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Frap Tools USTA 4-Channel Sequencer Module (black)
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+44 20 7424 1960
(quote 731214)
- Hands-on layout with physical control per stage and intuitive visual feedback
- Variable stage length
- Independent time ratios on internal or external clock per each track
- Complete track independence
- 4 fully independent tracks with 2 gates and 2 CV each
- Raw / quantized CV with quantization scales and roots
- Pattern mode to edit and play live dynamically, and song mode for a defined sequence of pre edited patterns
- Composition mode to edit a stopped track with CV monitoring
- Normal, skip, or length based slide CV mode per each stage
- Unified gate and ratcheting
- External CV routing to multiple targets
- Store of modulated and/or pseudo randomized patterns in realtime
If you decide an product is not suitable within 14 days of delivery, you can return it to us for a replacement or refund. Returns must be unused and in their original, undamaged packaging.
Some items are excluded from our money back guarantee:
- Computer software that has been unsealed or registered
- Any item that comes directly into contact with the nose, ears or mouth
To arrange a return, just contact our customer service department on 020 7424 2800 or via our customer support form.
Frap Tools USTA 4-Channel Sequencer Module (black)
Variable stage duration means that every single stage duration can be individually set in relation to the clock, instead of being constrained to a one-to-one ratio (i.e. one stage per every clock impulse).
4×4 tracks means that every stage can store and generate up to four separate voltages (two CVs and two gates), and that up to four independent stage sequences can be arranged into as many different tracks.
Its architecture is based on an array of 16 'Stages' which form a 'Pattern'; 16 patterns form a 'Track', and four tracks form a 'Project'. Within each track, each stage can provide two gates and two CVs, and a wide set of options is available to define and modify the value of each output ('Layers') and the way it is played ('Colours').
Every Stage is related to a dedicated stepped encoder for quick and intuitive editing, and all the 16 encoders are arranged in an oval layout with a circular playhead. Every encoder is surrounded by a ring of 16 LEDs and a RGB led, to provide a visual feedback of the current setting of that step basing on the layer you are working on (like raw CV, quantized CV, length, gate...) and the way it should play depending on the RGB colour.
