Rel: 20 Dec 18 • View all 自宅スタジオ用ミキサー
 
Fully integrated podcast production studio
Notes: The RODECaster Pro is the world's first fully integrated podcast production studio. Whether you are just starting out, or are a seasoned broadcast professional, the RODECaster Pro Podcast Production Studio is all you will ever need.

Connect and record:

The 4 high-quality microphone channels are able to power studio condenser microphones as well as conventional dynamic microphones. You can quickly connect microphones for you and your guests with automatic level setting and one-touch recording to a microSD card. You can literally be recording your first podcast within minutes of taking the RODECaster Pro out of the box.

Sound Effects and Jingles:

The RODECaster Pro comes with eight programmable sound effects pads, for instant triggering of sound effects, music, jingles, applause and ads - perfect for giving your podcast that professional quality. You can record audio direct to the programmable pads from any input, or simply "drag and drop" files from your computer using the supplied software. You can even select your favourite colours for the pad illumination.

Phone calls:

Have a remote guest you want to interview? Simply connect your phone to the RODECaster Pro via Bluetooth or with a TRRS cable. The RODECaster Pro automatically provides "mix-minus" audio to prevent echo being heard by the caller, without the need to purchase dedicated and costly hardware. Telephone interviews with a remote guest never sounded so good!

Class A Servo-biased Preamps:

The RODECaster Pro's pristine preamps and outputs feature Class A circuitry, as found in broadcast consoles that cost hundreds of thousands of dollars. The Class A preamps provide a much cleaner gain structure with lower levels of distortion. The result is an incredibly clean, low-noise signal. The Preamps are also servo-biased, keeping distortion levels low. Your signal is broadcast-pure.

APHEX on board:

Your pristine signal can also be enhanced with the legendary patented audio processors, APHEX Aural Exciter and APHEX Big Bottom. These have been incorporated in the audio processing section of the RODECaster Pro, and your sound will have that rich, warm tone only found in professional studios. The RODECaster Pro also features multistage dynamics, such as compression, limiting, de-essing and noise-gating.

Recording options

The RODECaster Pro operates as a standalone unit straight out of the box, recording direct to a microSD card. You can be up and running in minutes. The RODECaster Pro can also connect to your computer via USB, as it is a USB audio interface. This means you can record your podcast to your favourite recording software.

The RODECaster Pro is also able to seamlessly stream a live show - today's radio!
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MRP:$805.88 SAVE 34%
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Frap Tools Brenso Analogue VCO Module
Cat: 765932 Rel: 22 Jun 20 • View all Synth modules
 
VCO module
Notes: One of the most exciting oscillator modules we've seen in a long time, taking a unique approach to a complex VCO. Based around two thru-zero triangle core oscillators with a wealth of timbre shaping options.

Supplier notes:
Brenso is Frap Tools' primary analog source of articulated waveforms whose degree of entanglement can be precisely set by the musician.

Its concept developed from a reflection on the very meaning of the word 'complex,' which comes from the Latin verb plector, literally meaning 'to braid', or 'to weave.' The purpose of Brenso is to update the usual approach to 'complex oscillator' by offering many threads to be woven together, rather than a pre-defined plait of controls and waveforms: this to improve clarity, manageability and offer more sonic options to the artist.

Brenso consists of three sections: two for sound generation (yellow and green), and one for sound processing (white and red).

The generation sections allow control over the two triangle-core oscillators, which can be modulated from external sources and can modulate each other's frequency too. The frequency modulation can be any combination of exponential and/or linear through zero.

The processing section is composed of a waveshaping section (white) and a last stage of amplitude modulation (red): the first provides further degrees of modulation using two parallel wave-shapers and includes PWM, blends these two with a mixer and everything is passed into a wave folder with symmetry control and a dedicated clock input with shapeable nonlinear behavior.

The result of this is passed into an amplitude modulation section (red) which can be unbalanced (AM) or balanced (RM).

The white section modulations inputs are semi-normalled by a timbre bus, which is semi-normalled to the green sine wave.

Every oscillator has a button that locks its coarse frequency to the current value. From this moment on, every twist of the 'Coarse' knob will be ineffective (but The Fine knob is still available, from small adjustments).

BRENSO's oscillators are exceptionally stable and provide rich harmonic content. This happens thanks to the two thru-zero triangle cores, which guarantee the most playable behavior and the best response to audio-rate modulation.

You won't need to find a sweet spot because BRENSO is calibrated to sound 'as expected' in any setting.

Many controls allow for complex and detailed FM sound shaping. It is possible to set the amount of exponential and linear thru-zero FM independently per each oscillator and control their amount of 'deviation' through two separate knobs or CV inputs.

(The green oscillator can also work at sub-audio rate, and can therefore become a super complex LFO.)

BRENSO's 'complex' signal path is expanded on the front panel and grouped in four 'modulation buses': two for modulating frequencies, one for modulating timbre and one for AM and RM.

The green oscillator is always the semi-normalled modulator, but any other source can be used.

The timbre modulation section has been designed from scratch and offers a versatile blend of two wavefolders, a waveshaper, and a PWM circuit.

A dedicated VCA controls the global amount of modulation to be sent to each modulation section, but the semi-normalization can be broken anytime.

An analog circuit was designed from scratch that, when excited by an external trig, opens the wavefolder above its maximum level and then closes it down with a non-linear slope, whose length can be manually regulated.

This solution can generate percussive tones with a very organic decay.

HP : 30
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MRP:$747.29 SAVE 29%
 1 in stock $530.81
Intellijel Metropolis Complex Multi Stage Pitch & Gate Sequencer Eurorack Module
Cat: 563664 Rel: 10 Mar 15 • View all Synth modules
 
Complex multi stage pitch and gate sequencer synth module, 34HP wide
Notes: Still one of the best sequencers in Eurorack, inspired by the ultra-rare RYK M-185 sequencer from 2009. Eight stages, ten modes, built-in clock and huge performance options.

Supplier's notes:
The Metropolis is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.

The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.

In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
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 5 in stock $579.35
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Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal
Cat: 782690 Rel: 15 Jul 20 • View all Effects pedals
 
Studio looper pedal
Notes: Easily one of the best looper pedals on the market. Huge power from this six-track effect, allowing you to perform in new and creative ways. Great clear sound and user-friendly design.

Supplier notes:
6 Track, Stereo Looper Pedal with Touch Enabled Screen, Hands Free Mixing, and Simultaneous Parallel and Sequential Looping

The Aeros Loop Studio includes 3 hours of mono recording time (1.5 stereo), upgradeable to 48 hours when using SD card

This pedal includes 2 x 1/4" (6.35mm) inputs, 2 x 1/4" (6.35mm) outputs, expression pedal support, MIDI in/out, 1/4" (6.35mm) stereo aux input, and 1/4" (6.35mm) stereo aux output.

Built in wifi and bluetooth for over the air updates, the Aeros Loop Studio offers a revolutionary looping experience

Featuring the ability to create 36 unique loops per song, the Aeros Loop Studio goes beyond what's expected of a looper pedal. Add unlimited overdubs for each loop, and record up to 48 hours (when using an SD card).

Blurring the lines between traditional loopers and audio workstations, the Aeros Loop Studio allows you to mix your tracks live during a performance using the built-in scroll wheel, and gives the ability to save and export songs. This will let you share your best loops with your fans.

With its 4.3" touch-enabled screen and color coded cues and waveforms, the Aeros looper will never leave you wondering where you are in the loop.

Additionally, the Aeros Loop Studio packs tons of power into a small form factor. Coming in at just 7.8"? x 5.6" (198 x 142 mm), the Aeros lets you add a 6 track, stereo looper to any pedalboard.

Of course, the Aeros had to be fully compatible with Singiular Sound's drummer pedal: The BeatBuddy. Using the two together is a plug and play experience.

This new looper also features bluetooth and wifi, enabling us to add exciting new features with over the air updates. Simply put, there's no other pedal that can match the Aeros Loop Studio.

SPECIFICATIONS
Quantize your tracks in any time signature or play in freeform mode.

6 parallel tracks and 6 song parts for a total of 36 distinct loops per song and in an industry first, but also, simultaneous parallel and sequential looping.

Unlimited overdubs enable you to create layers and depth in your loops without worrying about restrictions.

Save your loops with the USB port or an SD card.

3 hours mono, 1.5 hours stereo recording time (20 minutes per song) using internal storage and up to 48 hours storage when using an SD card.

32-bit floating point processing, 24-bit recording, professional DACs, <1ms latency, and 20hz - 20kHz range for studio quality recordings.

Digital dry through bypass.

In addition, wifi compatibility for over the air updates and exciting, yet to be announced features.

Bluetooth for reasons.

Four built-in footswitches with our comfort+ switch tops (perfect for playing barefoot or in socks).

There is a built-in scroll wheel for hands-free mixing during a performance.

MIDI in/out ports for syncing seamlessly with the BeatBuddy, other drum machines, effects, and more.

Additionally, it is compatible with any external expression pedal.

I/O: two 1/4" (6.35 mm) inputs, two 1/4" (6.35 mm) outputs, one 1/4" (6.35 mm) stereo aux input, one 1/4" (6.35 mm) stereo aux output.

9v (center negative), 360mA power supply included.

4.3" (109 mm) touch-enabled display.

Small form factor: 7.8" x 5.6" x 2.2" (198 x 142 x 56 mm).

Lightweight: 2lbs 4oz (936 g).

Aluminum construction with chip resistant black coating.

