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Review: Shame On Dry Land (Syndabocken) is an award-winning Swedish movie that picked up the Guldbagge prize for best feature film soundtrack in 2024. That soundtrack has been written and produced by sometime Studio Barnhus associate and mythical young artist Baba Stiltz. It arrives on vinyl for the first time here and is a dense affair with plenty of esoteric stylings as you would expect of a man with a famously hard-to-pin-down sound. It goes from heavy and dark to airy and Mediterranean and needs to be heard nice and loud for the best effect.

Review: ***B-STOCK: Record sleeve damaged, product in working order***


The enduring appeal of Steely Dan never fades with time, and why should it? Donald Fagen and Walter Becker's relentless pursuit of perfection and blue-eyed soul gifted us a whole heap of stunning albums, and their fiercely devoted fanbase would fight tooth and nail over which one gets the top spot. Our money would be on Aja though, given its enduring influence, its rich extended life through a whole host of sampling and the quite simply flawless run of songs, composition, production and beyond. It's one of the greatest albums out there, and you'd do well to grab a copy if you don't own it already.

Review: The classic 1977 album Aja by Steely Dan gets a deluxe reissue treatment from Analogue Productions, reminding us once more of its stellar jazz-inspired arrangements, complex harmonies, and impeccable composition. Known affectionately as a 'studio is an instrument' album, Donald Fagen and Walter Becker were meticulous and uncompromising at the time of its crafting. It's for these reasons alone that Aja remains a masterpiece, in which titles such as Peg, Deacon Blues and Josie resounding again with blues-pop-rocky flair.

Review: This is techno, but not as we know it from the Vigenere. Sparagamos (a fitting name given the word originally means to render, tear apart, or mangle) is behind these freaky beats but we nothing more about the artist. Suffice it to say they sure do have a fine grip of their studio and can manipulate sound in some thrilling ways. The opener is a warp-speed warehouse banger with distorted bass and manic energy, track two explores sludgy acid techno underworlds and track there is a twitchy cosmic workout with serene pads. 'Track 4' is a world of dystopian robotics while the flip side offers tripped-out, double-time dub techno, more acid intensity and experimental mind melters with exceptional sound design.

Review: The Soul Surfers & Shawn Lee have linked their creative energies once more with a new pair of singles for the cultured Spasibo Records. Both tracks on this limited gold vinyl were recorded in 2018. One was captured at Moscow's Magnetone studio during Lee's visit for the premiere of a movie documenting his prior recording with The Soul Surfers, and the other was recorded remotely with The Soul Surfers at their Nizhniy Novgorod headquarters and Lee at his London studio, The Shop. The collaboration is a fruitful one with two sublime and timeless funk cuts featuring some bittersweet replaying of classic melodies.

Review: Alongside the wicked new 7" 'Dues And Don'ts / Fraud Fades', Amsterdam producer Soul Supreme simultaneously drops another 45 - of no less import - this time enlisting the fiduciary flows of American producer and emcee Thes One. 'Taking The Stand' includes both the original vocal number and the instrumental on the flip side, with Thes One musing on life's (in)justices, trials and negotiations as Supreme the wunderkind himself segues through wildcard turntable scratches, knocky drum hits and blue-note piano hits.

Review: Producer Soul Supreme is back with another 7" record, delivering two new phat'uns to that subsection of fans who prefer things on the wonkier side. Following earlier, acclaimed tributes the likes of A Tribe Called Quest, J Dilla and Mos Def, the new 'Dues and Don'ts' b/w 'Fraud Fades' 45 features two, all-original jazz-funk groovers by the Amsterdam-based keyboardist and producer. The former track burns slowly, carefully building up around a harpsichord improv, Herbie Hancock style, coming heavy-set by a thick and booming drum backing that soon enough late-blossoms into a cinematic, stringed soaring-on-high. The latter track pays complementary homage to the funk drum breaks of yore, with the central drum line around which the track is built echoing Serge Gainsbourg or Clyde Stubblefield, albeit making conspicuous its own electronically sequenced, not entirely live-performed, feel.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Sons of Kemet had already made themselves into stars before they released their debut album. They did so with electrifying live shows all around the UK with each member of the supergroup which is led by clarinetist, saxophonist and composer Shabaka Hutchings with Oren Marshall on tuba and Tom Skinner and Seb Rochford on drums, all coming together to create fresh jazz fusions. When Burn landed a decade ago it took things up a notch. It has addictive melodies that work for both heart and mind and now gets a special anniversary reissue.

