Following last year's full-length outing on Dekmantel, Robert Hood returns to his long-running M Plant label with a typically forthright three-tracker. Given that he's not released anything on the imprint under his given name since 2014, it feels like a significant release. Opener "Low Life" is certainly a slammer in the legendary producer's typical style, with a creepy, mind-altering organ line looping away over bombastic beats and a rumbling, sub-heavy bassline. "Go" is more tribal in feel despite the presence of a bleeping synth motif, with Hood adding and removing different percussive elements throughout to keep excitement high. As for flipside "Clocks", it's dirty, druggy, alien sounding and insanely weighty.
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