Requires Male to Male MIDI Cable for connecting to the MIDI Maestro and Male to Male MIDI Cable as well as MIDI Breakout Cable for connecting to the BeatBuddy
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MRP:$949.09 SAVE 32%
 4 in stock $648.78
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quote 782690
Erica Synths/Ninja Tune Zen Delay Desktop Effects Unit Erica Synths/Ninja Tune Zen Delay Desktop Effects Unit Erica Synths/Ninja Tune Zen Delay Desktop Effects Unit Erica Synths/Ninja Tune Zen Delay Desktop Effects Unit
Cat: 749527 Rel: 06 Jan 20 • View all Effects units
 
delay desktop effects unit
Notes: Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.

Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode

Inputs
Stereo In: 2x standard jack

MIDI In: standard MIDI socket

CV In: standard jack

Outputs

Stereo Out: 2 x standard jack

Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode

Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.

Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.

Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.

Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.

The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin

The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug

The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black

For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker

Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range

-100dB THD+N

ADC
108 dB dynamic range

-98 dB THD+N

Dimensions: 21 x 15 x 5 cm
Weight: 870g
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 6 in stock $565.23
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quote 749527
Tascam Model 16 Digital Multitrack Recorder With 14 Channel Analogue Mixer & USB Audio Interface Tascam Model 16 Digital Multitrack Recorder With 14 Channel Analogue Mixer & USB Audio Interface Tascam Model 16 Digital Multitrack Recorder With 14 Channel Analogue Mixer & USB Audio Interface Tascam Model 16 Digital Multitrack Recorder With 14 Channel Analogue Mixer & USB Audio Interface Tascam Model 16 Digital Multitrack Recorder With 14 Channel Analogue Mixer & USB Audio Interface Tascam Model 16 Digital Multitrack Recorder With 14 Channel Analogue Mixer & USB Audio Interface
Cat: 748817 Rel: 16 Dec 19 • View all 自宅スタジオ用ミキサー
 
16-channel multitrack recorder/14-channel analogue mixer with 16-in/14-out USB audio interface & built-in effects
Notes: A spiritual successor to the classic Tascam Portastudios? Slimmed-down version of the flagship Model 24 analogue mixer with built-in digital multitrack recorder. Versatile.

Supplier's notes:
TASCAM's Model 16 all-in-one mixer brings the flagship Model 24's powerful recording and mixing features and functionality to a new level of compactness and affordability, creating a full-featured small format mixer that combines the warmth of analogue with a digital workflow. The Model 16 is the perfect mixing solution for small format live performance, recording and production environments, featuring a multi-track recorder, USB audio interface, effects, comprehensive mixing and routing capabilities, and Bluetooth wireless.

14 Inputs for Complete Flexibility:
14 easy-to-access top-panel inputs provide flexible options for microphones or instrument connections, including 10 Mic/14 Line/2 Inst to allow easy access for connecting microphones, instruments or other audio sources for live recording or mixing.

A Bluetooth 5.0 enabled Stereo Input Source Channel also provides stereo RCA and 1/8" Stereo (selectable) jacks for streaming audio device level control.

Professional Channel Strip Control Features:
A tactile Gain knob tops each channel for precise tweaking of input levels. A push-button Lo-Cut filter and three-position Input Selector (Live/PC/MTR) facilitate quick and precise control of input source signals. A 1-knob inline Compressor is available on inputs 1-8 as is a mid-range sweepable 3-band EQ.

Maximum Audio Routing Possibilities and Monitoring:
3 Aux bus (MON1, MON2[pre/post], FX) and PFL Listen round out the Model 16's pro-level signal path routing options. A Sub bus provides an additional stereo lineout source to the master SEND section.

3 AUX Outs let you route the audio signal for stage monitoring, or to external gear such as outboard effects, signal processors or headphone mixes. And the Footswitch control jack provides additional monitoring and control features.

Powerful Internal 16-Track Multi-track Digital Recorder:
The Model 16's MTR section features a powerful internal 16-Track Multi-track recorder, capturing 14 Inputs and 2 Main Mix simultaneous tracks of audio to an internal SD card in pristine 24-bit/48 kHz quality. Record anything from live performance to rehearsals, worship events, spoken word and meetings, as well as perform overdubs and punch-in/out quickly and easily.

Recorded tracks can be immediately mixed, mastered or exported to a computer for further editing, formatting and publishing.

High-Quality Internal Audio Interface:
An internal 16 input/14 output USB audio interface captures audio at a 24-bit/48 kHz sampling rate for recording or playing back from an external DAW (digital audio workstation). The new generation TASCAM USB driver delivers the minimum size of the audio buffer which can be set to as low as 4 samples, resulting in extremely low latency and the highest level of efficiency when recording audio.

Versatile Input Capability:
Using the channel Mode switch, each channel can select the input source as needed. This allows a super flexible input configuration to be selected where some inputs can be live, other inputs can play tracks from the internal MTR, while other inputs can play tracks from a computer via USB, all simultaneously.

16 Editable Multi-Effects:
The Model 16's versatile Effects Section offers 16 editable and foot-controllable multi-effects, including reverb, delay, chorus and flange.

4-Band Master EQ:
A 4-Band EQ with mid-range sweepable, wide/narrow Q can be dialled in for crafting the perfect mix, assignable to MAIN outs or MON1/2 outs as you like.
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MRP:$1,027.20 SAVE 37%
 4 in stock $645.52
Endorphin.es BLCK Furthrrrr Generator Dual VCO Module (black faceplate) Endorphin.es BLCK Furthrrrr Generator Dual VCO Module (black faceplate) Endorphin.es BLCK Furthrrrr Generator Dual VCO Module (black faceplate)
Cat: 714522 Rel: 22 Jan 19 • View all Synth modules
 
Dual voltage controlled oscillator (VCO) synth module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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 1 in stock $601.05
1010 Music Bitbox Mk2 Intuitive Sampling Module
Cat: 775085 Rel: 22 Jun 20 • View all Synth modules
 
sampling module
Notes: Updated version of the excellent Bitbox sampler module offers more powerful sound processing and an improved touch screen. Improved effects and mixing with all the same creative power of the original.

Supplier notes:
Bitbox mk2 delivers powerful sampling and mangling for Eurorack. With this module you can add recording, sample playback, clip launching, slicing, granular sounds and musically intelligent looping capabilities to your Eurorack rig. With a 3.5 inch touchscreen, bitbox mk2 makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via CV and MIDI. Tweak your configurations to get them just right, then save them to multiple presets for future reuse. With the new bitbox mk2 hardware, you can now do more with the new more powerful processor.

Sample Playback
Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
Inputs and Outputs
Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode- no need to look up CC numbers
Module Features
Use the 3.5? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would
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MRP:$805.88 SAVE 22%
 4 in stock $627.07
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quote 775085
MFB Tanzbar 2 Analogue Drum Computer & Bass Synthesiser MFB Tanzbar 2 Analogue Drum Computer & Bass Synthesiser
MFB
Cat: 689673 Rel: 07 Mar 19 • View all ドラムマシン
 
Hybrid analogue & sample based drum machine
Notes: Analogue-focused drum machine and synth from a consistently innovative German brand. Great sound and extensive programming capabilities for studio and stage.

Supplier's notes:
The Tanzbar 2 is a further development of the successful Tanzbar with a slightly different concept. Here, in addition to the LCD display, emphasis was placed on a hybrid structure, which allows the sounds to be selected more versatile, and the bass voice has also been upgraded to a fully-fledged synthesizer.

The drum machine features 7 analogue percussion instruments, an analogue bass synthesizer, 3 digital sample voices with analogue multifilters and 10 sample instruments, of which 2 instruments share a sample voice. The samples can be exchanged via a free tool offered on our website and allow everyone to have their own personal drum sound. The sample memory contains around 300 seconds for 208 samples.

Also noteworthy is that each instrument has its own LFO (replaces the "Bend function in the predecessor Tanzbar) and thus does not stand in the way of diverse modulations. The sequencer has chase programming and can store 100 patterns. The patterns can be chained via "CHAIN" and have up to 64 steps (A / B / C / D). Furthermore, 16 different Flames can be programmed, multiple triggers are a breeze. The plumb line can be adjusted individually for each instrument, making it easy to realize polymetric grooves. 32th, 16th or 16th / 8th triplet is adjustable as a metric.

There are 4 different Accente available by instrument. The sound parameters can be recorded by step recording. Two tracks appeal to external Midi instruments, practically, no external sequencer needed! The shuffle can be individually or globally regulated in strength. Step programming also sends Midi Out and of course can control other sound sources.

The drum computer can be synchronized via USB or MIDI via Midi Clock. In addition to a master volume, each instrument has its own volume slider (except for four sample voices where this is controlled via the endless dial) and the mute button mutes the individual instruments. There are 12 single outputs (mini jack) and a stereo output (large stereo jack) available.
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quote 689673
Pittsburgh Modular Lifeforms SV-1B Eurorack Analog Synthesiser Module Pittsburgh Modular Lifeforms SV-1B Eurorack Analog Synthesiser Module Pittsburgh Modular Lifeforms SV-1B Eurorack Analog Synthesiser Module Pittsburgh Modular Lifeforms SV-1B Eurorack Analog Synthesiser Module
Cat: 782211 Rel: 07 Jul 20 • View all シンセサイザー
 
Eurorack analog synthesiser module
Notes: One of our favourite entry points into the world of patchable semi-modular synthesis and a great starting point for anyone wanting to dip their toes into the waters of full modular. Great sound, great usability.