Review: Though he was already famous, Either/Or is the album that made Elliott Smith great. Now Kill Rock Stars proudly present their newly reissued, expanded edition of the sensitive songster's crowning glory, this time including five live multi-track recordings from the Yo Yo A Go Go Festival in Olympia, WA in 1997, as well as three previously unreleased studio recordings, not to mention one B-side gem. The album was highly praised at the time due to several of its songs' lucky inclusion by Gus Van Sant in the classic drama movie Good Will Hunting, though the album's appeal goes much deeper than that, with Smith's melancholic, sombre voice soaring low above well-glued, unplugged pop mixes, though, typically for Smith, it still touches on existential, philosophical and neurotic themes throughout.

Review: ***B-STOCK: Slight surface mark on the record sleeve***


Announcing a reunion run of festival dates not five years on from their supposed farewell tour, what better time to revisit a truly under appreciated latter day gem from thrash metal titans Slayer? Originally released in 2006, Christ Illusion would serve as follow up to 2001's critically acclaimed God Hates Us All, while marking the band's first full-length with original drummer Dave Lombardo since 1990's Seasons In The Abyss. Somewhat shrugged off upon initial unveiling, in the near two decades since the project has amassed a legion of followers, mainly due to the work ultimately serving as one final effort from the original line up before guitarist Jeff Hanneman's untimely passing, followed by Lombardo's second departure.

Review: In 1975, Silver Convention burst onto the global stage with their hit song Save Me, introducing the world to The Munich Sound. The album included the Grammy-winning smash hit 'Fly Robin Fly,' which topped both the disco and pop charts for weeks and became the band's signature song. Now, Omnivore Recordings and Good Time Records present an expanded reissue of this classic debut, featuring five bonus tracks and insightful liner notes detailing the album's genesis and global impact. With its original international cover art and a 12-page color booklet filled with photos and ephemera, this reissue is a must-have for fans of Eurodisco and music history enthusiasts alike.

Review: Famous as the nephew of the world famous sitarist Ravi Shankar, Ananda Shankar carried the torch by contributing several greats to the continuing tide of prog rock and Western electronica. One such project was Sa-Re-Ga Machan, first released in 1981, and which lent a jungle-safari theme to the already established electronic rock fusions he'd laid down on his earlier self-titled record. Seguing through rollicking, schools-out psychedelic odysseys, not to mention humid, wonderfully sublime tropical soundscapes on which we can't tell what's synthetic and what isn't, this is an worthy new reissue from Life Goes On; worth every penny.

Review: Joseph Shabason, Matthew Sage, and Nicholas Krgovich form a harmonious triangle, both musically and geographically. Hailing from Toronto, Colorado, and Vancouver respectively, they converged at Sage's barn studio nestled at the foot of the Rockies to explore their shared talent for finding beauty in life's mundane moments. Shabason, known for blending late 80s adult-contemporary and smooth jazz aesthetics into ethereal soundscapes, joins forces with Sage, who combines instrumental prowess with synthesis and field recordings to evoke the natural world's whimsy and profundity. Completing the trio is Krgovich, whose observational poetics add a relatable touch to their calm expressionism. Their collaborative album, warmly Shabason, Krgovich, Sage extends the wry and melancholic micro-miracles established in their previous works.

