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18 year-old Marvin Jupiter makes his bow on 2000 Black, serving up a track that effortlessly joins the dots between the bass-heavy weight of trap, indigenous South African rhythms, bustling West London broken beat and the synth-fired jazz-funk goodness of Herbie Hancock. The fact that such a young debutant is able to distill these influences into a brilliant, futurist house cut is, quite frankly, incredible. Dego and Lord's flipside revision is equally as tasty, too. Drawing on the track's bruk and jazz-funk inspirations while adding funky new Clavinet and guitar motifs, the West London stalwarts serve up a loose and groovy peak-time interpretation that should excite all those who like their beats broken and their basslines chunky.
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