Supplier's Notes:

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The SV-1b is not a semi-modular synthesizer with limited signal path options. Each module within the SV-1b can be used independently to the rest of the system. The SV-1b is pre-patched (normaled) internally so patch cables are not necessary to get started. But as soon as you begin patching, you will appreciate the unrestricted creativity of the 53 patch points and 21 knobs. By breaking each module of the SV-1b out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

Smooth and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate highpass, lowpass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
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MRP:$721.25 SAVE 17%
 2 in stock $601.04
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quote 782211
Modal Electronics ARGON8M 8 Voice Polyphonic Wavetable Desktop Synthesiser Module Modal Electronics ARGON8M 8 Voice Polyphonic Wavetable Desktop Synthesiser Module
Cat: 763205 Rel: 11 May 20 • View all シンセサイザー
 
desktop synthesiser module
Notes: Desktop module version of one of our favourite new synths of 2020. Beautifully rich wavetable synth engine that somehow sounds good whatever you do with it.

Supplier's notes:
The Argon8M features an identical sound engine and feature set, but rather than a 37-note keybed, it has brackets for mounting to a 19" 3U rack, as well as end-cheeks for simple desktop use. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$649.65 SAVE 22%
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Modal Electronics ARGON8 8 Voice 37 Key Polyphonic Wavetable Keyboard Synthesiser Modal Electronics ARGON8 8 Voice 37 Key Polyphonic Wavetable Keyboard Synthesiser Modal Electronics ARGON8 8 Voice 37 Key Polyphonic Wavetable Keyboard Synthesiser Modal Electronics ARGON8 8 Voice 37 Key Polyphonic Wavetable Keyboard Synthesiser
Notes: Stunning wavetable business from rising British synth brand Modal. Eight-voice synth engine with incredible sound. Great value. Check out our full review.

Supplier's notes:
Based around its revolutionary new wavetable synthesiser engine, Argon8 derives much of its heritage and DNA from the highly acclaimed Modal 002.

Bringing eight voices of true polyphony in a professional quality package with features previously never seen at this price point.

Modal Argon8 provides a Class Compliant USB MIDI connection, enabling Argon8 to play in an integrated setup, and the free software editor ModalApp is available on MacOSX, Windows, iOS and Android tablets and phones as well as a VST3 and AU plugin for DAW applications.

Oscillators
120 carefully crafted wavetables split into 24 banks of 5 morphable waveform sets, covering virtual analogue classics through to cutting edge EDM and many from the original Modal 002 as well as a whole range of mathematically generated tables. Additional PWM bank and 3 noise/modulation banks accessible on Oscillator 2

28 static wavetable processors including de-rez, wave folders, wave shapers, phase shapers and rectify that can be applied to the 120 wavetables to give a mind boggling array of permutations and new waveshapes

32 high resolution wavetable oscillators, 4 per voice, with 8 types of oscillator modifier including: Phase Mod (FM), Ring Mod, Amp Mod, Hard Sync and Windowed Sync

Keyboard
FATAR TP9/S Full size 37 key keybed with both velocity and aftertouch

1.54 inch large OLED display - that provides instant visual feedback to the user at all times of playing/editing

Multiple keyboard modes, Mono, Poly, Unison 2, unison 4, unison 8, Stack 2 and Stack 4

Inbuilt sophisticated programmable arpeggiator of 32 steps with rest capability with up to 2048 steps before repeating

Glide/Portamento with both legato and staccato modes

Filter
Two pole morphing resonant filter with multiple filter types

Filter can be morphed from low pass, through band pass, to high pass

Modulation
Hugely powerful "Mod Matrix" with eight assignable slots with four additional fixed routes, 11 mod sources and 52 destinations

A 4-axis joystick that can be assigned to a huge range of modulation destinations and virtually 'locked' when desired

Three dedicated envelope generators for AMP, MOD and FILTER that can be accessed independently or all three simultaneously including negative (reverse) versions

Two Audio rate LFO's with tempo sync (one poly, one global). Polyphonic LFO can sync to frequency divisions

FX
Waveshaping distortion

Three incredibly powerful independent and user configurable stereo FX engines that can create sophisticated Delays, lush Reverbs, Flanging, Phasing, and Rich Choruses

Sequencer
Real time sequencer with 512 notes with input quantise and four recordable / editable parameter animations

Delay FX, LFO's, sequencer and arpeggiator can be either clocked internally or externally

Storage
500 patch memories, all fully editable and ships with 300 factory programs and 200 user patch spaces. Patch upload and download through the free MODALapp

100 sequencer presets and 100 FX presets

Connectivity
Analogue clock sync in and out (configured to the KORG / Teenage Engineering specification)

MIDI DIN in and out

Full size quarter inch jacks for stereo audio outs, headphones and external control such as sustain and expression

3.5 mm stereo input with ability to route incoming audio through the FX

Class compliant MIDI provided over USB connection to host computer or tablet

Optional software editor available for macOS, Windows, iOS, Android with VST3 and AU compatibility - MODALapp can be run within your Digital Audio Workstation (DAW)

Power: DC-9.0V-1.5A

Physical
Road ready Steel and Aluminium chassis
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MRP:$753.80 SAVE 28%
 7 in stock $542.46
OTO Machines BOUM Stereo Warming Unit OTO Machines BOUM Stereo Warming Unit OTO Machines BOUM Stereo Warming Unit
Cat: 763274 Rel: 08 Jun 20 • View all Effects units
 
Compressor, versatile distortion generator and smooth low-pass filter
Notes: BOUM is a full analog stereo warming unit, combining an easy-to-use compressor, a versatile distortion generator and a smooth low-pass filter. BOUM is the perfect tool when you need to add warmth, thickness, and character to your sounds, but also apply severe distortion and extreme compression treatments.

BOUM is based on an original and unique circuit, including the following stages :

INPUT GAIN : boost your signal up to +18db to adapt BOUM to various signal levels, and also improve the distortion content and the compression sensitivity.

COMPRESSOR : with a single knob, control the 3 essential parameters of a compressor, threshold, ratio and makeup gain, without thinking about how a compressor works ! The ratio ranges from 1:1 (no compression) to inf. :1 (limiter), but also negative compression up to 1: -1 !
6 different Attack and release times are available for fine tuning.

LO CUT FILTER : attenuate the distortion content of the bass frequencies with this 6 dB/Octave lo cut filter, making your distorted sound easier to mix with the original one.

DISTORTION GENERATOR : choose one of the 4 different distortion circuits :
BOOST : soft clipping amplifier, perfect for subtle harmonic enhancement.
TUBE : asymmetrical tube distortion emulator based on MOSFET technology. Generate mostly a second harmonic distortion.
FUZZ : symmetrical hard clipping amplifier, similar to an overdriven mixer preamp.
SQUARE : pure square wave generator based on a comparator. The ultimate fuzz !

HI CUT FILTER : soften the high frequencies with this smooth and musical 12 db / octave low pass filter.

NOISE GATE : remove the noise coming from the different treatments, or use it for interesting chopping effects.
All these analog effects are packaged in a compact format, with 36 user presets and full MIDI control.

BOUM will give you a wide range of compression, distortion and filtering effects, ranging from subtle harmonic enhancement to an insane square distortion, and everything in between!
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 8 in stock $514.25
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quote 763274
Intellijel/Cylonix Rainmaker 16 Tap Stereo Spectral Rhythm Delay & Comb Resonator Module
Cat: 620692 Rel: 10 Aug 16 • View all Synth modules
 
Stereo rhythmic delay & stereo comb resonator synth module in Eurorack format - 36 HP wide
Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
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 3 in stock $644.44
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quote 620692
Technics SL1500C Direct Drive Turntable (silver) Technics SL1500C Direct Drive Turntable (silver) Technics SL1500C Direct Drive Turntable (silver)
Cat: 745771 Rel: 29 Aug 19 • View all Hi-fi turntables
 
Turntable system featuring the latest coreless direct drive motor for high-precision stable rotation - silver
Notes: The technologies acquired through the development of the SL-1200 Series and the high-end SL-1000R model were lavishly inserted into the motor drive unit, a key part of the turntable. The motor exclusively tunes the single-rotor, coreless direct drive motor adopted by the SL-1200GR in order to read the high rotation accuracy and high-precision signals of the record. Optimal motor control is conducted for the inertial mass of the two-layer structure platter on which the vinyl record is placed with deadening rubber on the entire back surface to eliminate unwanted resonance in the aluminium die-cast platter to eliminate the rotation irregularity called cogging. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The insulator is comprised of a spring and rubber to provide optimal vibration-damping characteristics. The tonearm is a static-balance universal S-shape tonearm, another Technics tradition. By adopting a high-precision bearing using the same gimbal suspension construction and machined housing as the SL-1200 Series, high initial sensitivity is achieved. In addition, reliability has been improved by incorporating a removable power cable and gold-plated terminals, which have less sound quality degradation, for the PHONO and LINE terminals.

Complete Turntable with a Built-in Phono Equalizer and Cartridge In order to enjoy playing analogue records more comfortably, the SL-1500C features a built-in phono equalizer and bundled cartridge. There is no need to separately prepare either one, making it easy to link with a wide range of audio equipment. The shield structure of the built-in phono equalizer suppresses the effects of external noise and noise from the power supply. It is also equipped with a switch to turn the LINE output off when it is not being used. The turntable has been designed to thoroughly shut-out adverse effects to the PHONO output. The dedicated power supply for the PHONO output terminal is isolated from the power supply for the LINE output terminal, and has been designed to prioritize sound quality by minimising the wiring of the PHONO signal. The isolated terminals also prevent wiring mistakes. An Ortofon 2M RED cartridge, which is highly acclaimed as an MM cartridge, has been selected for the bundled cartridge. Combining this high-quality cartridge with the performance of the SL-1500C will maximise the sound quality of vinyl records.

When the tonearm reaches the end of the record, the Auto Lifter function automatically raises the cartridge. This prevents unnecessary wear on your valuable vinyl records and stylus. By embedding the Auto Lifter function in the base portion of the tonearm, it eliminates impacts to the tonearm. Due to a simple design that doesn't use motor power, there is no electrical or vibrational impact and it will not prevent the movement of the tonearm. In response to requests from many users regarding the Auto Lifter function, a design that prioritises sound quality was adopted. The functions required to playback records were kept to a bare minimum, achieving simple and easy-to-use operability.

