New releases last four weeks: Rock (All)

Review: Metronomy mark their signing to Ninja Tune with a new single that comes not long after their Posse EP Volume 1, a collection of tunes all made in collaboration with up-and-coming artists like Biig Piig, Spill Tab, Sorry, Brian Nasty and Folly Group. This one is another collaboration, this time with Pam Amsterdam. 'Nice Town' deals with the lead singer's own battles such as "internal versus the external or, intangible versus the tangible." It is a delightfully snappy dance-pop ditty with great and tight synth sequences, old-school rap vocals and nice broken early electro beats. Metronomy and Alain Ogue add their own remixes to a great label debut.

Review: Ozean's self-titled EP, originally recorded in 1993 but now receiving its first full physical vinyl release, is a testament to the band's splendid blend of shimmering, ethereal shoegaze. From the moment 'Scenic' envelops listeners with its swirling distortion and awesome melodies, it's clear that Ozean's music is something special. The dreamy soundscapes of 'Fall' and 'Porcelain' further immerse the listener, transporting them to a world of otherworldly beauty and introspection. Inspired by influences like Slowdive, Cocteau Twins, and Lush, Ozean's music captures the essence of the British shoegaze scene while adding their own unique twist. Lisa Baer's otherworldly vocals, influenced by Astrud Gilberto and The Jesus And Mary Chain, perfectly complement the band's atmospheric sound. Despite their brief existence and only two live shows, Ozean's impact is felt profoundly in this remastered EP. Recorded on a Fostex Model 80 1/4" 8-Track reel-to-reel tape recorder, the original cassette recordings have been meticulously remastered for this vinyl release, thanks to Tim Green of Louder Studios. Each track is a timeless snapshot of late adolescent wonder and experimentation, preserving Ozean's legacy for generations to come.

Review: Famous as the nephew of the world famous sitarist Ravi Shankar, Ananda Shankar carried the torch by contributing several greats to the continuing tide of prog rock and Western electronica. One such project was Sa-Re-Ga Machan, first released in 1981, and which lent a jungle-safari theme to the already established electronic rock fusions he'd laid down on his earlier self-titled record. Seguing through rollicking, schools-out psychedelic odysseys, not to mention humid, wonderfully sublime tropical soundscapes on which we can't tell what's synthetic and what isn't, this is an worthy new reissue from Life Goes On; worth every penny.

Review: Something in the Eastern European house and dance music proclivity has always struck us as enduringly authentic, perhaps due to its interest in folk music fusions; the label Sad Fun have surely played a key part in doling out this impression. Now they offer their latest addition to the fantasy with a label-described "true Estonian lowkey gem" in the form of duo Ajukaja & Edith Karlson, aka. Vana, whose combined efforts frankly, dustily and ironically toy with the pop music cliches native to their homeland. A-and-B-siders 'Vimme Ratsu' and 'Kuu Maa' are said to rework an '80s Estonian coastal folk-pop favourite and perform a "pseudo-reggae" pastiche respectively. Both have that effortless murmured charm on the vocals, recalling a nostalgic time of European make-do, A10-mic-from-the-junk-store, bottle episodic, rickety recorded goodness.