Review: Composer and multi-instrumentalist Shabaka Hutchings releases his sophomore LP Perceive Its Beauty, Acknowledge Its Grace', building on his increasingly impressive career working with Andre 3000, Sun Ra Arkestra and heading multiple bands - not least the, now dissolved, The Comet is Coming. The album marks the king's return to music, following his abandonment of the saxophone in 2023. Here he returns to his original instrumental calling, the clarinet, but a wide array of wind is on offer. The first single, the opening track 'End of Innocence', is a succinct clarinet and piano marriage. The reverberation of the keys softly emanates behind the masterfully controlled clarinet lead, with perfectly placed percussion sprinkled throughout. It's introspective, serene and understated - a supremely narrative feel that only instrumental jazz can give off.

Review: British jazz musician Shabaka Hutchings releases his sophomore album 'Perceive Its Beauty, Acknowledge Its Grace', set to be another distinctive ribbon on top of his well-decorated jazz career including collaborations with Andre 3000 and being a member of Sons of Kemet. The LP marks Hutchings' return to music after giving up the saxophone a year ago. Here he returns to his original instrumental calling, the clarinet, but a wide array of wind and percussion punctuates his musings. Opening track 'End of Innocence', is a brief and understated clarinet and piano marriage. The reverberation of the keys softly drones behind the masterfully precise clarinet lead, with perfectly placed percussion sprinkled throughout. It's introspective, serene and understated - a supremely narrative feel that only instrumental jazz can give off. This pressing is the indie-exclusive red-coloured disc.

Review: Shabaka Hutchings' Perceive Its Beauty is a profound and meditative musical journey that celebrates the richness and grace of African culture. Through a diverse ensemble of renowned musicians, Hutchings invites us to immerse ourselves in a sonic landscape that evokes the beauty and bounty of the Motherland. The album's meditative quality stems from the restraint and collective nature of its creation. The instruments seem to float effortlessly, creating a sonic cloud that carries echoes of Afro-Asian music and the tranquil sounds of nature. Yet, within this understated atmosphere, individual brilliance shines through. The artistry of Jason Moran on the piano and the ethereal voices of Moses Sumney and Eska add layers of nuance and emotional depth. In an era often marked by division and disharmony, Perceive Its Beauty offers a refuge of unity and peace. It invites us to transcend superficial boundaries and embrace the beauty and grace that resides within and around us.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: ***B-STOCK: Box opened, product in perfect working order***


Top-of-the-range version of Sennheiser's consistently excellent HD25 headphones, bundled with a full range of accessories. One of our favourite models for DJ and studio use.

Supplier's notes:
The HD 25 PLUS is identical in design to the HD 25 but spoils its users with extra accessories and two included cables. Users can choose between a coiled steel cable (length: 3m/1m) and a straight, 1.5m steel cable.

The PLUS version also comes with a handy storage pouch and a second set of ear pads in a soft velour version.

Review: At least one person has described Scythe's work as "expertly modulated space blues and isolationist architectures." First emerging from the ether (or at least that's how we like to think of it) through a series of clandestine cassette releases on Low Company in 2019 and 2020, Head X'Change almost feels like the culmination of all that has come before. A weird and truly wonderful place to spend time. A collaborative project between David West and R.A. Jones, elements of kosmische intermingle with a kind of earthy ambience, DIY electronics leading into white noise moments or new age melodies. At times it's so joyfully opiate you wonder if there's any way of getting back up off the pillow. In other moments, there's tension, eeriness, and uncertainty. Once you're in, it's a wild ride indeed.

Review: This is the third installment in the Local Sugar Diggers Series from Scruniversal in which old and rare records from the label head's friend's collections get reworked and edited. This one is a collab between ScruScru and an equally passionate digger from Cyprus known as Dwaal. Both tunes offer quite different looks but with great results. The first is the steamy and loose-limbed 'Destination? Funk!' with its squelchy bass and neat guitar riffs, while the flipside is a super deep and lush downtempo jam, 'Camelot Chill'. This one has romantic sax notes and gentle grooves with jazzy keys finishing it in style.