The SL-1500C sports a simple design without unnecessary frills, while retaining the superb operating feel that is a Technics tradition. The attractive appearance lets you enjoy playing records to your heart's content.
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 2 in stock $975.34
4ms SWN Spherical Wavetable Navigator Oscillator Module 4ms SWN Spherical Wavetable Navigator Oscillator Module 4ms SWN Spherical Wavetable Navigator Oscillator Module
Cat: 648377 Rel: 29 Apr 19 • View all Synth modules
 
Six-channel synthesiser module - 26HP
Notes: The Spherical Wavetable Navigator (SWN) is a six-channel synthesiser that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures.

The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs (Low Frequency Oscillators) can be used as modulation sources and/or envelopes, making it easy to add dynamic motion to your patch. Each channel is a full voice and can be "played" using the top row of buttons, the internal LFOs, or note-change detection on the 1V/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables and an easy interface which allows you to record and edit custom wavetables from live audio. Open-source software for Mac, Windows, and Linux called SphereEdit can be freely downloaded and allows you computer to create, edit, and convert .wav files into Spherical wavetables to transfer into the SWN with an audio cable.

New firmware available which adds extra features, visit https://4mscompany.com/p.php?p=820&c=5 for details.
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MRP:$714.74 SAVE 19%
 4 in stock $579.35
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Allen & Heath Xone 43 4 Channel Analog DJ Mixer Allen & Heath Xone 43 4 Channel Analog DJ Mixer Allen & Heath Xone 43 4 Channel Analog DJ Mixer Allen & Heath Xone 43 4 Channel Analog DJ Mixer Allen & Heath Xone 43 4 Channel Analog DJ Mixer Allen & Heath Xone 43 4 Channel Analog DJ Mixer Allen & Heath Xone 43 4 Channel Analog DJ Mixer Allen & Heath Xone 43 4 Channel Analog DJ Mixer Allen & Heath Xone 43 4 Channel Analog DJ Mixer Allen & Heath Xone 43 4 Channel Analog DJ Mixer
Cat: 570479 Rel: 11 May 15 • View all DJミキサー
 
4 channel professional analogue DJ mixer with VCF filter system & 3-band EQ
Notes: Mid-range DJ mixer from the leading UK brand. Fully analogue four-channel design with A&H's much-loved Xone filter section. Very tempting alternative to the flagship Xone:96. Excellent value.

Supplier notes:
Created for DJs and electronic music purists, Xone:43 is a 4+1 channel DJ mixer that offers the very best of analogue audio quality, including the legendary Xone filter with resonance control, 3 band EQ, crossfader with three curve settings and X:FX for send/return to your favourite FX unit.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43 excels in the club and in high end personal DJ setups.
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Played by: DJ Sven Løve
 3 in stock $583.68
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Reloop RP8000 MK2 DJ Turntable (black) Reloop RP8000 MK2 DJ Turntable (black) Reloop RP8000 MK2 DJ Turntable (black) Reloop RP8000 MK2 DJ Turntable (black) Reloop RP8000 MK2 DJ Turntable (black)
Cat: 716748 Rel: 05 Mar 19 • View all DJ turntables
 
Upper torque hybrid turntable instrument
Notes: Outstanding DJ turntable, designed to bridge the gap between vinyl and Serato. Solid analogue turntable underneath, embellished with digital features like pads, performance modes and an LCD screen for track info.

Supplier's notes:
This turntable is designed for a seamless integration with Serato DJ Pro, offering the possibility of controlling up to 7 different performance modes via the pad section. And thanks to the unique Platter Play mode, the pads can be used to control the platter's rotation speed to create melodies and authentic musical performances. The RP-8000 MK2 represents the perfect balance of a first-class professional turntable and an innovative musical instrument.

Real Time LC Display:
Besides all creative improvements, the RP-8000 MK2 has everything a DJ turntable should be equipped with. A digital LC display shows information regarding pitch, BPM, deck assignment, scales and notes, elapsed/remaining time of current track, as well as firmware settings. In Serato DJ Pro, it is possible, for example, to show the current BPM value of a track, in order to exactly match your tracks without the need to look at your computer monitor.

Pad section with 7 New Performance Modes:
Developed for application with Serato DJ Pro, and thanks to the seamless plug-and-play integration, the RP-8000 MK2 in a DVS setup offers unparalleled creative possibilities. The 8 large pads with RGB illumination can control over 7 different performance modes (Cue, Sampler, Saved Loops, Pitch Play, Loop, Loop Roll, Slicer), as well as 2 user modes, which can be custom assigned with individual preferred functions. Furthermore, by using the multi encoder it is possible to browse tracks directly from the turntable unit itself, and load them instantly to the respective deck. Thanks to its MIDI compatibility, the RP-8000 MK2 can communicate with every MIDI compatible DJ software - this way, an additional controller for performance modes is not necessary.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:
The RP-8000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Platter Play - Creative Platter Pitch Control:
Platter Play mode allows users to control the platter's pitch via the performance pads, opening up new possibilities for musical live performances and turning the RP-8000 MK2 into a legitimate musical instrument. A total of 22 scales and 34 notes are at your disposal with an option to create up to 9 user-defined scales. The two speed select buttons can be used for pitch bending in Platter Play mode and also to respectively increase or decrease the audio material's pitch in steps of one half-tone. Furthermore, the platter's speed can also be controlled via an external MIDI keyboard.

High-Resolution Pitch Section with Digital Fader:
By using the high-resolution pitch fader, you can adjust the platter speed in the classic turntable pitch range +/-8%. The RP-8000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch, allowing for increased creativity when manipulating and mixing records. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

Powerful Motor with Extensive Adjustment Possibilities:
The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes the RP-8000 MK2 an extremely smooth running turntable. Also, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration-reducing rubber to eliminate unwanted vibrations and resonance.

Sturdy Casing Construction:
By using a combination of metal, rubber and synthetic materials, the RP-8000 MK2's housing is more reinforced and heavier than ever before. This results in a turntable that is extremely resistant to vibrations caused by heavy bass sounds, and its shock-absorbing feet help to further improve this isolation. The surface is coated with a scratch-resistant high-quality deep black metallic finish.

High-Quality Connections and Integrated Phono Pre-Amp:
Thanks to the recessed rear connection panel, the RP-8000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. Due to the additional output, the turntable can be connected to 2 mixers simultaneously, also allowing an easy switch from DVS to vinyl. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.
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MRP:$696.52 SAVE 22%
 3 in stock $541.37
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Eowave Quadrantid Swarm Desktop Synthesiser Eowave Quadrantid Swarm Desktop Synthesiser Eowave Quadrantid Swarm Desktop Synthesiser Eowave Quadrantid Swarm Desktop Synthesiser
Cat: 648957 Rel: 30 Jan 19 • View all シンセサイザー
 
Polyphonic hybrid sound generator featuring touch-capacitive keyboard
Notes: Kickstarter-funded hybrid weirdo from synth experimentalists Eowave. Digital oscillator meets analogue filters with spring reverb, touch keys and built-in sequencer. Gnarly.

Supplier notes:
The Quadrantid Swarm is a versatile, unique instrument for sound designers and musicians looking to explore exquisite and unfamiliar timbres that range from subtle to outrageous, nebulous to shimmering. It is comprised of a digital synthesizer voice with a percussive element, 2 pole analogue filter, an LFO with 8 waveforms, and a spring reverb.

The 8 touch keys can be used as a mono keyboard, polyphonic keyboard or an 8-step sequencer. The QS interfaces with other instruments via MIDI, and CV/Trig inputs. Pre-patching allows you to get hands on immediately, but you can and should use patch cables to fully explore the potential of this instrument.
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MRP:$649.65 SAVE 17%
 3 in stock $541.37
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Tascam Model 24 Digital Multitrack Recorder With 22 Channel Analogue Mixer & USB Audio Interface Tascam Model 24 Digital Multitrack Recorder With 22 Channel Analogue Mixer & USB Audio Interface Tascam Model 24 Digital Multitrack Recorder With 22 Channel Analogue Mixer & USB Audio Interface Tascam Model 24 Digital Multitrack Recorder With 22 Channel Analogue Mixer & USB Audio Interface Tascam Model 24 Digital Multitrack Recorder With 22 Channel Analogue Mixer & USB Audio Interface Tascam Model 24 Digital Multitrack Recorder With 22 Channel Analogue Mixer & USB Audio Interface Tascam Model 24 Digital Multitrack Recorder With 22 Channel Analogue Mixer & USB Audio Interface
Cat: 701387 Rel: 13 Dec 18 • View all 自宅スタジオ用ミキサー
 
Multi-track live recording console
Notes: Insanely powerful spiritual successor to the old cassette-based Portastudios. Analogue mixer with built-in digital recorder and audio interface. Super versatile and killer value.

Supplier's notes:
TASCAM has continuously been providing industry-leading recording solutions for decades, such as the TASCAM 38 Open Reel 8-track, the DA-88 Digital 8-track and the legendary Portastudio Cassette and Digital Multitrack recorders. TASCAM now builds on this legacy to deliver a new classic: The Model 24 Multitrack Recorder/Mixer/Interface.

Whether used for rehearsal, live shows or studio production, this triple-function recording console perfectly meets the needs of today's working and recording musician.

Simple, Intuitive Design:

One glance is all you need. The TASCAM Model 24 was developed for easy and immediate operation, with everything you need placed right at your fingertips. 100mm faders allow for precise control over volume. A full set of familiar EQ and Auxiliary knobs remove the need to menu diving, and all input/output connections are all on the surface for quick and easy access.

