Today Only: All genres sale vinyl

Review: The Other Side label clocks up its 10th release here with Dunfound serving up the two tripped out minimal tech originals and Rhadoo offering a pair of his mighty fine remixes. Opener 'Flying Fish Song' is all about wonky synths and chattering durms and perc. The sound is raw and urgent and constantly on the twist and turn. The second original is a 12-minute plus journey through the darkest recesses of your mind. Rhadoo then ups the ante with his first remix which is all bristling beats and prickly percussion. The second is a more sludgy dub full of freaky designs and weird FX.

Review: Flying Vipers come through here with their first full length album Cuttings which is steeped in reverence for original Jamaican engineers of the 70s who were masters of their vast mixing consoles. Here the Vipers master steady drum & bass rhythms that are detailed with jazz melodies and a gritty post-punk attitude. The record builds on the success of The Green & Copper Tape EPs with extra horns, wild effects and vintage synths all making it a contemporary affair. All 12 tracks will get you in a meditative state where you can take some deserving time to reflect and sinking into your own mindful thoughts.

Review: Past Inside The Present co-founder Isaac Helsen - a multi-disciplinary artist from Michigan, creating photography and paintings as well as music - in action on this double cassette alone after a string of collaborations with labelmate 36 and fellow label co-founder zake. Helsen's sound works on a grand (electronically) orchestral scale at times, the proverbial cathedrals of sound coming to mind, at others (see 'Duniskwalgunyi') understated and intimate. On first listen, it's the simpler moments like 'Whisper At A Party' that grab you, but the 17 track selection slowly reveals itself to be quite special on repeated rotations.

Review: Talk about keeping things on a knife edge. The first, and title track on this powerhouse EP is pretty much destined to whip any venue into a storm of expectation, not-so-much building but rather opening with this full-sounding, heavily atmospheric, space-y, proggy, could be techno, could be electro, could be trance arrangement. The kind of thing where there might as well be flairs firing into the sky warning you how much stomping a floor can take.

Similar vibes on 'Medusa', only on a deeper, darker, more menacing tip, a tune that sucks ears into another world entirely, one that's a little unsettling, and certainly difficult to find your way back out of. Elsewhere, things embrace a high-NRG ethic, with both 'Plasma' and 'Onda Sotto' taking things up to almost-gabber tempos, but without actually committing to the pounding fours.