Back in stock: Rock

Review: When Mick Mars stepped back from touring with Motley Crue, it seemed like the end of an era. Really, it was the beginning of a new one. The legendary guitarist, whose riffs, solos and overall devastatingly heavy sound powered the L.A. icons through four decades of world-conquering, multi-platinum sonic mayhem is, as he demonstrates on his debut solo effort, still a serious force to be reckoned with. Only now, listeners are reckoning with more Mars than ever before. On the aptly-titled The Other Side of Mars, fans get that vision in its full, multifarious glory. To be sure, there are plenty of characteristically riff-tastic, tough-as-nails hard-rock anthems, but The Other Side of Mars also shows the 71-year-old guitarist heading into new and uncharted territory, tearing through caustic, modern metal ('Broken On The Inside"', conjuring gothic-tinged soundscapes ('Undone'), digging into anguished, slow-burning power balladry ('Killing Breed"' and unspooling bluesy, cinematic instrumental workouts (the album-closing guitar showcase, 'L.A. Noir'). The music throughout the ten-track collection, meanwhile, is otherwise studded with slide guitars, violins, violas, keyboards, glitchy freak-outs and all manner of sonic surprises.

Review: ***B-STOCK: Box slightly damaged, slight surface marks, otherwise in perfect working order***


The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.

Review: Remastered at Abbey Road studios, 'Flesh & Blood' saw the first studio album made after the departure of drummer Paul Thompson. With his absence, the British rock group moved to a more accessible and palatable sound that paid off, earning the group their first No.1 Album since 1973 with 'Stranded'. The tone of Brian Ferry's vocal is of melancholy and depression, of unrequited love with a woman who ultimately can't stand the sight of him. The album was a huge hit in the UK but has been lost in the greater discussion of Roxy Music records either due to living in the shadow of the immensely popular 'Avalon' (a la 'Good Kid m.a.a.d City' to 'To Pimp a Butterfly') or thanks to the slamming negative review from Rolling Stone sealing its poor rating with American audiences. 42 years on, the album is finally being given the treatment it deserved on release - 'Oh Yeah!' and 'Rain, Rain, Rain' were arguably a few years ahead of their time and are just a sample of the great instrumental and vocals on this album.

Review: The 1982 glam-rock swan song for British rock group Roxy Music sees another limited reissue, a departure from the more edgy and abrasive sounds the group went for prior. The word that people constantly use to describe 'Avalon' is mature, in multiple senses of the word. At its core, the record is sensual and seductive make-out material, a 10 track package pining on romance named after the fantastical romantic gesture of King Arthur's body being sent to the titular island. It's plain to see why 'Avalon' is the band's most acclaimed and influential project, spawning off other New Wave acts like Spandau Ballet, Duran Duran and Tears for Fears. 'More Than This', the title track, has stood the test of time and is still playlisted and cited as one of the greatest British New Wave tracks of all time. 'Avalon' is accessible, seductive and, without doubt, a classic.

Review: The Four Flies crew has been hard at work assembling this comprehensive collection of soul, AOR and Italo disco from between the very specific years of 1977 and 1986. Across four fantastic sides of wax it shows how Italian artists took those sounds and added their own perspective to them during that era. Accompanying text says "In Italy, a soulful and sophisticated approach to pop music was embraced ... by an entire generation of writers, arrangers and musicians" and that is sure highlighted here in lush grooves, escapist melodies and feel good tunes that are effortless and timeless.