The Model 24 is truly a modern take on a classic design.

TASCAM's Revolutionary Recording Technology:

Featuring 16 high-grade TASCAM mic preamps in addition to multiple sets of stereo line inputs, the Model 24 delivers studio quality audio performance right from the start. When it's time to record The TASCAM Model 24 allows musicians and engineers to capture up to 24 tracks simultaneously (at 24bit/48kHz resolution) directly to the SD card, with the ability to support punch in/out 8 tracks at the same time. And once the take is done, the Model 24 can easily playback any or all of the recorded tracks through the console for immediate mixdown.

Flexible Connectivity:

In addition to the studio quality mic preamps and powerful EQ and routing options the Model 24 features a dedicated stereo channel 1/8", dual RCA Bluetooth connectivity. This allows users to easily integrate mobiles devices into the mix for rehearsal playback, walk-in music and more. Finally, the TASCAM Model 24 can also act as a powerful audio interface and will connect directly to your PC or Mac for easy integration with your DAW of choice.

Durability and Reliability:

Designed to be both lightweight and rugged, the Model 24 can easily be carried from studio to stage with the confidence that TASCAM's legendary reliability will keep the music going.
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MRP:$1,274.56 SAVE 34%
 3 in stock $845.15
Polyend Seq Hardware Step Sequencer Polyend Seq Hardware Step Sequencer Polyend Seq Hardware Step Sequencer
Cat: 667754 Rel: 30 Oct 17 • View all Sequencers
 
Flexible step sequencer featuring 32 steps over 8 polyphonic tracks, with 256 pattern storage
Notes: Polyend designed Seq with some non-digital musical devices in mind. They did it for a reason. Their goal was to implement features that make Seq as playable and fun to use as possible. They made it easy to set up and even easier to create rhythms, chords, and melodies. Most of the functions are available directly from the front panel and all its features give you the quickest and most natural way to bring your ideas to light. And, when you've got them together, rest assured they won't get lost thanks to the Autosave function.

Seq is its own computing centre, hardware- and software- optimized to manage given tasks in the most effective way, without latency or glitches. Immediate responsiveness creates a synergy between the musician and the tool. It's an inspiration right from the very first step.

The idea:
Intuitive to use hardware step sequencer. 32 steps, 8 track polyphony, 256 pattern storage - all enclosed within the highest quality aluminium and wooden housing. Multiple connections give you the freedom to play with your hardware and software devices. It's designed for you to be inspired and, most importantly, fully enjoy the process of creation. Seq is all you need for the way you make music today.

The heart of your creativity:
Equipped with a wide array of inputs and outputs, allowing you to communicate freely with other devices of every era and genre. Lets you feed tracks with MIDI notes using your favourite MIDI controller. Every track can be recorded step by step or in real time and then quantized independently.

With two MIDI outputs, you can connect rhythm and sound machines simultaneously. You choose where to send out the signal from every track, and if that's not enough, you can also use the USB port for the same purpose.

Big step forward in design:
The use of oak and aluminium - materials of timeless quality - allowed Polyend to avoid the need for any flashy details, making what remains even more elegant in its simplicity. Seq buttons are made of silicone with specially matched density and firmness. Their shape, size, and arrangement were chosen carefully to provide an instant and explicit response. Most of the parameters and values can be read from the Seq interface at a glance. For the rest of them, Polyend provide a bright and sharp screen. Minimalistic, stripped down from any distractions, it brings all the information you need in any performing conditions you meet.

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 1 in stock $952.56
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ERM Polygogo Polygonal Stereo Oscillator Synthesis Module ERM Polygogo Polygonal Stereo Oscillator Synthesis Module
Cat: 734881 Rel: 11 Feb 20 • View all Synth modules
 
oscillator synth module
Notes: A unique graphical take on an oscillator design, E-RM's brand-new polygonal synthesis approach is unlike anything else we've seen. Stereo oscillator capable of a huge range of timbres. Innovative stuff.

Supplier's notes:
The polygonal synthesis is a kind of graphical complex amplitude shaping method. With the help of the built-in modulation sources, polygonal synthesis in polygogo opens up a wide range of sonic possibilities from clicky pinged sequences to unique dark thunderstorms, bass lines, leads and colored noise.

This mighty stereo oscillator impressed the audience with its wide range of possible timbres. The idea of sculpting a shape on the screen of the module that then translates into sound works really well and invites the user to interact with the module.
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MRP:$592.36 SAVE 13%
 4 in stock $514.25
Keith McMillen K Mix Audio Interface & Programmable Mixer Keith McMillen K Mix Audio Interface & Programmable Mixer Keith McMillen K Mix Audio Interface & Programmable Mixer Keith McMillen K Mix Audio Interface & Programmable Mixer
 
Professional quality USB audio interface & fully programmable mixer
Notes: K-Mix is Keith McMillen's newest innovation: an unbreakable, 8-in/10-out audio interface and programmable mixer. K-Mix features 2 ultra-accurate, high-efficiency low noise uPre preamps, and a precision opto-tactile control surface that was designed from the ground up for an unprecedented level of control. Keith McMillen have made super clean audio more accessible, so you can focus on the music. K-Mix is a go-anywhere, fully-programmable, audio multi-tool that can meet all your needs as an artist, whether you're in the studio or on the road. With no moving parts, K-Mix can be transported in a backpack without the fear of snapping off a fader or knob, while still giving you unrivaled audio quality, mixer functionality, and control. K-Mix is a pro-quality USB audio interface with transparent uPre preamps for superb quality audio recording in the studio or on the stage. K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer. K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

Audio Interface:

- USB Bus Powered
- Ultra-Low Noise uPre Preamps
- High-End AKM Converters
- 32-bit Floating Point Signal Path
- 8-in/10-out Audio

Programmable Mixer:

- Per Channel DSP
- Flexible Routing
- Standalone Quad 5.1, 7.1 and Octo Surround Mixer
- Onboard Preset Storage
- No Computer Required

Control Surface:

- Ultra-Sensitive Precision Rotaries and Faders
- User Assignable MIDI Controls
- Light Weight and Portable
- Rugged Construction, No Moving Parts
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MRP:$820.20 SAVE 28%
 4 in stock $594.53
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Rossum Electro-Music Morpheus Stereo Morphing Z Plane Filter Module Rossum Electro-Music Morpheus Stereo Morphing Z Plane Filter Module Rossum Electro-Music Morpheus Stereo Morphing Z Plane Filter Module
Cat: 658753 Rel: 11 Sep 17 • View all Synth modules
 
Premium 14-pole stereo digital filter module
Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.
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 6 in stock $515.33
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Focal Shape 65 Active Nearfield Monitor (single) Focal Shape 65 Active Nearfield Monitor (single) Focal Shape 65 Active Nearfield Monitor (single) Focal Shape 65 Active Nearfield Monitor (single)
Cat: 646975 Rel: 27 Jun 17 • View all スタジオモニタースピーカー
 
Compact, 6.5-inch, nearfield studio monitor with unique flax sandwich cone woofer & 6.5-inch passive radiator
Notes: Shape 65 is the reference of the Shape line. Although it's dedicated to nearfield monitoring, this monitor enables extraordinary monitoring quality, in the lowest to the highest frequencies. Simply a must, this monitor will express its full potential from a listening distance of three feet away (1 metre).

The three monitors are all made in France and integrate five innovations to maximise acoustic transparency. Designed to meet the needs of nearfield monitoring, Shape monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms.

These innovations provide remarkable acoustic transparency. These new work tools distinguish themselves through the wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalisation of these essential registers much easier. Finally, the new tweeter is what's at the source of the very high definition. It efficiently reveals any hissing, and it's also very precise in the very high end.
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MRP:$844.93 SAVE 30%
 4 in stock $591.49
Intellijel Atlantis Dual Oscillator Subtractive Synth Voice Eurorack Module
Cat: 563544 Rel: 10 Mar 15 • View all Synth modules
 
Dual oscillator subtractive synth voice module, 40HP wide
Notes: The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.

Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.

In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled "LINK" which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.

The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.

The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.

The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.
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 3 in stock $649.87
Tiptop Audio Circadian Rhythms Sequencer Module Tiptop Audio Circadian Rhythms Sequencer Module
Cat: 590414 Rel: 05 Apr 16 • View all Synth modules
 
Sequencer synthesiser module with 8 channels and 512 steps - 36HP wide
Notes: The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Views - Unlike most hardware sequencers that have a single static display of a timeline, Circadian Rhythms offers four different horizontal views of the timeline and two unique vertical views that scale from macro to micro. Switch between viewing 64 steps at once or all 8 channels side by side instantly. Stretch gates over multiple patterns to drive envelopes or use Zoom view to move a single hit back a few milliseconds in time to get the right feel all from the same interface.

LED Grid Built for Quick Access - Built around 72 buttons set as a multi-color illuminated 8x9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view and the grid turns into a set of programming and realtime playing functions like Mutes, Loops, Swing, Fills, Copy and Pate, Grouping, Randomizing, Manual trigger entry drum machine style and many many more. Activate any of those functions with only a button press or two.

Clock - Inside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of groove. The four modes of clock sync make interfacing with other modules, hardware or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.

SyncBus Technology - The Tiptop Audio designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so no need to patch anything together.

