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|2.||"Der Erste Zug"|
|3.||"Der Keil NRW"|
|4.||"Tja Mama, Sandra Maischberger"|
|6.||"Die Glocke (Endstation Wiener Platz)"|
|9.||"Triptychon Nummer 7"|
|10.||"Der Letzte Zug"|
Amazingly, it's 13 years since brothers Reinhard and Wolfgang Voigt first pitched up on Kompakt. The techno landscape has changed much since then, but their commitment to the trippier, more hypnotic end of the genre remains. Die Zauberhafte Welt Der Andersen (The Magical World of Andersen for translation fans), their first album, sees them at their mercurial best, delivering a loopy, semi-organic take on techno that veers from druggy mysticism and psyechedelic intensity (see "Tja Mama, Sandra Maischberger"), to low-slung deepness and slo-mo calmness (the excellent "Sozial"). There's some stellar beatless, horror-inspired oddness, too, in the shape of the intoxicating "Die Glocke".
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