Under The Hood - When state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long time pros will immediately feel a machine made for their needs, while the newcomers can instantly dive into next level programming and performance.
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 1 in stock $512.08
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Korg Prologue 8 Voice Polyphonic Analogue 49 Key Synthesizer Korg Prologue 8 Voice Polyphonic Analogue 49 Key Synthesizer Korg Prologue 8 Voice Polyphonic Analogue 49 Key Synthesizer Korg Prologue 8 Voice Polyphonic Analogue 49 Key Synthesizer
Cat: 675862 Rel: 08 May 18 • View all シンセサイザー
 
8 voice, 49-note polyphonic synthesiser featuring newly developed multi-engine with three modes
Notes: Prologue is a fully-programmable, full-featured, professional synthesizer. Preceded by the four-voice polyphonic Minilogue and the monophonic Monologue, it's the long awaited debut of the flagship: the Prologue.

Prologue is a polyphonic analog synthesizer equipped with a full-sized keyboard. With powerful analog circuits that are descended directly from the earlier models of the series, together with a newly developed digital multi engine and gorgeous DSP-based effects, Prologue expands the variety of sounds and the possibilities for user customization.

The line-up is comprised of two models that cover musicians' needs for not only stage use, but also studio, home, or touring use: 16-voice 61-key Prologue-16, and the eight-voice 49-key Prologue-8. These instruments are capable of sounds that go beyond existing analog synthesizers.

16/8-voice analog sound:
The Prologue is a polyphonic analog synthesizer with 8 or 16 multitimbral voices. KORG's analog synthesizer development in recent years has culminated in the Prologue, which was designed using 11,000 discrete electronic components. Although the Prologue is a flagship instrument, it still retains the inviting feel and accessibility of its predecessors. It features a pure analog path, impeccable sound quality, stunning presence unlike any other poly synth, and the same intuitive interface as the Minilogue and Monologue, granting you intuitive access to a vast world of analog synthesis.

The Prologue uses a structure of 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator's overtones and a sync/ring switch, prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from Minilogue and Monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer.

Newly developed multi-engine:
The ingenuity of Prologue goes beyond its analog design. The newly developed multi engine is provided as VCO3, adding digital waveforms and FM. This multi engine, which is equipped with three different sound engines, can be combined with the analog VCOs to expand prologue's sonic potential far beyond that of a traditional analog synthesizer.

Noise generator:
There are four types of noise generator, indispensable for percussive sounds or sound effects. Experience how digital filtering can produce direct changes in the colour of the noise.

VPM oscillator:
The VPM (Variable Phase Modulation) / FM oscillator was newly developed for Prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by analog means. With 16 types of oscillator and the SHAPE knob, you'll be intuitively guided through complex sound design. Combine these wave shapes with Prologue's gorgeous analog filters, and prepare for sounds you never thought possible.

User oscillator:
The user oscillator section lets you load oscillator programs of your own creation. Sixteen slots are provided, and one type of morphing wavetable oscillator is built-in as a preset.

Digital effects:
The high-quality digital effects feature pristine 32-bit floating-point processing, and add a further polish to the sound of the Prologue. With two effect units provided (a modulation effect and delay/reverb), you can choose from a wide variety such as chorus or ensemble, warm tape delay, or diverse reverbs. The user effect slots let you load effect programs of your own creation.

User-customization:
The Prologue offers an SDK (Software Development Kit) that allows developers to program, customize and extend the capabilities of the multi-engine and digital effects and is expected to be available for download in the spring of 2018. The Prologue provides 16 user oscillator slots and 16 user effect slots, and users can use the Prologue Librarian software (also expected to be available for download in the spring of 2018) to load into their Prologue new oscillators and effect programs created by developers with the Prologue SDK (Software Development Kit).

Analog comp/booster:
The exclusive VU meter is available only on the Prologue-16, and indicates the newly developed master effect L.F. COMP. It's a low end booster/compressor using an analog circuit, delivering a solid sense of presence that cannot be obtained from a simple EQ. You'll particularly notice the difference in high-volume stage performances where maximum dynamics can be utilized.
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MRP:$1,821.36 SAVE 45%
 2 in stock $997.03
Behringer DeepMind 12 Keyboard Analogue Synthesizer Behringer DeepMind 12 Keyboard Analogue Synthesizer Behringer DeepMind 12 Keyboard Analogue Synthesizer Behringer DeepMind 12 Keyboard Analogue Synthesizer
Cat: 622579 Rel: 03 May 17 • View all シンセサイザー
 
True analog 12-voice polyphonic synthesiser
Notes: With the creation of DEEPMIND 12, the ultimate, true analog, 12-voice polyphonic synthesizer is finally a reality. DEEPMIND 12 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Sequencer, the DEEPMIND 12 gives you complete control over your soundscape. Plus, DEEPMIND 12 features comprehensive remote control via iPad*/PC/Mac and selected Android Apps over USB, MIDI or built-in Wifi - for a custom-tailored workflow that lets your creative spirit soar to new heights!

Classic Polyphonic Synthesizer:
The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 12's pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right.

The FX Racks:
We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms - including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 12's FX were essentially "rebuilt" in the digital domain - and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 12, ensuring flawless performance, flexible routing - and the end of cable faults forever!


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 1 in stock $670.47
Pioneer RMX-1000 Remix Station DJ Effector & Sampler (black) Pioneer RMX-1000 Remix Station DJ Effector & Sampler (black) Pioneer RMX-1000 Remix Station DJ Effector & Sampler (black) Pioneer RMX-1000 Remix Station DJ Effector & Sampler (black)
Cat: 451060 Rel: 02 May 12 • View all DJエフェクト/サンプラー
 
3-in-1 system comprising editing software, hardware and VST and AU plug-ins
Notes: The Pioneer RMX1000 remix station takes a totally new direction to effectors and samplers, the RMX-1000 is a 3-in-1 system comprising editing software, innovative performance hardware and VST and AU plug-ins.

Technological innovation is in Pioneer's DNA. So only Pioneer could produce a remix station that not only manipulates the input sound, but also lets DJs produce new beats and sounds and trigger personalised samples on the fly. And, thanks to Pioneer's Quantize function, they'll always be in time with their sets.

The RMX-1000 serves up all the possibilities of studio effects and beatboxes, with the added physicality of pro-DJ equipment. Intuitive performance interfaces from Pioneer's flagship mixers and effectors - such as the DJM-2000's Isolator FX, the DJM-900nexus's X-Pad and the EFX-1000's multiple FX chaining - have been evolved and brought together into one unit.

Simplifying these concepts even further, the RMX-1000 uses intuitive DJ controls to manipulate several parameters in macro. Each effect has been designed to work in a totally unique way with the interface, for results previously only possible with hours of studio automation or robot-like performance skills.

While the unit is incredibly simple to operate, DJs can still create a totally unique sound with Pioneer's remixbox editing software. remixbox allows DJs to completely customise the RMX-1000 hardware to their own performance style and load it up with their own banks of samples.

And, by saving their settings to an SD card, DJs can effectively take their own personalised DJ rig with them wherever they perform. Plus, Pioneer plans to upload internationally renowned DJs' settings and samples to its website so DJs can give themselves a head start. The hardware offers 3 ways to access settings. Default activates Pioneer's intuitive factory settings. And User settings can be stored on the unit, or on an SD card to be taken along to the booth, DJs simply plug their SD card in to get immediate access to their personalised controls. And Pioneer plans to make settings from internationally renowned DJs such as Chuckie, Kissy Sell Out, Kutski, James Zabiela, Doorly and Laidback Luke available for DJs to download.

Using the RMX-1000 as a USB controller for the, included, RMX-1000 VST and AU plug-ins gives DJs the same hands-on feel they get with studio DJ mixes, saving them from hours of editing and breathing new life into studio productions. As the first VST/AU controller dedicated to the DJ industry, the RMX-1000 brings the operability of hardware into the recording studio. By just plugging the unit into a laptop, DJs and producers can use the RMX-1000's dedicated controls to manipulate the VST/AU's exciting features.

The ultimate multi-use unit, the RMX-1000 can be used with mixers, CDJs and laptops in the booth, or with a PC in the studio for recording and producing.

With fully customisable settings, the RMX-1000 offers the kind of flexibility never before seen in hardware. The control parameters can be completely modified using the remixbox software included.

Designed by Pioneer exclusively for the RMX-1000, the remixbox software allows DJs to prepare mind-blowing sets - while the hardware leaves plenty of room for spontaneity on the night.

And DJs can use the software to modify the unit's features and change its parameters for a truly personalised DJing experience. By hovering their mouse over the remixbox's virtual RMX-1000, DJs can edit features, change parameters or adjust effects on the hardware itself.

There's no need to fiddle around with the mouse and keyboard: just hit a button, twist a dial, or turn a knob, the RMX-1000 literally puts every effect right at producers' fingertips.

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 1 in stock $660.71
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quote 451060
Pioneer CDJ-350 Digital Multi CD USB Player (black) Pioneer CDJ-350 Digital Multi CD USB Player (black) Pioneer CDJ-350 Digital Multi CD USB Player (black) Pioneer CDJ-350 Digital Multi CD USB Player (black) Pioneer CDJ-350 Digital Multi CD USB Player (black)
Cat: 389414 Rel: 22 Jun 10 • View all DJプレーヤー
 
Single CD, USB DJ deck with rekordbox music management software
Notes: The entry-level CDJ borrows countless features from models higher in the range, allowing you to hone your skills on a more affordable player with the same feel as the more expensive models.

Supplier's notes:
The CDJ-350 will allow users to create DJ performances with various digital music files including MP3, AAC, WAV and AIFF files that are stored on different forms of media, including USB mass storage device class products or CD-R/RW discs. The media player also includes Pioneer's proprietary music management software, rekordbox, making it possible to manage music files on a computer for quick song selection when played back on compatible Pioneer players.
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 2 in stock $584.77
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quote 389414
ALM Akemies Castle Dual 4 Operator FM VCO Module
Cat: 584261 Rel: 15 Apr 16 • View all Synth modules
 
Dual voltage controlled oscillator (VCO) synthesiser module with authentic 4 operator digital FM - 38HP wide
Notes: 'Akemie's Castle' is a dual voltage controlled oscillator with authentic 4 Operator digital FM using 'new-old-stock' Yamaha IC's for audio signal generation.

Each of the 4 operators feature independent waveform selection, frequency multiplier and level control via direct panel operation and voltage control. Operators can be combined in various ways across both oscillators, which together with independent feedback control on each VCO, offer an extremely wide palette of sounds.

Oscillator A also features a chord mode providing a range of up to 5 voice chords and voltage controlled inversion.
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 6 in stock $503.41
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Allen & Heath Xone 43C 4 Channel DJ Mixer With Soundcard Allen & Heath Xone 43C 4 Channel DJ Mixer With Soundcard Allen & Heath Xone 43C 4 Channel DJ Mixer With Soundcard Allen & Heath Xone 43C 4 Channel DJ Mixer With Soundcard Allen & Heath Xone 43C 4 Channel DJ Mixer With Soundcard Allen & Heath Xone 43C 4 Channel DJ Mixer With Soundcard
Cat: 573213 Rel: 11 May 15 • View all DJミキサー
 
4+1 channel DJ mixer with built-in 16 channel 96kHz 24bit internal soundcard, Serato DJ and DVS Upgrade Ready
Notes: Aimed at software DJs, the 43C is a more digital-friendly offering from A&H, featuring a built-in audio interface and features designed with Serato in mind. Excellent filters, EQ and build quality make it a great choice.

Supplier's notes:
Xone:43C is the perfect gateway to the full spectrum of digital DJing. The mixer is supported by leading DJ Software, Serato DJ, and is DVS upgrade ready with the addition of the Serato DJ Club Kit - eliminating the need for any external interface. Whatever your workflow, Xone:43C delivers a uniquely fluid mixing experience.

Xone:43C is a 4+1 channel mixer, offering a simple and intuitive layout with sublime analogue audio quality. The mixer is equipped with the legendary Xone filter, 3 band EQ, plus X:FX, giving a single control per channel over the send/return to work with external FX units. For even more hands-on creativity, the X:FX can also be routed to the Xone filter to add layers of FX and filtering. Xone:43C also incorporates a premium quality internal 16 Channel USB Soundcard for integration into digital DJ workflows, plus plug n' play connection via X:LINK to Xone:K series controllers for expanded MIDI control.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43C has the quality and versatility to become the centrepiece of the club booth or audiophile personal DJ setup.

Xone:43C is an affordable, elegant solution for using Serato NoiseMap Control Vinyl or CDs for hands-on control over Serato DJ software. For new users, simply purchase the Serato DJ Club Kit which is available in-app within Serato DJ or via the Serato Online Store.

Xone:43C offers a convenient, plug 'n play route into DVS DJing, eliminiating the expense and clutter of using an external interface. (Mixer does not support full control of Serato Video).

Xone:43C incorporates a high specification 16 Channel 96kHz, 24bit USB Soundcard, allowing it to be seamlessly integrated into digital DJ workflows.

The original and best. The Xone filter is a legend in the DJ booth - none of its imitators come close. Xone:43C's filter includes HPF, BPF, LPF, resonance control and frequency sweep, plus the option to route the X:FX to the filter.

An intuitive and simple new way to work with external FX - X:FX provides a single control per channel over the send/return to work with external FX units. For even more hands-on creativity, the X:FX can also be routed to the Xone filter to add layers of FX and filtering.. For even more hands-on creativity, the X:FX can also be routed to the Xone filter to add layers of FX and filtering.

For the ultimate digital DJ setup, connect Xone:K series controllers to the Xone:43C over X:Link for hands-on control over your software. When used with Serato DJ, the Xone:K1 is pre-mapped to control cues, loops and Serato DJ FX for control decks 1 through 4.

On top of its four fully featured phono/USB/line channels, Xone:43C has a flexible mic / aux input with XLR and phono connectors. If you don't perform with mics, the phono inputs allow this channel to be used as an extra stereo music source.

Upgrade to a custom Innofader crossfader (available separately) for ultimate performance. Always a popular choice for scratch DJs.

Fully fledged local monitor (booth) output and separate Record output to capture the mix is a rarity at this price point, making Xone:43C perfect for the DJ who requires a compact mix tool.
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 3 in stock $686.75
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quote 573213
Presonus Faderport 16 Mix Production USB Controller Presonus Faderport 16 Mix Production USB Controller
Cat: 667555 Rel: 15 Jan 18 • View all MIDIコントローラ
 
Compact USB control surface with 16 touch-sensitive motorized faders
Notes: Although a keyboard and mouse are tried-and-true DAW-control devices, they're far more effective when used in tandem with the FaderPort 16's precise tactile control over mix and automation functions. A superior solution for anyone who mixes in the box, only the FaderPort 16 provides 16 100 mm touch-sensitive, motorized faders and 89 buttons covering 104 different functions, all in a compact chassis that easily sits on any desk. Quickly zoom in on audio files for editing, modify plug-in parameters, manage aux mixes - and, of course, control track levels with the touch of a finger. With the FaderPort 16, you'll enjoy the fastest, most efficient workflow you've ever experienced.

Work faster and smarter:
Rather than forcing you to revise your mixing method, the FaderPort 16 augments the way you currently mix. You still use your faithful keyboard and mouse for things they do well, and the FaderPort 16 handles what you really want to get your fingers on: your mix. Having the ability to control the levels of 16 channels at once makes creating the perfect mix easier than ever before. And the FaderPort 16 allows you to view just the information you need to access. Sixteen digital scribble strips provide visual feedback. Quickly navigate between tracks and buses. Need to automate your virtual instruments? The FaderPort 16 lets you view just those tracks, making switching automation tasks a breeze. This is DAW control the way you always hoped it could be!

One-button access to key functions:
The FaderPort 16's unique Session Navigator provides easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline, using the encoder, or work measure by measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you'll wonder how you mixed without it.

Universal compatibility and tight Studio One integration:
FaderPort 16's streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control virtually any DAW. No driver installation is necessary; just plug the control surface into a USB port and take command of your mix and plug-ins.

But the FaderPort 16 is downright magical when used with PreSonus Studio One. (Studio One Artist is included.) You'll be amazed how much faster you can work.

An amazingly fast, efficient studio workflow awaits you:
With the compact, easy-to-use FaderPort 16, you'll enjoy the fastest, most efficient workflow and the most session control you've ever experienced. But don't just take our word for it; visit your favorite PreSonus dealer and try the FaderPort 16 for yourself!
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 1 in stock $702.14
Tangible Waves AE Modular Starter Rack 2 Complete Modular Synthesiser System Tangible Waves AE Modular Starter Rack 2 Complete Modular Synthesiser System
Cat: 719647 Rel: 10 Jun 19 • View all Synth modules
 
Modular synthesiser starter rack
Notes: Complete starter setup of Tangible's AE system, designed as an affordable way into Eurorack modular. Everything you need to get started, including oscillators, filters and much more.

Supplier's notes:
A complete AE modular system in a two-row Rack (32 AE module units in complete); containing the following modules:

- MASTER
- 2OSC/D
- VCO
- NOISE
- 2 x LFO
- FILTER (Wasp type)
- SVFILTER
- 2ENV
- 2VCA
- LOGIC
- SAMPLE&HOLD
- BEATDIVIDER
- TRIQ164
- 2ATT/CV
- MIXER
- DELAY

The case is extendable; via a joint kit (not included) another case of this type can be attached at a free angle; the bus is connected via a short connector cable.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.
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quote 719647
MOTU UltraLite AVB Audio & MIDI Interface MOTU UltraLite AVB Audio & MIDI Interface
 
18 x 18 USB / AVB audio interface with DSP mixing, wi-fi control and audio networking
Notes: If you've been looking for a mobile audio interface with excellent audio quality, Wi-Fi control, extensive mixing and exciting new possibilities for expansion and audio networking, your search is over! The latest in MOTU's award-winning UltraLite series, the all-new UltraLite AVB delivers more I/O, more DSP, and best-in-class analog audio quality for on-the-go mobile audio recording.

More I/O:
The UltraLite AVB now provides separate mic and guitar inputs (two each), 8-channel ADAT optical (switchable to stereo TOSLink), 6 x 8 balanced quarter-inch analog I/O and MIDI IN/OUT jacks, all housed in a rugged aluminum alloy half-rack chassis that slides easily into a backpack. That's a total of 18 simultaneous inputs and outputs.

Best-in-class analog audio quality:
The balanced analog outputs achieve a measured dynamic range of 117 dB, rivaling the audio quality of interfaces at much higher price points.

More DSP:
Expanded DSP doubles the available processing power for the redesigned console-style mixer, which provides 48 inputs, 12 stereo busses and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. Matrix routing lets you quickly patch ins to outs, or split inputs to multiple destinations. You can even use the UltraLite AVB as a stand-alone mixer and control everything wirelessly from innovative web app software running on your iPad, iPhone, tablet, smartphone and laptop. Multiple musicians can access their own aux mixes simultaneously from their own Wi-Fi devices.

Class-compliant connectivity:
The UltraLite AVB connects to a computer through AVB Ethernet or audio class compliant hi-speed USB 2.0 (compatible with USB 3.0 and iOS) and records at sample rates up to 192 kHz.

Expansion and networking:
The optical ports let you connect the UltraLite AVB to other interfaces you may own, or future gear purchases as your studio grows. Through AVB Ethernet, you can connect another MOTU AVB interface for more I/O with a standard Ethernet cable - up to 100 meters long! Or, you can connect to an expanded MOTU AVB network with multiple interfaces and computers.
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 1 in stock $540.28
Rossum Electro-Music Trident Multi Synchronic Oscillator Ensemble Module
Cat: 718648 Rel: 20 May 19 • View all Synth modules
 
Triple oscillator module with various modulation possibilities - 30HP
Notes: The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analogue, triple oscillator module that opens up a universe of dynamic timbral textures.

At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs.

The main or "Carrier" oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected.

And while each oscillator can be used independently if desired, it's when they're combined into a synchronous ensemble that the real sonic magic happens.

That magic is what we call "Zing" modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing modulation is mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator's Sync button on), the harmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters - Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase - will have a different effect on the timbre of each of the three Carrier waveshape outputs.

When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.

What all this means is that whether musicians take advantage of TRIDENT's unique synchronous modulation capabilities (which they, of course, should), or just treat it as three superb, wide-range analogue oscillators, TRIDENT offers a vast variety of dramatic sonic textures.
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 2 in stock $617.32
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Squarp Instruments Pyramid MK3 Polyrhythmic Sequencer
Cat: 670612 Rel: 14 Dec 17 • View all Sequencers
 
Modern, easy-to-use & versatile hardware sequencer - MK2 version
Notes: Latest version of Squarp's excellent Pyramid sequencer. Proper creative business to break away from computers and get the most out of your synths and modules. Definitely one of our favourite sequencers on the market.

Supplier's notes:
Modern, easy-to-use & versatile hardware sequencer.

Pyramid provides you with a radical new workflow and almost unlimited possibilities.

It will become your ultimate studio centerpiece.

Pyramid is designed to be the perfect brain for your musical setup, from studio to stage. It brings together a powerful sequencer, a looper, a rhythm generator, a real-time effect processor, a midi controller and an input+output interface.

Pyramid does not produce sounds. Instead, we have focused our energies on creating an innovative and complete sequencing solution full of creative tools.

Pyramid is an instant source of inspiration to start, finish & perform your song!

With Pyramid's high precision clock, the sequencer becomes a great synchronisation tool for both vintage and recent devices. Your instruments will always keep in time: Pyramid is the heartbeat of your studio.

You can also use Pyramid sequencer as a rock-solid interface box for your MIDI, USB MIDI & CV/GATE setup:

filter note/clock/start stop/cc/pitch/aftertouch messages

route MIDI in to USB MIDI out

convert MIDI in to CV/GATE output and add effects

convert CV/GATE in to MIDI out

convert MIDI IN clock to DIN SYNC

Even if you use a DAW as your primary sequencer, Pyramid will become an indispensable Swiss knife!

Record a performance at any time with the built-in keyboard, the smartpads (generates chords, scales or repeats), the touchpad, the 5 encoders or an external controller... with true polyphony and high precision!

You can even use the midi looper mode, in the style of audio looper pedals. Live improvisation recording has never been so easy!

Create and arrange complex rhythms and melodies with the full realtime step sequencer, or edit your live recording.

The piano roll view clarifies notes and drums programming. Change the pitch, the velocity, the width and the offset of each note, in a flash. Zoom in (up to 1600%) to surgically edit the track. As Pyramid is fully polyphonic, a step can contain an unlimited number of notes!

Create CC or FX automation with the touchpad or with the 16 pads.

Create an infinite number of automation per track! Slide the touchpad to draw the automation, or use the 16 pads to edit or add step-lock parameters.

Pyramid offers one algorithmic euclidean sequencer engine per track, auto generating uncommon and rich rhythmic patterns. Almost all traditional rhythms from across the world can be generated with this tool.

Change the number of total steps, the number of filled steps, the step width, rotate the pattern, all of this on the fly. The displayed euclidean circle helps you to visualize the pattern.

Once your tracks are created, Pyramid offers several ways to play with your sequences: mute/unmute your 64 tracks on the fly, launch sequences (group of tracks), or chain sequences to create a complete, structured song.

You can choose to perform your tracks and sequences in sync (1 bar, 2 bars, ...) or not. It's even possible to play in sync with one beat resolution, a new way to improvise with sequences!

Pyramid includes 5 clickable encoders and a wide touchpad.

You can easily assign any of these controls to an effect parameter or a midi CC message by pressing the "assign" button, and recording the automation. Even the two CV analog inputs can be assigned - it's up to your imagination!
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Sherman Filterbank 2 Classic Analogue Filter Sherman Filterbank 2 Classic Analogue Filter
Cat: 531916 Rel: 02 Sep 14 • View all Filters
 
Powerful analog filtering and distortion unit
Notes: What is the Sherman Filterbank 2?

A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
Easy and FUN to use, live and in the studio
A small modular system? YES!
Another 303 clone? NO!
Affordable? YES!
Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV

The original Sherman Filterbank (Version 1) is no longer being made and is thus now completely being replaced by this new version !

The global look has remained the same, but there have been added several strong functions. To summarize :

There are 5 extra NEW SWITCHES, 1 extra INPUT (for footpedal), 2 extra new LEDs, a NEW COLOR (silver-grey) with an improved (long-lasting) varnish layer.
The inner electronics have also been adapted to achieve an EVEN BETTER SOUND-QUALITY
We also do have new packing-boxes (silver, with photo on upper side), new flashy stickers (silver) and new adaptors (with Sherman-logo).
All this with the famous solid SHERMAN-QUALITY and the well-known thorough & speedy AFTER-SALES service (repairs).

What's new?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website.

PLEASE NOTE: SUPPLIED WITH EU 2 PIN ADAPTER PLUG ONLY.
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 2 in stock $680.23
Winter Modular Eloquencer Sequencer Module (silver)
Cat: 785047 Rel: 27 Jul 20 • View all Synth modules
 
Sequencer module
Notes: Powerful Eurorack sequencer designed to work just as well in the studio as a live performance tool. Eight tracks of CV and gate based around a 16-step sequencer, with clever randomness features.

Supplier notes:
The Eloquencer is a powerful and versatile eurorack sequencer that can be used both as a performance and a composition tool. It's designed to be intuitive, easy to use, and quick to edit. It has been built around the "controlled chance" concept. This means you can decide when and where there will be randomness and how much this randomness will affect your sequences. It features 8 tracks of CVs and Gates in a 16 step disposition, but with the ability to define larger bar counts or chaining patterns to build multiple song parts of 256 steps each.

INPUTS AND OUTPUTS
8 V/oct CV Output
8 Trigger / Gate Output
Reset Input
External Clock Input (configurable. i.e: can be used as a clock divider / multiplier)
Accent Output (configurable)
Clock Output (configurable. i.e: can be used as a clock divider / multiplier)
2 CV Input (assignable to different parameters)


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MRP:$772.03 SAVE 17%
 3 in stock $637.93
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quote 785047
Sennheiser IE 500 PRO In Ear Monitoring Headphones (clear) Sennheiser IE 500 PRO In Ear Monitoring Headphones (clear) Sennheiser IE 500 PRO In Ear Monitoring Headphones (clear) Sennheiser IE 500 PRO In Ear Monitoring Headphones (clear) Sennheiser IE 500 PRO In Ear Monitoring Headphones (clear) Sennheiser IE 500 PRO In Ear Monitoring Headphones (clear) Sennheiser IE 500 PRO In Ear Monitoring Headphones (clear)
Cat: 718781 Rel: 01 May 19 • View all イヤホン
 
Assertive in-ear monitors with extremely high resolution & distortion-free sound reproduction - clear
Notes: High-resolution sound - down to the finest details - with precise, accurate soundstage, even at extreme sound pressure levels. The IE 500 PRO combines huge power and clarity for any location and any stage in the world. Thanks to the twisted pair cable, it can be operated comfortably at high volumes. So sound professionals can keep even the finest details under control, the dynamic 7mm driver works with the newly developed TrueResponse technology. It refines the natural strengths of the diaphragm and eliminates stress factors that occur with other driver systems. Distortion, feedback peaks and overlapping frequency ranges are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. A miniature design also permits a formerly inconceivable, flat construction, which fits comfortably and securely into any ear canal. The accompanying silicone and memory foam adapters improve the fit and shielding, making it feel like it is tailor-made. Even with extreme movement, the IE 500 PRO sits securely in the outer ear - and can still be inserted or removed in a matter of seconds. The innovative, shock-proof cable duct (patent pending) is naturally replaceable.

High-resolution, strong mid-ranges:

With the IE 500 PRO, musicians can reliably locate themselves in the mix and hear every nuance of other voice or instrument, even on the loudest stages. The low-resistance system performs clearly and free from distortion, even at high sound pressure levels - thanks to TrueResponse technology. High-resolution, strong mid-ranges, accurate soundstage, and a robust design fit for any stage... the IE 500 PRO represents the philosophy of the entire IE series: MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single high-performance dynamic driver - with a diaphragm measuring only 7 mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor, and a two-chamber absorber in the direction of the ear canal minimizes feedback peaks that would otherwise occur naturally. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 500 PRO protects your hearing - even after hours of use on the loudest stages. For professionals that previously got lost in the mix, their sound suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 500 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector allows the IE 500 PRO to also withstand tough nights on the stage. Again, and again.
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MRP:$688.71 SAVE 21%
 1 in stock $541.37
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quote 718781
Intellijel Cylonix Shapeshifter Dual Complex Morphable Wavetable VCO Eurorack Module
Cat: 563566 Rel: 10 Mar 15 • View all Synth modules
 
Dual complex morphable wavetable VCO eurorack synth module
Notes: Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time
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 5 in stock $518.59
Intellijel/Cylonix Rainmaker 16 Tap Stereo Spectral Rhythm Delay & Comb Resonator Module (B-STOCK)
Cat: 796686 Rel: 10 Aug 16 • View all Synth modules
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
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 1 in stock $605.85
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